43:
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228:, is driven by the action, as the composer comments: "The compulsion of the words drives the music." He scored the work for singing and speaking parts, following the text which is at times in prose, at times in poetry. Fortner used
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in
Hamburg in the early 1950s. The composer was impressed by the drama and felt that acting was not enough to "sing the tragedy to an end" ("die Tragödie zu Ende zu singen"), and decided to set longer sections to music.
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noted in an introduction to the performance in DĂĽsseldorf that
Fortner, who was exposed to twelve-tone technique rather late in life, used the restriction of its rules to heighten expressiveness.
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Opera After the Zero Hour: The
Problem of Tradition and the Possibility of Renewal in West Germany, 1945–1965
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Fortner wrote the opera's libretto himself based on
Enrique Beck's German translation of the play.
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in 1964 was filmed live and released on DVD in 2005. The opera was chosen to open the
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275:). This new opera premiered on 10 May 1962 in a production by Cologne Opera at the
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on 8 June 1957 in a production directed by Eric
Bormann and conducted by
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940:– production photos and commentary on the January 2013 production
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to write incidental music for a performance of Lorca's play
887:(review of GĂĽnter Wand Edition) (in German). Klassik Heute
805:(review of the January 2013 revival at Opera Wuppertal).
517:
was revived in
January 2013 with a new production at the
721:
Composers since 1900: A Biographical and
Critical Guide
269:
with a libretto based on another play by Garcia Lorca (
263:) and used both of them in the score for a new opera,
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but included traditional
Spanish instruments, such as
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885:(Lyrische Tragödie in zwei Akten (sieben Bildern))"
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272:Amor de Don PerlimplĂn con Belisa en su jardĂn
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501:with a performance on 12 October 1986 by the
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755:In seinem Garten liebt Don PerlimplĂn Belisa
266:In seinem Garten liebt Don Perlimplin Belisa
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251:In 1962 Fortner revised the scores of both
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724:. H. W. Wilson Company. pp. 206–207.
463:Girls, young men, guests, neighbour women
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781:. Oxford University Press. p. 32.
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596:
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657:"Work of the Week – Wolfgang Fortner:
651:
649:
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879:Pluta, Ekkehard (28 November 2007).
803:"Tödliches Gemetzel vor Hochhäusern"
763:. L'Almanacco di Gherardo Casaglia
704:. L'Almanacco di Gherardo Casaglia
14:
289:Roles, voice types, premiere cast
1057:
801:Keim, Stefan (17 January 2013).
777:Richmond Pollock, Emily (2019).
549:, released 2007 as Volume 12 of
545:(recorded 1 and 6 July 1957 by
163:, also by Fortner, is based on
50:shortly before the premiere of
1:
255:and his 1954 dramatic scene
911:, p. 633. Walter de Gruyter
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1080:Operas by Wolfgang Fortner
751:Casaglia, Gherardo (2005).
692:Casaglia, Gherardo (2005).
573:– Orchestra and chorus of
559:– Orchestra and chorus of
303:Premiere cast, 8 June 1957
212:, a "literary opera" like
905:Steiger, Karsten (2008).
869:. Retrieved 10 July 2013.
864:Holdings record 3084101:
553:). Label: Profil PH05044.
324:Nathalie Hinsch-Gröndahl
40:
29:
429:Death (a female beggar)
551:The GĂĽnter Wand Edition
1090:German-language operas
667:. 2013. Archived from
621:Deutsche Oper am Rhein
547:Westdeutscher Rundfunk
503:Deutsche Oper am Rhein
184:. It premiered at the
174:German translation of
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22:
1095:Operas based on plays
979:Federico GarcĂa Lorca
561:Stuttgart State Opera
277:Schwetzingen Festival
196:Fortner was asked by
116:8 June 1957
718:Ewen, David (1969).
499:Opernhaus DĂĽsseldorf
361:Alexander Schoedler
881:"Fortner Wolfgang:
634:on 13 December 2014
610:"Wolfgang Fortners
535:GĂĽrzenich-Orchester
493:The performance by
475:Performance history
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48:Cologne Opera House
908:Opern-Diskographie
455:Three woodcutters
413:Hildegunt Walther
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565:Ferdinand Leitner
482:premiered at the
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198:Karl-Heinz Stroux
155:) in two acts by
152:lyrische Tragödie
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495:Stuttgart Opera
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458:speaking voice
450:Gerhard Nathge
424:Anita Westhoff
374:Ernst Grathwol
358:speaking voice
332:speaking voice
329:The Bridegroom
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178:'s 1933 play
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924:Work details
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889:. Retrieved
883:Bluthochzeit
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829:Bluthochzeit
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765:(in Italian)
761:10 May 1962"
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747:
735:. Retrieved
720:
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706:(in Italian)
702:8 June 1957"
696:Bluthochzeit
695:
673:. Retrieved
669:the original
665:Schott Music
659:Bluthochzeit
658:
636:. Retrieved
629:the original
625:Schott Music
612:Bluthochzeit
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571:Bluthochzeit
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557:Bluthochzeit
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349:Anny Schlemm
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176:GarcĂa Lorca
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141:Bluthochzeit
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99:Enrique Beck
92:
89:GarcĂa Lorca
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52:Bluthochzeit
51:
23:Bluthochzeit
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1085:1957 operas
943:(in German)
812:(in German)
543:GĂĽnter Wand
511:Kurt Horres
507:Hans Wallat
488:GĂĽnter Wand
394:Her Mother
388:Emmy Lisken
355:Her Father
316:The Mother
310:GĂĽnter Wand
230:dodecaphony
192:Composition
168: [
102: [
59:Translation
1074:Categories
891:21 January
737:21 January
586:References
525:Recordings
418:The Child
397:contralto
340:The Bride
299:Voice type
261:The Forest
242:tambourine
214:Alban Berg
120:1957-06-08
69:Librettist
1016:The Bride
862:Library.
442:The Moon
433:chanteuse
405:The Maid
383:contralto
379:His Wife
366:Leonardo
306:Conductor
238:castanets
234:mandolins
808:Die Welt
608:(1986).
581:MV 8075.
421:soprano
370:baritone
257:Der Wald
161:libretto
112:Premiere
85:Based on
77:Language
1038:(opera)
675:10 July
638:10 July
344:soprano
219:Wozzeck
118: (
1100:Operas
1050:Portal
1019:(2015)
1011:(1981)
1003:(1977)
841:. 2014
831:(DVD)"
785:
759:
728:
700:
467:chorus
159:. The
80:German
1064:Opera
1027:Other
992:Films
845:4 May
839:Wergo
632:(PDF)
617:(PDF)
579:Wergo
446:tenor
295:Role
283:Roles
172:]
106:]
31:Opera
893:2016
847:2017
783:ISBN
739:2016
726:ISBN
677:2013
640:2013
225:Lulu
222:and
981:'s
216:'s
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1076::
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679:.
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259:(
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