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and is the only directly documented piece produced by the artist. The retable was completed in the beginning of the 1440s. Very similar style is found in the
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436:"Enthroned Virgin and Child with Personifications of the Virtues of Temperance, Fortitude, Justice, and Prudence by Bernat Martorell (cat. 759)"
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of Saint George, between 1450 and 1451, conserved in the Palau de la
Generalitat de Catalunya's Capella de Sant Jordi.
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161:(the top of the central section was probably executed by another painter) were apparently painted in the 1430s.
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Enthroned Virgin and Child with
Personifications of the Virtues of Temperance, Fortitude, Justice, and Prudence
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Little is known of his life prior to 1427, though by the mid-15th century he was one of the leading artists in
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It is also presumed that
Martorell provided a model according to which the embroiderer
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The
Beheading of St. John the Baptist and Salome Presenting His Head to Herod
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In 1437, Bernat
Martorell got a commission to create an altarpiece (
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About the same time, Martorell also executed illustrations to the
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Saint
Michael, Martyrdom of Saint Eulalia and Saint Catherine
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The John G. Johnson
Collection: A History and Selected Works
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Cornudella, Rafael; Fava, Cesar; Macias, Guadaira (2011).
47:. He is considered to be the most important artist of the
172:. The altarpiece devoted to Saint Peter, is currently in
442:. A Philadelphia Museum of Art free digital publication.
117:) is attributed to Martorell. If he indeed painted the
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371:"European Painting from the 13th to the 15th Century"
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Between 1445 and 1452, Bernat
Martorell produced the
124:One of the earliest surviving works of Martorell,
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51:style in Catalonia. Martorell painted
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143:Ferial Psalter and the Book of Hours
266:, at the Philadelphia Museum of Art
205:Main Retable of Santa Maria del Mar
407:Gothic art in the MNAC collections
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411:Museu Nacional d'Art de Catalunya
319:Museu Nacional d'Art de Catalunya
151:Museu de la Catedral de Barcelona
147:Predella of the Passion of Christ
111:Retable of Saint John the Baptist
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254:Saint George Killing the Dragon
127:Saint George Killing the Dragon
25:Saint George Killing the Dragon
197:Retable of the Transfiguration
166:Retable of Saint Pere de PĂșbol
157:(which survived entirely) and
72:Retable of Saint Pere de PĂșbol
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479:15th-century Spanish painters
300:Flagellation of Santa EulĂ lia
243:Altarpiece of the Saints John
92:contemporary Flemish painting
285:Crucifixion of Santa EulĂ lia
514:15th-century Catalan people
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334:Martyrdom of Saint Eulalia
115:Museu DiocesĂ de Barcelona
509:Medieval Catalan artists
434:Strehlke, Carl Brandon.
373:. A world history of art
259:Art Institute of Chicago
186:Retable of Saint Michael
155:Retable of Saint Vincent
132:Art Institute of Chicago
57:manuscript illuminations
30:Art Institute of Chicago
504:Manuscript illuminators
489:Painters from Catalonia
315:Martyrdom of Saint Lucy
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484:Spanish male painters
178:Retable of Saint John
174:Museu d'Art de Girona
159:Retable of Saint Lucy
113:from Cabrera de Mar (
76:Museu d'Art de Girona
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465:at Wikimedia Commons
413:. pp. 103â111.
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207:in the cathedral of
190:La Pobla de CĂ©rvoles
184:, as well as in the
168:) for the church in
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74:, end of the 1430s (
49:International Gothic
209:Santa Maria del Mar
201:Barcelona Cathedral
130:(tempera on panel,
104:Gentile da Fabriano
226:Anthology of works
145:, and painted the
138:before Martorell.
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461:Media related to
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84:Catalonia
63:Biography
41:Barcelona
377:12 April
203:and the
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271:Gallery
182:Vinaixa
119:retable
53:retable
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246:, at
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45:Spain
415:ISBN
379:2012
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