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with The Royal Ballet, The London
Contemporary Dance Theatre (with whom he composed and played live with between 1972 and 1982), Ballet Rambert, Dance Theatre of Harlem, The Royal Canadian Ballet, Australian Dance Company, Miami World Ballet, Komische Oper Berlin, Staatstheater Stuttgart, and Hong
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Downes played concert, alto, and
Chinese bamboo flutes and tenor sax. Five of the eight pieces are trios with double bass (Barry Guy and Jeff Clyne) and drums (Denis Smith). The other three pieces are solos: on "Samurai" Downes played concert and alto flutes into a piano with the sustain pedal
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has a long big-band piece covering side one of the original LP (subtitled 'A Visit to the Devil'), with a set of trio pieces on side 2. Downes plays mainly sax on this record (tenor and alto). After moving to
Germany in the late 1970s, Downes released several further records, including
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in 1969. He was voted best jazz flautist and formed various ensembles. He started his own record label, Openinan. He played with the
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and for leading the Open Music Trio since 1968. Downes is also a composer, arranger, and singer of rock and blues.
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In 1968 he formed the Open Music Trio. The trio has included at bass Paul Bridge, Andrew
Cleyndert,
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Downes played and recorded with Ray
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268:(c. 1984), an LP of solo flute improvisations (concert, alto and bass).
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Carr, Ian; Fairweather, Digby; Priestly, Brian; Parker, Chris (1995).
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Kong Ballet. He composed for and performed with the Swiss mime group
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from the article and its talk page, especially if potentially
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Bob Downes' New Sounds for Flute, Percussion, and
Synthesizer
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