46:
173:, where the painting is located, describes the work: "Playfully erotic and sensuously painted, Jean-Honoré Fragonard's scene of youthful flirtation fulfils the eighteenth-century aristocratic French taste for romantic pastoral themes. The figures are beautifully dressed in rustic but improbably clean and fashionable clothes; the woman's shoes even have elegant bows on them."
190:, Fragonard's teacher. Boucher's influence can be seen in the framework of luxuriant vegetation, but the careful composition of the scene is Fragonard's own. Blindman's bluff is a metaphor for courtship, while the back-and-forth movement of the see-saw in the companion piece is, perhaps, a metaphor for the sexual act.
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figures playing at being pastoral figures; the background seems to be a wood but could be a stage set. In short, it seems to abolish the boundary between truth and lies, reality and fiction.
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were produced of both paintings, showing that they may have originally been as much as a foot higher at the top.
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seems to be a pretext leading to seduction; the two figures are in pastoral costume, but may be noble or
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The painting is full of deceptions – the girl is looking out from under her blindfold and the
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116.8 cm Ă— 91.4 cm (46.0 in Ă— 36.0 in)
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Jean-Claude
Richard, Abbot of Saint-Non, Dressed Ă l'Espagnole
123:, produced around 1750 in oil on canvas. It is held by the
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some time between 1775 and 1780, which is held in the
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438:Psyche Showing Her Sisters Her Gifts from Cupid
186:in Madrid. Both draw heavily on the style of
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271:, «El rococó y el neoclasicismo » in
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333:"Jean-Honore Fragonard: Blindman's Bluff"
217:
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293:"The See-Sawlabel QS:Les,"El columpio""
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649:Paintings in the Toledo Museum of Art
273:Los maestros de la pintura occidental
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176:The painting was a companion piece
654:Paintings by Jean-Honoré Fragonard
225:. toledomuseum.org. Archived from
14:
16:Painting by Jean-Honoré Fragonard
135:who founded the museum in 1901.
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182:(1750), currently held by the
140:another work of the same title
1:
430:Jeroboam Sacrificing to Idols
606:Alexandre-Évariste Fragonard
275:, Taschen, 2005, page 360,
670:
550:Adoration of the Shepherds
200:List of works by Fragonard
144:Samuel H. Kress Collection
18:
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307:"Jean-Honoré Fragonard -
184:Thyssen-Bornemisza Museum
138:The artist also produced
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35:
558:The Visit to the Nursery
313:. museothyssen.org. 2009
112:) is a painting by the
473:(Louvre; c. 1761–1765)
425:(Madrid; c. 1750–1752)
154:Background and content
644:Paintings of children
494:Fantastical Portraits
390:Jean-Honoré Fragonard
146:. Eighteenth-century
121:Jean-Honoré Fragonard
57:Jean-Honoré Fragonard
600:Marie-Anne Fragonard
526:A Young Girl Reading
510:The Woman With A Dog
171:Toledo Museum of Art
125:Toledo Museum of Art
91:Toledo Museum of Art
19:For other uses, see
542:The Raised Chemise
446:The Birth of Venus
223:"Blind-Man's Buff"
110:Le collin maillard
38:Le collin maillard
626:
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612:Marguerite GĂ©rard
249:"Blindman's Buff"
105:Blind Man's Bluff
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31:Blind Man's Bluff
21:Blind man's bluff
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566:Blind Man's Buff
534:The Music Lesson
462:The Palette Game
414:Blind Man's Buff
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343:on 21 March 2014
339:. Archived from
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188:François Boucher
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582:The Stolen Kiss
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269:Eva-Gesine Baur
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97:, United States
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518:The New Model
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399:List of works
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345:. Retrieved
341:the original
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231:. Retrieved
227:the original
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129:Toledo, Ohio
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95:Toledo, Ohio
66:c. 1750–1752
37:
25:
569:(1775-1780)
470:The See-Saw
422:The See-Saw
309:The See-saw
233:4 September
179:The See-Saw
633:Categories
148:engravings
79:Dimensions
585:(c. 1780)
545:(c. 1770)
537:(c. 1770)
529:(c. 1770)
521:(c. 1770)
505:(c. 1769)
489:(c. 1767)
486:The Swing
457:(c. 1759)
454:The Storm
449:(c. 1753)
417:(c. 1750)
406:Paintings
164:bourgeois
108:(French:
574:The Bolt
194:See also
119:painter
87:Location
36:French:
593:Related
347:11 June
317:11 June
253:nga.gov
618:Rococo
602:(wife)
577:(1777)
561:(1775)
553:(1775)
513:(1769)
497:(1769)
481:(1765)
441:(1753)
433:(1752)
279:
117:Rococo
114:French
71:Medium
53:Artist
608:(son)
206:Notes
349:2013
319:2013
277:ISBN
235:2018
169:The
160:game
63:Year
127:in
635::
335:.
251:.
214:^
93:,
382:e
375:t
368:v
351:.
321:.
311:"
295:.
255:.
237:.
23:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.