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520:, who reigned from 1426 to 1435, more than 250 years before the teapot was made. The use of earlier reign marks has a long history in China, much to the vexation of modern researchers, and was intended to indicate respect rather than to deceive. The teapot's bold geometric design anticipates the forms of European
452:
White porcelain
Buddhist statuary was extensively produced in Japan at the Hirado kilns and elsewhere. The two wares can be easily distinguished. Japanese figures are usually closed on the base and a small hole for ventilation can be seen. Hirado Ware also displays a slightly orange tinge on unglazed
436:
However a large quantity of these ceramics was intended for a
Japanese market, before drastic trade restrictions by the mid 17th century. Items were largely Buddhist images and ritual utensils utilized for family altar use. An association with funerals and the dead has perhaps led to a disinterest in
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The devotional objects produced at Dehua (incense burners, candlesticks, flower vases and statuettes of saints) "conformed to the official stipulations of the early Ming period, not only in their whiteness but also in imitating the shape of archaic ritual objects". They were probably used in the
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The unfired porcelain body is not very plastic but vessel forms have been made from it. Donnelly lists the following types of product: figures, boxes, vases and jars, cups and bowls, fishes, lamps, cup-stands, censers and flowerpots, animals, brush holders, wine and teapots,
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The area along the Fujian coast was traditionally one of the main ceramic exporting centers. Over one-hundred and eighty kiln sites have been identified extending in historical range from the Song period to present. The two principal kiln sites were those of
Qudougong
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The very plain white incense tripods and associated objects for
Japanese religious and ritual observance are also likely designed specifically for a Japanese market, as are the Buddhist Goddesses of Mercy with child figurines that closely resemble the Christian
307:"Dehua artisans applied their very best skills to produce immaculate statuettes of the Great Leader and the heroes of the revolution. Portraits of the stars of the new proletarian opera in their most famous roles were produced on a truly massive scale."
300:(1585â1645), specifically forbade the use of Dehua wares for religious purposes, presumably for their lack of antiquity: "Among the censers the use of which should be specifically forbidden are those recently made in the kilns of Fujian (Dehua)."
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From the Ming period porcelain objects were manufactured that achieved a fusion of glaze and body traditionally referred to as "ivory white" and "milk white". The special characteristic of Dehua porcelain is the very small amount of
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opposite the island of Taiwan. Coastal Fujian province was traditionally a trade center for the
Chinese economy with its many ports and urban centers. Fujian white ware was meant for export to all of maritime Asia.
284:." Some have been produced with little modification from the late 16th or early 17th century. Crisply modeled figures with a smooth white glaze were popular as were joss-stick holders, brush pots,
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figures. Guanyin, the
Goddess of Mercy, was particularly revered in Fujian and there exist innumerable figures of her. Donnelly says, "There is no doubt that figures constitute the great glory of
232:). The Wanpinglun site is the older of the two and manufactured pressed wares and others. The kilns of Dehua also produced other ceramic wares, including some with under glaze blue decoration.
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in the early 18th century. This little porcelain cup with its applied prunus or plum blossom decoration reflects the influence of a
Chinese, "Blanc de Chine" porcelain prototype.
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or âKorean White Ware.â Although Korai was a term for an ancient Korean kingdom, the term also functioned as a ubiquitous term for various products from the Korean peninsula.
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in it, allowing it to be fired in an oxidising atmosphere to a warm white or pale ivory color. This color makes it instantly recognizable and quite different from the
322:(1644â1911) dynasties is often difficult because the conservatism of the Dehua potters led them to produce similar pieces for decades or even for centuries. There are
480:, a famed 17th-century artist from the Ming dynasty who fashioned mainly Buddhist white porcelain statuary in the tradition of the Dehua kilns in Fujian province.
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The
Japanese knew of the existence of the Fujian province kilns and their porcelain, now known as Dehua or Blanc de Chine ware. The Dehua kilns are located in
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figures made in Dehua today (e.g. the popular
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Dehua also made cheap "popular" porcelain wares for the
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this ware among present day Japanese, despite a strong interest in other aspects of Chinese ceramic culture and history.
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figures, secular figures and puppets. There was a large output of figures, especially religious figures, e.g.,
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for their importance for medieval maritime trade and the exchange of cultures and ideas around the world.
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A white teapot from Dehua, c. 1690â1720. The base is inscribed with the name of the
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pieces, having received the entire collection of P.J.Donnelly as a gift in 1980.
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can also be found in Japan where they are used in family altars (
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domestic shrines that every Chinese home possessed. However, one
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731:(A Dictionary of Ceramics in Color), Tokyo, 1972, p. 777.
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Dehua white porcelain was traditionally known in Japan as
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Chinese Glazes: Their Chemistry, Origins and Re-creation
596:"Quanzhou: Emporium of the World in Song-Yuan China"
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748:https://www.britannica.com/art/Dehua-porcelain
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388:) and other funerary and religious uses. In
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724:, Chinese Ceramics, vol. 27, Kyoto, 1983.
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1165:Chinese influences on Islamic pottery
492:Ascetic Buddha from late Ming dynasty
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826:Earthenwares, stonewares and others
744:from The Metropolitan Museum of Art
705:Blanc de Chine Porcelain from Dehua
688:Ming Ceramics in the British Museum
1821:Ehrenfried Walther von Tschirnhaus
655:, China Institute, New York, 2002
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1266:Famille jaune, noire, rose, verte
1011:Famille jaune, noire, rose, verte
242:porcelain from the Imperial kilns
207:along with many other sites near
1880:Kuskovo State Museum of Ceramics
1298:Meissen hard porcelain vase 1735
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703:Ayers, J and Kerr, R., (2000),
637:, Faber and Faber, London, 1969
333:, such as the late Ming period
160:
742:A Handbook of Chinese Ceramics
715:An Encyclopedia of Chinese Art
690:, British Museum, London, 2001
406:white", a term often found in
370:Dehua kiln statue of Buddhist
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1886:SĂšvres â CitĂ© de la cĂ©ramique
1831:François Xavier d'Entrecolles
722:Fujian Ceramics and Porcelain
538:Meissen Porcelain Manufactory
392:the white variety was termed
380:Many of the best examples of
1868:Dresden Porcelain Collection
707:, Art Media Resources Ltd.,
651:Ayers, J. and Bingling, Y.,
600:UNESCO World Heritage Centre
524:by more than two centuries.
288:, libation cups and boxes.
1981:
1910:Victoria and Albert Museum
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51:Dehua porcelain statue of
38:UNESCO World Heritage Site
27:UNESCO World Heritage Site
1916:Museum of Royal Worcester
1892:Musée des Arts Décoratifs
1857:Percival David Foundation
1851:British Museum (London):
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129:), 9.7 cm (3.8 in) tall
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1785:Overglaze decoration
1775:Hard-paste porcelain
1770:Soft-paste porcelain
808:Green-glazed pottery
713:Moujian, S., (1986)
1719:Bing & GrĂžndahl
1683:Dihl & Guérhard
1581:Villeroy & Boch
686:Harrison-Hall, J.,
676:on 31 January 2017.
329:Notable artists in
305:Cultural Revolution
205:World Heritage List
89:Cultural: (iv)
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1922:Walters Art Museum
1320:Japanese porcelain
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1447:List of companies
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1864:(Copenhagen)
1800:Factory mark
1763:Technologies
1671:Clignancourt
1089:
1082:
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1068:
1061:
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1020:
1003:
996:
984:
944:Transitional
938:
728:
721:
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709:google books
704:
687:
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674:the original
669:
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629:
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604:. Retrieved
599:
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439:
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408:tea ceremony
399:
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328:
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315:
313:
302:
298:Wen Zhenheng
296:polemicist,
290:
285:
281:
254:
234:
218:
182:Ming dynasty
165:
159:
149:
133:
132:
127:Qing dynasty
57:Ming Dynasty
1924:(Baltimore)
1918:(Worcester)
1845:Collections
1611:Ludwigsburg
1593:Frankenthal
1569:Nymphenburg
1563:FĂŒrstenberg
1539:Capodimonte
1491:Saint-Cloud
1044:Mantou kiln
1039:Dragon kiln
576:He Chaozong
478:He Chaozong
474:Bodhisattva
335:He Chaozong
161:Tek-hĂČe hĂ»i
151:DĂ©huĂ TĂĄocĂ
107:2021 (44th
104:Inscription
31:Dehua Kilns
1944:Categories
1906:(Istanbul)
1780:Bone china
1665:Copenhagen
1659:Loosdrecht
1641:Wallendorf
1224:Jingdezhen
978:Decoration
698:References
620:Wood, N.,
309:Mao Zedong
286:Dogs of Fo
246:Jingdezhen
238:iron oxide
172:, made at
156:PeÌh-Će-jÄ«
1900:(Beijing)
1876:(Toronto)
1870:(Dresden)
1743:Porsgrund
1737:Rosenthal
1677:HollĂłhĂĄza
1587:Worcester
1527:Vincennes
1515:Chantilly
1509:Rörstrand
1352:Nabeshima
1134:Porcelain
1016:Ash glaze
912:Porcelain
560:A modern
522:modernism
423:hakugorai
400:hakugorai
350:Indonesia
294:Confucian
123:ink brush
94:Reference
1912:(London)
1882:(Moscow)
1816:Chinamen
1749:Augarten
1629:Wedgwood
1575:Plymouth
1440:General:
1387:General:
1357:Kakiemon
1313:General:
1148:General:
570:See also
476:made by
386:butsudan
356:In Japan
346:Tek Sing
270:Maitreya
258:Buddhist
209:Quanzhou
85:Criteria
65:Location
1894:(Paris)
1888:(Paris)
1795:Biscuit
1725:Zsolnay
1701:Doulton
1689:Mintons
1653:Limoges
1551:Mennecy
1533:Chelsea
1497:Meissen
1218:Qingbai
1194:Celadon
1084:Meiping
1077:Hunping
929:Qingbai
843:Yaozhou
838:Celadon
546:Meissen
471:Guanyin
457:Gallery
453:areas.
266:Guanyin
215:History
194:Meissen
176:in the
138:Chinese
109:Session
76:Part of
53:Guanyin
1809:People
1751:(1923)
1745:(1885)
1739:(1879)
1733:(1877)
1727:(1853)
1721:(1853)
1715:(1826)
1713:Herend
1709:(1822)
1707:Lichte
1703:(1815)
1697:(1814)
1691:(1793)
1685:(1781)
1679:(1777)
1673:(1775)
1667:(1775)
1661:(1774)
1655:(1771)
1649:(1768)
1643:(1764)
1637:(1763)
1635:Berlin
1631:(1759)
1625:(1760)
1623:Retiro
1619:(1759)
1613:(1758)
1607:(1757)
1601:(1756)
1599:SĂšvres
1595:(1755)
1589:(1751)
1583:(1748)
1577:(1748)
1571:(1747)
1565:(1747)
1559:(1747)
1553:(1745)
1547:(1744)
1541:(1743)
1535:(1743)
1529:(1740)
1523:(1735)
1521:Doccia
1517:(1730)
1511:(1726)
1505:(1718)
1503:Vienna
1499:(1710)
1493:(1693)
1487:(1673)
1481:(1575)
1479:Medici
1472:Types:
1432:Europe
1417:Joseon
1411:Goryeo
1404:Types:
1367:Hirado
1362:Kutani
1335:Types:
1272:Canton
1260:Kangxi
1254:Tianqi
1248:Swatow
1181:Types:
1172:(1338)
1091:Gaiwan
1022:An hua
1005:Doucai
986:Sancai
969:Canton
964:Tianqi
959:Swatow
949:export
898:Shiwan
893:Yixing
878:Jizhou
853:Cizhou
670:UNESCO
606:22 Aug
404:Korean
395:hakuji
373:Kannon
362:Hakuji
274:Luohan
262:Taoist
202:UNESCO
186:Europe
178:Fujian
158::
148::
146:pinyin
140::
1647:Revol
1617:Weesp
1605:Derby
1485:Rouen
1380:Korea
1347:Imari
1342:Arita
1306:Japan
1242:Kraak
1141:China
1070:Guang
998:Wucai
954:Kraak
939:Dehua
582:Notes
390:Japan
278:Ta-mo
198:Japan
174:Dehua
70:China
1212:Ding
1206:Xing
1063:Ding
1056:Cong
1048:The
924:Ding
919:Xing
873:Jian
868:Guan
858:Ding
608:2021
402:or "
339:cups
320:Qing
276:and
260:and
142:ćŸ·ćé¶ç·
98:1561
1557:Bow
1200:Yue
883:Jun
833:Yue
244:of
229:çąćȘä»
223:ć±æćź«
188:as
1946::
1855:/
888:Ru
863:Ge
668:.
642:^
598:.
398:,
272:,
268:,
154:;
144:;
55:,
1126:e
1119:t
1112:v
776:e
769:t
762:v
610:.
220:(
136:(
111:)
20:)
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