Knowledge (XXG)

Bloodletting (Concrete Blonde album)

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It was pretty miserable. It's not a happy little disc. We had a string of bad luck and was the tail end of it. A particularly bad relationship. It had never happened to me until I was 29 years old. I had a hard time getting over it. So, it's not a happy record, but I could do two things: I could
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make a self-indulgent record, which is what this is, or I could lock up all these songs in a closet and do something that wasn't sincere. This will never happen again, this record.
2250: 622:", the French extended version of "Bloodletting (The Vampire Song)" and live versions of "Roses Grow", "The Sky Is a Poisonous Garden" and "Tomorrow, Wendy". 2072: 1940: 1882: 1857: 1210: 1195: 355: 1186: 2136: 2079: 2040: 2150: 1762: 2178: 1368: 2240: 2171: 2157: 692: 278: 2245: 2033: 1463: 1612: 1933: 1850: 2005: 1070: 1058: 598: 203: 84: 2143: 2122: 1819: 1784: 780: 391: 265: 2115: 2019: 221: 1978: 1926: 978: 1428: 1998: 1052: 28: 2129: 73: 2164: 291: 1500: 1344: 2235: 1804: 1796: 1472: 499: 79: 2097: 1960: 1568: 962: 632: 592: 367: 2065: 1827: 1157: 596:
magazine, called the album "not nearly as likable or far-ranging" as the band's preceding album,
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charts. The song reached #2 in Australia while also spending 6 weeks at #3.
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and was certified gold in 1990. It earned a gold certification from the
324:. Released on May 15, 1990, the album marks a shift for the band toward 1912: 1907: 1000: 63: 1632:- vinyl-7" German cover 1990, I.R.S. Records (006-24 1064 7) Europe 975:– guitars, bass guitar, production, additional recording and mixing 1918: 1879:"American album certifications – Concrete Blonde – Bloodletting" 36: 1297:(pdf ed.). Mt. Martha, VIC, Australia: Moonlight Publishing. 893: 1922: 1662:- maxi-single CD 1991, I.R.S. Records (1C (560) 2045972) Europe 159: 956: 1012:
Hugh Brown, Jim Yousling, Johnette Napolitano – album cover
1677:- maxi-single CD 1990, I.R.S. Records (IRS 2041312) Europe 1831:. Vol. 54, no. 6. September 8, 1990. p. 16 394:" was the band's biggest hit, reaching number one on the 1763:"Australiancharts.com – Concrete Blonde – Bloodletting" 1692:- maxi-single CD 1990, I.R.S. Records (X25G-13811) US 1647:- maxi-single CD 1990, I.R.S. Records (X25G-13811) US 1085:
This record is dedicated to Ron Scarselli with love.
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Evren GΓΆknar – mastering (20th Anniversary Edition)
829: 818: 651: 640: 238: 189: 176: 145: 117: 94: 56: 48: 35: 21: 1009:and James Mankey – additional recording and mixing 1369:"australian-charts.com - Concrete Blonde - Joey" 1226:Shipments figures based on certification alone. 934:at the Malibu Nightclub on Long Island for WDRE 913:at the Malibu Nightclub on Long Island for WDRE 517: 434: 1934: 1055:– vocals on "Bloodletting (the Vampire song)" 618:, featuring six bonus tracks: "I Want You", " 8: 1851:"ARIA Charts – Accreditations – 1990 Albums" 1617:- CD 2010-07-13th, Shout! Factory (12086) US 555: 472: 1941: 1927: 1919: 1765:. Hung Medien. Retrieved January 4, 2022. 1572:. Vol. 23, no. 37. p. 113. 1174: 1101: 409: 27: 18: 2073:Recollection: The Best of Concrete Blonde 1883:Recording Industry Association of America 1858:Australian Recording Industry Association 1707:- maxi-single CD 1990, Capitol (13811) US 614:released the 20th anniversary edition of 602:, "though it's deeper and more focused." 356:Recording Industry Association of America 812: 637: 16:1990 studio album by Concrete Blonde 1615:Bloodletting (20th anniversary edition) 1600:Bloodletting (20th anniversary edition) 1501:"Concrete Blonde 'Bloodletting' I.R.S." 1240: 1222: 911:"The Sky Is a Poisonous Garden" (Live 316:is the third studio album by American 814:20th Anniversary Edition bonus tracks 415: 350:peaked at number 8 on the Australian 7: 2251:Albums produced by Chris Tsangarides 1526:Pearlman, Mischa (September 2010). 519: 436: 328:. It features guest appearances by 1295:Australia's Music Charts 1988–2010 1049:– bass guitar on "Tomorrow, Wendy" 14: 660:"Bloodletting (The Vampire Song)" 590:, in her review of the album for 557: 474: 255:"Bloodletting (The Vampire Song)" 1839:– via World Radio History. 1797:"Concrete Blonde Chart History ( 1043:– keyboards on "Tomorrow, Wendy" 576: 571: 566: 561: 556: 538: 533: 528: 523: 518: 488: 483: 478: 473: 455: 450: 445: 440: 435: 1660:Bloodletting (the Vampire song) 1499:Willman, Chris (June 3, 1990). 936:) (from "Caroline" maxi-single) 915:) (from "Caroline" maxi-single) 897:) (from "Caroline" maxi-single) 856:" (from "Caroline" maxi-single) 838:"I Want You" (B-side of "Joey") 674:"The Sky Is a Poisonous Garden" 2034:Concrete Blonde y Los Illegals 1308:Linden, Amy (September 1990). 819: 641: 387:was released in May 15, 1990. 366:Concrete Blonde lead vocalist 1: 1809:. Retrieved January 4, 2022. 1787:. Retrieved January 4, 2022. 2172:Ghost of a Texas Ladies' Man 1775:"Top RPM Albums: Issue 1306" 1310:"Concrete Blonde's Ambition" 1163: 1149: 1135: 1121: 398:chart and the top 20 of the 60:August 1989 – February 1990 1785:Library and Archives Canada 1069:Peter and John recorded at 1065:on "Darkening of the Light" 1037:on "Darkening of the Light" 888:at the Malibu Nightclub on 358:(RIAA) the following year. 284:Released: September 9, 1990 2267: 631:All tracks are written by 168:(20th anniversary edition) 137:(20th anniversary edition) 1956: 1820:"Cash Box Top 200 Albums" 1722:- profile and discography 1282:- profile and discography 1267:- profile and discography 1252:- profile and discography 1223: 1208: 1193: 1185: 1182: 1179: 1154: 1140: 1126: 1114: 1107: 1104: 994:– production, recording, 928: 907: 882: 868: 848: 834: 826: 823: 793: 775: 761: 747: 733: 719: 705: 687: 670: 656: 648: 645: 423: 420: 305: 249: 234: 197: 26: 932:"Tomorrow, Wendy" (Live 709:"Darkening of the Light" 1250:Battery Studios, London 1127:Canada Top Albums/CDs ( 1003:– production assistance 965:– vocals, bass guitar, 67:Additional Recording at 2241:Concrete Blonde albums 1562:(September 24, 1990). 377: 271:Released: May 21, 1990 2246:I.R.S. Records albums 1373:australian-charts.com 723:"I Don't Need a Hero" 372: 1480:on December 20, 2009 1473:Entertainment Weekly 1293:Ryan, Gavin (2011). 1025:Additional personnel 500:Entertainment Weekly 411:Professional ratings 62:at Battery Studios, 2098:Live in Brazil 2002 1961:Johnette Napolitano 1176: 1115:Australian Albums ( 981:– drums, production 963:Johnette Napolitano 886:"Roses Grow" (Live 815: 633:Johnette Napolitano 412: 370:said of the album: 368:Johnette Napolitano 2116:Still in Hollywood 2066:Still in Hollywood 2058:Compilation albums 1915:(list of releases) 1560:Wurtzel, Elizabeth 1532:| Concrete Blonde" 1429:"Concrete Blonde: 1398:– Concrete Blonde" 1280:John Keane Studios 1175: 813: 610:On July 13, 2010, 410: 406:Critical reception 396:Modern Rock Tracks 78:Can-Am Recording, 2220: 2219: 2020:Walking in London 1505:Los Angeles Times 1345:"Concrete Blonde" 1232: 1231: 1227: 1168: 1167: 1094: 1093: 1071:John Keane Studio 992:Chris Tsangarides 948: 947: 935: 914: 896: 809: 808: 797:"Tomorrow, Wendy" 635:, except as noted 588:Elizabeth Wurtzel 585: 584: 512:Los Angeles Times 309: 308: 230: 229: 222:Walking in London 184:Chris Tsangarides 182:Concrete Blonde, 169: 138: 85:John Keane Studio 2258: 2196:Related articles 1943: 1936: 1929: 1920: 1894: 1893: 1891: 1889: 1875: 1869: 1868: 1866: 1864: 1855: 1847: 1841: 1840: 1838: 1836: 1824: 1816: 1810: 1794: 1788: 1772: 1766: 1760: 1754: 1745: 1739: 1730: 1724: 1715: 1709: 1700: 1694: 1685: 1679: 1670: 1664: 1655: 1649: 1640: 1634: 1625: 1619: 1610: 1604: 1595: 1589: 1588: 1586: 1584: 1556: 1550: 1549: 1547: 1545: 1537:Record Collector 1523: 1517: 1516: 1514: 1512: 1496: 1490: 1489: 1487: 1485: 1476:. Archived from 1462:(May 18, 1990). 1456: 1450: 1449: 1447: 1445: 1427:(June 7, 1990). 1421: 1415: 1414: 1412: 1410: 1389: 1383: 1382: 1380: 1379: 1365: 1359: 1358: 1356: 1355: 1341: 1335: 1334: 1332: 1330: 1305: 1299: 1298: 1290: 1284: 1275: 1269: 1265:Can-Am Recorders 1260: 1254: 1245: 1225: 1177: 1102: 1080:Additional notes 957: 933: 912: 887: 821: 816: 643: 638: 581: 580: 579: 575: 574: 570: 569: 565: 564: 560: 559: 550:Record Collector 543: 542: 541: 537: 536: 532: 531: 527: 526: 522: 521: 493: 492: 491: 487: 486: 482: 481: 477: 476: 460: 459: 458: 454: 453: 449: 448: 444: 443: 439: 438: 413: 318:alternative rock 298: 295: 285: 282: 272: 269: 259: 256: 199: 198: 167: 136: 132: 131: 127: 104:Alternative rock 70:Cherokee Studios 31: 19: 2266: 2265: 2261: 2260: 2259: 2257: 2256: 2255: 2226: 2225: 2223: 2221: 2216: 2191: 2165:Tomorrow, Wendy 2151:Everybody Knows 2130:God Is a Bullet 2103: 2085: 2053: 1999:Concrete Blonde 1986: 1974:Harry Rushakoff 1970:Gabriel Ramirez 1952: 1950:Concrete Blonde 1947: 1903: 1898: 1897: 1887: 1885: 1877: 1876: 1872: 1862: 1860: 1853: 1849: 1848: 1844: 1834: 1832: 1822: 1818: 1817: 1813: 1795: 1791: 1773: 1769: 1761: 1757: 1746: 1742: 1731: 1727: 1716: 1712: 1701: 1697: 1686: 1682: 1671: 1667: 1656: 1652: 1641: 1637: 1626: 1622: 1611: 1607: 1596: 1592: 1582: 1580: 1558: 1557: 1553: 1543: 1541: 1525: 1524: 1520: 1510: 1508: 1498: 1497: 1493: 1483: 1481: 1458: 1457: 1453: 1443: 1441: 1438:Chicago Tribune 1423: 1422: 1418: 1408: 1406: 1391: 1390: 1386: 1377: 1375: 1367: 1366: 1362: 1353: 1351: 1343: 1342: 1338: 1328: 1326: 1307: 1306: 1302: 1292: 1291: 1287: 1276: 1272: 1261: 1257: 1246: 1242: 1237: 1209:United States ( 1187:Certified units 1173: 1161:Top 200 Albums 1109: 1100: 1095: 1047:Gail Ann Dorsey 1019: 954: 949: 810: 737:"Days and Days" 628: 608: 577: 572: 567: 562: 539: 534: 529: 524: 489: 484: 479: 467:Chicago Tribune 456: 451: 446: 441: 408: 382: 364: 322:Concrete Blonde 301: 296: 292:Tomorrow, Wendy 289: 288: 283: 276: 275: 270: 263: 262: 257: 254: 253: 225: 216: 207: 191:Concrete Blonde 172: 141: 129: 125: 124: 113: 83: 77: 68: 66: 61: 44: 42:Concrete Blonde 17: 12: 11: 5: 2264: 2262: 2254: 2253: 2248: 2243: 2238: 2228: 2227: 2218: 2217: 2215: 2214: 2211:Vowel Movement 2207: 2199: 2197: 2193: 2192: 2190: 2189: 2182: 2175: 2168: 2161: 2154: 2147: 2140: 2137:Happy Birthday 2133: 2126: 2119: 2111: 2109: 2105: 2104: 2102: 2101: 2093: 2091: 2087: 2086: 2084: 2083: 2076: 2069: 2061: 2059: 2055: 2054: 2052: 2051: 2044: 2037: 2030: 2023: 2016: 2009: 2002: 1994: 1992: 1988: 1987: 1985: 1984: 1981: 1976: 1971: 1968: 1963: 1957: 1954: 1953: 1948: 1946: 1945: 1938: 1931: 1923: 1917: 1916: 1902: 1901:External links 1899: 1896: 1895: 1870: 1842: 1811: 1789: 1767: 1755: 1740: 1725: 1710: 1695: 1680: 1665: 1650: 1635: 1620: 1605: 1590: 1551: 1540:. No. 379 1518: 1491: 1451: 1416: 1392:Raggett, Ned. 1384: 1360: 1336: 1318:. p. 56. 1300: 1285: 1270: 1255: 1239: 1238: 1236: 1233: 1230: 1229: 1221: 1220: 1217: 1214: 1206: 1205: 1202: 1199: 1191: 1190: 1184: 1181: 1172: 1171:Certifications 1169: 1166: 1165: 1162: 1152: 1151: 1148: 1138: 1137: 1134: 1124: 1123: 1120: 1112: 1111: 1106: 1099: 1096: 1092: 1091: 1087: 1086: 1082: 1081: 1067: 1066: 1056: 1050: 1044: 1038: 1027: 1026: 1021: 1017: 1016: 1013: 1010: 1004: 1001:Chris Marshall 998: 988: 987: 983: 982: 976: 970: 955: 953: 950: 946: 945: 942: 937: 930: 926: 925: 922: 920:Bruce Moreland 916: 909: 905: 904: 901: 898: 884: 880: 879: 876: 873: 870: 866: 865: 862: 857: 850: 846: 845: 842: 839: 836: 832: 831: 828: 825: 822: 811: 807: 806: 803: 798: 795: 791: 790: 787: 784: 777: 773: 772: 769: 766: 763: 759: 758: 755: 752: 749: 745: 744: 741: 738: 735: 731: 730: 727: 724: 721: 717: 716: 713: 710: 707: 703: 702: 699: 696: 689: 685: 684: 681: 679:Bruce Moreland 675: 672: 668: 667: 664: 661: 658: 654: 653: 650: 647: 644: 629: 627: 624: 612:Shout! Factory 607: 604: 583: 582: 553: 545: 544: 515: 507: 506: 503: 495: 494: 470: 462: 461: 432: 426: 425: 422: 418: 417: 407: 404: 381: 378: 363: 360: 338:Wall of Voodoo 307: 306: 303: 302: 300: 299: 297:Released: 1991 286: 273: 260: 258:Released: 1990 250: 247: 246: 236: 235: 232: 231: 228: 227: 218: 209: 195: 194: 187: 186: 180: 174: 173: 171: 170: 165:Shout! Factory 162: 157: 155:I.R.S. 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Index


Studio album
Concrete Blonde
London
Cherokee Studios
Hollywood
Tarzana
John Keane Studio
Athens, GA
Genre
Alternative rock
gothic rock
Label
I.R.S. Records
EMI
Shout! Factory
Producer
Chris Tsangarides
Concrete Blonde
Free
Walking in London
Singles
Joey
Caroline
Tomorrow, Wendy
alternative rock
Concrete Blonde
gothic rock
R.E.M.
Peter Buck

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