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get him to release
Richard, which the Duke agrees to. ("The Duke of Austria's Quarter") Ready to give up the search, Blondel, quite by accident, runs into Richard. With Richard now released, the Duke's English visitors make their way out of the castle but just as they're about to walk out the door, the Duke has a sudden change of heart and decides that he's not going to let them go after all. The Duke will only let Blondel and Richard go if Fiona will stay with him in Austria. Unwilling to stay with Leopold, Fiona tricks him into walking outside toward someone she says is better-suited for him at which point the Assassin, seeing the crown on the Duke's head, attacks, killing him. Richard, Blondel, and Fiona declare it to be "a most important day" and decide it's time to go back to England. However, before they leave, Fiona demands a pardon and her freedom from the King in exchange for keeping her mouth shut about the monarchy to which the King agrees reluctantly. Meanwhile, the Assassin, having killed the wrong man, laments about his "first failure" and wonders if he can make a comeback. However he goes on to discover that he didn't even really kill the Duke ("Leopold is a-okay") and the two men find comfort in the other's mistakes. ("The Cell")
493:"Thus reunited, what a touching scene" the Monks proclaim as Fiona and Blondel set off to meet the King at Dover before he embarks on his journey. Once there Blondel is unable to present his song to Richard as the King is anxious to leave and doesn't have time for such things. Richard suggests Blondel should take it up with John instead and the Crusaders leave for the Holy Land. ("Lionheart") Back at the Ministry of Feudal Affairs, Blondel and Fiona present the song to John who promptly throws the song away and proclaims that all songs should from now on be dedicated to him and not Richard. ("No Rhyme for Richard") John then tasks Blondel to write a song about him but Blondel refuses, saying it's an important job but that his heart's just not in it. Fiona is outraged by Blondel's
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Arriving in
Salzburg, the pursuers come to rest in an inn just before completing the last leg of the journey to the King's cell. The Assassin admits that he's becoming extremely discouraged by the whole situation and that the "job is killing me". Blondel, on the other hand, has a renewed sense of ambition and refuses to give up declaring that the King will soon be found. Fiona suggests that lingering would not behoove anyone at this point and they should press on before time has run out though she is still unsure whether or not she really wants to help. The Assassin decides that he'd "rather murder Prince John" but will soldier on while John announces that Richard has died on his Crusade and that he will be assuming the throne of England. ("The Inn at Salzburg/Blondel's Search")
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is first denied her request by Prince John and later denied it by the King who explains that "running this joint's not as cheap as it looks". Fiona is swept aside in order for the King to announce that he will be embarking on the
Crusade and that John will be in charge while the King is away. Fiona is enraged by this notion as it will expend more money to go on the Crusade than it would to grant her freedom and she leaves the court. ("The Ministry of Feudal Affairs") Fiona and Blondel soon find themselves together again. He manages to convince her that his song for the King will grant them all their wishes and she agrees to help him. ("The Least of My Troubles")
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the illegal ceremony. ("Westminster Abbey") Having stopped his brother's coronation, Richard declares
Blondel the "country's foremost composer" and at last allows him to perform his song. With the help of the Blondettes, Blondel becomes the pop sensation he'd been waiting to become. ("I'm a Monarchist (Reprise)") Having been absolved their indiscretions and declared friends and heroes of the monarchy, Blondel and Fiona renew their relationship and declare their love for each other. ("Running Back for More (Reprise)")
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for the King as the monarchy can't possibly be around for much longer. Even though she does enjoy the tune, she suggests he get a real job to help support her. Blondel explains that he can't. He says that he "nearly hit big with 'Send in the
Jesters'" and feels a breakthrough coming and to give up now would be impossible. Fiona leaves Blondel and decides to take her well-being into her own hands. ("Blondel and Fiona/I'm a Monarchist")
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hope that he'll ever find
Richard. Meanwhile, the Assassin chases after Blondel, his patience with the troubadour's music thinning. At the point of giving up on the chase, Blondel runs into Fiona who tells him that Richard is being held prisoner in Austria by Duke Leopold and the pair take off to find the King together. ("Blondel in Europe")
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The opening words of the musical (above) as sung by a group of Monks explain the situation ("Monks' Introduction"). Blondel is an unappreciated musician trying to make his big break by writing a song for the King, Richard the
Lionheart. Fiona, his girlfriend, feels that it's a waste of time to write
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by the Union Dinner
Theatre. It opened on 11 April 1985. Blondel was again produced in the United States by Farmingdale High School in Long Island, New York during May 1985. Both productions were attended by Tim Rice. Since the mid-1980s, Blondel has been produced by theaters and amateur groups all
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Blondel, Fiona, and
Richard make their way back to England where John is proceeding with his plans to become King. Having declared Richard dead, John impatiently awaits his coronation. At the moment before the crown is placed on John's head, Richard bursts through the doors and puts a swift end to
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Act Two opens on the
Continent, Blondel in hot pursuit of King Richard. Blondel journeys through France, Spain, and Italy wowing crowds of natives with his music and searching high and low for his King ("Have you seen my King?" "NO!") but to no avail. As the trek continues, Blondel begins to lose
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Promptly realizing he's made a mistake by sending Blondel after Richard, John's mood becomes depressed. A mysterious man appears by John's side and offers to take care of the problem for him, for a price, but misidentifies the target as Blondel and can't identify the real target, the King, at all.
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saying that this is the break he's been waiting for. As Blondel lists his reasons for not wanting to write a song dedicated to his Prince, both John and Fiona grow increasingly angered. The scene culminates in John banishing Blondel to the Continent and declaring "snub a prince but realize you've
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The Monks open the Ministry of Feudal Affairs ("incorporating the Departments of Unemployment, the Environment, Social Security, and Gratuitous Executions"), which is "presided over by HRH Prince John" at which Fiona promptly shows to ask for her freedom. Unwilling and unable to pay the fee, Fiona
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Having found the King in his prison, Fiona decides to speak with the Duke of Austria about letting Richard go and the Assassin nears his victim, poised for the murder. The Duke dictates a letter to Prince John, demanding a million-crown ransom. Fiona sweet-talks and flatters the Duke in order to
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Once all is set straight, the Assassin sets off on Richard's trail. ("Assassin's Song") The act closes with Fiona, realizing that Blondel doesn't love her as much as he loves his music and that she'll never get the kind of social change she wants. Even through her realizations, Fiona decides to
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Though the musical is largely a comic romp, it does tackle some serious issues. Historically, Blondel lays out the basic goings-on of the Third Crusade as told through the eyes of the English political environment. Although the musical frequently mentions the Crusade, it is never actually shown,
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The London revival of the show opened at the Pleasance Theatre on 23 November 2006. The production saw the show revamped and rearranged by Tim Rice and director Patrick Wilde. Young composer Mathew Pritchard took Stephen Oliver's original score and completely rearranged the work, also adding new
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While sitting in prison, Richard laments about his situation and longs for the days of the Crusade when he was free to do as he pleased. Back in London, John, pleased with his own cleverness and handiwork, prepares himself for becoming King of England. ("Saladin Days/I Can't Wait to be King")
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spoke the prologue at a Gala performance on 8 November. The show remained at the Old Vic for eleven months before moving to the Aldwych on London's West End. Because of high production costs and decreasing revenues, Blondel closed in the Aldwych after only eight months.
391:, the project was originally titled "Come Back, Richard, Your Country Needs You" and a single of the same title was recorded in 1969. The project was shelved until Rice met Stephen Oliver in the 1970s, and the pair began working on a musical centering on
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opened in London on 2 November 1983 and played in two different theatres in the West End, eventually closing after less than two years. After more than twenty years away from a professional London stage, it returned at the
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Note: Several Numbers are actually combinations of shorter songs that fit cohesively into one larger "super-number" and are sometimes broken down and titled as such. These numbers are indicated and the alternate titles
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Although it did not appear on the record album or in the Libretto, the London run of the show later added a final song, "The English Stage," sung by the whole cast at the end of the show.
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Blondel opened in Bath on 12 September 1983 and soon moved to Manchester where it stayed for two weeks before moving to the newly refurbished Old Vic on 2 November.
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excepting Richard's imprisonment in Austria upon his return trip. The play also deals with one of the many assassination attempts made on Richard, and an attempt by
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material. The story was sharpened, particularly in the second act, to produce a punchier (and funnier) version particularly well suited for an ensemble production.
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of England; as it developed, the project shifted its focus to a minstrel in the King's court, vying for pop-stardom, and his 'progressive' girlfriend.
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to steal the throne of England from his brother. As the Monks say at the end of Act One, 'Who said this piece wasn't educational?'
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Rice continued to develop the script and has recently created a new version of the show. This re-worked version (now titled
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Fiona – His girlfriend, a serf of the English court and English activist eight centuries ahead of her time.
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Tim Rice and Patrick Wilde (Matt Harrop in foreground) at rehearsals for London revival of Blondel
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The Inn at Salzburg/Blondel's Search – Blondel, Fiona, Richard, John, the Assassin, the Monks^
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chase after Blondel, unsure of what she's actually looking for. ("Running Back for More")
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El Paso Times, "Tim Rice, of 'The Lion King' fame, will be in El Paso next week"
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Blondel in Europe – Blondel, Fiona, the Assassin, the Monks, the Blondettes
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The Duke of Austria's Quarters – Fiona, the Assassin, the Duke, the Monks
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Blondel's Search – Blondel, Fiona, Richard, John, the Assassin, the Monks
599:– Richard Bryan, Nicholas Ibbotson, Stewart Collins & Michael Steffan
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Artistes Are Tragic and Sensitive Souls – Blondel, Fiona, the Blondettes
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The Assassin – A hired hand willing to kill anyone for the right price.
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The first production of Blondel in the United States was staged at the
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Death of a Statesman – Blondel, Fiona, Richard, the Assassin, the Duke
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around the world but has yet to take its place on the Broadway stage.
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Blondel and Fiona/I'm a Monarchist – Blondel, Fiona, the Blondettes^
376:(music), was inspired by, and very loosely based on, the life of the
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The Ministry of Feudal Affairs – Fiona, Richard, John, the Monks^
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Saladin Days/I Can't Wait to be King – Richard, John, the Monks^
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Monks – James Durrant, Gavin James, Charlie Tighe, Nick Trumble
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Originally conceived by Tim Rice during his collaboration with
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Blondel at Farmingdale High School 1985 New York Times article
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Economic Acrostic – Fiona, Richard, John (not in 2006 revival)
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The Inn at Salzburg – Blondel, Fiona, the Assassin, the Monks
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The Cell – Blondel, Fiona, Richard, the Assassin, the Duke^
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Dinner Theater from 27 January 2012 until 12 February 2012.
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by removing unnecessary details and making it more concise.
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The Monks – A group serving as narrators and commentators.
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Running Back for More – Fiona, the Monks, the Blondettes
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Richard's Intervention – Richard (not in 2006 revival)
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Although many productions have been staged worldwide,
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I'm a Monarchist (Reprise) – Blondel, the Blondettes
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The Creative Process – Blondel (not in 2006 revival)
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London revival of Blondel at Pleasance Theatre 2006
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188:. Unsourced material may be challenged and removed.
777:Trio – Blondel, Fiona, John (not in 2006 revival)
857:Running Back for More (Reprise) – Blondel, Fiona
832:Tribute to a Statesman – Blondel, Fiona, Richard
843:Westminster Abbey – Richard, John, the Monks^
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8:
1362:Joseph and the Amazing Technicolor Dreamcoat
1040:Joseph and the Amazing Technicolor Dreamcoat
450:appeared for a limited season of six weeks.
702:The Blondettes – Blondel's backing singers.
380:. The play is set during the period of the
50:Learn how and when to remove these messages
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751:The Ministry of Feudal Affairs – The Monks
740:I'm a Monarchist – Blondel, the Blondettes
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768:The Least of My Troubles – Blondel, Fiona
266:Learn how and when to remove this message
248:Learn how and when to remove this message
146:Learn how and when to remove this message
1653:The Guinness Book of British Hit Singles
838:The Wrong Train – The Assassin, the Duke
835:A Royal Pardon – Blondel, Fiona, Richard
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1160:Disney's Aladdin: A Musical Spectacular
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1412:Jesus Christ Superstar Live in Concert
429:How Do You Solve A Problem Like Maria?
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780:Assassin's Song – John, the Assassin
763:Crusade Rally – Fiona, Richard, John
186:adding citations to reliable sources
846:John's Coronation – John, the Monks
754:Fiona's Plea to John – Fiona, John
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899:Short biography of Stephen Oliver
894:Blondel on Sir Tim Rice's website
826:Reunion – Blondel, Fiona, Richard
801:Saladin Days – Richard, the Monks
737:How Long Can Someone Wait – Fiona
498:sunk a singing career". ("Trio")
74:to comply with Knowledge (XXG)'s
31:This article has multiple issues.
1754:Musicals set in the 12th century
1502:Another Suitcase in Another Hall
457:) had its world premiere at the
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121:too long or excessively detailed
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940:"UTEP Past Productions – Lute!"
728:Monks' Introduction – The Monks
173:needs additional citations for
39:or discuss these issues on the
1663:Friday Night, Saturday Morning
1621:How Does a Moment Last Forever
1271:Elton John and Tim Rice's Aida
804:I Can't Wait to be King – John
771:Lionheart – Richard, the Monks
641:, Polli Redston, Rebecca Seale
459:University of Texas at El Paso
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1586:Can You Feel the Love Tonight
696:, and captor of King Richard.
694:Leopold, the ruler of Austria
418:. The new production starred
1565:I Just Can't Wait to Be King
1481:I Don't Know How to Love Him
889:Blondel on MusicalHeaven.com
646:Blondel in the United States
628:The Assassin – Napoleon Ryan
117:This article's plot summary
966:, Terry Coleman, 2005, p585
774:No Rhyme for Richard – John
422:, semi finalist of the hit
378:eponymous French troubadour
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1509:Don't Cry for Me Argentina
849:Richard's Return – Richard
678:King Richard the Lionheart
343:Reworked and re-titled as
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631:Leopold – David Paul West
446:, the revived version of
1593:The Madness of King Scar
613:Blondel – Chris Grierson
592:Leopold – Kevin Williams
87:may contain suggestions.
72:may need to be rewritten
1322:Jesus Christ Superstar
1211:Jesus Christ Superstar
1050:Jesus Christ Superstar
692:The Duke of Austria –
680:– The King of England.
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468:has never appeared on
197:"Blondel" musical
1372:The Road to El Dorado
1190:From Here to Eternity
622:Richard – Mark Inscoe
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1734:Musicals by Tim Rice
1467:Everything's Alright
1402:Beauty and the Beast
1382:The Nutcracker in 3D
1281:Beauty and the Beast
1110:Beauty and the Beast
182:improve this article
1698:Andrew Lloyd Webber
1607:If I Can't Love Her
1474:This Jesus Must Die
904:UTEP Dinner Theater
870:"The English Stage"
652:University of Texas
389:Andrew Lloyd Webber
625:John – Matt Harrop
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531:Production history
442:, and directed by
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947:. Retrieved
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576:Stephen Tate
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238:October 2023
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180:Please help
175:verification
172:
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136:October 2023
133:
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93:October 2023
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81:You can help
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47:
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34:
33:Please help
30:
1703:Alan Menken
1645:Other works
1572:Be Prepared
1034:(1965/2005)
684:Prince John
414:Theatre in
401:Prince John
323:Productions
1723:Categories
1693:Elton John
1551:Prince Ali
1140:King David
1120:Heathcliff
949:21 January
915:References
663:Characters
618:Abi Finley
582:David Burt
574:Richard –
562:Blondel –
420:Abi Finley
359:rock opera
208:newspapers
36:improve it
1488:Superstar
1013:Accolades
440:Pete Shaw
435:Hollyoaks
416:Islington
412:Pleasance
85:talk page
42:talk page
1635:Evermore
1004:Tim Rice
616:Fiona –
568:Fiona –
476:Synopsis
470:Broadway
366:Tim Rice
318:Tim Rice
307:Tim Rice
1422:Aladdin
1332:Aladdin
1291:Aladdin
1251:Aladdin
1170:Aladdin
1090:Cricket
1021:Theatre
964:Olivier
669:Blondel
656:El Paso
580:John –
466:Blondel
448:Blondel
407:Blondel
362:musical
354:Blondel
341:El Paso
336:revival
278:Musical
222:scholar
126:Please
119:may be
1677:(2011)
1667:(1979)
1657:(1977)
1436:(2019)
1426:(2019)
1416:(2018)
1406:(2017)
1396:(2011)
1386:(2010)
1376:(2000)
1366:(1999)
1356:(1996)
1346:(1994)
1336:(1992)
1326:(1973)
1305:(2019)
1295:(2019)
1285:(2017)
1275:(1999)
1265:(1994)
1255:(1992)
1245:(1983)
1235:(1981)
1225:(1976)
1215:(1970)
1203:Albums
1194:(2013)
1184:(2011)
1174:(2011)
1164:(2003)
1154:(1998)
1144:(1997)
1134:(1997)
1124:(1995)
1114:(1994)
1104:(1992)
1100:Tycoon
1094:(1986)
1084:(1984)
1074:(1983)
1064:(1976)
1054:(1971)
1044:(1968)
861:
790:Act II
713:given.
510:Act II
333:London
328:London
303:Lyrics
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195:
83:. The
1445:Songs
1352:Evita
1314:Films
1221:Evita
1080:Chess
1060:Evita
723:Act I
481:Act I
455:Lute!
426:show
345:Lute!
339:2012
331:2006
326:1983
293:Music
229:JSTOR
215:books
1231:1984
1150:Aida
951:2021
944:UTEP
424:BBC1
370:book
357:, a
314:Book
201:news
654:in
364:by
184:by
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