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wrote: "She was everywhere known for her graceful acting, which, apart even from the careful manipulation of her pure and beautiful voice, had always made her a favourite with opera-goers." During her career, Cole sang 21 roles.
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wrote of her "sweet cultivated voice" and opined that "the artistic intelligence which she brings to her work renders her performance very enjoyable, and thoroughly enlists the sympathies of the audience". She appeared at the
268:"We anticipate for her an unmistakeable triumph... if she improves with years as she now gives evidence of consummate musical genius, she will become one of our greatest singers",
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74:, "the delightful silvery quality of her voice brought her prominently to the front... her name has been amongst the first of English operatic singers".
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115:. The same year, she married Sidney Naylor, a noted organist and accompanist of the day. He acted as conductor to her company in 1875 in
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career, during which she sang 21 roles in
English versions of operas in London and the British provinces. She died at the age of 37.
198:. From time to time she presented her own opera company. On other occasions she appeared under the management of Richard Temple with
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52:, England, to a musical family. In 1858, at the age of seven, she took part in a concert in
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commented that her fine voice seemed entirely to pervade the great space of the
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305:, vol. 29, p. 614, Novello, Ewer & Co. (1888), accessed 6 June 2009
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Rosenthal's English Opera Company. In 1868, she sang Oscar in
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36:. Showing promise as a child, Cole went on to have a successful
371:, 29 June 1872, vol. 2 New Series, p. 376, accessed 6 June 2009
212:. She also appeared with much success as Mary Wolf in
319:, 27 January 1867, p. 12; and 8 September 1867, p. 12
68:presented by the Vocal Association. According to
478:London's lost theatres of the nineteenth century
240:with its piercing and sympathetic quality. The
64:In 1860 she took part in a concert at London's
383:, 22 March 1878, p. 7; and 12 April 1878, p. 4
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527:19th-century British women opera singers
111:in London, in a production conducted by
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32:(1851 – 31 August 1888) was an English
481:, Ayer Publishing, 1925, p. 230.
454:A Biographical Dictionary of Musicians
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447:Aldephi Theatre Calendar 1806 - 1900
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220:, produced by the Carl Rosa Company
56:, winning a favourable review from
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457:, Read Books, 2008, p. 416.
143:in London and made her debut at
223:In 1887 she sang Donna Anna in
472:, 11 January 1868, p. 21.
252:at age 37 at her London home.
77:In 1867, Cole sang Zerlina in
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131:In 1869, Cole was praised by
16:English soprano (1851–1888)
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517:Musicians from Portsmouth
502:English operatic sopranos
365:"Crystal Palace Concerts"
433:, 2 September 1888, p. 6
419:, 3 September 1888, p. 3
173:at the Crystal Palace.
101:at the Theatre Royal in
192:and as the Countess in
184:Carl Rosa Opera Company
117:William Vincent Wallace
355:, 4 August 1869, p. 12
331:, 22 March 1868, p. 10
299:Obituary (Banche Cole)
218:The Puritan's Daughter
195:The Marriage of Figaro
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343:, 5 August 1875, p. 5
284:, 19 April 1860, p. 9
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395:, 15 June 1878, p. 7
369:The Musical Standard
186:in 1878 as Senta in
175:The Musical Standard
98:Un ballo in maschera
89:, and Marguerite in
407:, 28 May 1888, p. 4
189:The Flying Dutchman
137:for her singing in
145:the Crystal Palace
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522:Deaths from edema
475:Sherson, Erroll,
469:The Musical World
451:Baker, Theodore,
405:Pall Mall Gazette
303:The Musical Times
233:Pall Mall Gazette
71:The Musical Times
48:Cole was born in
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30:Blanche Cole
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25:Blanche Cole
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512:1888 deaths
507:1851 births
238:Albert Hall
200:Rose Hersee
127:Later years
83:, Amina in
80:Fra Diavolo
44:Early years
496:Categories
417:Daily News
171:Robin Hood
113:Meyer Lutz
50:Portsmouth
393:The Times
381:The Times
353:The Times
341:The Times
282:The Times
216:'s opera
182:with the
134:The Times
38:operatic
441:Sources
329:The Era
316:The Era
149:Bellini
121:Lurline
54:Glasgow
34:soprano
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250:dropsy
256:Notes
214:Balfe
157:with
92:Faust
483:ISBN
459:ISBN
231:The
208:and
161:and
103:Cork
58:The
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289:^
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