181:, writing that "Schneider reveals himself as a gnarled Cold Warrior who has been stricken with many of the maladies common to his generation. With the specter of Communism exorcized, his new enemy is Islam." Derbyshire wrote that Schneider's "representation of ethnic minorities in Berlin Now is strictly black-and-white—as either victims or perpetrators of crimes, rarely active agents....Instead of a depiction of a diverse and fast-evolving minority making in-roads into the city’s intellectual, cultural, and business life, what Schneider gives us is an attack on Muslims." Derbyshire concluded "What Peter Schneider gives us in Berlin Now is his own very limited perspective on present-day Berlin."
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is described as a "longtime
Berliner's bright, bold, and digressive exploration of the heterogeneous allure of this vibrant city." The book combines memoir, history, anecdote and reportage on subjects as diverse as the differences between the sex lives of former East and West Berliners to the
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writes that "Schneider seeks to explain why the city became 'the capital of creative people from around the world today.'" Kulish, however is critical of
Schneider "pontificating" about Muslim immigrants and his apparent praise for anti-Muslim politicians.
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as "engrossing" writing that
Schneider deserves plaudits. However, Smith did criticise how "Schneider veers alarmingly off course with chapters not so much about Berlin but about overarching German issues – about, for example, the Stasi, and immigration."
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is a story of how Berlin has changed since reunification to become Europe's most vibrant melting-pot of artists, immigrants and entrepreneurs.
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230:"Berlin Now by Peter Schneider | Quarterly Conversation"
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Berlin Now: The Rise of the City and the Fall of the Wall
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140:Fall of the Berlin Wall
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159:David Hugh Smith, for
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120:(also published as
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285:Books about Berlin
260:The New York Times
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144:Berlin Now
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155:Reception
68:Publisher
165:praised
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53:English
62:Berlin
34:Author
94:Pages
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