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Bill Ray (photojournalist)

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almost as luminously as her scoop-back beaded gown, her bare shoulders drawn up as she sings "Happy Birthday" to JFK. This feast of photojournalism by Ray, a Life magazine staffer from 1957 to 1972, includes Charles M. Schulz brandishing a squirt gun and chasing his young son across a broad lawn; a craggy, full-lipped W.H. Auden making instant coffee in his cluttered St. Marks Place kitchen; Barry Goldwater's pugnacious mug poking out of a swimming pool; and a bikini-briefed Arnold in full Pumping-lron mode. A 1980 color shot of Warhol holding up a life-size Polaroid of himself is a trenchant portrait of the master of replicated reality.
698:, she was his agent as well. Regarding her work he said "she was the fastest there was at loading a Hasselblad, and she always kept the film straight. You have to know which roll is which, because I would say, 'We're going to push this roll a half ,' or whatever. Under pressure, you have the president or Moshe Dayan and only a limited amount of time, so you really shoot like hell. We traveled a lot. We spent months in Japan, and we traveled for about 10 months with Carl Sagan around the world." The couple had three daughters, Hilary, Ashley, Sabrina. 524:
career had fully matured he participated in a group show held in 1998 at New York's James Danziger Gallery and a few years later was in another group show in New York, this one held at the Howard Greenberg Gallery. In 2003 he was given the first of a number of retrospective solo exhibitions, this one at the Monroe Gallery of Photography, Santa Fe, New Mexico Subsequent retrospective solo shows were mounted at the Leica Gallery (2006), the Museum of Nebraska Art (2012), and again at the Monroe Gallery (2014).
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the many 35mm cameras then available, he said in practice the bulky Graphlex with its plate holders and effective limit of four images per shoot produced quicker results since the plates could be quickly developed (sometimes in a hotel bathtub) and "wet printed" to photo sensitive paper. He put it this way, "for most assignments, you shoot just one or two holders, and you come rushing in and soup that, and you can print a 4 × 5 negative wet. After those early years, most of his later work for
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carrier-based warplanes (and once urged a pilot to fly so low that it skimmed the water). Later that year he was with Indian troops on the Sikkim border with Tibet. There, he convinced the patrol he accompanied to approach closer than they felt was safe so that he could get good photographs of Chinese soldiers patrolling on the other side of a small valley. A month later he embedded himself with a Hells Angels gang for four weeks taking road shots of them from the
31: 334:. The cover for August 6 showed the six-inch guns of a light cruiser bombarding Vietcong positions and a photo essay in that issue showed action on an aircraft carrier, including a two-page spread of sailors transferring a 2,000 lb bomb that had been received from a supply ship and another showing crew members from a destroyer checking out a suspicious fishing boat. In October of the same year, Ray was in 303: 682:. His father was George Webster Ray (1889–1960), who owned a lumber yard. His mother was Waunita Williams Ray (born about 1896), an amateur painter. He had three siblings, all much older than he: two brothers, James W. Ray (born about 1921) and George W. Ray (born about 1929), and a sister, Bess A. Ray (born about 1924). He grew up in the small village of 1722:"United States Census, 1940," database with images, FamilySearch; citing enumeration district (ED) 72-1, sheet 2A, line 15, family 33, Sixteenth Census of the United States, 1940, NARA digital publication T627. Records of the Bureau of the Census, 1790 - 2007, RG 29. Washington, D.C.: National Archives and Records Administration, 2012, roll 2261 423: 690:. Ray said his childhood was a good one. He told an interviewer, "Both my parents were just perfect. I had a terrific childhood. My mom was very busy with her art and loved the idea of my pursuing something like that. We were not by any means wealthy, but she always found money if I needed a camera." 545:
were also done with strobe. In a 2014 interview he said he developed his skill at composition, at capturing his subjects' expressions and body language, and at handling ambient lighting by studying works at local art museums. He also said he preferred unposed shots and learned early on that he had to
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to an end. One of the images appeared in a double-page spread in the issue for August 30 (shown at left). The accompanying description said, "Suddenly, unbelievably, Soviet tanks were in the streets of Prague, and the brief idyll of liberation, the brave rebirth of national pride and expectation were
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were generally reserved for studio work, the largest of all—the giant Polaroid camera, already mentioned, was not in any sense portable. Most of his early work came from the 4-inch × 5-inch Graphlex camera that most press photographers used at the time. When asked why he chose that camera over
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Ray's parents supported his early fascination with photography by buying him cameras and transporting him from the village where they lived so that he could attend weekly meetings of the Omaha Camera Club. His first camera was a 35mm Kodak purchased in a local drugstore. When he was eleven, in 1947,
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The exhibition announcement offers a juxtaposition of presidential pomp and peccadilloes: on the left, Jackie in a limo, white gloves and pillbox hat setting off that brunet tumble of hair and those dark, wide-set eyes; on the right, a spotlit Marilyn, photographed from behind, blond mane sparkling
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In 1958 he married Marlys J. Greshwalk and had been married to her for 61 years at the time of his death. As well as housewife and mother, Marlys was Ray's assistant, handling such chores as loading his cameras and recording data about his photographs. Beginning in 1972, when he resumed freelancing
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The quote comes from an interview with John Loengard in 1993. He said in full: "I've never thought I was competing with Michelangelo or Rubens, or anyone like that. Somehow photographers seem elevated to a higher standard than a really good carpenter, which is probably a big mistake. Anything's an
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In 1959 held his first solo exhibition at the Leica Gallery in New York. A critic noted that he was as yet only 22 years old and while the show seemed premature, there was "enough imaginative work to indicate that a new and refreshing talent has appeared on the photojournalistic scene." After his
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style, Ray was also adept at action photography. Soon after the dramatic escalation of the war in Vietnam in the early months of 1965 he photographed the big guns of an American light cruiser as they opened up on Viet Cong targets and brought his cameras into the cockpits during bombing runs by
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soldiers patrolling the Tibetan border of that Indian province. In 1966 Ray produced a photo essay in a small Ohio town from which a relatively large number of young men had been sent to fight in Vietnam. It included shots of a military funeral for a marine killed in action (shown at right) and
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to hundreds of papers across the country. Appearing with the caption "The Great Decision," it showed a toddler holding a hand ax eyeing a turkey. Ray held his camera close to the ground making it appear that the turkey and boy were about the same size. The recognition Ray received for taking it
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magazine spanning the 1960s. He was responsible for extensive photo essays and issue covers. His subjects ranged broadly from celebrities to international conflicts, social upheavals, and fads of the moment and he became known for the persistence and ingenuity he put into obtaining photos that
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fan as the foursome arrived in Los Angeles for a west coast concert tour (shown at left). It showed a tearful girl holding a clump of grass and had the caption ""Ringo! Ringo walked on this grass!" That year he also produced a photo essay on the founder of Japan's largest consumer electronics
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Wet printing shortened the time it took to print a photograph. After minimal processing, the wet negative was mounted in a glassless carrier. The carrier was placed directly over a sheet of photopaper. Light projected through the negative then transferred a latent image to the paper.
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Founded in 2915, the Omaha Camera Club provided a meeting place for enthusiasts, sponsored demonstrations and guest speakers, participated in exchanges with other clubs, and held occasional exhibitions. It was still active in January 2020, having its own website and presence on
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photography, using artificial light only when unavoidable. An example he gave of the latter situation was the Kennedy-Onassis wedding when he found himself drenched by heavy rainfall and in danger of electric shock from his web strobe. While freelancing after leaving
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camera that he had been given. Once a week his parents drove him 90 miles east to attend meetings of the Omaha Camera Club. When he was sixteen a local newspaper published a photo he had taken showing the last passenger train that would stop in his home town.
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at an end... Utterly astounded by the treachery and admonished by their leaders to offer no resistance, the Czech people could only gather with their flags in anguished crowds and hurl threats and a pitiful defiance against the steel of the invaders."
415:. Ray traveled with her for several weeks during which, he said, "she worked like a non-stop demon in a humorless and even grim manner." During that time he caught her in a pensive moment, relaxing briefly with her daughter, Vanessa (shown at right). 418:
Interspersed with his celebrity coverage were special-interest features such as photographs of endangered wildlife taken during a three-month assignment in 1970 and a 1972 photo essay on the activities of a thirteen-year-old boy in Manhattan.
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Matt Shudel (2020-01-29). "Bill Ray, Life magazine photographer of celebrities and rebels, dies at 83: From a catwalk above the stage, he photographed Marilyn Monroe singing "Happy Birthday" to JFK. He later hung out with the Hells Angels".
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giving a press conference. In varying degrees they expressed doubts about the war and, as the accompanying text said, "doubted Johnson's optimistic appraisal of Vietnam." Before going to Massillon Ray made a photo essay showing the
161:, where he was educated in local public schools. Encouraged by his mother, he adopted photography as a hobby at the age of eleven and within a year was developing and printing photos that he had taken with a medium format 791:
art these days, so why not? Go over to the Whitney Museum. But certainly not a high art. Not an art in the sense of a Renaissance art, no. I always did the best I could. I think I did some good pictures and that's it."
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Bill Ray: "The Great Decision," news photo that originally appeared on November 20, 1954, in the Lincoln Evening Journal & Nebraska State Journal and within a few days was re-published in 600 newspapers across the
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He told a reporter: "The strobe, which was drenched at this point, fired about three times and then tried to electrocute me. Then Onassis jumps on a golf cart and tries to run over me and whoever else was there."
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A letter to the editor appeared in a subsequent issue. The writer, Carol Pinette of Brunswick, Maine, said, "the picture expresses all the heartfelt joy and immense feeling we Beatle fans have for our idols."
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possessed both immediacy and lasting artistic value. At the time of his death some of his best known work did not appear in publications but was shown in gallery exhibitions. Examples include a photo of
1096: 666:, and the importance of light, Ray maintained that his photojournalism was not high art—not, he said, an art in the sense of a Renaissance art, no." Nonetheless, as Grace Glueck, a critic for 1698:"Nebraska Marriages, 1855-1995," database, FamilySearch; citing Marriage, Stella, Richardson, Nebraska, United States, Nebraska State Historical Society, Lincoln; FHL microfilm 2,022,087 566:
editor who reportedly said "I don't want these smelly bastards in my magazine."(Ironically, after they appeared in exhibitions these photos emerged as some of Ray's most popular work.)
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Then just shy of his second birthday, the boy was a member of the family in whose home Ray boarded. The photo appeared on the Saturday preceding the Thanksgiving holiday.
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work very quickly to capture the image that he wanted. Another time he said he was not fond of nature or travel photography but loved to do stories on people.
655:-inch format on the Leicas, Rolleiflexes, Linhofs, and Hasselblads. While the early work was necessarily in black and white, the later was usually in color. 747:
did not print Ray's photos until years later in one of its special issues after it had ceased weekly publication. A clip of the performance is available on
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22 1/2 × 30 inches from edge to edge. A critic said the photo (shown at left) was "a trenchant portrait of the master of replicated reality."
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Grace Gluck (1998-11-20). "'Life Photographers: What They Saw': James Danziger Gallery 851 Madison Avenue, near 70th Street Through Nov. 28".
1790: 687: 1780: 1592: 187:. In November 1954, less than twelve months after he began work at the paper, a photo of his (shown at right) was distributed as a 492:
Some of Ray's best known work did not appear in publications but was shown in gallery exhibitions. Examples include the photo of
254:. In what would eventually become the most famous of his photo assignments, Ray worked his way backstage onto a catwalk to shoot 368:
Bill Ray: A Lead Protestor Against the Vietnam War Drops Her Guard, news photo that originally appeared on April 23, 1971, in a
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after it ceased weekly publication in 1972. Over the next few years he did freelance work for other magazines, including
1718:"William R Ray in household of George Webster Ray, Shelby, Canada Election Precinct, Polk, Nebraska, United States" 396: 389: 193: 659: 426:
Bill Ray: Andy Warhol holding a life-size Polaroid portrait of himself, news photo that originally appeared in
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Bill Ray: Soviet Tanks on the Streets of Prague, news photo that originally appeared on August 30, 1968, in a
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wrote, Ray's work was "in and of the moment, but it reaffirms that photojournalism is an art all its own."
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to an article about her brutal murder. In 1971 he produced a cover story on the anti-war work of actress,
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just before his departure to serve as an Army Private in Germany. A year later he did a photo shoot of
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Bill Ray: Ringo Walked on this Grass, news photo that originally appeared on August 28, 1964, in a
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The following year, just after his high school graduation, Ray was hired as a journalist for the
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Ray died January 8, 2020, from a heart attack at his New York City home. He was 83 years old.
618:. He would carry more than one of the smaller cameras with him during assignments. The larger 393: 344: 232: 1677: 683: 339: 290: 158: 343:
photos of six families, standing next to their television sets, each set showing President
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s Beverly Hills office. Soon after arriving he spent two months photographing the actress,
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Richard Sandomir (2020-01-27). "Bill Ray, Photographer of Indelible Moments, Dies at 83".
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Bill Ray: A War Comes Home, news photo that originally appeared on August 12, 1966, in a
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consisted of celebrity shoots. In 1967 he took cover and six pages of photos showing
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Emily Van Cleve (2003-02-16). "Santa Fe art tour a feast for the eyes and stomach".
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that attracted more than usual attention. Ray took the Warhol photo in 1980 using a
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seat of a motorcycle. Although his work in Vietnam and Sikkim resulted in major
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sent Ray to Asia to cover the war in Vietnam and tensions on the border between
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preparing for a role in a Broadway play. A year later he accompanied the many
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Still Photographic Specialist (AFSC 23152) Volume 3, Photographic Assignments
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photo essays including a cover photo, the Hells Angels story was killed by a
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in 1962. In 1963 Ray moved from New York to become a staff photographer in
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article on mixed feelings concerning the Vietnam war in a small Ohio town
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at Carnegie Hall (1966), and both on- and off-field photos of the first
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Although he used the collections of art museums to help him understand
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at Carnegie Hall (1966) and both on- and off-field photos of the first
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motorcycle gang (1965), already mentioned. In addition he photographed
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section of Los Angeles as a follow-up to the previous summer's
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later that year. In 1958, after a short stint working at the
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L. Kent Wolgamott (1999-09-26). "Art "Some good pictures"".
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Self portrait of Bill Ray, taken in 1965 aboard the carrier
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While still free-lancing Ray took photos of jazz bassist,
1682:. Extension Course Institute, Air University. p. 26. 1652:"Editors' Note: Return of the Redheaded Wallpaper Gouger" 1542: 1540: 1490:"Editors' Note: Return of the Redheaded Wallpaper Gouger" 1285:. Vol. 61, no. 7. 1966-08-12. pp. 3, 50–57 968: 966: 821: 819: 817: 815: 813: 811: 809: 807: 1090: 1088: 1086: 1084: 1082: 1080: 1078: 1076: 1074: 1072: 1070: 1068: 1066: 204:, Ray moved to New York to begin a freelance work for 372:
article on the antiwar activism of actress Jane Fonda
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whose long career included twelve years of work for
1742:"William R Ray and Marlys J Greshwalk, 05 Jul 1958" 1444:. Vol. 70, no. 15. pp. cover, 50–52D 1254:"Editors' Note: Two Life Tourists in No Man's Land" 1205:. Vol. 57, no. 12. 1964-09-18. p. 32 549:Although known for his many celebrity portraits in 95: 87: 69: 44: 21: 541:he said many of the celebrity covers he made for 462:. During that period he made 46 cover photos for 192:helped him obtain a job in the Chicago office of 1327: 1325: 1247: 1245: 873: 871: 869: 867: 865: 863: 278:. A year later he took an arresting photo of a 266:on the occasion of his forty-fifth birthday at 200:and subsequently turning down a job offer from 1231:. Vol. 57, no. 11. pp. 107–114 1121:"Marilyn Monroe-Happy Birthday Mr. President" 856:. Lincoln, Nebraska. 2012-06-16. p. T14. 8: 157:, and grew up in the neighboring village of 1496:. Vol. 73, no. 20. pp. 74–81 1470:. Vol. 65, no. 18. pp. 46–55 1305:"Editors' Note: A Double Story About Watts" 1052:. Vol. 47, no. 23. pp. 30–31 1392:. Vol. 65, no. 18. p. cover 1366:. Vol. 63, no. 15. p. cover 1340:. Vol. 65, no. 9. pp. 14–24 570:they bought him his first press camera, a 29: 18: 1547:R.C. Baker (2006-07-26). "Best in Show". 977:. New York, N.Y. 1959-02-01. p. X21. 1418:. Vol. 69, no. 22. p. 45 803: 710: 223:article on Beatlemania in San Francisco 1658:. Vol. 73, no. 19. p. 3 1639:. Albuquerque, New Mexico. p. F3. 1260:. Vol. 59, no. 15. p. 7 1177:. Vol. 57, no. 9. p. 60 678:Ray was born on February 16, 1936, in 1311:. Vol. 61, no. 3. p. 3 886:. Vol. 59, no. 6. p. 3 7: 532:Throughout his career Ray preferred 212:as a full-time member of the staff. 16:American photojournalist (1936–2020) 504:(1962), and his many photos of the 496:singing the happy birthday song to 403:. In 1969 he contributed photos of 125:singing the happy birthday song to 1186:Ringo! Ringo walked on this grass! 376:Much of Ray's subsequent work for 133:(1962), an extensive shoot of the 110:(1936–2020) was an American 14: 258:in a skintight dress signing the 1786:Life (magazine) photojournalists 1279:"The Widening "Credibility Gap"" 1158:. Lincoln, Nebraska. p. 16. 1101:Pasatiempo; Santa Fe New Mexican 952:. Fremont, Nebraska. p. T14 944:L. Kent Wolgamott (2020-01-24). 39:located off the coast of Vietnam 1360:"Ingrid Bergman Ends Her Exile" 1002:(5): 80. September–October 2002 920:J.C. Douglas (September 1997). 694:after the demise of the weekly 1438:"Jane Fonda, Nonstop Activist" 1410:Thomas Thompson (1969-08-29). 480:that was capable of producing 247:scandal ended his career as a 1: 1624:. New York, N.Y. p. E40. 1566:Isabel Vincent (2020-01-18). 1551:. New York, N.Y. p. 53. 1303:George P. Hunt (1966-07-15). 1252:George P. Hunt (1965-10-08). 878:George P. Hunt (1965-08-06). 243:'s last television show as a 1334:"Invasion of Czechoslovakia" 922:"History; Omaha Camera Club" 198:Minneapolis Star and Tribune 1791:Photographers from Nebraska 1650:Ralph Graves (1972-11-10). 1514:Nancy McKeon (1980-11-17). 1169:Bill Cameron (1964-08-28). 516:(1967) in collections that 1807: 1412:"Tragic House on the Hill" 476:that had been made by the 194:United Press International 1781:American photojournalists 208:. A year later he joined 28: 1676:Clifford Nation (1985). 1199:"Letters to the Editors" 674:Personal life and family 520:decided not to publish. 137:motorcycle gang (1965), 1488:Bill Ray (1972-11-17). 1462:Bill Ray (1970-11-27). 1436:Bill Ray (1971-04-23). 1384:Bill Ray (1968-11-01). 1358:Bill Ray (1967-10-13). 1332:Bill Ray (1968-08-30). 1223:Bill Ray (1964-09-11). 1044:Bill Ray (1959-12-07). 1464:"Rarities of Ethiopia" 688:University of Nebraska 528:Photographic technique 431: 373: 319: 299: 224: 180: 170:Career as a journalist 1225:"Meet Mr. Matsushita" 1171:"Those Beatles Again" 502:Madison Square Garden 425: 367: 305: 293: 268:Madison Square Garden 218: 177: 131:Madison Square Garden 1156:Lincoln Journal Star 854:Lincoln Journal Star 627:was done in 35mm or 478:Polaroid Corporation 1637:Albuquerque Journal 664:figures in painting 482:instant photographs 468:, including one of 285:Konosuke Matsushita 260:happy birthday song 202:National Geographic 1386:"Jackie's Wedding" 909:. Washington, D.C. 680:Columbus, Nebraska 668:The New York Times 459:Travel and Leisure 432: 374: 320: 300: 225: 181: 155:Columbus, Nebraska 63:Columbus, Nebraska 49:William Robert Ray 1520:New York Magazine 992:"Where Is Elvis?" 428:New York Magazine 314:that brought the 233:Greenwich Village 105: 104: 59:February 16, 1936 1798: 1756: 1755: 1753: 1752: 1738: 1732: 1731: 1729: 1728: 1714: 1708: 1707: 1705: 1704: 1690: 1684: 1683: 1673: 1667: 1666: 1664: 1663: 1647: 1641: 1640: 1632: 1626: 1625: 1617: 1608: 1607: 1605: 1604: 1589: 1583: 1582: 1580: 1579: 1563: 1557: 1556: 1544: 1535: 1534: 1532: 1531: 1511: 1505: 1504: 1502: 1501: 1485: 1479: 1478: 1476: 1475: 1459: 1453: 1452: 1450: 1449: 1433: 1427: 1426: 1424: 1423: 1407: 1401: 1400: 1398: 1397: 1381: 1375: 1374: 1372: 1371: 1355: 1349: 1348: 1346: 1345: 1329: 1320: 1319: 1317: 1316: 1300: 1294: 1293: 1291: 1290: 1275: 1269: 1268: 1266: 1265: 1249: 1240: 1239: 1237: 1236: 1220: 1214: 1213: 1211: 1210: 1195: 1189: 1188: 1183: 1182: 1166: 1160: 1159: 1151: 1136: 1135: 1133: 1132: 1117: 1111: 1110: 1108: 1107: 1092: 1061: 1060: 1058: 1057: 1041: 1035: 1034: 1032: 1031: 1017: 1011: 1010: 1008: 1007: 988: 979: 978: 970: 961: 960: 958: 957: 941: 932: 931: 929: 928: 917: 911: 910: 901: 895: 894: 892: 891: 875: 858: 857: 849: 832: 831: 830:. 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Kennedy 490: 312:Soviet invasion 310:article on the 264:John F. Kennedy 185:Lincoln Journal 172: 151: 127:John F. Kennedy 112:photojournalist 100:Photojournalism 83: 78: 74: 73:January 8, 2020 65: 60: 54: 52: 51: 50: 40: 24: 17: 12: 11: 5: 1804: 1802: 1794: 1793: 1788: 1783: 1778: 1773: 1763: 1762: 1758: 1757: 1733: 1709: 1685: 1668: 1642: 1627: 1622:New York Times 1609: 1599:. 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Index

Bill Ray
USS Midway
Columbus, Nebraska
Manhattan
Photojournalism
photojournalist
Life
Marilyn Monroe
John F. Kennedy
Madison Square Garden
Hells Angels
Ray Charles
Super Bowl
Columbus, Nebraska
Shelby
Speed Graphic

Lincoln Journal
wirephoto
United Press International
Minneapolis Star and Tribune
National Geographic
Life magazine

Charles Mingus
Greenwich Village
Elvis Presley
Alan Freed
payola
rock and roll

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