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remarkable for richness of drapery, variety of color, spirit and grace of attitude, and harmony of landscape. Several works formerly attributed to
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94:. Few facts of his life are known. His principal artistic activity was in
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and some subjects from her life. His position there was taken over by
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Lives of the Most
Excellent Painters, Sculptors, and Architects
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Le Vite delle più eccellenti pittori, scultori, ed architettori
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This article incorporates text from a publication now in the
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His most celebrated achievement is the frescoes in the
67:, belonging to the Emilian school. He is profiled in
63:(c. 1467 – c. 1525) was a painter of the early
153:, and Garofalo are now ascribed to Boccaccino.
156:Boccaccino died in Cremona. His son and pupil
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160:(1501–46) was a painter active in Cremona.
197:; Peck, H. T.; Colby, F. M., eds. (1905).
121:. His remaining works, which include the
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203:(1st ed.). New York: Dodd, Mead.
102:, where he founded a school in which
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35:Mystical Marriage of Saint Catherine
163:Paintings by Boccaccino are in the
141:(Paris, Louvre), are considered by
90:and studied there, probably under
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177:National Museum of Art of Romania
131:Virgin and Child with Four Saints
137:(Cremona, San Quirilo), and the
127:Gallerie dell'Accademia, Venice
200:New International Encyclopedia
169:Museum of Fine Arts (Budapest)
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259:16th-century Italian painters
249:15th-century Italian painters
113:(1506–1519) representing the
98:, Ferrara, and especially in
274:Italian Renaissance painters
133:(Venice, San Giuliano), the
123:Marriage of Saint Catherine
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52:by Boccaccio Boccaccino,
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269:Painters from Cremona
264:Painters from Ferrara
254:Italian male painters
135:Virgin and Two Saints
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165:Milwaukee Art Museum
111:Cathedral of Cremona
61:Boccaccio Boccaccino
115:Birth of the Virgin
65:Italian Renaissance
158:Camillo Boccaccino
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216:Missing or empty
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233:Categories
50:Gypsy Girl
18:Boccaccino
104:Garofalo
56:, 1504-5
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183:Sources
129:), the
100:Cremona
88:Ferrara
173:Uffizi
171:, the
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143:Lanzi
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