914:. Wills said Flood was "true to his word in retaining the band's ... melodic flourishes. But the beat was clearly at the front of his mind, and the industrial idiosyncrasies that had made his name" could be found, such as the sound of Collins dropping his guitar amplifier. Robb said Collins' guitarwork throughout the album sounds like him "warming up. ... His guitar, when it cuts in, is razer-sharp like taut wire. A rasping and great sound, devilish licks lash across the tracks". Though Baker claimed to have worked on three songs from the album, including "Weirdo" and "(No One) Not Even the Rain", he is not credited on any of the tracks. The other six tracks are credited to the new line-up; Blunt–Brookes–Burgess–Mark Collins–Rob Collins. Two of these songs had been finished before Mark Collins' arrived; Mark Collins added only supplemental guitar parts but helped compose of the other four, having been in the band for only two months at that point.
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the new album. Because
Burgess was late composing lyrics for "(No One) Not Even the Rain", he recorded his vocals for the track at Strongroom in London. Burgess later said all of the band had an "ego problem", and that none of them wanted to be in the same room. He said collaborating with someone like Flood "really didn't work. We didn't have the songs for it, and he didn't tell us when he was supposed to be the producer". Despite this, Blunt became close with Flood and asked if he would produce the band's subsequent work.
446:. A month after the end of their US tour, the band toured Australia and New Zealand, and played three shows in Japan. This brief tour was a culture shock for the band, who wanted to return to the UK as soon as possible. The band had previously struggled to write new material while on tour, causing issues when they started writing shortly after the Japanese dates. Writing sessions were held at Rich Bitch studios in Birmingham while the band were under pressure to deliver new material; they wanted their new album to be more
1120:, allowing them to play at 5,000-capacity venues instead of 2,000-capacity ones. Harrison called Peter Murphy a "goth and fucking crap", and the rest of the band were uncomfortable with the suggestion. This answer annoyed RCA Records, who unlike the band and Harrison, who preferred perseverance, wanted to plan everything in the advance. In the past, Beggars Banquet would help to smooth over situations like this but RCA stopped returning the band's calls and redirected them to different offices in the company.
710:. After arriving at Rockfield, Flood scrapped all of the material The Charlatans had already recorded, leaving only six weeks to record and mix an album's worth of songs. Paul Cobbold served as engineer; he and Flood were assisted by Daren Galer, Goetz Botenhart and Philip Ault. Flood's method of working saw the band perform live together, break recording into portions, and construct songs with different rhythm parts and effects while keeping intact the melodies. Nagle would have the band record to a
1131:. While some of the shows were bigger than those on their earlier US tour, reception of the album seem muted. Upon returning to the UK, they noticed although album sales were falling, their live crowds were growing larger. The following month, they embarked on a month-long tour of mainland Europe. From June that year, the band went on an expansive tour of the US but following the birth of Blunt's child and a negative back-stage interaction with
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522:. Collins lurked near the offices of Red Alert in his spare time. Martin later put Collins in contact with The Charlatans, who he knew had been looking for another guitarist. While this was occurring, The Charlatans had auditioned the guitarist from the Honey Turtles. Blunt liked what he heard but upon leaving the room to smoke a cigarette, Rob Collins complained about the guitarist's height. Lead singer
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934:. "Ignition" was originally called "Anticlockwise", referring to things that were out of the band's control going wrong. "Page One" was originally named "Vulture" after its opening lyric; its rhythmic sound is reminiscent of the work of New Order. For "Page One", Collins layered acoustic and electric guitars, and used different
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1709:. Wills called the album an "intriguing collection, disappointing in its lack of cheap thrills but impressive, especially rhythmically, in its struggle to rise above the norm". According to Robb, The Charlatans were trying "too hard to break away from their pop roots and prove themselves as a band with 'depth
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upon its release but it received a reappraisal in later years. Many reviewers said The
Charlatans had employed Flood in the same manner U2 did: "to make themselves look like avant garde risk takers, and to disguise the fact that they had come up with no melodies". Flood avoided disdain while the band
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At the same time, Beggars
Banquet felt another single was essential and planned formatting options, angering the band who, due to constant touring, had little to offer their fans in terms of new B-sides. "Tremelo Song" was released as a single on 6 July 1992, and was accompanied by "Happen to Die", a
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into the studio, which he used to compose parts and melody lines for "Tremelo Song", "The End of
Everything" and "Weirdo". Jones is credited as original recording producer on "Subtitle", which had previously been released as one of the B-sides to "Me. In Time"; Flood remixed the song for inclusion on
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had sold 350,000 copies in the US and the
Charlatans were deciding the best way to promote the new album there. They thought with the right amount of exposure, they could tour as a headlining act in that market, an idea Beggars Banquet resisted. The president of RCA Records proposed the band could
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belonging to Rob
Collins malfunctioned and a fight broke out after one of the shows, resulting in Collins leaving the venue and threatening to quit the band. With the album's sales declining, Beggars Banquet wanted another single from the album, which annoyed the band. The label also asked the band
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at number four, appearing at number 21 on the main album chart. According to Robb, the album's lack of commercial success was likely due to a "backlash amongst record buyers who were growing tired of what they perceived as the
Manchester thing than the band not delivering" something of quality. A
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John
Bergstrom said drummer Jon Brookes toned down the "jaunty shuffle rhythm that permeated every track on the debut" in favour of a "more subtle yet evocative" playing style. Burgess felt time he spent in New York City influenced the album's song titles and electronic textures; he attributed the
638:; the band deemed this a failure because a re-release of their debut single "Indian Rope" reached the top 60 without any promotion. After working for two weeks at Rockfield, the band decided to bring in a producer; they were unsure who they wanted to work with, so Beggars Banquet sent them various
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outro section to the beginning. Discussing the title of "Chewing Gum
Weekend", Blunt said there are two reasons for gum-chewing: "you're trying to pack in smoking or you're trying to stop yourself grinding your own teeth to dust". One of the lines in "(No One) Not Even the Rain" is directly taken
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received unfavourable reviews from music critics, many of whom criticized the band, especially
Burgess, for being lazy. Burgess' lyrics and the album's artwork also drew negative comments. Retrospective reviews of the album were more favourable, and some called it an underrated release. The album
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walking into the sea and then entering a pub, where he finds the band drinking. Burgess said they tried to "make sure it was always something new, not just dodgy live versions". Harrison was more sympathetic to the label, saying: "Eventually, though, you do have to consider the record company's
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Some associated told the Charlatans they should make a bigger departure from baggy and try not to alienate their existing fan base. Blunt felt Collins' initial writing contributions strayed from his vision of the band's future sound but coincided with what the other members' intentions. By this
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With Baker's departure, shows in the rest of mainland Europe were cancelled and plans to release a new album were postponed from September 1991 to early 1992. Harrison said the band wanted to find someone who would contribute more to the writing; Baker is credited with only five of the songs on
419:". The band members were surprised when "Sproston Green" started gaining traction in the US, causing them to worry the tour would be extended and delay recording sessions. While trying to gain popularity in the US, the Charlatans returned to the UK, marking the end of the band and the
3315:"Weirdo Fact: from 3.00 (let's call it the Hammond solo outro). Well we (when I say 'we' - I mean Flood) took that section and added it to the front The intro originally was from 0.15 minus the WHA AH WHA AH WHAAAAAAA so we were gonna start it with ebow guitar bass & drums"
954:. The song features two different choruses; the band used both choruses because they could not decide which to use. Rob Collins sings the first chorus and Burgess sings the second. The lyrics for the choruses refer to being an independent individual without being controlled by
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to be a "surprisingly calm, introspective, almost mournful album", even though what the band were mourning seems to be vague. He called it a "quantum leap in musical maturity and sophistication" from their debut, and highlighted Flood's "crisp, clean sound". The staff at
2648:"Flood produced the record I knew of him through other people's records in my collection I had to get all the other Charlatans to agree so played them New Order: Movement Pop Will Eat Itself: This Is The Day...This Is The Hour...This Is This! ...And Flood was signed up"
3205:"My friend Jonah faked illness to get out of the army The training was fun apparently but once they had you signed up it was a nightmare 'The End of Everything, you're dead in me for ever' was what he said it felt like when he finally got out. It took him 18months"
1753:. Describing the album in 2021, Burgess said it was "pretty extreme for some people. We completely dismantled everything that we had, we changed a band member, and Rob felt that he’d done everything, really, on the first album." According to Ian King of
1759:, Flood's production is a "significant part of what distinguishes this record in The Charlatans’ discography". When reviewing the 2020 reissue, Bergstrom said the inclusion of the live show adds "no historical context" because it contains no songs from
1786:, and in the Netherlands it reached number 73. By February 1994, the album had sold 92,000 copies in the US. "Weirdo" charted at number 19 in the UK, number 22 in Ireland and number 67 in the Netherlands. "Tremelo Song" charted at number 44 in the UK.
3478:"We made a video for Tremelo Song that featured an actor called Spencer Leigh, he'd played Icky in One Summer - a TV drama that we were obsessed with. @davemorrissey64 played Billy. Still think it's one of the best things that's ever been on TV"
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writer Adam Higginbotham, the album continues the problems of the band's earlier album, saying: " was making everything up as he went along, murmuring away over a groovy backdrop in the hope of stumbling across a vocal line". Bill Wyman of
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on 28 February 1992, with the instrumental "Theme From 'The Wish'", an alternative version of "Weirdo" and Flood's remix of "Sproston Green" as the B-sides. The song's music video, which was filmed in London, depicts the Charlatans, a
2683:"Flood said yes because his girlfriend liked Some Friendly -but first he would remix our US single Sproston Green #timstwitterlisteningparty and a new version of Opportunity (we called it Opportunity 3). They still sound amazing"
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told the other members he felt Baker was holding them back. Collins and bassist Martin Blunt later told Baker they wanted him to leave, and Baker agreed. At the end of June, Baker performed his last shows with the band at
2773:"Subtitle: We recorded a version of this with Hugh Jones for the http://Me.In Time EP Flood remixed it I always thought it sounded a bit like the @Bunnymen Maybe it's just the first line Lips like sugar?? That'd do it x"
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is "quite direct" and thought if the Charlatans were just as direct, the song would be "quite suitable to the surroundings". The song was originally planned to start with guitar, bass and drums but Flood added the
1080:; its artwork features a photograph of bananas taken by Steve Majors. Little time had been afforded for the artworkl; the final image was chosen from a variety of other photographs. Burgess said the bananas looked
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The band members were not used to this approach, feeling it took an intensive toil on them. Members would argue among themselves, requiring Flood to break stalemates and ensure work continued. He helped the band
367:, and a tour of mainland Europe the next month. They then went on a two-month US tour, which was cut short due to the birth of Blunt's child. In the middle of the tour, in July 1992, the album's second single "
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reviewer Rob O'Connor said the album "works on a subtler level" because the "mix is more densely layered". Higginbotham said "espite a new sound" and Flood's production, the "fundamental problem lingers".
848:(1966). Despite the influx of inspiration, during this time, Burgess found songwriting difficult; Blunt criticized Burgess' lyrics and Burgess later attributed this to the state of Blunt's mental health.
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to embrace formatting—the releasing of singles with multiple sleeves and different accompanying songs—an act the band considered a form of fan exploitation that countered their working-class principals.
2996:"I think of Brighton when I hear this song Nice guitar solo at the end Then piano strings being hit by a drum mallet (like for a gong) and then picked as an overdub with reverse reverb on top. Oh yeah!"
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reviewer Ned Raggett said the album is "much stronger than its reputation" that precedes it, and that Flood's production is "strengthening and creating excellent arrangements for everyone as a whole".
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experienced negative attention from press outlets. The Charlatans had a self-imposed policy about releasing no more than one single from an album, which meant they released additional songs on the EP
538:", wishing they had instead recorded "Weirdo". The other members were happy to consider Collins' writing ideas and outvoting Blunt on his objections. Blunt was aware of the critical backlash against
714:, recording one instrument at a time over several weeks. Flood preferred working intensely in short bursts of productivity; at one point, the band had completed eleven backing tracks in eight days.
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until the end of the year. During this tour, the band debuted a new song "Can't Even Be Bothered" and between shows, they wrote new songs as a potential follow-up single. While demoing material,
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had previously seen Mark Collins with his previous band The Waltones and decided to invite him to audition for the Charlatans. Collins arrived at the rehearsal and was asked to join the band.
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writer Julie Gerstein said the album was "by and large overlooked" upon its release due to the changing musical landscape. She referred to the fact The Charlatans made an album as "lush" as
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1066:" (1991). The video for "I Don't Want to See the Sights", which was recorded in a psychiatric hospital, features a man spinning in a wheelchair. The band played two shows in Glasgow at
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2808:"I had the title but lyrics came last, so I recorded the vocal at the strong room in East London. I was living in Chiswick. It was my favourite (still is – Phew! ) on the album"
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and the forthcoming single "Me. In Time". They had only four unrecorded pre-Collins songs; "Weirdo", "Tremelo Song", "Can't Even Be Bothered" and "(No One) Not Even the Rain".
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642:. The band found the Rich Bitch studio sessions to be fruitless so they wanted to work with someone who could encapsulate the band's spirit. Chris Nagle, who had produced
1731:(2000), wrote the band "spin this album out of the subtlest of melodies, hanging on to the slightest of hooks", praising the interplay of the guitar and keyboard parts.
3126:"We worked hard on this song but we had two choruses. We couldn't decide which chorus to go with so went with both – not sure how we made it work but it sounds amazing"
1135:, the band chose to return early to the UK in August 1992. Mark Collins said they had to choose between "another 20,000 sales or keeping your sanity. We chose sanity".
910:(1998), said: "on one level there is a rasping rawness and a great drum sound, on the other some of the song arrangements sound a tad empty", bordering on the sound of
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309:. Bassist Martin Blunt went through a series of personal issues that led to his hospitalization in September 1991. The Charlatans began recording their next album at
1178:, which was originally released in 1991, but without any contemporaneous B-sides or alternative mixes. The Charlatans' Reading Festival appearance was released as
1203:, choosing the latter for its connection with American audiences and because they had played little material from it, except "Weirdo", in the intervening years.
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was considered "too negative"; he felt a reference to New York in the album's final title would be appropriate because he was spending his free time between
542:, which their label was still asking the band to promote. Alongside this, Blunt's relationship with his wife was deteriorating; as a result, Blunt developed
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359:" was released in February 1992 and was promoted with two shows in Glasgow. In April that year, The Charlatans embarked on a tour of the United States with
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shows a band "strech out and mak some great interesting music", which was something that should be praised "in the gaping post-baggy vacuum". Mark Caro of
1001:. "Weirdo" is an introspective song; Burgess said the title phrase is used as a form of endearment, showing pride in one's status as an outsider. He noted
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461:. Baker found live performances joyless; between tours, he consumed alcohol and drugs. In June 1991, the Charlatans toured the UK tour with support from
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389:. "Weirdo" charted at number 19 in the UK, number 22 in Ireland and number 67 in the Netherlands, while "Tremelo Song" charted at number 44 in the UK.
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534:. Manager Steve Harrison noted Blunt was undergoing personal issues, such as not easily accepting Baker's departure and loathing making the song "
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in New York City, where the band played their first show in the US. The title had earlier been given to a song they performed for a session for
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was brought in to produce the sessions. Flood encouraged the band to focus on live performances instead of recording one instrument at a time.
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writer Scott Mervis said the album shows the band could "stretch out" their sound but told listeners not to focus on the lyrics. According to
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938:. Burgess said the song talks about "spoiling someone’s fun" because he was "very happy with how trapped I felt". "Tremelo Song" mixes 1970s
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demo titled "Normality Swing", and live versions of "Then" and "Chewing Gum Weekend" as B-sides. The music video for "Tremelo Song" has an
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as a "very underrated album" but criticized the "pretty crap" packaging and artwork choice, negatively comparing it to the works of
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flew the band to Los Angeles, California, to consecutively record videos for "I Don't Want to See the Sights" and "Weirdo" with
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noted Mark Collins' guitar parts were "pushed to the forefront and the density and urgency somewhat dissipated" as a result.
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is too "ill-focused and lacking in any sort of energy", and criticized Burgess' lyric-writing as "freely associative bilge".
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needs, and one of their main needs is to compete in the market-place". Later in August 1992, the Charlatans sub-headlined
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had been suggested as working titles, and the latter title was used on some promotional copies of the album. Burgess said
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469:; during this tour, Baker considered leaving the band. Following their performance in London, the band met with producer
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794:" Topics such as introspection and self-doubt can be found throughout the songs, which are influenced by the works of
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and told to rest for a fortnight. During this time, the Madchester and baggy scenes had fallen out of popularity, and
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for an idea based on two phrases and writing a fully completed song instead. The guitars, which recall the work of
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a sense of darkness. While making the album, Burgess listened to Dylan's music, and was enthralled with his albums
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1195:. The two acts had played shows together as early as 1993. Burgess said the Charlatans were asked to play either
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Discussing the album's lyrical theme, Burgess said it was "weird. It was like 'Please get me out of this place.
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Guitarist John Baker felt insecure about the proceedings, realizing he was playing a reworking of the songs on
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806:(1999) said Burgess admired Cummings' "abrasive belligerence and the abandon of his uninhibited Bohemianism".
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called the lyrics "blather" but complimented the band's "swirling rhythms and distinctive instrumentation".
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3040:"In this song it all comes from Mark amazing layering technique , different tunings, acoustic and electric"
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said although the album lacks memorable moments and does not have a "hook in sight", it is far superior to
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on 29 February and 1 March 1992 as a warm-up for Mark Collins and to test the new songs in a live setting.
698:. The members of The Charlatans were unaware he worked with U2; they were more familiar with his work with
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1723:"without the use of samplers is remarkable and makes them something of an anomaly of the period". Author
1094:. The band promoted the album with two shows in Greece before starting a tour of the UK with support from
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textures to time he spent in New York City; some of the more-sparse song arrangements recall the work of
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were criticized, especially Burgess, for being lazy. His lyrics and the album cover were also berated.
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291:. The Charlatans started writing new material shortly after the release of their debut studio album
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3623:"Ride & The Charlatans began their North American tour @ Webster Hall (pics, setlists, review)"
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produced, was released on 25 February 1991. The EP's music showed the band partly moving from the
415:". In February 1991, the band embarked on their first US tour, coinciding with the US release of "
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week after the final date of their April 1992 US tour, the album peaked at number 173 on the US
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point, the band had finished 18 songs for their next album, which had the potential of being a
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album whose lyrics deal with introspection and self-doubt, and were influenced by the works of
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3170:"The End of Everything I wanted to do a war song Maybe a bit like @neworder's Love Vigilantes"
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in October 1990, and promoted it with a tour of the UK and mainland Europe with support from
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3075:"The lyrics are about spoiling someone's fun - I wasn't very happy with how trapped I felt"
499:. Harrison contacted Alison Martin, the band's former press agent, who was now working for
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and a tour of the United Kingdom, guitarist John Baker left the band and was replaced with
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The Charlatans embarked on a US tour in April 1992, starting with an appearance at
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keyboard parts. The guitarwork in "Can't Even Be Bothered", which is enhanced by a
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Because Beggars Banquet wanted another single from the band for the UK market, the
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706:. Flood agreed to work with the band after learning that his girlfriend enjoyed
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1206:"Weirdo" was included on the band's first, third and fifth compilation albums
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4596:. Third Ear: The Essential Listening Companion. San Francisco, California:
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One Two Another: Line by Line – Lyrics from the Charlatans, Solo and Beyond
665:. Flood was eventually selected after Burgess showed the rest of the band
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In 2008, Beggars Banquet Records wanted to issue expansive box sets of
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974:
955:
2846:"Can't Even Be Bothered: Two Great British Indie Rock Albums Turn 20"
946:, which are accompanied by a reoccurring piano part in the style of "
564:
474:
1172:
was reissued as a two-CD set that was packaged with the live album
503:
company Red Alert, about the situation. Martin discussed this with
939:
598:
439:
49:
4676:
1226:
event, "Weirdo" and "Tremelo Song" were released as part of the
684:
Flood had remixed "Sproston Green" for the US market and the EP
4680:
3575:"The Charlatans' 'Between 10th and 11th' Gets a Deluxe Edition"
1451:
1307:
1084:-esque, though Wills said it was not an intentional homage to
1076:
was released on 23 March 1992 through Beggars Banquet imprint
546:
and by September 1991, he had collapsed and was hospitalized.
1445:
Doug Iverson noted the band offer "a bit more of a growl" on
1127:
in Dallas, Texas. They were supported by Catherine Wheel and
775:
inspired the themes of introspection and self-doubt heard on
722:; while recording in "Weirdo", he showed the band how to use
3727:"Charlatans UK: Between 10th and 11th (Beggars Banquet/RCA)"
2047:
926:, includes brushes interacting with piano strings. This was
688:. When the band contacted Flood, he had finished working on
411:
asked them to write a song that resembled their hit single "
695:
3522:"The Charlatans reissue Some Friendly, celebrate in style"
4108:"Dutchcharts.nl – The Charlatans – Between 10th and 11th"
1054:
dog and a dancer sitting on a couch. The band's US label
4374:
Higginbotham, Adam (April 1992). "Reviews New Albums".
3282:"A beginner's guide to The Charlatans with Tim Burgess"
1168:
but plans stalled with the band's management. In 2020,
1152:
and went on a short tour of Japan the following month.
922:"I Don't Want to See the Sights", the opening track of
382:
peaked at number 21 in the UK and number 173 on the US
371:" was released, and was promoted with a performance at
579:. The Charlatans' contemporaries also faced problems;
4395:"Black Crowes are strong, but they aren't the Stones"
583:
were involved in a legal battle with their label and
4957:
4883:
4858:
4756:
1823:
1812:
1455:said while it is not "stuffed with great singles",
1107:
US tours, "Tremelo Song" single and later promotion
930:with strings that were being picked and altered by
634:in October 1991. The song reached number 28 on the
507:manager Anthony Bogianno, who suggested his band's
210:
161:
140:
128:
112:
91:
69:
61:
48:
34:
2572:
2570:
678:This Is the Day...This Is the Hour...This Is This!
3867:Patterson, Sylvia (18 March 1992). "New albums".
3421:
3419:
3417:
3415:
3413:
3411:
3409:
3390:
3388:
3386:
3384:
3382:
3380:
3361:
3359:
3110:
3108:
3106:
3104:
2724:
2722:
2720:
2718:
2716:
2714:
2712:
2632:
2630:
2628:
2626:
2624:
2622:
2620:
2598:
2596:
2594:
2592:
2590:
2588:
2586:
2584:
2582:
2568:
2566:
2564:
2562:
2560:
2558:
2556:
2554:
2552:
2550:
2495:
2493:
2491:
2472:
2470:
2424:
2422:
2339:
2337:
2335:
2325:
2323:
1187:In early 2023, the Charlatans toured the US with
397:The Charlatans released their debut studio album
4110:(in Dutch). Hung Medien. Retrieved 4 July 2022.
2295:
2293:
2256:
2254:
2235:
2233:
2231:
1794:All songs written by Martin Blunt, Jon Brookes,
1015:. The outro portion alludes to the material on
630:produced "Me. In Time", which was released as a
375:and a tour of Japan in September the same year.
3853:
3851:
3849:
1628:
969:"Subtitle" is the result of Burgess attempting
3957:
3955:
3711:(sleeve). Beggars Banquet Records. BBQ2155SXE.
3660:(booklet). Beggars Banquet Records. BBQCD 198.
1268:
4692:
4070:
4068:
4066:
3990:
3988:
726:in a live setting. Rob Collins had brought a
8:
4103:
4101:
3803:
3801:
3696:(booklet). Then Records. thenCD1/then1CD _1.
2918:
2916:
2875:
2873:
2757:
2755:
2753:
2351:
2349:
1590:
1552:
1504:
1337:
1062:, who had directed the video for Nirvana's "
4338:"Atlantic Brings The Charlatans Up To Date"
3923:
3921:
3815:
3813:
3720:
3718:
3568:
3566:
3564:
2930:
2928:
486:in Denmark and Belfort Festival in France.
283:; it was released on 23 March 1992 through
4699:
4685:
4677:
4076:"Charlatans / full Official Chart History"
3997:"Between 10th and 11th (Expanded Edition)"
3791:
3789:
3787:
3444:
3442:
3440:
2962:
2960:
2958:
2839:
2837:
2610:
2608:
2394:
2392:
2390:
2388:
2140:
1479:
1241:
1222:(2021), respectively. As part of the 2019
40:
31:
4493:"New Jeffreys' album rates national tour"
4359:Gerstein, Julie (January–February 2004).
465:, Johnny Male, Soul Family Sensation and
3930:"Between 10th and 11th – The Charlatans"
3822:"Charlatans U.K.: Between 10th And 11th"
2880:Christopher, Michael (30 January 2023).
1809:
894:The album's sound has been described as
4640:The Charlatans – Northwich Country Boys
4196:"Charlatans | Artist | Official Charts"
3978:
3976:
2227:
1175:Isolation 21.2.91 Live at Chicago Metro
867:in early 1991 that was later scrapped.
816:electronic elements to Flood's work on
610:, Wales, where the Charlatans recorded
297:(1990). After some writing sessions in
29:1992 studio album by the Charlatans
4617:The Charlatans: The Authorised History
2121:Steve Majors – front cover photography
1011:from the final line of Cummings' poem
804:The Charlatans: The Authorised History
518:, who was now playing in his own band
320:Following two weeks of work, producer
275:is the second studio album by British
4934:Just When You're Thinkin' Things Over
4615:Wills, Dominic; Sheehan, Tom (1999).
3608:Live at Reading Festival :: 1992
3252:from the original on 27 February 2021
1485:
1247:
1181:Live at Reading Festival :: 1992
1156:Reissues, related releases and events
7:
4993:The Charlatans (English band) albums
4051:from the original on 3 November 2021
3635:from the original on 15 October 2023
3557:(booklet). Situation Two. BBQ2165CD.
2892:from the original on 31 January 2023
1630:
1116:co-headline a six-week US tour with
563:(1991), allowing for the success of
5003:Albums produced by Flood (producer)
1398:Wills said music critics lambasted
1270:
1037:"Weirdo" single and album promotion
985:effect, recalls the guitarwork in "
887:, London; and his parents' home in
4948:You're So Pretty – We're So Pretty
4336:Cummings, Jon (19 February 1994).
4086:from the original on 21 April 2022
4037:Etheridge, Loz (18 October 2021).
4009:from the original on 24 April 2022
3352:(sleeve). Situation Two. SIT 88CD.
720:learn how to use studio technology
489:
442:sound of their previous work into
25:
4567:The New Rolling Stone Album Guide
4513:from the original on 27 June 2022
4455:from the original on 29 June 2022
4434:The Encyclopedia of Popular Music
4415:from the original on 30 June 2022
4275:from the original on 27 June 2022
4177:from the original on 30 June 2022
3940:from the original on 29 June 2022
3897:from the original on 30 June 2022
3820:O’Connor, Rob (29 January 1997).
3587:from the original on 27 June 2022
3534:from the original on 28 June 2022
3294:from the original on 28 June 2022
3280:Nissim, Mayer (20 January 2015).
2858:from the original on 27 June 2022
2844:Bergstrom, John (12 March 2012).
1746:The New Rolling Stone Album Guide
1592:
1585:The New Rolling Stone Album Guide
1554:
1547:The Encyclopedia of Popular Music
1506:
1339:
1087:The Velvet Underground & Nico
473:, who is known for his work with
4249:Bernstein, Jonathan (May 1992).
4136:from the original on 2 June 2009
3772:from the original on 5 June 2020
3739:from the original on 5 June 2020
3621:Pearis, Bill (31 January 2023).
3573:Bergstrom, John (13 July 2020).
3520:Young, Alex (26 February 2010).
2124:Steve Double – group photography
1832:"I Don't Want to See the Sights"
1674:
1669:
1664:
1659:
1654:
1649:
1644:
1639:
1634:
1629:
1611:
1606:
1601:
1596:
1591:
1573:
1568:
1563:
1558:
1553:
1525:
1520:
1515:
1510:
1505:
1358:
1353:
1348:
1343:
1338:
1284:
1279:
1274:
1269:
752:
743:
393:Background and Baker's departure
253:"I Don't Want to See the Sights"
4491:Mervis, Scott (11 April 1992).
4039:"In Conversation – Tim Burgess"
3610:(sleeve). Then Records. then9x.
3476:Burgess, Tim (11 April 2020).
3313:Burgess, Tim (11 April 2020).
3203:Burgess, Tim (11 April 2020).
3168:Burgess, Tim (11 April 2020).
3124:Burgess, Tim (11 April 2020).
3073:Burgess, Tim (11 April 2020).
3038:Burgess, Tim (11 April 2020).
2994:Burgess, Tim (11 April 2020).
2806:Burgess, Tim (11 April 2020).
2771:Burgess, Tim (11 April 2020).
2681:Burgess, Tim (11 April 2020).
2646:Burgess, Tim (11 April 2020).
2508:Wills; Sheehan 1999, pp. 70, 72
2364:Wills; Sheehan 1999, pp. 62, 65
2287:Wills; Sheehan 1999, pp. 60, 61
2278:Wills; Sheehan 1999, pp. 56, 60
1013:Somewhere I Have Never Traveled
958:. "The End of Everything" is a
681:(1989) by Pop Will Eat Itself.
344:attributed some of the album's
4673:(streamed copy where licensed)
3995:King, Ian (8 September 2020).
3457:Wills; Sheehan 1999, pp. 88–89
2526:Wills; Sheehan 1999, pp. 72–73
2485:Wills; Sheehan 1999, pp. 69–70
2112:– original recording producer
1813:
340:. The Charlatans' lead singer
1:
4393:Iverson, Doug (31 May 1992).
1411:writer Steve Sutherland said
1143:aesthetic; it features actor
1041:"Weirdo" was released as the
906:in his biography of the band
4472:. Harpenden, Hertfordshire:
3725:Caro, Mark (16 April 1992).
2437:Robb 1998, pp. 154, 155, 156
2195:
2181:
2166:
2103:Goetz Botenhardt – assistant
2011:"(No One) Not Even the Rain"
993:. Blunt's bass part evokes "
618:The Charlatans travelled to
514:and their former van driver
490:Collins' arrival and writing
467:New Fast Automatic Daffodils
4531:The Charlatans: We Are Rock
3884:Wyman, Bill (2 July 1992).
1191:and played the entirety of
962:Burgess based on the song "
908:The Charlatans: We Are Rock
5024:
3758:Wyman, Bill (8 May 1992).
3510:Wills; Sheehan 1999, p. 89
3425:Wills; Sheehan 1999, p. 84
3394:Wills; Sheehan 1999, p. 83
3365:Wills; Sheehan 1999, p. 81
3238:Brod, Doug; Robbins, Ira.
3114:Wills; Sheehan 1999, p. 88
2636:Wills; Sheehan 1999, p. 80
2602:Wills; Sheehan 1999, p. 76
2576:Wills; Sheehan 1999, p. 78
2544:Wills; Sheehan 1999, p. 73
2517:Wills; Sheehan 1999, p. 72
2499:Wills; Sheehan 1999, p. 70
2476:Wills; Sheehan 1999, p. 69
2428:Wills; Sheehan 1999, p. 68
2382:Wills; Sheehan 1999, p. 66
2343:Wills; Sheehan 1999, p. 65
2329:Wills; Sheehan 1999, p. 62
2299:Wills; Sheehan 1999, p. 61
2260:Wills; Sheehan 1999, p. 56
2239:Wills; Sheehan 1999, p. 55
2118:Kim Peters – art direction
826:(1990), the latter giving
802:. Author Dominic Wills in
454:than their previous work.
234:Released: 24 February 1992
4714:
4552:Stewart, Allison (2004).
4202:. Retrieved 4 July 2022.
2186:
2171:
2159:
2007:
1993:
1960:
1931:
1917:
1903:
1870:
1856:
1842:
1828:
1820:
1817:
1493:
1490:
1255:
1252:
889:Moulton, Northamptonshire
833:Bringing It All Back Home
549:Blunt was diagnosed with
392:
355:The album's lead single "
264:
221:
206:
169:
39:
4437:(5th concise ed.).
3857:Higginbotham 1992, p. 72
2100:Darren Galer – assistant
1935:"Can't Even Be Bothered"
620:Rockfield, Monmouthshire
608:Rockfield, Monmouthshire
315:Rockfield, Monmouthshire
4498:Pittsburgh Post-Gazette
4080:Official Charts Company
3760:"Between 10th and 11th"
3707:The Charlatans (2019).
3692:The Charlatans (2021).
3671:The Charlatans (2006).
3654:The Charlatans (1998).
3606:The Charlatans (2022).
3553:The Charlatans (2020).
3348:The Charlatans (1992).
2729:The Charlatans (1992).
2407:Robb 1998, pp. 153, 154
2248:Robb 1998, pp. 120, 126
2106:Philip Ault – assistant
2097:Paul Cobbold – engineer
2044:Personnel per booklet.
1907:"The End of Everything"
1418:Pittsburgh Post-Gazette
1394:Contemporaneous reviews
1320:Pittsburgh Post-Gazette
1098:. During the tour, two
1064:Smells Like Teen Spirit
881:East Village, Manhattan
409:Beggars Banquet Records
289:Beggars Banquet Records
18:Between 10th & 11th
4638:Wilson, Susan (1997).
4468:Luck, Richard (2002).
2952:Robb 1998, pp. 170–171
2142:Chart performance for
1806:, except where noted.
1767:Commercial performance
1092:the Velvet Underground
1068:King Tut's Wah Wah Hut
735:Composition and lyrics
657:, who had worked with
622:, Wales, to record at
615:
305:of English indie band
216:Between 10th and 11th
4772:Between 10th and 11th
4666:Between 10th and 11th
4642:. London: UFO Music.
4474:The Pocket Essentials
4313:Burgess, Tim (2019).
4288:Burgess, Tim (2013).
3961:Thompson 2000, p. 252
3555:Between 10th and 11th
3028:Bernstein 1992, p. 48
2934:Gerstein 2004, p. 123
2731:Between 10th and 11th
2144:Between 10th and 11th
2086:Production and design
1997:"Chewing Gum Weekend"
1772:Between 10th and 11th
1761:Between 10th and 11th
1740:Between 10th and 11th
1721:Between 10th and 11th
1703:Between 10th and 11th
1481:Retrospective reviews
1476:Retrospective reviews
1457:Between 10th and 11th
1447:Between 10th and 11th
1413:Between 10th and 11th
1400:Between 10th and 11th
1201:Between 10th and 11th
1193:Between 10th and 11th
1170:Between 10th and 11th
1166:Between 10th and 11th
1074:Between 10th and 11th
1047:Between 10th and 11th
977:, are accompanied by
924:Between 10th and 11th
853:Between 10th and 11th
828:Between 10th and 11th
777:Between 10th and 11th
651:Warner Chappell Music
612:Between 10th and 11th
602:
379:Between 10th and 11th
326:Between 10th and 11th
272:Between 10th and 11th
247:Released: 6 July 1992
185:Between 10th and 11th
35:Between 10th and 11th
5008:Situation Two albums
4874:Forever. The Singles
4598:Miller Freeman Books
4572:Simon & Schuster
4470:The Madchester Scene
4119:Cummings 1994, p. 15
3982:Stewart 2004, p. 153
3765:Entertainment Weekly
3694:A Head Full of Ideas
3674:Forever: The Singles
1774:entered the midweek
1431:Entertainment Weekly
1296:Entertainment Weekly
1220:A Head Full of Ideas
1215:Forever: The Singles
839:Highway 61 Revisited
4892:The Only One I Know
4213:"The Charlatans UK"
3434:Burgess 2013, p. 80
3270:Burgess 2019, p. 41
3158:Burgess 2019, p. 45
2922:Burgess 2013, p. 86
2910:Burgess 2013, p. 88
2761:Burgess 2013, p. 87
2455:Burgess 2013, p. 85
2446:Burgess 2013, p. 84
2355:Burgess 2013, p. 82
2146:
2061:Jon Brookes – drums
2058:Martin Blunt – bass
1482:
1244:
1025:20 Jazz Funk Greats
820:and Depeche Mode's
663:Pop Will Eat Itself
551:clinical depression
413:The Only One I Know
4173:. Dutchcharts.nl.
4132:. Irishcharts.ie.
3970:Larkin 2007, p. 70
3915:Iverson 1992, p. 5
3834:on 17 January 2008
3807:Mervis 1992, p. 10
3709:Everything Changed
2535:Wilson 1997, p. 18
2269:Wilson 1997, p. 15
2141:
2094:– producer, mixing
1480:
1242:
1232:Everything Changed
1129:the Wolfgang Press
952:The Rolling Stones
869:Prefabs and Riches
851:The album's title
704:the Wolfgang Press
616:
365:The Wolfgang Press
287:, a subsidiary of
85:Strongroom, London
4980:
4979:
4828:You Cross My Path
4554:"Charlatans U.K."
4448:978-0-85712-595-8
4328:978-1-4721-3031-0
4305:978-0-241-97196-3
4149:Search by Artist.
4027:Robb 1998, p. 174
3886:"Charlatans U.K."
3795:Robb 1998, p. 173
3484:). Archived from
3466:Robb 1998, p. 176
3448:Robb 1998, p. 177
3403:Robb 1998, p. 175
3374:Robb 1998, p. 166
3321:). Archived from
3240:"Charlatans (UK)"
3211:). Archived from
3176:). Archived from
3132:). Archived from
3081:). Archived from
3046:). Archived from
3002:). Archived from
2984:Robb 1998, p. 158
2975:Robb 1998, p. 153
2966:Robb 1998, p. 171
2814:). Archived from
2779:). Archived from
2747:Robb 1998, p. 170
2689:). Archived from
2654:). Archived from
2614:Robb 1998, p. 169
2464:Robb 1998, p. 157
2416:Robb 1998, p. 154
2398:Robb 1998, p. 168
2317:Robb 1998, p. 139
2308:Robb 1998, p. 137
2200:
2199:
2133:
2132:
2115:
2036:
2035:
1695:
1694:
1391:
1390:
1096:Milltown Brothers
1017:Throbbing Gristle
624:Rockfield Studios
604:Rockfield Studios
484:Roskilde Festival
311:Rockfield Studios
268:
267:
202:
201:
16:(Redirected from
5015:
4958:Related articles
4701:
4694:
4687:
4678:
4653:
4634:
4611:
4594:Alternative Rock
4585:
4570:(4th ed.).
4562:Hoard, Christian
4558:Brackett, Nathan
4548:
4522:
4520:
4518:
4487:
4464:
4462:
4460:
4424:
4422:
4420:
4389:
4370:
4355:
4332:
4309:
4284:
4282:
4280:
4235:
4234:
4232:
4230:
4225:on 27 March 2018
4221:. Archived from
4209:
4203:
4193:
4187:
4186:
4184:
4182:
4167:
4161:
4145:
4143:
4141:
4126:
4120:
4117:
4111:
4105:
4096:
4095:
4093:
4091:
4072:
4061:
4060:
4058:
4056:
4044:God Is in the TV
4034:
4028:
4025:
4019:
4018:
4016:
4014:
3992:
3983:
3980:
3971:
3968:
3962:
3959:
3950:
3949:
3947:
3945:
3925:
3916:
3913:
3907:
3906:
3904:
3902:
3881:
3875:
3874:
3864:
3858:
3855:
3844:
3843:
3841:
3839:
3830:. Archived from
3817:
3808:
3805:
3796:
3793:
3782:
3781:
3779:
3777:
3755:
3749:
3748:
3746:
3744:
3722:
3713:
3712:
3704:
3698:
3697:
3689:
3683:
3682:
3668:
3662:
3661:
3651:
3645:
3644:
3642:
3640:
3618:
3612:
3611:
3603:
3597:
3596:
3594:
3592:
3570:
3559:
3558:
3550:
3544:
3543:
3541:
3539:
3517:
3511:
3508:
3502:
3501:
3495:
3493:
3488:on 11 April 2020
3473:
3467:
3464:
3458:
3455:
3449:
3446:
3435:
3432:
3426:
3423:
3404:
3401:
3395:
3392:
3375:
3372:
3366:
3363:
3354:
3353:
3345:
3339:
3338:
3332:
3330:
3325:on 11 April 2020
3310:
3304:
3303:
3301:
3299:
3277:
3271:
3268:
3262:
3261:
3259:
3257:
3235:
3229:
3228:
3222:
3220:
3215:on 11 April 2020
3200:
3194:
3193:
3187:
3185:
3180:on 11 April 2020
3165:
3159:
3156:
3150:
3149:
3143:
3141:
3136:on 11 April 2020
3121:
3115:
3112:
3099:
3098:
3092:
3090:
3085:on 11 April 2020
3070:
3064:
3063:
3057:
3055:
3050:on 11 April 2020
3035:
3029:
3026:
3020:
3019:
3013:
3011:
3006:on 11 April 2020
2991:
2985:
2982:
2976:
2973:
2967:
2964:
2953:
2950:
2944:
2943:Luck 2002, p. 61
2941:
2935:
2932:
2923:
2920:
2911:
2908:
2902:
2901:
2899:
2897:
2877:
2868:
2867:
2865:
2863:
2841:
2832:
2831:
2825:
2823:
2818:on 11 April 2020
2803:
2797:
2796:
2790:
2788:
2783:on 11 April 2020
2768:
2762:
2759:
2748:
2745:
2739:
2738:
2726:
2707:
2706:
2700:
2698:
2693:on 11 April 2020
2678:
2672:
2671:
2665:
2663:
2658:on 11 April 2020
2643:
2637:
2634:
2615:
2612:
2603:
2600:
2577:
2574:
2545:
2542:
2536:
2533:
2527:
2524:
2518:
2515:
2509:
2506:
2500:
2497:
2486:
2483:
2477:
2474:
2465:
2462:
2456:
2453:
2447:
2444:
2438:
2435:
2429:
2426:
2417:
2414:
2408:
2405:
2399:
2396:
2383:
2380:
2374:
2373:Robb 1998, p. 50
2371:
2365:
2362:
2356:
2353:
2344:
2341:
2330:
2327:
2318:
2315:
2309:
2306:
2300:
2297:
2288:
2285:
2279:
2276:
2270:
2267:
2261:
2258:
2249:
2246:
2240:
2237:
2147:
2113:
2048:
1815:
1810:
1738:Bergstrom found
1729:Alternative Rock
1712:
1679:
1678:
1677:
1673:
1672:
1668:
1667:
1663:
1662:
1658:
1657:
1653:
1652:
1648:
1647:
1643:
1642:
1638:
1637:
1633:
1632:
1616:
1615:
1614:
1610:
1609:
1605:
1604:
1600:
1599:
1595:
1594:
1578:
1577:
1576:
1572:
1571:
1567:
1566:
1562:
1561:
1557:
1556:
1536:Alternative Rock
1530:
1529:
1528:
1524:
1523:
1519:
1518:
1514:
1513:
1509:
1508:
1483:
1444:
1363:
1362:
1361:
1357:
1356:
1352:
1351:
1347:
1346:
1342:
1341:
1289:
1288:
1287:
1283:
1282:
1278:
1277:
1273:
1272:
1245:
1243:Original release
1228:seven-inch vinyl
1224:Record Store Day
1150:Reading Festival
1021:
845:Blonde on Blonde
814:
793:
786:Themes and music
756:
747:
636:UK Singles Chart
632:non-album single
520:Candlestick Park
505:Inspiral Carpets
373:Reading Festival
307:Candlestick Park
257:
254:
248:
245:
235:
232:
171:
170:
124:
123:
119:
44:
32:
21:
5023:
5022:
5018:
5017:
5016:
5014:
5013:
5012:
4983:
4982:
4981:
4976:
4971:Telling Stories
4953:
4879:
4854:
4793:Tellin' Stories
4752:
4710:
4705:
4661:
4656:
4650:
4637:
4631:
4614:
4608:
4588:
4582:
4551:
4545:
4525:
4516:
4514:
4490:
4484:
4467:
4458:
4456:
4449:
4427:
4418:
4416:
4392:
4373:
4358:
4335:
4329:
4312:
4306:
4291:Telling Stories
4287:
4278:
4276:
4248:
4239:
4238:
4228:
4226:
4211:
4210:
4206:
4200:UK Albums Chart
4194:
4190:
4180:
4178:
4171:"Dutch Singles"
4169:
4168:
4164:
4139:
4137:
4130:"Irish Singles"
4128:
4127:
4123:
4118:
4114:
4106:
4099:
4089:
4087:
4074:
4073:
4064:
4054:
4052:
4036:
4035:
4031:
4026:
4022:
4012:
4010:
4002:Under the Radar
3994:
3993:
3986:
3981:
3974:
3969:
3965:
3960:
3953:
3943:
3941:
3927:
3926:
3919:
3914:
3910:
3900:
3898:
3883:
3882:
3878:
3873:. No. 347.
3866:
3865:
3861:
3856:
3847:
3837:
3835:
3819:
3818:
3811:
3806:
3799:
3794:
3785:
3775:
3773:
3757:
3756:
3752:
3742:
3740:
3732:Chicago Tribune
3724:
3723:
3716:
3706:
3705:
3701:
3691:
3690:
3686:
3670:
3669:
3665:
3653:
3652:
3648:
3638:
3636:
3620:
3619:
3615:
3605:
3604:
3600:
3590:
3588:
3572:
3571:
3562:
3552:
3551:
3547:
3537:
3535:
3519:
3518:
3514:
3509:
3505:
3491:
3489:
3475:
3474:
3470:
3465:
3461:
3456:
3452:
3447:
3438:
3433:
3429:
3424:
3407:
3402:
3398:
3393:
3378:
3373:
3369:
3364:
3357:
3347:
3346:
3342:
3328:
3326:
3312:
3311:
3307:
3297:
3295:
3279:
3278:
3274:
3269:
3265:
3255:
3253:
3237:
3236:
3232:
3218:
3216:
3202:
3201:
3197:
3183:
3181:
3167:
3166:
3162:
3157:
3153:
3139:
3137:
3123:
3122:
3118:
3113:
3102:
3088:
3086:
3072:
3071:
3067:
3053:
3051:
3037:
3036:
3032:
3027:
3023:
3009:
3007:
2993:
2992:
2988:
2983:
2979:
2974:
2970:
2965:
2956:
2951:
2947:
2942:
2938:
2933:
2926:
2921:
2914:
2909:
2905:
2895:
2893:
2879:
2878:
2871:
2861:
2859:
2843:
2842:
2835:
2821:
2819:
2805:
2804:
2800:
2786:
2784:
2770:
2769:
2765:
2760:
2751:
2746:
2742:
2728:
2727:
2710:
2696:
2694:
2680:
2679:
2675:
2661:
2659:
2645:
2644:
2640:
2635:
2618:
2613:
2606:
2601:
2580:
2575:
2548:
2543:
2539:
2534:
2530:
2525:
2521:
2516:
2512:
2507:
2503:
2498:
2489:
2484:
2480:
2475:
2468:
2463:
2459:
2454:
2450:
2445:
2441:
2436:
2432:
2427:
2420:
2415:
2411:
2406:
2402:
2397:
2386:
2381:
2377:
2372:
2368:
2363:
2359:
2354:
2347:
2342:
2333:
2328:
2321:
2316:
2312:
2307:
2303:
2298:
2291:
2286:
2282:
2277:
2273:
2268:
2264:
2259:
2252:
2247:
2243:
2238:
2229:
2219:
2205:
2154:
2139:
2134:
2042:
2037:
2029:
1986:
1953:
1896:
1792:
1776:UK Albums Chart
1769:
1756:Under the Radar
1710:
1675:
1670:
1665:
1660:
1655:
1650:
1645:
1640:
1635:
1623:Under the Radar
1612:
1607:
1602:
1597:
1574:
1569:
1564:
1559:
1526:
1521:
1516:
1511:
1478:
1462:Chicago Tribune
1442:
1396:
1359:
1354:
1349:
1344:
1285:
1280:
1275:
1263:Chicago Tribune
1240:
1158:
1111:By this point,
1109:
1039:
1034:
1019:
964:Love Vigilantes
920:
857:Marquis Theatre
812:
791:
788:
783:
782:
781:
780:
759:
758:
757:
749:
748:
737:
659:Nine Inch Nails
648:music publisher
597:
581:The Stone Roses
569:Alice in Chains
501:radio promotion
492:
463:Catherine Wheel
395:
361:Catherine Wheel
260:
255:
252:
251:
246:
239:
238:
233:
226:
225:
197:
188:
179:
121:
117:
116:
57:
30:
23:
22:
15:
12:
11:
5:
5021:
5019:
5011:
5010:
5005:
5000:
4995:
4985:
4984:
4978:
4977:
4975:
4974:
4967:
4961:
4959:
4955:
4954:
4952:
4951:
4944:
4941:One to Another
4937:
4930:
4923:
4916:
4909:
4902:
4895:
4887:
4885:
4881:
4880:
4878:
4877:
4870:
4862:
4860:
4856:
4855:
4853:
4852:
4849:Different Days
4845:
4838:
4831:
4824:
4817:
4814:Up at the Lake
4810:
4803:
4800:Us and Us Only
4796:
4789:
4786:The Charlatans
4782:
4779:Up to Our Hips
4775:
4768:
4760:
4758:
4754:
4753:
4751:
4750:
4747:
4741:
4740:
4735:
4728:
4721:
4715:
4712:
4711:
4708:The Charlatans
4706:
4704:
4703:
4696:
4689:
4681:
4675:
4674:
4660:
4659:External links
4657:
4655:
4654:
4648:
4635:
4629:
4612:
4606:
4590:Thompson, Dave
4586:
4580:
4549:
4543:
4523:
4488:
4482:
4465:
4447:
4425:
4390:
4371:
4356:
4333:
4327:
4310:
4304:
4285:
4251:"Party's Over"
4245:
4237:
4236:
4204:
4188:
4162:
4121:
4112:
4097:
4062:
4029:
4020:
3984:
3972:
3963:
3951:
3928:Raggett, Ned.
3917:
3908:
3890:Chicago Reader
3876:
3859:
3845:
3809:
3797:
3783:
3750:
3714:
3699:
3684:
3679:Island Records
3663:
3646:
3613:
3598:
3560:
3545:
3512:
3503:
3468:
3459:
3450:
3436:
3427:
3405:
3396:
3376:
3367:
3355:
3340:
3305:
3272:
3263:
3230:
3195:
3160:
3151:
3116:
3100:
3065:
3030:
3021:
2986:
2977:
2968:
2954:
2945:
2936:
2924:
2912:
2903:
2869:
2833:
2798:
2763:
2749:
2740:
2708:
2673:
2638:
2616:
2604:
2578:
2546:
2537:
2528:
2519:
2510:
2501:
2487:
2478:
2466:
2457:
2448:
2439:
2430:
2418:
2409:
2400:
2384:
2375:
2366:
2357:
2345:
2331:
2319:
2310:
2301:
2289:
2280:
2271:
2262:
2250:
2241:
2226:
2225:
2218:
2215:
2214:
2213:
2204:
2201:
2198:
2197:
2194:
2184:
2183:
2180:
2169:
2168:
2165:
2160:Dutch Albums (
2157:
2156:
2151:
2138:
2135:
2131:
2130:
2126:
2125:
2122:
2119:
2116:
2107:
2104:
2101:
2098:
2095:
2082:
2081:
2080:
2074:
2068:
2062:
2059:
2053:The Charlatans
2046:
2041:
2038:
2034:
2033:
2030:
2028:
2027:
2024:
2021:
2018:
2014:
2012:
2009:
2005:
2004:
2001:
1998:
1995:
1991:
1990:
1987:
1985:
1984:
1981:
1978:
1975:
1971:
1969:
1962:
1958:
1957:
1954:
1952:
1951:
1948:
1945:
1942:
1938:
1936:
1933:
1929:
1928:
1925:
1922:
1919:
1915:
1914:
1911:
1908:
1905:
1901:
1900:
1897:
1895:
1894:
1891:
1888:
1885:
1881:
1879:
1872:
1868:
1867:
1864:
1861:
1858:
1854:
1853:
1850:
1847:
1844:
1840:
1839:
1836:
1833:
1830:
1826:
1825:
1822:
1819:
1816:
1808:
1791:
1788:
1768:
1765:
1727:, in his book
1693:
1692:
1689:
1681:
1680:
1626:
1618:
1617:
1588:
1580:
1579:
1550:
1542:
1541:
1538:
1532:
1531:
1502:
1496:
1495:
1492:
1488:
1487:
1477:
1474:
1395:
1392:
1389:
1388:
1385:
1377:
1376:
1373:
1365:
1364:
1335:
1327:
1326:
1323:
1315:
1314:
1311:
1303:
1302:
1299:
1291:
1290:
1266:
1258:
1257:
1254:
1250:
1249:
1239:
1236:
1157:
1154:
1108:
1105:
1100:Hammond organs
1038:
1035:
1033:
1030:
995:Under My Thumb
971:scratch vocals
932:reverse reverb
919:
916:
796:E. E. Cummings
787:
784:
770:E. E. Cummings
761:
760:
751:
750:
742:
741:
740:
739:
738:
736:
733:
596:
593:
512:Noel Gallagher
491:
488:
436:David M. Allen
417:Sproston Green
394:
391:
334:E. E. Cummings
281:The Charlatans
266:
265:
262:
261:
259:
258:
256:Released: 1992
249:
236:
222:
219:
218:
208:
207:
204:
203:
200:
199:
194:Up to Our Hips
190:
181:
167:
166:
163:The Charlatans
159:
158:
157:
156:
151:
144:
138:
137:
132:
126:
125:
114:
110:
109:
108:
107:
102:
95:
89:
88:
87:
86:
83:
71:
67:
66:
63:
59:
58:
55:the Charlatans
53:
46:
45:
37:
36:
28:
24:
14:
13:
10:
9:
6:
4:
3:
2:
5020:
5009:
5006:
5004:
5001:
4999:
4996:
4994:
4991:
4990:
4988:
4973:
4972:
4968:
4966:
4963:
4962:
4960:
4956:
4949:
4945:
4942:
4938:
4935:
4931:
4928:
4924:
4921:
4917:
4914:
4910:
4907:
4903:
4900:
4896:
4893:
4889:
4888:
4886:
4882:
4876:
4875:
4871:
4869:
4868:
4864:
4863:
4861:
4857:
4851:
4850:
4846:
4844:
4843:
4842:Modern Nature
4839:
4837:
4836:
4832:
4830:
4829:
4825:
4823:
4822:
4818:
4816:
4815:
4811:
4809:
4808:
4804:
4802:
4801:
4797:
4795:
4794:
4790:
4788:
4787:
4783:
4781:
4780:
4776:
4774:
4773:
4769:
4767:
4766:
4765:Some Friendly
4762:
4761:
4759:
4757:Studio albums
4755:
4748:
4746:
4743:
4742:
4739:
4736:
4734:
4733:
4729:
4727:
4726:
4722:
4720:
4717:
4716:
4713:
4709:
4702:
4697:
4695:
4690:
4688:
4683:
4682:
4679:
4672:
4668:
4667:
4663:
4662:
4658:
4651:
4649:0-7535-0494-4
4645:
4641:
4636:
4632:
4630:0-7535-0194-5
4626:
4622:
4618:
4613:
4609:
4607:0-87930-607-6
4603:
4599:
4595:
4591:
4587:
4583:
4581:0-7432-0169-8
4577:
4573:
4569:
4568:
4563:
4559:
4555:
4550:
4546:
4544:0-0918-6568-9
4540:
4536:
4532:
4528:
4524:
4512:
4508:
4504:
4500:
4499:
4494:
4489:
4485:
4483:1-903047-80-3
4479:
4475:
4471:
4466:
4454:
4450:
4444:
4440:
4439:Omnibus Press
4436:
4435:
4430:
4429:Larkin, Colin
4426:
4414:
4410:
4406:
4402:
4401:
4396:
4391:
4387:
4383:
4379:
4378:
4372:
4368:
4367:
4362:
4357:
4353:
4349:
4345:
4344:
4339:
4334:
4330:
4324:
4320:
4316:
4311:
4307:
4301:
4297:
4296:Penguin Books
4293:
4292:
4286:
4274:
4270:
4266:
4262:
4258:
4257:
4252:
4247:
4246:
4244:
4243:
4224:
4220:
4219:
4214:
4208:
4205:
4201:
4197:
4192:
4189:
4176:
4172:
4166:
4163:
4160:
4156:
4152:
4148:
4135:
4131:
4125:
4122:
4116:
4113:
4109:
4104:
4102:
4098:
4085:
4081:
4077:
4071:
4069:
4067:
4063:
4050:
4046:
4045:
4040:
4033:
4030:
4024:
4021:
4008:
4004:
4003:
3998:
3991:
3989:
3985:
3979:
3977:
3973:
3967:
3964:
3958:
3956:
3952:
3939:
3935:
3931:
3924:
3922:
3918:
3912:
3909:
3896:
3892:
3891:
3887:
3880:
3877:
3872:
3871:
3863:
3860:
3854:
3852:
3850:
3846:
3833:
3829:
3828:
3827:Rolling Stone
3823:
3816:
3814:
3810:
3804:
3802:
3798:
3792:
3790:
3788:
3784:
3771:
3767:
3766:
3761:
3754:
3751:
3738:
3734:
3733:
3728:
3721:
3719:
3715:
3710:
3703:
3700:
3695:
3688:
3685:
3680:
3676:
3675:
3667:
3664:
3659:
3658:
3650:
3647:
3634:
3630:
3629:
3628:BrooklynVegan
3624:
3617:
3614:
3609:
3602:
3599:
3586:
3582:
3581:
3576:
3569:
3567:
3565:
3561:
3556:
3549:
3546:
3533:
3529:
3528:
3523:
3516:
3513:
3507:
3504:
3499:
3487:
3483:
3479:
3472:
3469:
3463:
3460:
3454:
3451:
3445:
3443:
3441:
3437:
3431:
3428:
3422:
3420:
3418:
3416:
3414:
3412:
3410:
3406:
3400:
3397:
3391:
3389:
3387:
3385:
3383:
3381:
3377:
3371:
3368:
3362:
3360:
3356:
3351:
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3324:
3320:
3316:
3309:
3306:
3293:
3289:
3288:
3283:
3276:
3273:
3267:
3264:
3251:
3247:
3246:
3245:Trouser Press
3241:
3234:
3231:
3226:
3214:
3210:
3206:
3199:
3196:
3191:
3179:
3175:
3171:
3164:
3161:
3155:
3152:
3147:
3135:
3131:
3127:
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3117:
3111:
3109:
3107:
3105:
3101:
3096:
3084:
3080:
3076:
3069:
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3049:
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3034:
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3025:
3022:
3017:
3005:
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2987:
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2925:
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2913:
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2883:
2876:
2874:
2870:
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2834:
2829:
2817:
2813:
2809:
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2799:
2794:
2782:
2778:
2774:
2767:
2764:
2758:
2756:
2754:
2750:
2744:
2741:
2736:
2735:Situation Two
2732:
2725:
2723:
2721:
2719:
2717:
2715:
2713:
2709:
2704:
2692:
2688:
2684:
2677:
2674:
2669:
2657:
2653:
2649:
2642:
2639:
2633:
2631:
2629:
2627:
2625:
2623:
2621:
2617:
2611:
2609:
2605:
2599:
2597:
2595:
2593:
2591:
2589:
2587:
2585:
2583:
2579:
2573:
2571:
2569:
2567:
2565:
2563:
2561:
2559:
2557:
2555:
2553:
2551:
2547:
2541:
2538:
2532:
2529:
2523:
2520:
2514:
2511:
2505:
2502:
2496:
2494:
2492:
2488:
2482:
2479:
2473:
2471:
2467:
2461:
2458:
2452:
2449:
2443:
2440:
2434:
2431:
2425:
2423:
2419:
2413:
2410:
2404:
2401:
2395:
2393:
2391:
2389:
2385:
2379:
2376:
2370:
2367:
2361:
2358:
2352:
2350:
2346:
2340:
2338:
2336:
2332:
2326:
2324:
2320:
2314:
2311:
2305:
2302:
2296:
2294:
2290:
2284:
2281:
2275:
2272:
2266:
2263:
2257:
2255:
2251:
2245:
2242:
2236:
2234:
2232:
2228:
2224:
2223:
2216:
2212:
2211:
2207:
2206:
2202:
2193:
2191:
2185:
2178:
2174:
2170:
2163:
2162:Album Top 100
2158:
2152:
2150:Chart (1992)
2149:
2148:
2145:
2136:
2129:
2123:
2120:
2117:
2111:
2108:
2105:
2102:
2099:
2096:
2093:
2090:
2089:
2088:
2087:
2083:
2078:
2075:
2072:
2069:
2066:
2063:
2060:
2057:
2056:
2055:
2054:
2050:
2049:
2045:
2039:
2031:
2025:
2022:
2019:
2016:
2015:
2013:
2010:
2006:
2002:
1999:
1996:
1992:
1988:
1982:
1979:
1976:
1973:
1972:
1970:
1967:
1963:
1959:
1955:
1949:
1946:
1943:
1940:
1939:
1937:
1934:
1930:
1926:
1923:
1920:
1916:
1912:
1909:
1906:
1902:
1898:
1892:
1889:
1886:
1883:
1882:
1880:
1877:
1873:
1869:
1865:
1862:
1859:
1855:
1851:
1848:
1845:
1841:
1837:
1834:
1831:
1827:
1811:
1807:
1805:
1801:
1797:
1790:Track listing
1789:
1787:
1785:
1783:
1777:
1773:
1766:
1764:
1762:
1758:
1757:
1752:
1751:Some Friendly
1748:
1747:
1741:
1736:
1734:
1730:
1726:
1725:Dave Thompson
1722:
1718:
1717:
1708:
1704:
1700:
1690:
1688:
1687:
1683:
1682:
1627:
1625:
1624:
1620:
1619:
1589:
1587:
1586:
1582:
1581:
1551:
1549:
1548:
1544:
1543:
1539:
1537:
1534:
1533:
1503:
1501:
1498:
1497:
1489:
1486:Review scores
1484:
1475:
1473:
1470:
1469:
1468:Rolling Stone
1464:
1463:
1458:
1454:
1453:
1448:
1441:
1440:
1435:
1433:
1432:
1426:
1425:
1420:
1419:
1414:
1410:
1409:
1404:
1401:
1393:
1386:
1384:
1383:
1379:
1378:
1374:
1372:
1371:
1367:
1366:
1336:
1334:
1333:
1332:Rolling Stone
1329:
1328:
1324:
1322:
1321:
1317:
1316:
1312:
1310:
1309:
1305:
1304:
1300:
1298:
1297:
1293:
1292:
1267:
1265:
1264:
1260:
1259:
1251:
1248:Review scores
1246:
1237:
1235:
1233:
1229:
1225:
1221:
1217:
1216:
1211:
1210:
1204:
1202:
1198:
1197:Some Friendly
1194:
1190:
1185:
1183:
1182:
1177:
1176:
1171:
1167:
1163:
1162:Some Friendly
1155:
1153:
1151:
1146:
1145:Spencer Leigh
1142:
1136:
1134:
1130:
1126:
1121:
1119:
1114:
1113:Some Friendly
1106:
1104:
1101:
1097:
1093:
1089:
1088:
1083:
1079:
1078:Situation Two
1075:
1071:
1069:
1065:
1061:
1057:
1053:
1048:
1044:
1036:
1031:
1029:
1027:
1026:
1018:
1014:
1009:
1004:
1000:
999:Some Friendly
996:
992:
988:
984:
980:
979:new-age-style
976:
972:
967:
965:
961:
957:
953:
949:
945:
941:
937:
933:
929:
925:
917:
915:
913:
909:
905:
902:. Journalist
901:
897:
892:
890:
886:
882:
878:
877:Anticlockwise
874:
873:Anticlockwise
870:
866:
862:
858:
854:
849:
847:
846:
841:
840:
835:
834:
829:
825:
824:
819:
811:
810:
805:
801:
797:
785:
778:
774:
771:
767:
764:
755:
746:
734:
732:
729:
725:
721:
715:
713:
709:
708:Some Friendly
705:
701:
697:
693:
692:
687:
682:
680:
679:
674:
670:
669:
664:
660:
656:
652:
649:
645:
644:Some Friendly
641:
637:
633:
629:
625:
621:
613:
609:
605:
601:
594:
592:
590:
586:
585:Happy Mondays
582:
578:
574:
570:
567:acts such as
566:
562:
561:
557:had released
556:
552:
547:
545:
541:
540:Some Friendly
537:
533:
527:
525:
521:
517:
513:
510:
506:
502:
498:
497:Some Friendly
487:
485:
480:
476:
472:
468:
464:
460:
459:Some Friendly
455:
453:
449:
445:
441:
437:
433:
429:
428:Extended Play
424:
422:
418:
414:
410:
406:
402:
401:
400:Some Friendly
390:
388:
386:
380:
376:
374:
370:
366:
362:
358:
353:
351:
347:
343:
339:
335:
331:
327:
323:
318:
316:
312:
308:
304:
300:
296:
295:
294:Some Friendly
290:
286:
285:Situation Two
282:
278:
274:
273:
263:
250:
243:
237:
230:
224:
223:
220:
217:
213:
209:
205:
196:
195:
191:
187:
186:
182:
178:
177:
176:Some Friendly
173:
172:
168:
164:
160:
155:
152:
150:
147:
146:
145:
143:
139:
136:
135:Situation Two
133:
131:
127:
115:
111:
106:
103:
101:
98:
97:
96:
94:
90:
84:
81:
77:
74:
73:
72:
68:
65:23 March 1992
64:
60:
56:
51:
47:
43:
38:
33:
27:
19:
4969:
4927:Tremelo Song
4872:
4865:
4859:Compilations
4847:
4840:
4835:Who We Touch
4833:
4826:
4819:
4812:
4805:
4798:
4791:
4784:
4777:
4771:
4770:
4763:
4737:
4732:Mark Collins
4730:
4723:
4719:Martin Blunt
4718:
4665:
4639:
4621:Virgin Books
4616:
4593:
4566:
4530:
4515:. Retrieved
4496:
4469:
4457:. Retrieved
4433:
4417:. Retrieved
4398:
4375:
4364:
4341:
4314:
4289:
4277:. Retrieved
4260:
4254:
4241:
4240:
4227:. Retrieved
4223:the original
4216:
4207:
4191:
4179:. Retrieved
4165:
4158:
4154:
4150:
4146:
4138:. Retrieved
4124:
4115:
4088:. Retrieved
4053:. Retrieved
4042:
4032:
4023:
4011:. Retrieved
4000:
3966:
3942:. Retrieved
3911:
3899:. Retrieved
3888:
3879:
3868:
3862:
3836:. Retrieved
3832:the original
3825:
3774:. Retrieved
3763:
3753:
3741:. Retrieved
3730:
3708:
3702:
3693:
3687:
3672:
3666:
3655:
3649:
3637:. Retrieved
3626:
3616:
3607:
3601:
3589:. Retrieved
3578:
3554:
3548:
3536:. Retrieved
3525:
3515:
3506:
3496:– via
3490:. Retrieved
3486:the original
3471:
3462:
3453:
3430:
3399:
3370:
3349:
3343:
3333:– via
3327:. Retrieved
3323:the original
3308:
3296:. Retrieved
3285:
3275:
3266:
3254:. Retrieved
3243:
3233:
3223:– via
3217:. Retrieved
3213:the original
3198:
3188:– via
3182:. Retrieved
3178:the original
3163:
3154:
3144:– via
3138:. Retrieved
3134:the original
3119:
3093:– via
3087:. Retrieved
3083:the original
3068:
3058:– via
3052:. Retrieved
3048:the original
3033:
3024:
3014:– via
3008:. Retrieved
3004:the original
2989:
2980:
2971:
2948:
2939:
2906:
2894:. Retrieved
2885:
2860:. Retrieved
2849:
2826:– via
2820:. Retrieved
2816:the original
2801:
2791:– via
2785:. Retrieved
2781:the original
2766:
2743:
2730:
2701:– via
2695:. Retrieved
2691:the original
2676:
2666:– via
2660:. Retrieved
2656:the original
2641:
2540:
2531:
2522:
2513:
2504:
2481:
2460:
2451:
2442:
2433:
2412:
2403:
2378:
2369:
2360:
2313:
2304:
2283:
2274:
2265:
2244:
2221:
2220:
2208:
2189:
2143:
2127:
2085:
2084:
2071:Mark Collins
2052:
2051:
2043:
1876:Tremelo Song
1800:Mark Collins
1793:
1781:
1771:
1770:
1760:
1754:
1750:
1744:
1739:
1737:
1728:
1720:
1714:
1702:
1696:
1684:
1621:
1583:
1545:
1535:
1466:
1460:
1456:
1450:
1446:
1437:
1436:
1429:
1422:
1416:
1412:
1408:Melody Maker
1406:
1405:
1399:
1397:
1380:
1368:
1330:
1318:
1306:
1294:
1261:
1231:
1219:
1213:
1207:
1205:
1200:
1196:
1192:
1186:
1179:
1173:
1169:
1165:
1161:
1159:
1137:
1122:
1118:Peter Murphy
1112:
1110:
1085:
1073:
1072:
1060:Samuel Bayer
1046:
1040:
1023:
1012:
1002:
998:
989:" (1967) by
968:
950:" (1967) by
923:
921:
907:
900:experimental
893:
876:
872:
868:
852:
850:
843:
837:
831:
827:
821:
818:Achtung Baby
817:
807:
803:
789:
776:
772:
765:
716:
707:
700:Depeche Mode
691:Achtung Baby
689:
685:
683:
676:
666:
643:
617:
611:
588:
558:
548:
539:
532:double album
528:
516:Mark Collins
496:
493:
458:
456:
452:experimental
431:
425:
398:
396:
384:
378:
377:
369:Tremelo Song
354:
325:
319:
303:Mark Collins
292:
271:
270:
269:
242:Tremelo Song
215:
192:
184:
183:
174:
105:experimental
50:Studio album
26:
4998:1992 albums
4965:Discography
4913:Me. In Time
4906:Over Rising
4867:Melting Pot
4749:Jon Brookes
4745:Rob Collins
4738:Tony Rogers
4725:Tim Burgess
4535:Ebury Press
4366:Punk Planet
4155:then click
3677:(booklet).
3657:Melting Pot
3527:Consequence
3287:Digital Spy
2733:(booklet).
2210:Yes Please!
2079:– keyboards
2077:Rob Collins
2065:Tim Burgess
1804:Rob Collins
1796:Tim Burgess
1716:Punk Planet
1699:John Harris
1218:(2006) and
1209:Melting Pot
1082:Andy Warhol
1056:RCA Records
1043:lead single
1022:1979 album
991:the Beatles
948:We Love You
942:with 1990s
861:BBC Radio 1
855:alludes to
842:(1965) and
712:click track
686:Over Rising
589:Over Rising
577:Soundgarden
536:Me. In Time
524:Tim Burgess
479:Rob Collins
444:psychedelia
432:Over Rising
342:Tim Burgess
4987:Categories
4807:Wonderland
4619:. London:
4533:. London:
4527:Robb, John
4317:. London:
4294:. London:
4153:Charlatans
4151:box enter
3870:Smash Hits
3838:8 November
3776:14 October
3743:14 October
3681:. 1712411.
3639:15 October
3580:PopMatters
2896:15 October
2851:PopMatters
2217:References
2110:Hugh Jones
2026:R. Collins
1983:R. Collins
1950:R. Collins
1921:"Subtitle"
1893:R. Collins
1860:"Page One"
1846:"Ignition"
1686:PopMatters
1382:Smash Hits
1090:(1967) by
928:overdubbed
896:Madchester
863:presenter
809:PopMatters
724:sequencers
694:(1991) by
671:(1981) by
653:suggested
628:Hugh Jones
471:Scott Litt
448:electronic
421:Madchester
405:Intastella
346:electronic
330:Madchester
299:Birmingham
165:chronology
154:Hugh Jones
100:Madchester
4821:Simpatico
4507:1068-624X
4409:1068-624X
4400:The Blade
4386:0959-8367
4352:0006-2510
4343:Billboard
4319:Constable
4269:0886-3032
4218:Billboard
2886:Vanyaland
2222:Citations
2190:Billboard
2173:UK Albums
2155:position
2114:(track 6)
2040:Personnel
1821:Writer(s)
1784:200 chart
1782:Billboard
1707:Northside
1701:regarded
1439:The Blade
1238:Reception
1184:in 2022.
1052:Dalmatian
1003:Nevermind
912:Talk Talk
904:John Robb
865:John Peel
800:Bob Dylan
763:Bob Dylan
673:New Order
595:Recording
573:Pearl Jam
560:Nevermind
385:Billboard
350:Talk Talk
338:Bob Dylan
317:, Wales.
80:Rockfield
76:Rockfield
4592:(2000).
4564:(eds.).
4529:(1998).
4511:Archived
4453:Archived
4431:(2007).
4413:Archived
4273:Archived
4175:Archived
4134:Archived
4084:Archived
4049:Archived
4007:Archived
3938:Archived
3934:AllMusic
3895:Archived
3770:Archived
3737:Archived
3633:Archived
3585:Archived
3532:Archived
3350:"Weirdo"
3292:Archived
3250:Archived
2890:Archived
2856:Archived
2737:. 30978.
2203:See also
2073:– guitar
2067:– vocals
1733:AllMusic
1500:AllMusic
1234:(2019).
1230:box set
1212:(1998),
1141:arthouse
1125:Edgefest
960:war song
885:Chiswick
836:(1965),
823:Violator
668:Movement
544:paranoia
434:, which
142:Producer
62:Released
52: by
4884:Singles
4671:YouTube
4459:29 June
4361:"Music"
4242:Sources
4229:30 June
4181:30 June
4147:In the
4140:30 June
4090:30 June
3944:30 June
3538:28 June
3498:Twitter
3335:Twitter
3225:Twitter
3190:Twitter
3146:Twitter
3095:Twitter
3060:Twitter
3016:Twitter
2862:28 June
2828:Twitter
2793:Twitter
2703:Twitter
2668:Twitter
2023:Burgess
2020:Brookes
1980:Burgess
1977:Brookes
1947:Burgess
1944:Brookes
1890:Burgess
1887:Brookes
1697:Critic
1133:Madonna
1032:Release
1008:Hammond
983:tremolo
975:the Who
956:The Man
936:tunings
773:(right)
728:sampler
555:Nirvana
423:scene.
212:Singles
198:(1994)
189:(1992)
180:(1990)
82:, Wales
4920:Weirdo
4646:
4627:
4604:
4578:
4541:
4517:4 July
4505:
4480:
4445:
4419:4 July
4407:
4384:
4380:(22).
4377:Select
4350:
4325:
4302:
4279:4 July
4267:
4157:search
4055:3 July
4013:3 July
3901:3 July
3591:3 July
3492:4 July
3329:4 July
3298:3 July
3256:3 July
3219:4 July
3184:4 July
3140:4 July
3089:4 July
3054:4 July
3010:3 July
2822:4 July
2787:4 July
2697:4 July
2662:3 July
2137:Charts
2128:
2000:
1966:Weirdo
1924:
1910:
1863:
1849:
1835:
1824:Length
1494:Rating
1491:Source
1443:'s
1424:Select
1370:Select
1256:Rating
1253:Source
1020:'s
987:Flying
918:Tracks
766:(left)
565:grunge
509:roadie
475:R.E.M.
357:Weirdo
229:Weirdo
113:Length
70:Studio
4556:. In
4369:(59).
4263:(2).
3482:Tweet
3319:Tweet
3209:Tweet
3174:Tweet
3130:Tweet
3079:Tweet
3044:Tweet
3000:Tweet
2812:Tweet
2777:Tweet
2687:Tweet
2652:Tweet
2092:Flood
2017:Blunt
1974:Blunt
1941:Blunt
1884:Blunt
1818:Title
1045:from
944:dance
940:disco
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