Knowledge (XXG)

Blackhawk Films

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188:, a successful newspaper and broadcasting conglomerate also based in Davenport. The rapid rise in the price of silver (essential to black-and-white film processing) caused home-movie retail prices to skyrocket, and many collectors abandoned film in favor of then-new home video. Lee Enterprises' decision to emphasize mail-order sales instead of a unique product line, and heavy investments in the 117:, authorized editions of Keystone comedies licensed by Sennett’s original backer, Roy Aitken, and a group of railroad films (Eastin was a lifelong rail fan). Consumer interest grew, and soon Blackhawk was offering a wide variety of vintage comedies, dramas, westerns, musicals, documentaries, serials, and cartoons. Unlike the home-movie dealers 211:
Blackhawk subjects, made to order. In July 2007 he announced that Blackhawk Films would discontinue the 16mm business. Shepard then devoted his energies to video restorations of classic motion pictures, until his death in 2017. The Blackhawk Films/Film Preservation Associates Collection is now held at the
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Boasting up to 18 new releases every month, an in-house film restoration facility as good as any owned by film archives, and more than 90 employees working in a picturesque, century-old building of roughly 30,000 square feet (2,800 m), Blackhawk grew to dominate the home-movie field with a base
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Shepard owned Film Preservation Associates, specializing in restoration of silent film classics. He started FPA with the purchase of the Blackhawk film library. Although the film-sales business had slowed dramatically, Shepard continued to serve serious hobbyists by selling new 16mm prints of
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were just some of the silent-era personalities whose work had almost totally vanished until Blackhawk brought some representative reels to light. The company issued a tabloid-sized catalog, the "Blackhawk Bulletin," which heralded the latest releases and sales promotions each month.
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had been working closely with Kent Eastin to ensure permanent preservation of Blackhawk’s unique original films at the Library of Congress. Shepard joined the Blackhawk Films staff in 1973, and spearheaded the ambitious restoration of
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Soundies, and other libraries and producers. Blackhawk began publishing monthly catalogs in 1949. More than 2,500,000 used films were sold by mail order before this business was discontinued in 1981.
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market in the early 1980s, Blackhawk began producing video versions of many of their titles in 1981 and within a few years no longer manufactured film copies. The company was later purchased by
95:, operating a rental library until 1957 when business slowed due to television. Davenport was also home to the Victor Animatograph Corporation, a pioneer motion picture equipment manufacturer. 102:
to become Eastin's business partner in 1947. The Blackhawk name was first used for a secondary business, liquidating stocks of used 16mm prints from British Information Services, Mills
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joined Hal Roach as important sources for Blackhawk's releases. Other rare finds were offered to Eastin by private collectors, for reprinting in the home-movie gauges.
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and sold independent 35 mm theatrical film prints for home projectors of the day. Eastin worked from his parents’ home in
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Hundreds of catalogs have been published over the years. Most of them have been digitized and made accessible online by
158: 125:, which offered brief excerpts from longer films, Blackhawk released complete subjects as they were shown in theaters. 193: 288: 109:
In 1952, Blackhawk introduced its own releases in both 8mm and 16mm. Included in this "Collector Series" were
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In 1975, with business booming in the Super 8 and 16mm film formats, Eastin and Phelan sold Blackhawk to
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Lee Enterprises sold the company to its Blackhawk management team, who continued until 1985 when
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bought the company. Republic discontinued film sales and closed the Davenport facility in 1987.
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by Kent D. Eastin, who made movie ads for merchants, filmed local news events for theater
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comedies of 1916-17. Shepard later became vice president of Blackhawk Films.
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Blackhawk continued to cater to dyed-in-the-wool silent-film enthusiasts;
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With a background in direct mail and management, Martin D. Phelan left
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in 1985, and the film elements still later by archivist
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mechanical video disc) formats, proved very costly.
59:, and silent feature films. With the rise of the 284:1935-1995 Blackhawk Films/FPA catalogs online 8: 334:Mass media companies disestablished in 1967 157:, silent-film revivalist Paul Killiam, and 31:film. Most were vintage one- or two-reel 324:Mass media companies established in 1927 215:and owned by Paris-based Lobster Films. 235: 225:USC Hugh M. Hefner Moving Image Archive 319:Film distributors of the United States 7: 136:, Charles Hutchinson, Lige Conley, 79:The company was founded in 1927 as 14: 329:1927 establishments in Illinois 289:16mm Blackhawk Films Collection 339:1967 disestablishments in Iowa 297:"The Story of Blackhawk Films" 1: 159:National Telefilm Associates 35:, usually comedies starring 219:Catalogs of Blackhawk Films 355: 153:of 125,000 customers. Fox 75:History of Blackhawk Films 170:American Film Institute 164:Since the late 1960s, 248:Academy Film Archive 213:Academy Film Archive 250:. 4 September 2014. 89:Galesburg, Illinois 305:by Spencer Sundell 291:listing, May 2004 205:Republic Pictures 115:Hal Roach Studios 65:Republic Pictures 346: 279:Official website 266: 265: 258: 252: 251: 240: 146:Richard Talmadge 111:Laurel and Hardy 37:Laurel and Hardy 354: 353: 349: 348: 347: 345: 344: 343: 309: 308: 275: 270: 269: 260: 259: 255: 242: 241: 237: 232: 221: 186:Lee Enterprises 175:Charlie Chaplin 100:Montgomery Ward 93:Davenport, Iowa 81:Eastin Pictures 77: 45:Charlie Chaplin 17:Blackhawk Films 12: 11: 5: 352: 350: 342: 341: 336: 331: 326: 321: 311: 310: 307: 306: 300: 293: 292: 286: 281: 274: 273:External links 271: 268: 267: 253: 234: 233: 231: 228: 220: 217: 155:Movietone News 138:Lloyd Hamilton 123:Official Films 76: 73: 33:short subjects 13: 10: 9: 6: 4: 3: 2: 351: 340: 337: 335: 332: 330: 327: 325: 322: 320: 317: 316: 314: 304: 301: 298: 295: 294: 290: 287: 285: 282: 280: 277: 276: 272: 263: 257: 254: 249: 245: 239: 236: 229: 227: 226: 218: 216: 214: 208: 206: 201: 199: 195: 191: 187: 182: 180: 176: 171: 167: 166:David Shepard 162: 160: 156: 150: 147: 143: 139: 135: 131: 126: 124: 120: 116: 113:silents from 112: 107: 105: 101: 96: 94: 90: 86: 82: 74: 72: 70: 69:David Shepard 66: 62: 58: 57:documentaries 54: 50: 49:Buster Keaton 46: 42: 38: 34: 30: 26: 22: 18: 299:by Mark Roth 256: 247: 238: 222: 209: 202: 183: 163: 151: 142:Alice Howell 127: 119:Castle Films 108: 97: 80: 78: 16: 15: 313:Categories 230:References 177:'s twelve 134:Theda Bara 130:Art Acord 85:newsreels 53:newsreels 41:Our Gang 190:Betamax 168:of the 104:Panoram 29:Super 8 179:Mutual 144:, and 198:RCA's 61:video 27:and 192:and 121:and 21:16mm 194:CED 25:8mm 315:: 246:. 140:, 132:, 71:. 55:, 47:, 43:, 39:, 23:, 264:. 196:(

Index

16mm
8mm
Super 8
short subjects
Laurel and Hardy
Our Gang
Charlie Chaplin
Buster Keaton
newsreels
documentaries
video
Republic Pictures
David Shepard
newsreels
Galesburg, Illinois
Davenport, Iowa
Montgomery Ward
Panoram
Laurel and Hardy
Hal Roach Studios
Castle Films
Official Films
Art Acord
Theda Bara
Lloyd Hamilton
Alice Howell
Richard Talmadge
Movietone News
National Telefilm Associates
David Shepard

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