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He painted extensively in
Ferrara, both in oil and in fresco, two of his principal works being the "Massacre of the Innocents" (1519), in the church of S. Francesco, and his masterpiece "Betrayal of Christ" (1524). For the former he made clay models for study and a clay figure. He continued
186:
constantly at work until in 1550 blindness overtook him, painting on all feast-days in monasteries for the love of God. He had married at the age forty-eight, and died at
Ferrara on the 6th (or 16th) of September 1559, leaving two children.
96:. Garofalo's career began attached to the court of the Duke d'Este. His early works have been described as "idyllic", but they often conform to the elaborate conceits favored by the artistically refined Ferrarese court. His nickname,
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Even his least successful works retain, amid their frigid and porcelain quality, a harmony which marks
Venetian colouring. His youthful works include the "Boar Hunt" in the Palazzo Sciarra. Later, the "Knight's Procession" in the
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Dosso Dossi, Garofalo, and the
Costabili Polyptych: Imaging Spiritual Authority, The Art Bulletin, June, 2000 by Giancarlo Fiorenza pp. 252–279
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has been described as a "bookish" affair, whose episodes are difficult to elucidate. Garofalo is one of the painters known and described by
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is said to have apprenticed in
Garofalo's workshop, and worked with him in Ferrarese projects in the 1530–40. Other pupils include
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colouring. He may have spent three years (1509–1512), in Rome. This led to a stylized classical style, more influenced by
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and in other palaces. Thus the style of Tisi partakes of the
Lombard, the Roman and the Venetian modes.
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The
Madonna and Child Enthroned with Saints William of Aquitaine, Clare, Anthony of Padua and Francis
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The Age of
Correggio and the Carracci: Emilian Painting of the 16th and 17th Centuries
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The Holy Family with Saints John the
Baptist, Elizabeth, Zacharias and (?) Francis
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759:, by Corrado Ricci; editor: New York: Charles Scribner's Sons (1911); page 324.
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235:. He ranks among the best of the Ferrarese painters; his leading pupil was
799:. Vol. 26 (11th ed.). Cambridge University Press. p. 1014.
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Vestal Virgin
Claudia Quinta tows the ship bearing the statue of Cibele
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592:(1540 finished by Garofalo, from unfinished 1517 draft by Raffael) -
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commissioned him to execute paintings, along with the Dossi, in the
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This article incorporates text from a publication now in the
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The Virgin and Child with Saints Dominic and Catherine of Siena
829:
Freedberg, Sydney J. (1993). Pelican History of Art (ed.).
863:
842:. National Gallery of Art, Washington DC. pp. 141–43.
174:. From Rome family affairs recalled him to Ferrara; there
68:; 1481 – September 6, 1559), also known as
297:
in Milan reveals an increasingly stylized treatment. The
219:; in a picture of "Paradise" he painted Ariosto between
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and was a contemporary, and sometimes collaborator with
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824:. Vol. 14. New York: Robert Appleton Company.
307:Gallery is a charming picture; however, the large
838:Francis P. Smyth; John P. O'Neill, eds. (1986).
319:. From 1550 till his death Garofalo was blind.
101:
8:
384:(1510) - Galleria dell'Arte Studiolo, Milan
127:, Tisi is claimed to have apprenticed under
665:Madonna with Saint John and Saint Elisabeth
494:(c. 1527–1539) - National Gallery, London
858:Census of Ferrarese Paintings and Drawings
450:(1520s–1530s) - National Gallery, London
406:(c. 1515–1530) - National Gallery, London
287:, considered one of his masterpieces. The
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717:
546:(1534) - Pinacoteca Nazionale, Ferrara
470:(1523) - Pinacoteca Nazionale, Ferrara
436:(1519) - Pinacoteca Nazionale, Ferrara
420:(1517–1518) - National Gallery, London
744:
428:(c. 1518) - National Gallery, London
400:(1514) - Pinacoteca Nazionale, Ferrara
277:Virgin in the Clouds with Four Saints
76:
63:
7:
866:(virtual museum of Il Garofalo) at
486:(1526) - National Gallery, London
442:(1520) - National Gallery, London
166:, to Rome, he worked briefly under
600:Blessing of Saint John the Baptist
414:(1517) - National Gallery, London
162:Invited by a Ferrarese gentleman,
25:
818:". In Herbermann, Charles (ed.).
803:
773:
602:(1542) - San Salvatore, Bologna
540:(1532) - Musei Capitolini, Rome
518:Madonna and Child and St. Jerome
256:— gave promise of an Italianate
566:, Miami, Florida. United States
275:in the Palazzo Sciarra and the
271:His youthful works include the
582:Christ and the Samaritan Woman
392:(1512) - Art Gallery, Dresden
330:. Il Garofalo also influenced
106:, with a few dated variants).
49:Monument to Benvenuto Tisi in
1:
903:16th-century Italian painters
893:15th-century Italian painters
658:Madonna Enthroned with Saints
512:Madonna Enthroned with Saints
474:Madonna Enthroned with Saints
426:The Vision of Saint Augustine
404:Saint Catherine of Alexandria
194:Coronation of Saint Catherine
831:Painting in Italy, 1500–1600
264:, and more refined than the
864:MUseo VIrtuale del Garofalo
816:Benvenuto Tisio da Garofalo
648:Madonna and Child Enthroned
594:Gemäldegalerie Alte Meister
243:Mature works and assessment
65:[beɱveˈnuːtoˈtiːzi]
27:Italian painter (1481–1559)
934:
908:Italian Mannerist painters
652:Dunedin Public Art Gallery
560:Madonna and Child in Glory
531:, c. 1530s, oil on panel,
520:, c. 1530s, oil on panel,
227:. In youth he was fond of
434:Massacre of the Innocents
260:, less commonplace, more
170:in the decoration of the
151:, who initiated him into
143:under his maternal uncle
606:Conversion of Saint Paul
550:The Miracle of the Swine
460:Birmingham Museum of Art
814:Gillet, Louis (1912). "
796:Encyclopædia Britannica
448:The Agony in the Garden
412:Madonna del Baldacchino
336:Nicola Pisano (painter)
281:Gallerie dell'Accademia
147:, and at the school of
139:. In 1495 he worked at
699:Washing feet of Christ
677:Mars, Venus and Cupido
590:The Triumph of Bacchus
360:Adoration of the Child
200:
180:Delizia di Belriguardo
172:Stanza della Segnatura
102:
78:[ilɡaˈrɔːfalo]
53:
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913:Painters from Ferrara
898:Italian male painters
856:Works by Garofalo at
821:Catholic Encyclopedia
757:Art in Northern Italy
528:Adoration of the Magi
370:Adoration of the Magi
231:-playing and also of
192:
48:
33:
691:Museo di Capodimonte
641:Jesus in the Orchard
522:Dallas Museum of Art
468:Madonna del Pilastro
398:Madonna delle Nuvole
364:Pinacoteca Nazionale
338:(active 1499–1538).
328:Stefano Falzagalloni
669:Courtauld Institute
628:- Musée de Angers
620:Pinacoteca di Brera
492:An Allegory of Love
311:in the Atheneum at
309:Triumph of Religion
203:He was a friend of
681:Wawel Royal Castle
596:, Dresden, Germany
544:Raising of Lazarus
390:Neptune and Pallas
374:High Museum of Art
201:
198:Capitoline Museums
54:
43:
918:Catholic painters
610:Galleria Borghese
576:Palazzo Barberini
484:A Pagan Sacrifice
456:Baptism of Christ
382:Madonna and Child
372:(c. 1520–1530) -
350:(c. 1500–1505) -
324:Girolamo da Carpi
237:Girolamo da Carpi
94:School of Ferrara
16:(Redirected from
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791:Tisio, Benvenuto
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705:, Washington DC
703:National Gallery
556:, Northumberland
538:Madonna in Glory
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352:National Gallery
164:Geronimo Sagrato
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564:Lowe Art Museum
514:(1532) - Modena
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250:Palazzo Colonna
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145:Niccolò Soriano
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851:External links
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279:(1518) in the
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176:Duke Alfonso I
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115:Early training
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57:Benvenuto Tisi
35:Jesus sleeping
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616:Annunciation
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225:St Sebastian
221:St Catherine
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131:and perhaps
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34:
888:1559 deaths
883:1481 births
745:Gillet 1912
634:Holy Family
626:Holy Family
533:Rijksmuseum
137:Dosso Dossi
83:Renaissance
70:Il Garofalo
877:Categories
767:References
654:, Dunedin.
462:, Alabama
376:, Atlanta
149:Boccaccino
693:, Naples
671:, London
618:(1550) -
502:(1528) -
480:, Ferrara
478:Cathedral
476:(1524) -
366:, Ferrara
354:, London
322:In 1520,
273:Boar Hunt
209:Giorgione
110:Biography
87:Mannerist
683:, Kraków
608:(1545)-
268:artist.
262:romantic
153:Venetian
119:Born in
103:garofano
98:Garofalo
74:Italian:
61:Italian:
812::
784::
622:, Milan
584:(1536)
506:, Rome
313:Ferrara
300:Madonna
233:fencing
217:Ariosto
168:Raphael
141:Cremona
129:Panetti
125:Ferrara
92:of the
862:MUVIG
778:
612:, Rome
578:, Rome
317:Vasari
305:Modena
285:Venice
213:Titian
121:Canaro
51:Rovigo
39:Louvre
712:Notes
290:Pietà
266:Dutch
133:Costa
123:near
334:and
258:Cuyp
254:Rome
229:lute
223:and
215:and
793:".
283:in
252:in
879::
737:^
720:^
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732:.
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