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explodes "like a violent central sun over the entire composition". Lichtenstein has revised the original source so that the aircraft and its explosion are the joint foci from which the painting radiates. Unlike the original, which had substantive narrative content, Lichtenstein's version has more
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uses quintessential war imagery. Although the text is limited to one four-letter word, the narrative is unnecessary owing to the eminent realism presented. The canvas is loaded with images surrounding the focal figure, of the aircraft under attack. It is regarded, along with
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idiom. It is one of his military comic book derivatives and was one of the works presented at his first solo exhibition. The work is in the collection at the
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How Much Is That in Real Money? A Historical Price Index for Use as a
Deflator of Money Values in the Economy of the United States: Addenda et Corrigenda
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150:. The painting depicts a pilot ejecting from an exploding plane. The same issue was the inspiration for several other Lichtenstein paintings,
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sold for $ 1000 ($ 10,073 in 2023 dollars), according to one source, but less than $ 1000 according to another. The exhibition included
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How Much Is That in Real Money? A Historical Price Index for Use as a
Deflator of Money Values in the Economy of the United States
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Armstrong, Matthew (Autumn 1990). "High & Low: Modern Art & Popular
Culture: Searching High and Low".
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is a jest with the viewer that uses an exclamation without narrative context. Like
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as "successful in their combination of brilliant color and narrative situation".
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Lichtenstein began his war imagery efforts with single frame pictures such as
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Judd, Donald (2009). "Reviews 1962–64". In Bader, Graham (ed.).
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formality and a linear pattern, but a more simplified surface.
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Marquis, Alice
Goldfarb (2010). "The Arts Take Center Stage".
598:. Rizzoli International Publications, Inc. p. 34.
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Boatto, Alberto and
Giofucjk yourdano Falzoni (ed.).
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I Can See the Whole Room...and There's Nobody in It!
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728:(International ed.). Fantazaria. p. 56.
181:When Lichtenstein had his first solo show at The
146:issue #89 (January-February 1962), published by
691:Tansey, Richard G. and Fred S. Kleiner (1996).
185:in February 1962, it sold out before opening.
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538:Roy Lichtenstein: Mural With Blue Brushstroke
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437:"Consumer Price Index (estimate) 1800–"
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1214:Large Interior with Three Reflections
596:Pop Art: An International Perspective
435:Federal Reserve Bank of Minneapolis.
209:from November 1 to December 1, 1962.
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1094:Oh, Jeff...I Love You, Too...But...
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1190:Artist's Studio—Look Mickey
701:Harcourt Brace College Publishers
594:Livingstone, Marco, ed. (1991).
515:. MFA Publications. p. 37.
490:. MFA Publications. p. 69.
280:"Ohhh ... Alright ..."
148:National Periodical Publications
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779:Lichtenstein Foundation website
567:Roy Lichtenstein: October Files
749:Macmillan Publishing Co., Inc.
695:Gardner's Art Through The Ages
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1426:Paintings by Roy Lichtenstein
1198:Cubist Still Life with Lemons
1182:Yellow and Green Brushstrokes
308:Pop Art: A Continuing History
1174:The Melody Haunts My Reverie
627:Solomon R. Guggenheim Museum
429:American Antiquarian Society
409:American Antiquarian Society
375:. LichtensteinFoundation.org
172:The graphite pencil sketch,
16:Painting by Roy Lichtenstein
1400:Mitchell Lichtenstein (son)
1348:Mural with Blue Brushstroke
304:Livingstone, Marco (1990).
129:#89 (January–February 1962)
108:Yale University Art Gallery
80:Yale University Art Gallery
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1305:Tokyo Brushstroke I and II
942:Portrait of Madame CĂ©zanne
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178:was also from that issue.
133:The painting is based on
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536:Tomkins, Calvin (1988).
457:Tomkins, Calvin (1988).
1222:Nude with Yellow Flower
1046:Woman with Flowered Hat
619:Waldman, Diane (1993).
282:Lichtenstein Foundation
143:All-American Men of War
127:All American Men of War
1265:Brushstrokes in Flight
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1297:The Head of Barcelona
1230:Nudes with Beach Ball
1142:Girl with Hair Ribbon
463:Harry N. Abrams, Inc.
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1014:Okay Hot-Shot, Okay!
351:Museum of Modern Art
207:Sidney Janis Gallery
183:Leo Castelli Gallery
153:Okay Hot-Shot, Okay!
1158:Little Big Painting
513:The Pop! Revolution
488:The Pop! Revolution
102:falling within the
1356:Times Square Mural
1257:Expressionist Head
1134:Big Painting No. 6
699:(tenth ed.).
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1281:Five Brushstrokes
1273:Five Brushstrokes
1118:We Rose Up Slowly
1102:Ohhh...Alright...
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522:978-0-87846-744-0
497:978-0-87846-744-0
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1206:Bedroom at Arles
1054:As I Opened Fire
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1383:BMW Art Car
1367:Other works
1313:Brushstroke
1289:Modern Head
1070:Happy Tears
982:Crying Girl
950:Takka Takka
934:Masterpiece
878:Mr. Bellamy
870:Look Mickey
666:. pp.
413:1700–1799:
393:1634–1699:
373:"Jet Pilot"
261:1962 in art
238:(1962) and
228:Takka Takka
192:Look Mickey
92:(sometimes
1415:Categories
1241:Sculptures
1006:In the Car
886:Roto Broil
629:. p.
316:. p.
139:comic book
135:Russ Heath
68:Dimensions
1379:(1965–66)
966:Bratatat!
918:Jet Pilot
910:Golf Ball
822:Paintings
175:Jet Pilot
998:Hopeless
902:Brattata
751:p.
418:(1992).
398:(1997).
379:June 24,
255:See also
242:(1963),
159:Brattata
76:Location
57:Movement
1393:Related
1329:House I
1249:Mermaid
1166:M-Maybe
1030:Varoom!
926:Kiss II
359:4381129
286:May 20,
213:Details
113:History
104:pop art
62:Pop art
1385:(1977)
1377:series
1359:(1994)
1351:(1986)
1340:Murals
1332:(1996)
1324:(1996)
1316:(1996)
1308:(1994)
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1292:(1989)
1268:(1984)
1260:(1980)
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1038:Whaam!
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240:Varoom
165:Whaam!
38:Artist
1078:Nurse
974:Crak!
668:20–21
425:(PDF)
405:(PDF)
355:JSTOR
349:(6).
267:Notes
244:Blam'
236:Blang
95:Blam!
894:Blam
757:ISBN
705:ISBN
672:ISBN
635:ISBN
600:ISBN
575:ISBN
546:ISBN
517:ISBN
492:ISBN
467:ISBN
444:2024
381:2013
343:Moma
322:ISBN
288:2012
232:Blam
223:Blam
219:BLAM
201:and
187:Blam
170:Tex!
168:and
125:was
123:Blam
89:Blam
51:1962
48:Year
24:Blam
318:121
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290:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
