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and vocalists. Many bands toured the country in grueling one-night stands. Traveling conditions and lodging were difficult, in part due to segregation in most parts of the United States, and the personnel often had to perform having had little sleep and food. Apart from the star soloists, many musicians received low wages and would abandon the tour if bookings disappeared. Sometimes bandstands were too small, public address systems inadequate, pianos out of tune. Bandleaders dealt with these obstacles through rigid discipline (Glenn Miller) and canny psychology (
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560:'s, played music that was half-arranged, half-improvised, often relying on head arrangements. A head arrangement is a piece of music that is formed by band members during rehearsal. They experiment, often with one player coming up with a simple musical figure leading to development within the same section and then further expansion by other sections, with the entire band then memorizing the way they are going to perform the piece, without writing it on sheet music. During the 1930s,
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notate all or most of the score of a given number, usually referred to as a "chart". Bandleaders are typically performers who assemble musicians to form an ensemble of various sizes, select or create material for them, shape the music's dynamics, phrasing, and expression in rehearsals, and lead the group in performance often while playing alongside them. One of the first prominent big band arrangers was
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trumpet, second trombone, and the first tenor sax), and section members (which include the rest of the band). The band is generally configured so lead parts are seated in the middle of their sections and solo parts are seated closest to the rhythm section. The fourth trombone part is generally played by a bass trombone. In some pieces the trumpets may double on
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at one time used six trumpets. While most big bands dropped the previously common jazz clarinet from their arrangements (other than the clarinet-led orchestras of Artie Shaw and Benny
Goodman), many Duke Ellington songs had clarinet parts, often replacing or doubling one of the tenor saxophone parts;
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White teenagers and young adults were the principal fans of the big bands in the late 1930s and early 1940s. They danced to recordings and the radio and attended live concerts. They were knowledgeable and often biased toward their favorite bands and songs, and sometimes worshipful of famous soloists
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and Benny
Goodman's early band. The contrast in commercial popularity between "black" and "white" bands was striking: between 1935 and 1945 the top four "white" bands had 292 top ten records, of which 65 were number one hits, while the top four "black" bands had only 32 top ten hits, with only three
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It is useful to distinguish between the roles of composer, arranger and leader. The composer writes original music that will be performed by individuals or groups of various sizes, while the arranger adapts the work of composers in a creative way for a performance or recording. Arrangers frequently
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Big bands generally have four sections: trumpets, trombones, saxophones, and a rhythm section of guitar, piano, double bass, drums and sometimes vibraphone. The division in early big bands, from the 1920s to 1930s, was typically two or three trumpets, one or two trombones, three or four saxophones,
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led their own bands, while others, like Jelly Roll Morton and King Oliver, lapsed into obscurity. Even so, many of the most popular big bands of the swing era cultivated small groups within the larger ensemble: e.g. Benny
Goodman developed both a trio and a quartet, Artie Shaw formed the Gramercy
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In the most common seating for a 17-piece big band, each section is carefully set-up in a way to optimize the bands sound. For the wind players, there are 3 different types of parts: lead parts (including first trumpet, first trombone, and first alto sax), solo parts (including second or fourth
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referred to his band's music as "progressive jazz", "modern", and "new music". He created his band as a vehicle for his compositions. Kenton pushed the boundaries of big bands by combining clashing elements and by hiring arrangers whose ideas about music conflicted. This expansive eclecticism
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This type of music flourished through the early 1930s, although there was little mass audience for it until around 1936. Up until that time, it was viewed with ridicule and sometimes looked upon as a menace. After 1935, big bands rose to prominence playing swing music and held a major role in
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An arrangement's first chorus is sometimes preceded by an introduction, which may be as short as a few measures or may extend to a chorus of its own. Many arrangements contain an interlude, often similar in content to the introduction, inserted between some or all choruses. Other methods of
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By this time the big band was such a dominant force in jazz that the older generation found they either had to adapt to it or simply retire. With no market for small-group recordings (made worse by a
Depression-era industry reluctant to take risks), musicians such as Louis Armstrong and
564:'s band often used head arrangements, as Basie said, "we just sort of start it off and the others fall in." Head arrangements were more common during the period of the 1930s because there was less turnover in personnel, giving the band members more time to rehearse.
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troupes at the front, with Glenn Miller losing his life while traveling between shows. Many bands suffered from loss of personnel during the war years, and, as a result, women replaced men who had been inducted, while all-female bands began to appear. The
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hired Grofé to use similar techniques for his band. Whiteman was educated in classical music, and he called his new band's music symphonic jazz. The methods of dance bands marked a step away from New
Orleans jazz. With the exception of
310:. In contrast to the typical jazz emphasis on improvisation, big bands relied on written compositions and arrangements. They gave a greater role to bandleaders, arrangers, and sections of instruments rather than soloists.
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Many college and university music departments offer jazz programs and feature big band courses in improvisation, composition, arranging, and studio recording, featuring performances by 18 to 20 piece big bands.
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a hard driving swing, and Duke
Ellington's compositions were varied and sophisticated. Many bands featured strong instrumentalists whose sounds dominated, such as the clarinets of Benny Goodman and
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and his
Arketstra took big bands further out. Ra's eclectic music was played by a roster of musicians from ten to thirty and was presented as theater, with costumes, dancers, and special effects.
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to write for his “symphonic jazz orchestra”. A number of bandleaders established long-term relationships with certain arrangers, such as the collaboration between leader Count Basie and arranger
1345:. Typically the most prominent shows with the earliest time slots and largest audiences have bigger bands with horn sections while those in later time slots go with smaller, leaner ensembles.
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A considerable range of styles evolved among the hundreds of popular bands. Many of the better known bands reflected the individuality of the bandleader, the lead arranger, and the personnel.
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on the major radio networks spread the music from ballrooms and clubs across the country during the 1930s and 1940s, with remote broadcasts from jazz clubs continuing into the 1950s on NBC's
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A distinction is often made between so-called "hard bands", such as those of Count Basie and Tommy Dorsey, which emphasized quick hard-driving jump tunes, and "sweet bands", such as the
545:. The first chorus of an arrangement introduces the melody and is followed by choruses of development. This development may take the form of improvised solos, written solo sections, and "
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Many bands from the swing era continued for decades after the death or departure of their founders and namesakes, and some are still active in the 21st century, often referred to as "
2054:. Jacobson, Marion. University of Illinois Press, Chicago, Il. 2012, P. 39 "Advent of the Piano Accordion - Charles Magnante Accordion and Big Band jazz recordings on GoogleBooks.com
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and jazz fusion, respectively, to the big band domain. Modern big bands can be found playing all styles of jazz music. Some large contemporary
European jazz ensembles play mostly
1172:'s first band, nicknamed the First Herd, borrowed from progressive jazz, while the Second Herd emphasized the saxophone section of three tenors and one baritone. In the 1950s,
1992:
Discography of
American Historical Recordings- John Serrapica (aka John Serry) as a member of the Charles Magnante Accordion Quartette with guitar and string bass on uscb.edu
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Twenty-first century big bands can be considerably larger than their predecessors, exceeding 20 players, with some
European bands using 29 instruments and some reaching 50.
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Although big bands are identified with the swing era, they continued to exist after those decades, though the music they played was often different from swing. Bandleader
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in which he divided the jazz orchestra into sections that combined in various ways. This intermingling of sections became a defining characteristic of big bands. In 1919,
641:, who continued playing in the New Orleans style, bandleaders paid attention to the demand for dance music and created their own big bands. They incorporated elements of
675:. At these venues, which themselves gained notoriety, bandleaders and arrangers played a greater role than they had before. Hickman relied on Ferde Grofé, Whiteman on
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Rippling Rhythm Orchestra who specialized in less improvised tunes with more emphasis on sentimentality, featuring somewhat slower-paced, often heart-felt songs.
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appeared with his Rippling Rhythm Orchestra in a playful and integrated animated performance of "This Little Ripple Had Rhythm" in the musical extravaganza
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671:'s career started when he was persuaded to audition for a job at Club Alabam in New York City, which eventually turned into a job as bandleader at the
419:) voices are sometimes called "little big bands". During the 1940s, somewhat smaller configurations of the big band emerged in the form of the "rhythm
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was most popular. The term "big band" is also used to describe a genre of music, although this was not the only style of music played by big bands.
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in Chicago every night across America. In Kansas City and across the Southwest, an earthier, bluesier style was developed by such bandleaders as
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worsened the situation. Vocalists began to strike out on their own. By the end of the war, swing was giving way to less danceable music, such as
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Big bands maintained a presence on American television, particularly through the late-night talk show, which has historically used big bands as
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were more popular than their "black" counterparts from the middle of the decade. Bridging the gap to white audiences in the mid-1930s was the
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Big Bands began to appear in movies in the 1930s through the 1960s, though cameos by bandleaders were often stiff and incidental to the plot.
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had a radio program on which she conducted the largest all-girl orchestra led by a female. She led her Swingphony while playing marimba.
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and his Royal Canadians Orchestra also achieved widespread notoriety for nearly half a century as a result of their broadcasts on the
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As jazz was expanded during the 1950s through the 1970s, the Basie and Ellington bands were still around, as were bands led by
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Discography of American Historical Recordings: Charles Magnante's Accordion Quartette with guitar and string bass on uscb.edu
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1011:. Some bands were "society bands" which relied on strong ensembles but little on soloists or vocalists, such as the bands of
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1870:. Andrew Martin & Matthew Mihalka editors. "Accordion (Americas) p. 3 Paul Whiteman Orchestra, accordion on Google Books
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1912:. Andrew Martin & Matthew Mihalka editors. "Accordion (Americas) p. 3 Charles Magnanate & accordion on Google Books
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Edmondson, Jacqueline. ABC-CLIO, 2013, p. 3. "Accordion" - Charles Magnante, jazz bands, recordings on GoogleBooks.com
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1856:. Greene, Victor. University of California Press, 1992 p. 124 Paul Whiteman featured the accordion on Google Books.com
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515:, but rarely took on the role of bandleader, which was assumed by Ellington, who himself was a composer and arranger.
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1094:", a term attributed to Woody Herman, referring to orchestras that persist in the absence of their original leaders.
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with the same phrase and chord structure repeated several times. Each iteration, or chorus, commonly follows
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in the U.S. The Lindy Hop became popular again and young people took an interest in big band styles again.
507:, take on all three roles. In many cases, however, the distinction between these roles can become blurred.
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Photograph of Bob Hope as master of ceremonies on the "Rippling Rhythm Revue" Show in 1937 on Gettyimages
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The major "black" bands of the 1930s included, apart from Ellington's, Hines's, and Calloway's, those of
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Music in American Life: An Encyclopedia of the Songs, Styles, Stars and Stories that Shaped Our Culture.
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more rarely, Ellington would substitute baritone sax for bass clarinet, such as in "Ase's Death" from
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began appearing in the early 1930s and was distinguished by a more supple feel than the more literal
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2408:"Inside the Score in the 21st Century: Techniques for Contemporary Large Jazz Ensemble Composition"
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In the 1960s and 1970s, big band rock became popular by integrating such musical ingredients as
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State University of New York, Fredonia. Rockefeller Arts Center. Jazz Big Band Arrangements
2382:"Big Band Arranging: for composers, orchestrators and arrangers: 16, Solos and Backgrounds"
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networks of the annual New Year's Eve celebrations from the Roosevelt Grill at New York's
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music with big band instrumentation, and big bands led by arranger Gil Evans, saxophonist
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The Big Band Reader Songs Favored by Swing Era Orchestras and Other Popular Ensembles
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Five, Count Basie developed the Kansas City Six and Tommy Dorsey the Clambake Seven.
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The question of improvisation and head arrangement in King Oliver's Creole Jazz Band
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The popularity of many of the major bands was amplified by star vocalists, such as
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511:, for example, was a prolific composer and arranger, frequently collaborating with
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Shep Fields and His Rippling Rhythm Orchestra in The Big Broadcaste of 1938
1721:. Vol. 1 (2nd ed.). New York: Grove's Dictionaries. p. 122.
1087:. Many of the great swing bands broke up, as the times and tastes changed.
3322:
1742:
O'Meally, Robert G.; Edwards, Brent Hayes; Griffin, Farah Jasmine (2004).
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characterized much of jazz after World War II. During the 1960s and '70s,
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One of the first bands to accompany the new rhythms was led by a drummer,
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The United States Navy Band Northwest Big Band plays at a concert held in
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1968:"Leone Jump; Swing Low, Sweet Chariot; The Jazz Me Blues; Nursery Rhymes"
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Joe Biviano, his Accordion and Rhythm Sextette; Tom Delaney; John Serry.
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Before 1910, social dance in America was dominated by steps such as the
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accompanied by piano, guitar, bass, cello, percussion, and marimba with
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1514:, during the 1930s and 1940s. Other female bands were led by trumpeter
1387: in this section. Unsourced material may be challenged and removed.
1132: in this section. Unsourced material may be challenged and removed.
737: in this section. Unsourced material may be challenged and removed.
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2252:"Composer Maria Schneider Returns, With A Reckoning, On 'Data Lords'"
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sound-on-film process in 1925, in three short films which are in the
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459:, and saxophone players frequently double on other woodwinds such as
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embellishing the form include modulations and cadential extensions.
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that usually consists of ten or more musicians with four sections:
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3094:"Chapter 11. Bob Hope, Shep Fields and The Rippling Rhythm Revue"
2674:"George Robert Crosby Bandleader, Vocalist, Actor, Radio/TV Host"
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using the instrumentation of the big bands. Examples include the
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musicians also formed popular big bands during the same period.
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805:, led a 50-piece military band that specialized in swing music.
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2644:. Jackson: University Press of Mississippi. pp. 10–11.
295:. Big bands originated during the early 1910s and dominated
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America's Music Makers: Big Bands & Ballrooms 1912–2011
2052:
Squeeze The: A Cultural History of the Accordion in America
1806:"Shep Fields, Leader of Big Band Known for Rippling Rhythm"
2824:
Making the Scene: Contemporary New York City Big Band Jazz
1629:(2 ed.). New York: Oxford University Press. pp.
1592:, a term of praise for playing that has a strong rhythmic
2624:. New York: Oxford University Press (print). p. 226.
613:
while accompanied by the Europe Society Orchestra led by
1467:, the "Pied Piper of Swing". Others challenged him, and
1074:. Many musicians served in the military and toured with
331:'s band used up to five trumpets, five trombones (three
327:
and a rhythm section of four instruments. In the 1940s,
3338:
322:
Most common seating arrangement for a 17-piece big band
3226:. Baton Rouge, LA: Louisiana State University Press.
1854:
A Passion for Polka: Old-TIme Ethnic Music in America
2633:
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2440:(M.F.A. thesis ed.). Toronto: York University.
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George T. Simon. Schirmer Trade Books, London, 2012
423:". These ensembles typically featured three or more
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2304:"Billy Strayhorn's Lush Life Beyond Duke Ellington"
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1267:. The genre was gradually absorbed into mainstream
1251:, with some of the most prominent groups including
306:Big bands started as accompaniment for dancing the
210:
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153:
77:. Unsourced material may be challenged and removed.
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2107:"Difference Between Music Composer & Arranger"
1471:became a regular feature of theater performances.
431:and were popularized by recording artists such as
3224:Drew’s Blues: A Sideman’s Life with the Big Bands
2855:Starr, Larry; Waterman, Christopher Alan (2014).
2622:The Swing Era: The Development of Jazz, 1930–1945
2216:Studwell, William Emmett and Mark Baldin (2000).
2878:
2876:
2081:"JazzTimes 10: Great Modern Big-Band Recordings"
624:, in San Francisco in 1916. Hickman's arranger,
404:also featured a solo accordion in his ensemble.
3333:6 Steps to Big Band Writing with Steven Feifke.
3187:The Birth of the Talkies: From Edison to Jolson
3064:On the Air: the Encyclopedia of Old-Time Radio
2857:American Popular Music: From Minstrelsy to MP3
2521:
2519:
1717:Collier, James (2002). Kernfeld, Barry (ed.).
1247:, and the horn choirs often used in blues and
3354:
3127:Encyclopedia of New Year's Holidays Worldwide
3067:. New York: Oxford University Press. p.
1961:
1959:
1910:Music Around The World: A Global Encyclopedia
1868:Music Around The World: A Global Encyclopedia
1563:, and Roger Wolfe Kahn's band were filmed by
1435:. By 1937, the "sweet jazz band" saxophonist
801:, a major in the U.S. Army Air Forces during
8:
2827:. Berkeley: University of California Press.
2793:. Jefferson NC: McFarland. pp. 18, 35.
2386:Evan Rogers: Orchestrator/Arranger/Conductor
2222:. New York: Haworth Press. pp. 175–77.
3130:. London: McFarland & Co. p. 101.
2933:"Stan Kenton: Progressive Concepts in Jazz"
2134:Music in the Social and Behavioral Sciences
1932:
1930:
1843:"Shep Fields Biography" on Books.google.com
1683:"How We Got the Big Sound of Big Band Jazz"
847:, although earlier examples exist, such as
4392:
4152:
3361:
3347:
3339:
2790:Jazz Musicians of the Early Years, to 1945
2595:"1910s Pop Trend: The Ragtime Dance Craze"
2566:(3rd ed.). Boston: Cengage Learning.
1778:"Ellingtonians salute swing era clarinets"
1439:was also featured over the airways on the
159:
150:
3151:Stanley Green and Elaine Schmidt (2000).
2498:. New Haven : Yale Univ. Press. pp.
1745:Uptown Conversation: The New Jazz Studies
1712:
1710:
1708:
1403:Learn how and when to remove this message
1148:Learn how and when to remove this message
753:Learn how and when to remove this message
137:Learn how and when to remove this message
27:Music ensemble associated with jazz music
3190:. Indiana University Press. p. 97.
2355:"A Guide To Song Forms – AABA Song Form"
793:
772:
317:
2749:Shep Fields' Sweet Band on Google Books
2730:Shep Fields' Sweet Band on Google Books
2560:Martin, Henry and Keith Waters (2010).
2462:"Definitions: Timbre, Ostinato, Stride"
1883:"Two "Little Big Bands" offer new jazz"
1748:. New York: Columbia University Press.
1618:
1616:
1614:
1612:
1610:
1606:
861:defining swing as a distinctive style.
165:Paul Whiteman and his orchestra in 1921
3011:"Best College Jazz Bands in The World"
2302:Effinger, Shannon J. (July 27, 2021).
1544:. Fictionalized biographical films of
843:is often credited with developing the
699:, whose career lasted into the 1990s.
3035:Travis, Dempsey J. (March 26, 1985).
2983:Hoffmann, Frank and Robert Birkline.
2859:. New York: Oxford University Press.
695:on cornet, and multi-instrumentalist
7:
1490:(1929-1959) and the Ballroom at the
1385:adding citations to reliable sources
1130:adding citations to reliable sources
872:played a relaxed, propulsive swing,
735:adding citations to reliable sources
400:into his Rippling Rhythm Orchestra.
75:adding citations to reliable sources
3318:Christopher Popa's Big Band Library
3280:. New York: The Macmillan Company.
3009:Lawrence, Rick (November 6, 2019).
2905:Epstein, Benjamin (July 18, 1986).
2276:Abate, Robert (February 10, 2015).
2010:. September 8, 1956. pp. 22–.
533:from the swing era were written in
2416:University of Southern Mississippi
813:The Grand Central Big Band (2005).
25:
4716:Album covers of Blue Note Records
2137:. Los Angeles: SAGE. p. 85.
1226:Toshiko Akiyoshi and Lew Tabackin
4764:
3323:Big Bands After The Big Band Era
3308:International Big Band Directory
3245:Composing for the Jazz Orchestra
2989:Survey of American Popular Music
2131:Thompson, William Forde (2014).
1881:Palmer, Robert (April 5, 1981).
1776:Wilson, John S. (May 15, 1981).
1719:The New Grove Dictionary of Jazz
1361:
1241:progressive rock experimentation
1212:. Progressive bands were led by
1106:
711:
407:Jazz ensembles numbering eight (
380:to his band. In the late 1930s,
51:
3154:Hollywood musicals year by year
2745:"Big Bands and Great Ballrooms"
2726:"Music of the Great Depression"
1944:. April 27, 1946. p. 124.
1655:"Big Band Music Genre Overview"
1372:needs additional citations for
1334:In the late 1990s, there was a
1117:needs additional citations for
1070:Big bands raised morale during
722:needs additional citations for
543:thirty-two-bar (AABA) song form
384:incorporated a solo accordion,
62:needs additional citations for
4096:Institutions and organizations
3037:"Where The Jazz Was Super-hot"
2767:University of Colorado Boulder
2250:Chinen, Nate (July 24, 2020).
1590:Swing (jazz performance style)
1559:The bands led by Helen Lewis,
1463:. Radio increased the fame of
1292:from 1965) and bass guitarist
880:), more of a dixieland style,
196:various rhythmic social dances
1:
3793:Cool jazz and West Coast jazz
2886:. CBC News. November 11, 2017
2532:. AuthorHouse. pp. 36–.
1447:which also showcased a young
3325:– Bill Kirchner, faculty at
2412:The Aquila Digital Community
2166:"What does a Bandleader do?"
1508:, named for his radio show,
1419:and his band broadcast from
585:. As jazz migrated from its
495:. Some bandleaders, such as
3251:University of Chicago Press
2963:JAZZMUSICARCHIVES.COM (JMA)
2763:"Jazz Music: The Swing Era"
2638:Bindas, Kenneth J. (2001).
2526:John Behrens (March 2011).
1832:The Big Bands - 4th Edition
1314:Italian Instabile Orchestra
1312:, founded in 1977, and the
4812:
3124:Crump, William D. (2008).
2724:Young, William H. (2005).
2620:Schuller, Gunther (1991).
2111:BestAccreditedColleges.org
1271:and the jazz rock sector.
764:
29:
4760:
4122:See Template: Jazz theory
3327:Manhattan School of Music
3276:Simon, George T. (1967).
2563:Jazz: The First 100 Years
2495:What to Listen to in Jazz
1541:The Big Broadcast of 1938
1328:Somerville, Massachusetts
1081:1942–44 musicians' strike
683:followed the template of
679:. Henderson and arranger
556:Some big ensembles, like
503:), while others, such as
351:), and a rhythm section.
158:
3092:Strait, Raymond (2016).
2641:Swing, that Modern Sound
2492:Kernfeld, Barry (1995).
2330:"Big Band Music History"
1556:were made in the 1950s.
446:Seating and arrangements
339:), five saxophones (two
299:in the early 1940s when
4791:Types of musical groups
3241:Russo, William (1973).
2787:Dicaire, David (2010).
2436:Bowman, Robert (1982).
2310:. Universal Music Group
1506:Hour of Charm Orchestra
1316:, active in the 1990s.
1274:Other bandleaders used
784:(age 23) from the film
607:Vernon and Irene Castle
3061:Dunning, John (1998).
2959:"Progressive Big Band"
2821:Stewart, Alex (2007).
2743:Behrens, Jack (2006).
2278:"Composer vs Arranger"
2041:, 1 December 1956
1445:Rippling Rhythm Revue,
1331:
1257:Blood, Sweat and Tears
1020:Glenn Miller Orchestra
814:
806:
791:
526:
323:
260:
257:Oak Harbor High School
42:(Charlie Parker album)
1492:Waldorf Astoria Hotel
1322:
1059:reaching number one.
812:
797:
776:
522:Ockbrook Big Band at
521:
321:
254:
35:(Joe Henderson album)
4510:Bibliography of jazz
4290:Continental European
1381:improve this article
1310:Vienna Art Orchestra
1263:; and, from Canada,
1126:improve this article
731:improve this article
691:on tenor saxophone,
663:led his band at the
71:improve this article
30:For the albums, see
4751:Straight, No Chaser
4540:Straight-ahead jazz
3997:Winter & Winter
3446:French horn in jazz
3222:Page, Drew (1981).
3099:Bob Hope: A Tribute
3015:Studio Notes Online
2361:. February 18, 2014
2334:TheMusicHistory.com
1812:. February 24, 1981
1626:The History of Jazz
1623:Gioia, Ted (2011).
1573:Library of Congress
1469:battle of the bands
1343:house accompaniment
1326:2022 performers in
1056:Casa Loma Orchestra
1015:and Paul Whiteman.
900:, and the vibes of
487:, who was hired by
366:symphony orchestras
4695:West African music
4520:British dance band
4310:European free jazz
4283:British dance band
3776:Musicians by genre
3556:Free improvisation
3102:. Crossroad Press.
2282:Robert Abate Music
2197:. Hero Enterprises
1888:The New York Times
1810:The New York Times
1783:The New York Times
1451:as the announcer.
1415:During the 1930s,
1332:
888:, the trombone of
815:
807:
792:
787:Stage Door Canteen
669:Fletcher Henderson
615:James Reese Europe
527:
524:Pride Park Stadium
435:, Joe Biviano and
349:baritone saxophone
324:
261:
4778:
4777:
4651:New Orleans blues
4498:
4497:
4441:
4440:
4015:Beaches (Toronto)
3426:Swing performance
3233:978-0-8071-0686-0
3197:978-0-253-10743-5
3137:978-0-7864-3393-3
3078:978-0-19-977078-6
2911:Los Angeles Times
2866:978-0-19-985911-5
2834:978-0-520-24953-0
2800:978-0-7864-8556-7
2678:JazzStandards.com
2651:978-1-57806-382-6
2573:978-1-4390-8333-8
2539:978-1-4567-2952-3
2447:978-0-612-15541-1
2229:978-0-7890-0914-2
2144:978-1-4522-8302-9
2079:West, Michael J.
1841:978-0-85712-812-6
1755:978-0-231-50836-0
1687:Redlands Symphony
1640:978-0-19-539970-7
1585:List of big bands
1575:film collection.
1511:The Hour of Charm
1421:the Grand Terrace
1413:
1412:
1405:
1164:'s recording of "
1158:
1157:
1150:
892:, the trumpet of
854:Washington Wabble
763:
762:
755:
673:Roseland Ballroom
639:Jelly Roll Morton
529:Typical big band
477:soprano saxophone
249:
248:
171:Stylistic origins
147:
146:
139:
121:
16:(Redirected from
4803:
4769:
4768:
4535:Continental jazz
4428:Washington, D.C.
4393:
4295:Czech and Slovak
4153:
3937:India Navigation
3635:Progressive jazz
3489:Avant-garde jazz
3363:
3356:
3349:
3340:
3335:– YouTube video.
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3209:
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3182:Geduld, Harry M.
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2672:Wilson, Jeremy.
2669:
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2599:Pop Song History
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2029:Review of album
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1938:"Record Reviews"
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1714:
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1702:
1700:
1698:
1693:on June 21, 2023
1689:. Archived from
1679:
1670:
1669:
1667:
1665:
1651:
1645:
1644:
1620:
1520:Anna Mae Winburn
1455:Big band remotes
1408:
1401:
1397:
1394:
1388:
1365:
1357:
1306:avant-garde jazz
1153:
1146:
1142:
1139:
1133:
1110:
1102:
1098:Modern big bands
1040:Jimmie Lunceford
989:Claude Thornhill
837:
836:
835:
834:
758:
751:
747:
744:
738:
715:
707:
609:popularized the
605:. The dance duo
539:twelve bar blues
433:Charles Magnante
345:tenor saxophones
273:musical ensemble
227:Kansas City jazz
222:progressive jazz
211:Derivative forms
203:Cultural origins
187:American marches
163:
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4771:Jazz portal
4763:
4756:
4737:The Jazz Singer
4704:
4683:Novelty ragtime
4614:
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4457:
4437:
4391:
4358:
4249:
4194:
4149:Regional scenes
4144:
4079:
4001:
3927:Groove Merchant
3917:Flying Dutchman
3865:
3827:
3771:
3693:
3625:Orchestral jazz
3605:Mainstream jazz
3593:Afro-Cuban jazz
3475:
3384:Outline of jazz
3372:
3367:
3304:
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3218:
3216:Further reading
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3043:
3041:Chicago Tribune
3034:
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3019:
3017:
3008:
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2993:
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2985:"Big-band rock"
2982:
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2942:
2940:
2931:Boyd, Michael.
2930:
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2601:. June 11, 2014
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2087:. Madavor Media
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2004:"Dot into Pkgs"
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1488:Roosevelt Hotel
1443:network in his
1427:and, later, by
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1378:
1366:
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1234:Anthony Braxton
1214:Dizzy Gillespie
1154:
1143:
1137:
1134:
1123:
1111:
1100:
933:Ella Fitzgerald
921:Helen O'Connell
896:, the drums of
851:on Ellington's
839:of early jazz.
833:
828:
827:
826:
825:
824:
817:
816:
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759:
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728:
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705:
693:Louis Armstrong
689:Coleman Hawkins
575:
570:
509:Billy Strayhorn
505:Maria Schneider
448:
376:, strings, and
358:Swinging Suites
341:alto saxophones
316:
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4744:Round Midnight
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4363:North American
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4186:
4185:
4180:
4170:
4165:
4159:
4157:
4150:
4146:
4145:
4143:
4142:
4137:
4132:
4127:
4126:
4125:
4113:
4108:
4103:
4098:
4093:
4087:
4085:
4081:
4080:
4078:
4077:
4072:
4067:
4062:
4057:
4052:
4047:
4042:
4037:
4032:
4027:
4022:
4017:
4011:
4009:
4003:
4002:
4000:
3999:
3994:
3989:
3984:
3979:
3974:
3969:
3964:
3959:
3954:
3949:
3944:
3939:
3934:
3929:
3924:
3919:
3914:
3909:
3904:
3899:
3894:
3889:
3884:
3879:
3873:
3871:
3867:
3866:
3864:
3863:
3858:
3853:
3848:
3843:
3837:
3835:
3829:
3828:
3826:
3825:
3820:
3815:
3810:
3805:
3800:
3795:
3790:
3785:
3779:
3777:
3773:
3772:
3770:
3769:
3764:
3759:
3754:
3749:
3744:
3739:
3734:
3732:Percussionists
3729:
3724:
3719:
3714:
3709:
3703:
3701:
3695:
3694:
3692:
3691:
3686:
3681:
3680:
3679:
3669:
3664:
3663:
3662:
3655:Spiritual jazz
3652:
3647:
3642:
3637:
3632:
3627:
3622:
3617:
3612:
3607:
3602:
3597:
3596:
3595:
3585:
3580:
3575:
3570:
3565:
3564:
3563:
3558:
3553:
3543:
3538:
3533:
3528:
3523:
3518:
3513:
3512:
3511:
3506:
3501:
3491:
3485:
3483:
3477:
3476:
3474:
3473:
3468:
3463:
3458:
3453:
3448:
3443:
3438:
3433:
3428:
3423:
3418:
3413:
3412:
3411:
3401:
3396:
3391:
3386:
3380:
3378:
3377:General topics
3374:
3373:
3368:
3366:
3365:
3358:
3351:
3343:
3337:
3336:
3330:
3320:
3315:
3310:
3303:
3302:External links
3300:
3299:
3298:
3273:
3259:
3238:
3232:
3217:
3214:
3211:
3210:
3196:
3173:
3163:
3143:
3136:
3116:
3105:
3084:
3077:
3053:
3027:
3001:
2975:
2950:
2923:
2897:
2872:
2865:
2847:
2833:
2813:
2799:
2779:
2754:
2735:
2732:. p. 120.
2716:
2698:Yanow, Scott.
2690:
2664:
2650:
2627:
2612:
2586:
2572:
2552:
2538:
2515:
2508:
2484:
2475:
2453:
2446:
2428:
2398:
2380:Rogers, Evan.
2372:
2346:
2321:
2308:uDiscoverMusic
2294:
2268:
2242:
2228:
2208:
2195:ejazzlines.com
2182:
2157:
2143:
2123:
2098:
2071:
2057:
2043:
2021:
1995:
1984:
1955:
1926:
1915:
1901:
1873:
1859:
1845:
1823:
1797:
1768:
1754:
1734:
1727:
1704:
1671:
1646:
1639:
1605:
1604:
1602:
1599:
1598:
1597:
1587:
1580:
1577:
1531:
1528:
1524:Ina Ray Hutton
1494:(1959-1976) .
1411:
1410:
1369:
1367:
1360:
1354:
1351:
1294:Jaco Pastorius
1286:(on the album
1261:Tower of Power
1210:Doc Severinsen
1194:Lionel Hampton
1162:Charlie Barnet
1156:
1155:
1114:
1112:
1105:
1099:
1096:
1065:Duke Ellington
957:Charlie Barnet
941:Billie Holiday
902:Lionel Hampton
890:Jack Teagarden
829:
771:
770:
765:Main article:
761:
760:
719:
717:
710:
704:
701:
661:Duke Ellington
574:
571:
569:
566:
547:shout choruses
513:Duke Ellington
447:
444:
353:Duke Ellington
337:bass trombones
315:
312:
293:rhythm section
269:jazz orchestra
247:
246:
245:
244:
239:
234:
232:easy listening
229:
224:
219:
212:
208:
207:
204:
200:
199:
198:
197:
194:
189:
184:
179:
172:
168:
167:
164:
156:
155:
145:
144:
59:
57:
50:
26:
24:
18:Big Band music
14:
13:
10:
9:
6:
4:
3:
2:
4808:
4797:
4794:
4792:
4789:
4788:
4786:
4773:
4772:
4767:
4759:
4753:
4752:
4748:
4746:
4745:
4741:
4739:
4738:
4734:
4732:
4730:
4726:
4724:
4723:
4719:
4717:
4714:
4713:
4711:
4707:
4701:
4700:Western swing
4698:
4696:
4693:
4691:
4688:
4684:
4681:
4680:
4679:
4676:
4674:
4671:
4669:
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4661:
4659:
4656:
4652:
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4627:
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4617:
4611:
4608:
4606:
4603:
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4598:
4596:
4593:
4591:
4588:
4586:
4583:
4581:
4578:
4576:
4573:
4571:
4568:
4566:
4563:
4561:
4558:
4556:
4553:
4551:
4548:
4546:
4543:
4541:
4538:
4536:
4533:
4531:
4528:
4526:
4523:
4521:
4518:
4516:
4513:
4511:
4508:
4507:
4505:
4501:
4491:
4488:
4487:
4485:
4481:
4475:
4472:
4470:
4467:
4466:
4464:
4460:
4454:
4451:
4450:
4448:
4444:
4434:
4431:
4429:
4426:
4424:
4423:New York City
4421:
4419:
4416:
4414:
4411:
4409:
4406:
4404:
4401:
4400:
4398:
4394:
4386:
4383:
4382:
4381:
4378:
4376:
4373:
4371:
4368:
4367:
4365:
4361:
4355:
4352:
4348:
4347:Flamenco jazz
4345:
4344:
4343:
4340:
4336:
4333:
4332:
4331:
4328:
4326:
4323:
4321:
4318:
4316:
4313:
4311:
4308:
4306:
4303:
4301:
4298:
4296:
4293:
4291:
4288:
4284:
4281:
4280:
4279:
4276:
4274:
4271:
4267:
4264:
4263:
4262:
4259:
4258:
4256:
4252:
4246:
4243:
4241:
4238:
4234:
4231:
4229:
4226:
4225:
4224:
4221:
4217:
4214:
4213:
4212:
4209:
4207:
4204:
4203:
4201:
4197:
4191:
4188:
4184:
4181:
4179:
4176:
4175:
4174:
4173:South African
4171:
4169:
4166:
4164:
4161:
4160:
4158:
4154:
4151:
4147:
4141:
4138:
4136:
4133:
4131:
4128:
4124:
4123:
4119:
4118:
4117:
4114:
4112:
4109:
4107:
4104:
4102:
4099:
4097:
4094:
4092:
4089:
4088:
4086:
4082:
4076:
4073:
4071:
4068:
4066:
4063:
4061:
4058:
4056:
4053:
4051:
4048:
4046:
4043:
4041:
4038:
4036:
4033:
4031:
4028:
4026:
4023:
4021:
4018:
4016:
4013:
4012:
4010:
4008:
4004:
3998:
3995:
3993:
3990:
3988:
3985:
3983:
3980:
3978:
3975:
3973:
3970:
3968:
3965:
3963:
3960:
3958:
3955:
3953:
3950:
3948:
3945:
3943:
3940:
3938:
3935:
3933:
3930:
3928:
3925:
3923:
3920:
3918:
3915:
3913:
3910:
3908:
3905:
3903:
3900:
3898:
3895:
3893:
3890:
3888:
3885:
3883:
3880:
3878:
3875:
3874:
3872:
3870:Discographies
3868:
3862:
3859:
3857:
3854:
3852:
3849:
3847:
3844:
3842:
3839:
3838:
3836:
3834:
3830:
3824:
3821:
3819:
3816:
3814:
3811:
3809:
3806:
3804:
3801:
3799:
3796:
3794:
3791:
3789:
3786:
3784:
3781:
3780:
3778:
3774:
3768:
3765:
3763:
3760:
3758:
3757:Vibraphonists
3755:
3753:
3750:
3748:
3745:
3743:
3740:
3738:
3735:
3733:
3730:
3728:
3725:
3723:
3720:
3718:
3715:
3713:
3710:
3708:
3705:
3704:
3702:
3700:
3696:
3690:
3687:
3685:
3682:
3678:
3677:Swing revival
3675:
3674:
3673:
3670:
3668:
3665:
3661:
3658:
3657:
3656:
3653:
3651:
3648:
3646:
3643:
3641:
3638:
3636:
3633:
3631:
3628:
3626:
3623:
3621:
3618:
3616:
3613:
3611:
3608:
3606:
3603:
3601:
3598:
3594:
3591:
3590:
3589:
3586:
3584:
3581:
3579:
3576:
3574:
3571:
3569:
3566:
3562:
3559:
3557:
3554:
3552:
3549:
3548:
3547:
3544:
3542:
3539:
3537:
3536:Flamenco jazz
3534:
3532:
3529:
3527:
3524:
3522:
3519:
3517:
3514:
3510:
3507:
3505:
3502:
3500:
3497:
3496:
3495:
3492:
3490:
3487:
3486:
3484:
3482:
3478:
3472:
3471:Women in jazz
3469:
3467:
3464:
3462:
3459:
3457:
3456:Jazz trombone
3454:
3452:
3449:
3447:
3444:
3442:
3439:
3437:
3436:Jazz drumming
3434:
3432:
3429:
3427:
3424:
3422:
3419:
3417:
3414:
3410:
3407:
3406:
3405:
3404:Improvisation
3402:
3400:
3397:
3395:
3392:
3390:
3387:
3385:
3382:
3381:
3379:
3375:
3371:
3364:
3359:
3357:
3352:
3350:
3345:
3344:
3341:
3334:
3331:
3328:
3324:
3321:
3319:
3316:
3314:
3311:
3309:
3306:
3305:
3301:
3295:
3291:
3287:
3283:
3279:
3278:The Big Bands
3274:
3270:
3266:
3262:
3260:0-226-73209-6
3256:
3252:
3247:
3246:
3239:
3235:
3229:
3225:
3220:
3219:
3215:
3199:
3193:
3189:
3188:
3183:
3177:
3174:
3170:
3166:
3164:0-634-00765-3
3160:
3156:
3155:
3147:
3144:
3139:
3133:
3129:
3128:
3120:
3117:
3114:
3109:
3106:
3101:
3100:
3095:
3088:
3085:
3080:
3074:
3070:
3066:
3065:
3057:
3054:
3042:
3038:
3031:
3028:
3016:
3012:
3005:
3002:
2990:
2986:
2979:
2976:
2964:
2960:
2954:
2951:
2939:. Peter Losin
2938:
2934:
2927:
2924:
2912:
2908:
2901:
2898:
2885:
2879:
2877:
2873:
2868:
2862:
2858:
2851:
2848:
2836:
2830:
2826:
2825:
2817:
2814:
2802:
2796:
2792:
2791:
2783:
2780:
2768:
2764:
2758:
2755:
2751:. p. 23.
2750:
2746:
2739:
2736:
2731:
2727:
2720:
2717:
2705:
2701:
2694:
2691:
2679:
2675:
2668:
2665:
2653:
2647:
2643:
2642:
2634:
2632:
2628:
2623:
2616:
2613:
2600:
2596:
2590:
2587:
2575:
2569:
2565:
2564:
2556:
2553:
2541:
2535:
2531:
2530:
2522:
2520:
2516:
2511:
2509:0-300-05902-7
2505:
2501:
2497:
2496:
2488:
2485:
2479:
2476:
2464:. W.W. Norton
2463:
2457:
2454:
2449:
2443:
2439:
2432:
2429:
2417:
2413:
2409:
2402:
2399:
2387:
2383:
2376:
2373:
2360:
2356:
2350:
2347:
2335:
2331:
2325:
2322:
2309:
2305:
2298:
2295:
2283:
2279:
2272:
2269:
2257:
2253:
2246:
2243:
2231:
2225:
2221:
2220:
2212:
2209:
2196:
2192:
2191:"Hefti, Neal"
2186:
2183:
2171:
2167:
2161:
2158:
2146:
2140:
2136:
2135:
2127:
2124:
2112:
2108:
2102:
2099:
2086:
2082:
2075:
2072:
2069:
2067:
2061:
2058:
2055:
2053:
2047:
2044:
2040:
2039:
2038:The Billboard
2034:
2032:
2025:
2022:
2017:
2013:
2009:
2005:
1999:
1996:
1993:
1988:
1985:
1973:
1969:
1962:
1960:
1956:
1951:
1947:
1943:
1939:
1933:
1931:
1927:
1924:
1919:
1916:
1913:
1911:
1905:
1902:
1890:
1889:
1884:
1877:
1874:
1871:
1869:
1863:
1860:
1857:
1855:
1849:
1846:
1842:
1838:
1834:
1833:
1827:
1824:
1811:
1807:
1801:
1798:
1785:
1784:
1779:
1772:
1769:
1757:
1751:
1747:
1746:
1738:
1735:
1730:
1728:1-56159-284-6
1724:
1720:
1713:
1711:
1709:
1705:
1692:
1688:
1684:
1678:
1676:
1672:
1660:
1656:
1650:
1647:
1642:
1636:
1632:
1628:
1627:
1619:
1617:
1615:
1613:
1611:
1607:
1600:
1595:
1591:
1588:
1586:
1583:
1582:
1578:
1576:
1574:
1570:
1566:
1565:Lee de Forest
1562:
1557:
1555:
1554:Benny Goodman
1551:
1547:
1543:
1542:
1537:
1529:
1527:
1525:
1521:
1517:
1513:
1512:
1507:
1503:
1502:Phil Spitalny
1499:
1498:Gloria Parker
1495:
1493:
1489:
1485:
1481:
1477:
1472:
1470:
1466:
1465:Benny Goodman
1462:
1461:
1456:
1452:
1450:
1446:
1442:
1438:
1434:
1430:
1426:
1422:
1418:
1407:
1404:
1396:
1393:November 2021
1386:
1382:
1376:
1375:
1370:This section
1368:
1364:
1359:
1358:
1352:
1350:
1346:
1344:
1339:
1337:
1336:swing revival
1329:
1325:
1321:
1317:
1315:
1311:
1307:
1303:
1299:
1295:
1291:
1290:
1285:
1284:John Coltrane
1281:
1277:
1272:
1270:
1266:
1262:
1258:
1254:
1250:
1246:
1242:
1237:
1235:
1231:
1227:
1223:
1219:
1215:
1211:
1207:
1203:
1199:
1195:
1191:
1187:
1182:
1180:
1175:
1171:
1167:
1163:
1152:
1149:
1141:
1138:November 2021
1131:
1127:
1121:
1120:
1115:This section
1113:
1109:
1104:
1103:
1097:
1095:
1093:
1088:
1086:
1082:
1077:
1073:
1068:
1066:
1060:
1057:
1053:
1049:
1045:
1041:
1036:
1033:
1027:
1025:
1021:
1016:
1014:
1010:
1009:Benny Goodman
1006:
1005:Martha Tilton
1002:
998:
994:
990:
986:
982:
978:
977:Helen Forrest
974:
970:
966:
965:Larry Clinton
962:
958:
954:
950:
946:
945:Jimmy Rushing
942:
938:
934:
930:
926:
922:
918:
914:
913:Connie Haines
910:
909:Frank Sinatra
905:
903:
899:
895:
891:
887:
883:
882:Benny Goodman
879:
875:
871:
866:
864:
863:Western swing
858:
856:
855:
850:
849:Wellman Braud
846:
842:
838:
832:
821:
811:
804:
800:
796:
789:
788:
783:
780:(age 34) and
779:
778:Benny Goodman
775:
768:
757:
754:
746:
743:November 2021
736:
732:
726:
725:
720:This section
718:
714:
709:
708:
703:The swing era
702:
700:
698:
694:
690:
686:
682:
678:
674:
670:
666:
662:
658:
656:
652:
648:
647:Tin Pan Alley
644:
640:
635:
634:Paul Whiteman
631:
627:
623:
618:
616:
612:
608:
604:
600:
596:
595:New York City
592:
588:
584:
580:
572:
567:
565:
563:
559:
554:
550:
548:
544:
540:
536:
535:strophic form
532:
525:
520:
516:
514:
510:
506:
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489:Paul Whiteman
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473:bass clarinet
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82:Find sources:
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60:This article
58:
54:
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48:
43:
41:
36:
34:
19:
4762:
4749:
4742:
4735:
4731:(miniseries)
4728:
4720:
4690:Sophisti-pop
4120:
4111:Jazz royalty
4101:Jazz funeral
3897:Contemporary
3788:Chamber jazz
3742:Saxophonists
3712:Clarinetists
3684:Third stream
3521:Chamber jazz
3421:Scat singing
3398:
3277:
3244:
3223:
3201:. Retrieved
3186:
3176:
3168:
3153:
3146:
3126:
3119:
3108:
3098:
3087:
3063:
3056:
3046:September 6,
3044:. Retrieved
3040:
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3018:. Retrieved
3014:
3004:
2994:November 11,
2992:. Retrieved
2988:
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2966:. Retrieved
2962:
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2936:
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2916:December 13,
2914:. Retrieved
2910:
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2888:. Retrieved
2856:
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2789:
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2772:December 23,
2770:. Retrieved
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2709:December 30,
2707:. Retrieved
2703:
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2683:November 28,
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2605:December 19,
2603:. Retrieved
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2421:November 11,
2419:. Retrieved
2411:
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2391:November 10,
2389:. Retrieved
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2333:
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2314:December 21,
2312:. Retrieved
2307:
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2287:December 21,
2285:. Retrieved
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2261:December 21,
2259:. Retrieved
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2235:December 21,
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2173:. Retrieved
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2150:December 22,
2148:. Retrieved
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2116:December 21,
2114:. Retrieved
2110:
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2046:
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2033:, p. 22
2031:Squeeze Play
2030:
2024:
2007:
1998:
1987:
1977:November 26,
1975:. Retrieved
1971:
1941:
1918:
1909:
1904:
1892:. Retrieved
1886:
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1867:
1862:
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1848:
1831:
1826:
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1809:
1800:
1788:. Retrieved
1781:
1771:
1759:. Retrieved
1744:
1737:
1718:
1695:. Retrieved
1691:the original
1686:
1664:September 6,
1662:. Retrieved
1658:
1649:
1625:
1558:
1546:Glenn Miller
1539:
1533:
1509:
1496:
1476:Guy Lombardo
1473:
1458:
1453:
1444:
1425:Bennie Moten
1414:
1399:
1390:
1379:Please help
1374:verification
1371:
1347:
1340:
1333:
1287:
1273:
1238:
1183:
1170:Woody Herman
1159:
1144:
1135:
1124:Please help
1119:verification
1116:
1089:
1072:World War II
1069:
1061:
1052:Glenn Miller
1050:and, later,
1037:
1028:
1017:
1013:Guy Lombardo
973:Kitty Kallen
929:Jimmy Dorsey
917:Tommy Dorsey
906:
876:(brother of
867:
859:
852:
845:walking bass
830:
818:
803:World War II
799:Glenn Miller
785:
749:
740:
729:Please help
724:verification
721:
697:Benny Carter
677:Bill Challis
659:
630:arrangements
619:
576:
555:
551:
531:arrangements
528:
497:Guy Lombardo
481:
449:
441:
406:
362:Boyd Raeburn
325:
305:
268:
264:
262:
148:
133:
124:
114:
107:
100:
93:
81:
69:Please help
64:verification
61:
39:
32:
4673:Quiet storm
4636:Contradanza
4418:New Orleans
4413:Kansas City
4216:Jazz mugham
4211:Azerbaijani
4135:Second line
4130:Rare groove
4116:Jazz theory
4106:Jazz poetry
4091:Contrafacts
4075:Saint Lucia
4055:New Orleans
3987:Strata-East
3962:MPS Records
3892:Cobblestone
3813:Smooth jazz
3803:Jazz fusion
3747:Trombonists
3660:Sacred jazz
3645:Smooth jazz
3578:Jazz fusion
3461:Jazz violin
3441:Jazz guitar
3416:Jam session
3389:Jazz (word)
3020:November 7,
2700:"Les Brown"
2579:November 8,
2482:Simon, 105.
2468:November 8,
2365:December 9,
2339:November 8,
2091:November 8,
1972:Archive.org
1894:December 9,
1816:October 28,
1790:December 9,
1761:December 9,
1536:Shep Fields
1516:B. A. Rolfe
1474:Similarly,
1437:Shep Fields
1433:Jesse Stone
1429:Jay McShann
1296:introduced
1245:jazz fusion
1206:Clark Terry
1174:Stan Kenton
1092:ghost bands
1048:Shep Fields
1024:Shep Fields
985:Fran Warren
981:Harry James
969:Dick Haymes
949:Count Basie
894:Harry James
870:Count Basie
841:Walter Page
820:Swing music
767:Swing music
685:King Oliver
667:in Harlem.
665:Cotton Club
626:Ferde Grofé
622:Art Hickman
587:New Orleans
573:Dance music
562:Count Basie
558:King Oliver
485:Ferde Grofé
382:Shep Fields
374:French horn
329:Stan Kenton
314:Instruments
4785:Categories
4658:Brass band
4646:Jump blues
4490:Ethno jazz
4453:Australian
4433:West Coast
4190:Zimbabwean
4030:Copenhagen
3952:Mainstream
3762:Violinists
3752:Trumpeters
3722:Guitarists
3630:Organ trio
3615:Modal jazz
3588:Latin jazz
3568:Gypsy jazz
3466:Vocal jazz
3451:Jazz piano
2937:plosin.com
2545:August 31,
1601:References
1561:Ben Bernie
1550:Gene Krupa
1417:Earl Hines
1280:Afro-Cuban
1265:Lighthouse
1249:soul music
1222:Carla Bley
1198:Earl Hines
1190:Gene Krupa
1186:Buddy Rich
1044:Chick Webb
1032:Earl Hines
937:Chick Webb
925:Bob Eberly
898:Gene Krupa
886:Artie Shaw
874:Bob Crosby
681:Don Redman
655:vaudeville
589:origin to
493:Neil Hefti
453:flugelhorn
437:John Serry
425:accordions
415:) or ten (
368:by adding
364:drew from
281:saxophones
277:jazz music
127:April 2018
97:newspapers
86:"Big band"
4796:Big bands
4626:Acid jazz
4483:Worldwide
4469:Brazilian
4266:Bulgarian
4228:Indo jazz
4178:Cape jazz
4065:North Sea
4020:Cape Town
4007:Festivals
3982:Riverside
3957:Milestone
3882:Blue Note
3877:Bethlehem
3861:post-1950
3833:Standards
3818:Soul jazz
3767:Vocalists
3727:Organists
3699:Musicians
3689:Trad jazz
3650:Soul jazz
3573:Jazz-funk
3561:Punk jazz
3551:Free funk
3546:Free jazz
3541:Folk jazz
3531:Dixieland
3526:Cool jazz
3516:Cape jazz
3431:Jazz bass
3394:Jazz band
2359:Songstuff
2085:JazzTimes
2016:0006-2510
2008:Billboard
1950:0006-2510
1942:Billboard
1569:Phonofilm
1441:NBC radio
1302:free jazz
1298:cool jazz
1289:Ascension
1276:Brazilian
1230:Don Ellis
1218:Gil Evans
1202:Les Brown
1001:Peggy Lee
997:Les Brown
993:Doris Day
953:Kay Starr
782:Peggy Lee
603:Lindy Hop
599:jitterbug
411:), nine (
308:Lindy Hop
289:trombones
192:classical
4631:Afrobeat
4545:Pre-1920
4530:Jazz Age
4446:Oceanian
4396:American
4370:Canadian
4254:European
4245:Japanese
4206:Armenian
4168:Malawian
4163:Ethiopia
4050:Montreux
4045:Montreal
4040:Monterey
3977:Prestige
3947:Landmark
3932:Impulse!
3912:ESP-Disk
3841:Pre-1920
3798:Hard bop
3737:Pianists
3717:Drummers
3707:Bassists
3640:Ska jazz
3583:Jazz rap
3509:Post-bop
3499:Hard bop
3399:Big band
3286:67-26643
3203:July 12,
3184:(1975).
2890:June 11,
2840:June 11,
2806:June 11,
2704:AllMusic
2657:June 11,
2201:June 12,
1697:June 21,
1659:AllMusic
1596:or drive
1594:"groove"
1579:See also
1449:Bob Hope
1269:pop rock
1166:Cherokee
1022:and the
961:Bea Wain
857:(1927).
643:Broadway
628:, wrote
541:form or
469:clarinet
335:and two
291:, and a
285:trumpets
265:big band
154:Big band
40:Big Band
33:Big Band
4678:Ragtime
4663:Exotica
4619:Related
4525:Ragtime
4503:History
4408:Chicago
4375:Haitian
4354:Swedish
4342:Spanish
4325:Italian
4278:British
4273:Belgian
4240:Iranian
4156:African
4084:Culture
4060:Newport
4035:Jakarta
4025:Chicago
3922:Freedom
3620:Nu jazz
3504:Neo-bop
3294:1169701
3269:61-8642
2968:May 27,
2943:May 27,
2170:Berklee
1786:. NYTco
1567:in his
1460:Monitor
1253:Chicago
790:(1943).
651:ragtime
611:foxtrot
591:Chicago
568:History
465:piccolo
394:violins
390:piccolo
378:timpani
111:scholar
4330:Polish
4320:German
4315:French
4300:Danish
4261:Balkan
4223:Indian
4183:Marabi
4140:Venues
3667:Stride
3610:Marabi
3600:M-Base
3481:Genres
3292:
3284:
3267:
3257:
3230:
3194:
3161:
3134:
3075:
2863:
2831:
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2444:
2226:
2141:
2014:
1948:
1839:
1752:
1725:
1637:
1552:, and
1530:Movies
1522:, and
1330:, U.S.
1232:, and
1208:, and
1179:Sun Ra
999:, and
653:, and
501:Carmen
457:cornet
421:sextet
417:tentet
396:and a
347:, one
343:, two
242:lounge
113:
106:
99:
92:
84:
4709:Media
4668:Plugg
4641:Blues
4595:2010s
4590:2000s
4585:1990s
4580:1980s
4575:1970s
4570:1960s
4565:1950s
4560:1940s
4555:1930s
4550:1920s
4515:Blues
4385:Cuban
4305:Dutch
4233:Sitar
4199:Asian
3992:Verve
3856:1940s
3851:1930s
3846:1920s
3823:Swing
3783:Bebop
3672:Swing
3494:Bebop
2500:90–91
1353:Radio
1324:HONK!
1085:bebop
1007:with
995:with
987:with
979:with
963:with
955:with
947:with
935:with
927:with
915:with
583:polka
579:waltz
475:, or
461:flute
429:vibes
413:nonet
409:octet
398:viola
370:flute
333:tenor
301:swing
217:Swing
206:1910s
182:blues
118:JSTOR
104:books
4729:Jazz
4722:Bird
4610:2022
4605:2021
4600:2020
4335:Yass
4070:Pori
3972:Muse
3808:Scat
3409:Jazz
3370:Jazz
3290:OCLC
3282:LCCN
3265:LCCN
3255:ISBN
3228:ISBN
3205:2022
3192:ISBN
3159:ISBN
3132:ISBN
3073:ISBN
3048:2017
3022:2020
2996:2020
2970:2023
2945:2023
2918:2021
2892:2023
2861:ISBN
2842:2023
2829:ISBN
2808:2023
2795:ISBN
2774:2021
2711:2021
2685:2021
2659:2023
2646:ISBN
2607:2021
2581:2020
2568:ISBN
2547:2017
2534:ISBN
2504:ISBN
2470:2020
2442:ISBN
2423:2020
2393:2020
2367:2021
2341:2020
2316:2021
2289:2021
2263:2021
2237:2021
2224:ISBN
2203:2023
2177:2021
2152:2021
2139:ISBN
2118:2021
2093:2020
2012:ISSN
1979:2018
1946:ISSN
1896:2021
1837:ISBN
1818:2020
1792:2021
1763:2021
1750:ISBN
1723:ISBN
1699:2023
1666:2017
1635:ISBN
1631:100—
1482:and
1431:and
1278:and
1003:and
975:and
943:and
923:and
911:and
878:Bing
601:and
593:and
581:and
297:jazz
177:Jazz
90:news
37:and
3967:MPS
3942:JMT
3907:ECM
3902:CTI
3887:BYG
3069:105
2256:npr
2035:in
1484:CBS
1480:NBC
1383:by
1128:by
1076:USO
1067:).
733:by
549:".
455:or
275:of
267:or
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