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Alfredo Piatti had for each other, as Carl Fuchs tells us: âAlfredo Piatti was one of the great âcellists. He dedicated to my master Cossmann his Twelve Caprices, beautiful studies. The admiration of these two great âcellists was mutual, for Cossmann dedicated his five great Concert Studies (op.10) to Piatti.â.
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Cossmannâs transcription reveals a truly deep knowledge of the cello and of its peculiar potential: nowhere does it show, for example, any influence of the transcription for violin of H.W. Ernst; and in it we can see the reasons for the special admiration that
Bernhard Cossman and the Italian
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was given to Kiefer in manuscript, for his exclusive use, because with his great talent he would be able to explore the possibilities of the piece and bring it to life; we know that in reality Kiefer studied
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prepared by his maestro very carefully and wrote another copy (now in a private collection) with many alterations.
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117:. ThĂŒringen Volksliedâ), had formerly dedicated his FĂŒnf Neue Concert Etuden to Heinrich Kiefer.
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and studies for the cello, many of which are still used today.
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This article about a German classical musician is a
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for solo cello for the exclusive use of his student
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From Sibley Music
Library Digital Scores Collection
155:was also a musician and composed over 1,000 songs.
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33:. Born in
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