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Bernat Martorell

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343: 328: 309: 20: 294: 279: 68: 458: 342: 134:), depicting Bernat Martorell's patron saint, was created in the early 1430s and already demonstrates the complexity of composition, richness of colors and fine details which could only have been executed by a fully trained artist. These details were not present in 327: 308: 121:, this could explain the gap between Martorell and the International Gothic in Catalunya. There is, however, no documented evidence that Martorell painted the retable, and his authorship has been disputed. 94:, however, the documented part of his biography does not explain this influence. On the other hand, stylistic parallels have been drawn between Martorell and contemporary Italian artists, including 293: 278: 176:
and is the only directly documented piece produced by the artist. The retable was completed in the beginning of the 1440s. Very similar style is found in the
19: 436:"Enthroned Virgin and Child with Personifications of the Virtues of Temperance, Fortitude, Justice, and Prudence by Bernat Martorell (cat. 759)" 478: 418: 513: 410: 318: 56: 508: 503: 488: 86:. The style of Martorell is contrastingly different from the Catalan Gothic painters who preceded him chronologically, including 253: 126: 24: 483: 208: 242: 91: 222:
of Saint George, between 1450 and 1451, conserved in the Palau de la Generalitat de Catalunya's Capella de Sant Jordi.
150: 462: 161:(the top of the central section was probably executed by another painter) were apparently painted in the 1430s. 114: 493: 264:
Enthroned Virgin and Child with Personifications of the Virtues of Temperance, Fortitude, Justice, and Prudence
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Little is known of his life prior to 1427, though by the mid-15th century he was one of the leading artists in
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It is also presumed that Martorell provided a model according to which the embroiderer
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The Beheading of St. John the Baptist and Salome Presenting His Head to Herod
192:. This style shows more attention to detail than earlier works by Martorell. 370: 95: 83: 40: 457: 169: 351:, between circa 1442 and circa 1445 (Museu Nacional d'Art de Catalunya) 336:, between circa 1442 and circa 1445 (Museu Nacional d'Art de Catalunya) 181: 118: 52: 164:
In 1437, Bernat Martorell got a commission to create an altarpiece (
59:, and carved sculptures and also provided designs for embroideries. 141:
About the same time, Martorell also executed illustrations to the
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Saint Michael, Martyrdom of Saint Eulalia and Saint Catherine
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The John G. Johnson Collection: A History and Selected Works
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Cornudella, Rafael; Fava, Cesar; Macias, Guadaira (2011).
47:. He is considered to be the most important artist of the 172:. The altarpiece devoted to Saint Peter, is currently in 442:. A Philadelphia Museum of Art free digital publication. 117:) is attributed to Martorell. If he indeed painted the 43:) was the leading painter of Barcelona, in modern-day 371:"European Painting from the 13th to the 15th Century" 195:
Between 1445 and 1452, Bernat Martorell produced the
124:One of the earliest surviving works of Martorell, 8: 90:. It shows that Martorell was familiar with 302:, 1427-1437 (Vic, Episcopal Museum of Vic) 287:, 1427-1437 (Vic, Episcopal Museum of Vic) 180:, which was kept in the parish church of 106:, but without any documentary evidence. 362: 274: 400: 398: 396: 394: 392: 390: 388: 51:style in Catalonia. Martorell painted 7: 143:Ferial Psalter and the Book of Hours 266:, at the Philadelphia Museum of Art 205:Main Retable of Santa Maria del Mar 407:Gothic art in the MNAC collections 14: 411:Museu Nacional d'Art de Catalunya 319:Museu Nacional d'Art de Catalunya 151:Museu de la Catedral de Barcelona 147:Predella of the Passion of Christ 111:Retable of Saint John the Baptist 456: 341: 326: 307: 292: 277: 254:Saint George Killing the Dragon 127:Saint George Killing the Dragon 25:Saint George Killing the Dragon 197:Retable of the Transfiguration 166:Retable of Saint Pere de PĂșbol 157:(which survived entirely) and 72:Retable of Saint Pere de PĂșbol 1: 479:15th-century Spanish painters 300:Flagellation of Santa EulĂ lia 243:Altarpiece of the Saints John 92:contemporary Flemish painting 285:Crucifixion of Santa EulĂ lia 514:15th-century Catalan people 530: 334:Martyrdom of Saint Eulalia 115:Museu DiocesĂ  de Barcelona 509:Medieval Catalan artists 434:Strehlke, Carl Brandon. 373:. A world history of art 259:Art Institute of Chicago 186:Retable of Saint Michael 155:Retable of Saint Vincent 132:Art Institute of Chicago 57:manuscript illuminations 30:Art Institute of Chicago 504:Manuscript illuminators 489:Painters from Catalonia 315:Martyrdom of Saint Lucy 79: 33: 484:Spanish male painters 178:Retable of Saint John 174:Museu d'Art de Girona 159:Retable of Saint Lucy 113:from Cabrera de Mar ( 76:Museu d'Art de Girona 70: 22: 465:at Wikimedia Commons 413:. pp. 103–111. 317:, Around 1435-1440 ( 207:in the cathedral of 190:La Pobla de CĂ©rvoles 184:, as well as in the 168:) for the church in 153:). Two altarpieces, 74:, end of the 1430s ( 49:International Gothic 209:Santa Maria del Mar 201:Barcelona Cathedral 130:(tempera on panel, 104:Gentile da Fabriano 226:Anthology of works 145:, and painted the 138:before Martorell. 80: 34: 461:Media related to 420:978-84-8043-242-9 521: 463:Bernat Martorell 460: 444: 443: 431: 425: 424: 402: 383: 382: 380: 378: 367: 345: 330: 311: 296: 281: 37:Bernat Martorell 529: 528: 524: 523: 522: 520: 519: 518: 494:Gothic painters 469: 468: 453: 448: 447: 433: 432: 428: 421: 404: 403: 386: 376: 374: 369: 368: 364: 359: 352: 346: 337: 331: 322: 312: 303: 297: 288: 282: 273: 228: 216:Antonio SadurnĂ­ 65: 17: 16:Spanish painter 12: 11: 5: 527: 525: 517: 516: 511: 506: 501: 496: 491: 486: 481: 471: 470: 467: 466: 452: 451:External links 449: 446: 445: 426: 419: 384: 361: 360: 358: 355: 354: 353: 347: 340: 338: 332: 325: 323: 313: 306: 304: 298: 291: 289: 283: 276: 272: 269: 268: 267: 261: 250: 248:MNAC Barcelona 239: 234: 227: 224: 109:Sometimes the 88:LluĂ­s BorrassĂ  64: 61: 39:(died 1452 in 15: 13: 10: 9: 6: 4: 3: 2: 526: 515: 512: 510: 507: 505: 502: 500: 497: 495: 492: 490: 487: 485: 482: 480: 477: 476: 474: 464: 459: 455: 454: 450: 441: 437: 430: 427: 422: 416: 412: 408: 401: 399: 397: 395: 393: 391: 389: 385: 372: 366: 363: 356: 350: 344: 339: 335: 329: 324: 320: 316: 310: 305: 301: 295: 290: 286: 280: 275: 270: 265: 262: 260: 256: 255: 251: 249: 245: 244: 240: 238: 235: 233: 230: 229: 225: 223: 221: 220:altar frontal 218:executed the 217: 212: 210: 206: 202: 198: 193: 191: 187: 183: 179: 175: 171: 167: 162: 160: 156: 152: 148: 144: 139: 137: 133: 129: 128: 122: 120: 116: 112: 107: 105: 101: 97: 93: 89: 85: 77: 73: 69: 62: 60: 58: 54: 50: 46: 42: 38: 31: 28:, 1434–1435 ( 27: 26: 21: 439: 429: 406: 375:. Retrieved 365: 348: 333: 314: 299: 284: 263: 252: 241: 237:The Nativity 236: 231: 213: 204: 196: 194: 185: 177: 165: 163: 158: 154: 146: 142: 140: 125: 123: 110: 108: 81: 71: 36: 35: 23: 499:1452 deaths 136:Catalan art 55:panels and 473:Categories 357:References 257:, at the 199:from the 96:Pisanello 84:Catalonia 63:Biography 41:Barcelona 377:12 April 203:and the 100:Sassetta 271:Gallery 182:Vinaixa 119:retable 53:retable 417:  102:, and 246:, at 188:from 170:PĂșbol 45:Spain 415:ISBN 379:2012 475:: 438:. 409:. 387:^ 211:. 98:, 32:). 423:. 381:. 321:) 149:( 78:)

Index


Saint George Killing the Dragon
Art Institute of Chicago
Barcelona
Spain
International Gothic
retable
manuscript illuminations

Museu d'Art de Girona
Catalonia
LluĂ­s BorrassĂ 
contemporary Flemish painting
Pisanello
Sassetta
Gentile da Fabriano
Museu DiocesĂ  de Barcelona
retable
Saint George Killing the Dragon
Art Institute of Chicago
Catalan art
Museu de la Catedral de Barcelona
PĂșbol
Museu d'Art de Girona
Vinaixa
La Pobla de CĂ©rvoles
Barcelona Cathedral
Santa Maria del Mar
Antonio SadurnĂ­
altar frontal

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