227:). Wood enters with a crushing announcement: he has been offered the part in New York and he must leave that night. Julia runs off, believing she is included in his plans. The group is devastated. Homer tries to convince him to stay, but Wood goes, leaving Julia behind, her illusions destroyed. Homer threatens to leave as well when all at once the group discovers the pages of his re-written final scene. They fall in love with the surprising new twists he has created for each of their characters. As they begin to piece the new ending together, they find a new appreciation for what they mean to each other (
121:
The
Harbour Island Players is an amateur theatre group whose lives are turned upside down when a professional actor, down on his luck, decides to direct and star in one of their productions. The group is awaiting the arrival of Lawrence Wood, the actor. Wood, who grew up on Harbour Island (and left
179:
Wood calls his agent in New York and is furious to learn that she wants him to audition for a part that he feels is beneath him. When the rehearsal reconvenes, he vents his rage on Homer, insisting that he slow down one of the numbers. Homer, equally enraged, deliberately plays it as slowly as
122:
as soon as he could) is visiting his hometown for the first time in twenty years. He has agreed to observe their rehearsal. Thrilled at the prospect of a real professional in their midst, each member feels, for the first time since they've been working together, that it is finally "worth it" (
208:). Meanwhile, Homer is intent on re-writing the end of his play, determined to make it a bleak and bitter reflection of his present circumstances. After a devastating encounter with Julia, he tears up what he has written and seeks solace at the piano remembering a song he wrote as a child (
33:
333:, musical staging by Linda Haberman, and musical direction by Frederick Weldy. The band consisted of Weldy (Keyboard), James Stenborg (Keyboard), Rick Heckman (Woodwinds), Russ Rizner (French Horn), Jeffrey Szabo (Cello), John A Babich (Bass), and Glenn Rhian (Percussion).
129:
Wood is interrupted by the sudden arrival of Julia, who bursts in dressed as a kind of moon-sprite and begs to be allowed to perform a song written by Homer, a young writer/composer who is also a member of the group. It is from his bizarre musical adaptation of
152:). In an attempt to recover what has been missing in his life, Wood offers to direct and star in Homer's show. The others are beside themselves with excitement, especially Marjorie, Homer's mother, who still carries a torch for Wood from high school days.
167:
As the final week of rehearsals approaches, Andy (Wood's brother) gives him a message about a call from his agent in New York. Wood claims he is not interested and Andy seizes the opportunity to confide in his brother about his rich fantasy life
172:). Later, in the middle of a disastrous rehearsal, Wood takes Marjorie, Hope, and Stella aside and encourages them to "open up" emotionally. This results in a hilarious misunderstanding as the ladies attempt to make sense of what he said (
155:
The next morning, Julia and Homer arrive early for rehearsal. Since childhood, Homer has been unrequitedly in love with Julia. Before rehearsal, they both fantasize about how the events of the past evening might change their lives
180:
possible, transforming it into an expression of each group member's unrequited love. As the song reaches its climax, Wood and Julia steal a clandestine kiss, unwittingly, witnessed by a heartbroken Homer (
148:). Intrigued by the song, by Homer's loony talent, and most of all, by Julia. Wood asks to see the script and reflects on how good it feels to be a big fish in a little pond (
325:
The musical premiered at the Off-Broadway
Promenade Theatre on October 26, 1987, and closed on November 5, 1987, after 29 previews and 24 performances. The director was
497:
160:). The rest of the group arrives and, in a sequence that tracks the first weeks of rehearsal, Homer discovers what it is like to work with a real professional (
605:
126:). Wood arrives and we learn that he is in trouble, both personally and professionally. The amateurs are dazzled by his presence and blind to his problems.
144:. Over the group's protests, Wood asks to hear the song, an eerie ballad about a young girl who flies to the moon only to find she cannot get back down (
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363:
The musical made its
European premiere at the Drayton Arms Theatre, London on May 2, 2017 running for over 40 performances. The musical starred
204:). The rehearsal continues and Wood attacks Marjorie for her lack of commitment to her character and goads her into a deeply felt rendition of (
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223:, as the actors are deep in character and loving every miserable minute, they give thanks to the man who made their lives worth living (
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212:). Marjorie surprises them both by picking up the pieces and mother and son end up - for the first time - comforting each other (
367:(Lawrence Wood), Ryan Taylor (Andy), James Kenneth Haughan (Homer), Lottie Johnson (Julia) and Victoria Waddington (Marjorie).
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in 1987. The story involves a group of amateur actors involved in a musical adaptation of
461:" 'Birds of Paradise' review at Drayton Arms Theatre, London – ‘a fun, dynamic musical’"
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It is the night before dress rehearsal. With great conviction (and in
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Holzman wrote the musical with composer Evans when she was attending
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250:"So Many Nights" - Homer, Marjorie, Stella, Andy, Hope & Dave
329:, with sets by Philipp Jung, costumes by David Murin, lights by
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477:"REVIEW: 'Birds Of Paradise', Drayton Arms Theatre"
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196:suits) Andy, Hope, and Dave perform a number from
90:is a musical with music by David Evans, lyrics by
271:"Birds of Paradise" - Majorie, Stella & Hope
292:"Things I Can't Forget" - Homer & Marjorie
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295:"After Opening Night" - Homer & Marjorie
286:"Penguins Must Sing" - Dave, Hope & Andy
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386:playscripts.com, retrieved August 17, 2010
340:(Homer), John Cunningham (Lawrence Wood),
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265:"It's Only a Play" - Homer & Company
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348:(Marjorie), Andrew Hill Newman (Dave),
498:Internet Off-Broadway Database listing
200:and demonstrate how far they've come (
384:"Winnie Holzman Bio and play details"
7:
421:"The Theater: 'Birds of Paradise' "
397:Little Musicals For Little Theatres
435:Evans, David, and Holzman, Winnie.
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914:The Madwoman of Central Park West
773:The Madwoman of Central Park West
399:, Hal Leonard Corporation, 2006,
262:"Coming True" - Homer & Julia
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479:britishtheatre.com, May 7, 2017
259:"Somebody" - Wood & Company
890:I Can Get It for You Wholesale
253:"Diva" - Hope, Dave & Andy
63:David Evans and Winnie Holzman
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606:Moscow Art Theatre production
443:(1988), Samuel French, Inc.,
256:"Every Day is Night" - Julia
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301:"Something New" - Company
274:"Imagining You" - Company
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613:The Notebook of Trigorin
289:"You're Mine" - Marjorie
268:"She's Out There" - Andy
210:"Things I Can't Forget"
808:The Time of the Cuckoo
990:Off-Broadway musicals
395:Flinn, Denny Martin.
214:"After Opening Night"
202:"Penguins Must Sing"
146:"Every Day Is Night"
621:Stupid Fucking Bird
320:New York University
298:"Chekhov" - Company
174:"Birds of Paradise"
995:Backstage musicals
922:La Cage aux Folles
898:Anyone Can Whistle
757:Do I Hear a Waltz?
749:Anyone Can Whistle
439:books.google.com,
426:, October 27, 1987
424:The New York Times
314:Production history
162:"It's Only A Play"
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851:Bonjour Tristesse
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419:Goodman, Walter.
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572:The Seagull
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539:The Seagull
137:The Seagull
105:The Seagull
68:Productions
43:David Evans
979:Categories
371:References
360:(Stella).
338:Todd Graff
331:Paul Gallo
150:"Somebody"
843:Anastasia
709:Works by
464:The Stage
344:(Julia),
225:"Chekhov"
882:Director
725:Musicals
352:(Hope),
112:Synopsis
659:Related
407:, p. 15
219:During
198:Seagull
194:penguin
142:Seagull
16:Musical
965:(2009)
957:(2008)
949:(1991)
941:(1989)
933:(1987)
925:(1983)
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835:Caught
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718:Writer
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542:(1896)
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437:Script
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281:Act II
188:Act II
78:London
48:Lyrics
954:Gypsy
938:Gypsy
906:Gypsy
819:Films
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632:Other
599:Plays
548:Films
245:Act I
117:Act I
76:2017
71:1987
40:Music
827:Rope
445:ISBN
401:ISBN
59:Book
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