389:. The story, written by Hayes, was described by the author as "only very loosely" based on the album concept, as he "didn't want to tie it in too much, since the story was only going to be included with the deluxe version". Instead, Hayes suggested, "there are a couple peripheral tie-ins" between the book and the album, including the appearance of the phrase "book burner" in both. "You might say the philosophical ideas of mental independence and fighting for your right to think for yourself are also tied to the record", Hayes explained. Hayes summarized the plot for "The Atheist" as being "about a guy who grew up as a Christian and in early adulthood decides he didn't want to be a Christian. He becomes a biology teacher. Then the U.S. descends into a theocracy and becomes very fascist. Everyone converts and he's like 'fuck it.' He abandons his wife and society and lives in the woods like a crazy person." In the "thanks" portion of the liner notes, Hayes dedicates "The Atheist" to author
332:, Pig Destroyer built their own studio, Visceral Sound. As Blake Harrison, who plays electronic instruments for the band, explained, the band "all had a hand in building it" after getting kicked out of their practice space (a basement in former drummer Brian Harvey's parents' house) several years earlier. Scott Hull explained that the time spent building and moving into a new studio, which also served as the band's new practice space, attracted "a big liability of falling into a kind of a slump. So when we finally got back to where we were practicing in the new place, we were out of practice, trying to get back into fighting shape for new material, let alone the old setlist material. It was very laborious. It felt like we were dragging an anchor behind us the whole time".
275:, which Scott Hull described as "really written as kind of an experiment to explore longer songs and song structures, things that were catchier and thrashier and that had repeats and structures that were pretty standard." Hull revealed that this approach was driven, in part, by Harvey's changing musical interests: "towards the end, it was very difficult to do anything like that , it was easier to do the mid-pace stuff. But with Adam, we got really inspired to go back to those roots where we just wanted to blast and play really super fast the whole time, so there's a lot of that on
343:, and it was because the people we were working with didn't really 'get' what we were trying to do". Hull elaborated that "we wanted to maintain control over getting the sounds and our environment and stuff so in that sense it was a lot easier for us to record here having built the studio, having the equipment and making sure that everything sounded the way it needed to sound". Hull explained his goal in producing the album:
307:"because I think people become too focused on that. And I just want to make it more about individual pieces". However, Hayes did concede that there were links between the individual songs on the album, some of which he was "not even conscious of... other people...basically tell me what the concept is, and what the themes are, and I might not have even been aware of that until somebody says it."
319:
to burn the book: people don't even read them. People are being pulled in so many different directions by so many different ideas that, even for myself, it's extremely hard to even know what the truth is. It used to be that if you sought the truth, you would do it in books. Nowadays, there are so many things assaulting you at the same time, that you just have to choose.
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451:
708:, who described the album as "ugly, abrasive, and entirely unpleasant" and questioned whether the album concept was supported by the musical approach: "It's perfectly legitimate that the members of Pig Destroyer should fear censorship and the loss of civil liberties, but can savagery in art ever be an effective antidote to a savage world?"
355:
records; something that was just very honest and you can hear what the drummer's doing, you can hear what the guitar player's doing, and not oversaturate it with a huge wall of guitars. I just kind of wanted it to be rather 'bare bones' and let the music speak for itself in the performances as well.
318:
The way the world works now. There's so much information, which you'd think is a good thing, but now it can be hard to decide what's true and what people actually believe and why they believe it. Empirical evidence only matters if people allow it to matter to them. So I felt like you don't even have
263:
It's been a process to get this material written over the course of now three different drummers. The writing process started before Brian ever left the band. There are songs written when Brian was in the band, songs written when Dave was in the band and there were songs written of course, when Adam
243:
Hayes noted that the span of time between albums was due to the band being in "upheaval...There was a time when I wasn't sure if the band would go on or not. It took us a while to put ourselves back together." Hull attributed the band's back-to-basics approach to the addition of Jarvis: "Getting a
684:'s Graham Hartmann suggested that the album was "essential listening" that "continues to deliver the calculated punishment of the band's previous albums, leaving fans as battered, yet willing victims." Describing the album as a "frenzied testament to guitar-based violence", Gregory Heaney praised
264:
joined the band. So they're all written to the different strengths of three different drummers. In fact, most of my drum machine demos are intended as a rough sketch but to Adam's credit he really came in and just learned the drum lines verbatim, which blew me away because I wasn't expecting that.
688:
for its sonic clarity, "allowing each gloriously destructive riff to come through crystal clear rather than getting lost in the pummeling drums stampede" and "giving listeners the opportunity to not just feel the bottomless wells of aggression and unfiltered anger that Pig
Destroyer channel into
239:
During this time, drummer Brian Harvey was replaced by Adam Jarvis. Vocalist J.R. Hayes remarked that the band's relationship with Harvey had "run its course" such that he "wasn't prepared to continue with the status quo". Hull described Harvey as "checking out mentally" and "cancelling a lot of
235:
explained that "there was a lot of adversity that we had to go through to get this record done", which explained the delay: "A lot of changing, of breaking down and rebuilding the equipment and the places that we used and the people we worked with, the approach that we follow to come up with the
29:
240:
practices and not showing up and not really practicing on his own", which led to the band determining near the end of 2010 that "it wasn't going to work out...That's when some blowout happened and he was left to go on his own path".
663:, Jess Harvell described the album as "utterly ugly, thoroughly alienating stuff that doesn't give half a shit if you can stomach its musical and spiritual violence" and noted that it was "less user-friendly than
658:
for going "back to basics with whiplash-fast tracks" with a streamlined approach that "manage to surpass expectations with a less-is-more approach that results in a thoroughly mind-blowing record." Writing for
679:
album of 2012" and drew attention to the band's "gauntlet of blitzing grind and thrash modes" while noting the band's approach resembled the "old days of hardcore only with the benefit of modern technology".
244:
new drummer...inspired us to go back to a shorter, faster and louder demo that we prided ourselves in early on." Prior to Jarvis joining the band, Pig
Destroyer had rehearsed with
701:
observed that the former is more "stripped down" yet "equally masterful" in its songwriting, ultimately "propel an already lauded band into the realms of the truly legendary."
1356:
1316:
1781:
1432:
356:
I wanted it to sound good and clean, somewhat, but I also didn't want to overproduce it by putting in a bunch of triggers and stuff like that.
1962:
1741:
2008:
1485:
347:
I wanted something that was very, very natural sounding. Not unproduced, but just very, very natural, sort of like the early
1653:
1998:
255:
Hull explained that the internal turmoil, particularly the drummer situation, had an impact upon the songwriting for
199:
was "fast/brutal" and expressed happiness over the abundance of songs on the album with shorter lengths. Guitarist
1948:
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1955:
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335:
The album was also informed by the band's experience at a third-party studio for the recording of
310:
Hayes explained that "Book Burner", the song from which the album drew its title, was based on
1516:
1224:
1038:
993:
382:
348:
1541:
1976:
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155:
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1410:
660:
249:
184:
112:
105:
1682:
1570:
723:. The song was featured during a scene that was described as "a huge rat-killing spree".
187:. The deluxe edition includes a short story by J.R. Hayes entitled "The Atheist" and an
1718:
1008:
705:
609:
28:
339:, which caused Harrison to remark that "I'm not gonna name any names, but Scott mixed
1992:
1790:
1599:
1023:
378:
311:
192:
188:
180:
124:
41:
1486:"Pig Destroyer Talk 'Book Burner,' Nihilism, New Agoraphobic Nosebleed Music + More"
689:
their music, but to actually hear and appreciate how technical they are." Comparing
1969:
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1068:
1053:
386:
137:
100:
314:'s quote, "Men freely believe what they wish." For Hayes, the quote represented:
1087:
1083:
720:
550:
72:
369:, and a short story entitled "The Atheist" were included in deluxe versions of
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176:
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352:
365:
In addition to the album, a seven-song EP composed of covers entitled
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1122:
717:
291:
intentionally, we just felt like, 'Hey, we can do this again now!'"
1742:"'Workaholics' season ends with Pig Destroyer-scored killing spree"
716:"The Diplomat" was featured on the season three finale of American
1317:"Pig Destroyer Interview: A Conversation with Vocalist J.R. Hayes"
1167:
Katherine Katz (Agoraphobic
Nosebleed) – vocals ("Eve", "The Bug")
1138:
303:, Hayes opted to avoid imparting "as much of an overall theme" to
36:
195:
covers. Vocalist J.R. Hayes stated that the band's only goal for
1759:
236:
material. Just getting the goddamn CD done was a whole ordeal."
1763:
248:
several times before an injury and touring commitments with
203:
also affirmed that the band's goal was "shorter grind" on
1433:"Interview: Pig Destroyer Guitarist Scott Hull Discusses
1400:
1398:
704:
A more critical tack was taken by Yorgo
Douramacos of
279:. It wasn't like we felt like we needed to go back to
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646:
The album received "universal acclaim" according to
1900:
1849:
983:
975:
742:
734:
123:
111:
99:
83:
71:
63:
48:
35:
21:
207:in contrast with the preceding full-length album,
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1346:
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1342:
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316:
261:
183:. It was released on October 22, 2012, through
518:
448:
1775:
1225:"Pig Destroyer, 'Book Burner' - Album Review"
1192:"Pig Destroyer - Book Burner - Metal Reviews"
8:
1676:
1674:
614:
556:
1714:"Album Review: Pig Destroyer - Book Burner"
1626:"Album Review: Pig Destroyer – Book Burner"
1564:
1562:
1281:"Pig Destroyer: New Album Details Revealed"
1782:
1768:
1760:
1218:
1216:
1214:
400:
27:
18:
1654:"This Is Not a Review of Pig Destroyer's
1185:
1183:
1181:
1707:
1705:
1600:"CD Reviews - Book Burner Pig Destroyer"
969:
731:
1593:
1591:
1512:"Interview: Pig Destroyer's J.R. Hayes"
1177:
1096:
955:
1712:Douramacos, Yorgo (October 25, 2012).
1510:Norton, Justin M. (October 17, 2012).
1431:Castor, Stephanie (October 17, 2012).
175:is the fifth studio album by American
16:2012 studio album by Pig Destroyer
1652:Rosenberg, Axl (September 12, 2012).
1536:
1534:
1359:. Operation Grindcore. Archived from
1249:
1247:
1245:
1223:Hartmann, Graham (October 24, 2012).
1097:
956:
429:
406:
7:
1484:Hartman, Graham (November 1, 2012).
1461:Cohen, Joshua T. (October 8, 2012).
1405:Stosuy, Brandon (November 2, 2012).
1190:Falzon, Denise (October 23, 2012).
520:
450:
1963:Split with Coldworker and Antigama
1740:Teitelman, Bram (April 14, 2014).
1681:Harvell, Jess (October 22, 2012).
1164:) – vocals ("The Underground Man")
271:was also written as a reaction to
221:There was a five-year gap between
14:
616:
558:
1624:Kivel, Adam (October 24, 2012).
1315:Bowar, Chad (October 22, 2012).
1254:Hayes, Craig (October 7, 2012).
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449:
1143:Blake Harrison – noises, vocals
1407:"Show No Mercy: Pig Destroyer"
976:
735:
667:". Ray Van Horn Jr. wrote for
381:songs from the 1980s, such as
1:
1571:"Book Burner - Pig Destroyer"
1542:"Book Burner - Pig Destroyer"
1683:"Pig Destroyer: Book Burner"
1355:Cha, Alex (August 8, 2012).
1256:"Pig Destroyer: Book Burner"
1157:) – vocals ("The Diplomat")
2025:
1357:"Interview: Pig Destroyer"
375:Blind, Deaf & Bleeding
367:Blind, Deaf & Bleeding
52:October 22, 2012
1797:
1463:"Pig Destroyer Interview"
1078:
1063:
1048:
1033:
1018:
1003:
988:
980:
971:Deluxe edition bonus disc
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747:
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437:
434:
414:
411:
131:
26:
650:. Denise Falzon praised
324:Recording and production
817:"Valley of the Geysers"
252:led him to step aside.
2009:Relapse Records albums
675:was "perhaps the most
358:
321:
266:
67:Visceral Sound Studios
1956:Painter of Dead Girls
1162:Agoraphobic Nosebleed
1037:"Can't Tell No One" (
850:"Baltimore Strangler"
773:"The Underground Man"
762:"The American's Head"
351:records or the early
225:and its predecessor,
1999:Pig Destroyer albums
1942:38 Counts of Battery
1857:Explosions in Ward 6
1631:Consequence of Sound
1148:Additional musicians
490:Consequence of Sound
402:Professional ratings
391:Christopher Hitchens
1863:Prowler in the Yard
1598:Van Horn Jr., Ray.
1086:cover / "Underage"
1052:"Deny Everything" (
972:
949:"Permanent Funeral"
403:
328:Prior to recording
282:Prowler in the Yard
970:
712:In popular culture
401:
1986:
1985:
1977:Mass & Volume
1949:Split with Benumb
1914:Split with Orchid
1569:Heaney, Gregory.
1517:Invisible Oranges
1287:. August 30, 2012
1160:Richard Johnson (
1153:Jason Netherton (
1107:
1106:
1039:Negative Approach
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965:
697:, Craig Hayes of
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643:
379:American hardcore
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167:
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156:Mass & Volume
2016:
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1604:Blabbermouth.net
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1475:
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1472:
1470:
1465:. Blow the Scene
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1449:
1447:
1437:, Gear and More"
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1422:
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1419:
1417:
1402:
1373:
1372:
1370:
1368:
1363:on April 7, 2014
1352:
1337:
1336:
1334:
1332:
1327:on April 7, 2014
1323:. Archived from
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1297:
1296:
1294:
1292:
1285:Blabbermouth.net
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1271:
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1251:
1240:
1239:
1237:
1235:
1220:
1209:
1208:
1206:
1204:
1187:
1100:
1090:cover (unlisted)
1082:"Who Are You?" (
978:
973:
959:
927:"Kamikaze Heart"
806:"All Seeing Eye"
737:
732:
669:Blabbermouth.net
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480:Blabbermouth.net
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407:Aggregate scores
404:
133:
132:
95:
94:
90:
59:
57:
31:
19:
2024:
2023:
2019:
2018:
2017:
2015:
2014:
2013:
1989:
1988:
1987:
1982:
1935:7" Picture Disc
1928:Split with Isis
1921:Split with Gnob
1896:
1845:
1793:
1788:
1758:
1757:
1747:
1745:
1744:. Metal Insider
1739:
1738:
1734:
1724:
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1711:
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1411:Pitchfork Media
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1200:
1189:
1188:
1179:
1174:
1150:
1118:
1113:
1108:
1098:
967:
957:
938:"King of Clubs"
839:"Machiavellian"
729:
714:
636:
631:
626:
621:
578:
573:
568:
563:
540:
535:
530:
525:
470:
465:
460:
455:
399:
363:
326:
297:
250:Municipal Waste
219:
185:Relapse Records
159:
150:
141:
92:
88:
87:
55:
53:
44:
17:
12:
11:
5:
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2020:
2012:
2011:
2006:
2001:
1991:
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1980:
1973:
1966:
1959:
1952:
1945:
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1931:
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1901:Extended plays
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1873:
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1814:Blake Harrison
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1795:
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1719:Slant Magazine
1701:
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1137:Adam Jarvis –
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1125:
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1022:"Lights Out" (
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1016:
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1007:"Wolfsblood" (
1005:
1001:
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997:
992:"Depression" (
990:
986:
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894:"Burning Palm"
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795:"The Diplomat"
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706:Slant Magazine
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610:Slant Magazine
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377:EP focused on
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361:Deluxe edition
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1946:
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1850:Studio albums
1848:
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1836:Jessica Rylan
1835:
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1791:Pig Destroyer
1785:
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1126:
1124:
1121:J.R. Hayes –
1120:
1119:
1116:Pig Destroyer
1115:
1110:
1102:
1099:Total length:
1092:
1089:
1085:
1081:
1077:
1073:
1070:
1066:
1062:
1058:
1055:
1051:
1047:
1043:
1040:
1036:
1032:
1028:
1025:
1024:Angry Samoans
1021:
1017:
1013:
1010:
1006:
1002:
998:
995:
991:
987:
974:
961:
958:Total length:
951:
948:
944:
940:
937:
933:
929:
926:
922:
918:
915:
911:
907:
905:"Dirty Knife"
904:
900:
896:
893:
889:
885:
882:
878:
874:
871:
867:
863:
860:
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852:
849:
845:
841:
838:
834:
830:
828:"Book Burner"
827:
823:
819:
816:
812:
808:
805:
801:
797:
794:
790:
786:
783:
779:
775:
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768:
764:
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757:
753:
750:
746:
733:
727:Track listing
726:
724:
722:
719:
711:
709:
707:
702:
700:
696:
692:
687:
683:
678:
674:
670:
666:
662:
657:
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649:
613:
611:
608:
607:
603:
601:
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586:
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555:
553:
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548:
547:
517:
515:
514:
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498:
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481:
478:
477:
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441:
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430:Review scores
428:
424:
422:
419:
418:
410:
405:
396:
394:
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388:
384:
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368:
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312:Julius Caesar
308:
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294:
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283:
278:
274:
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241:
237:
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230:
229:
224:
216:
214:
212:
211:
206:
202:
198:
194:
193:hardcore punk
190:
186:
182:
181:Pig Destroyer
178:
174:
173:
158:
157:
153:
149:
148:
144:
140:
139:
135:
134:
130:
126:
125:Pig Destroyer
122:
119:
116:
114:
110:
107:
104:
102:
98:
86:
82:
79:
76:
74:
70:
66:
62:
51:
47:
43:
42:Pig Destroyer
38:
34:
30:
25:
20:
1975:
1968:
1961:
1954:
1947:
1940:
1933:
1926:
1919:
1912:
1907:
1889:
1883:
1882:
1877:Phantom Limb
1875:
1868:
1861:
1856:
1839:Brian Harvey
1833:Donna Parker
1824:Travis Stone
1823:
1818:
1813:
1806:
1801:
1746:. Retrieved
1735:
1723:. Retrieved
1717:
1692:. Retrieved
1686:
1661:. Retrieved
1655:
1647:
1635:. Retrieved
1629:
1619:
1607:. Retrieved
1578:. Retrieved
1549:. Retrieved
1521:. Retrieved
1515:
1505:
1493:. Retrieved
1479:
1467:. Retrieved
1456:
1444:. Retrieved
1441:Guitar World
1434:
1426:
1414:. Retrieved
1365:. Retrieved
1361:the original
1329:. Retrieved
1325:the original
1289:. Retrieved
1275:
1263:. Retrieved
1232:. Retrieved
1228:
1201:. Retrieved
1195:
1155:Misery Index
1069:Minor Threat
1054:Circle Jerks
883:"Iron Drunk"
861:"White Lady"
715:
703:
695:Phantom Limb
694:
690:
685:
676:
672:
665:Phantom Limb
664:
651:
645:
587:
549:
511:
499:
387:Circle Jerks
374:
370:
366:
364:
346:
341:Phantom Limb
340:
337:Phantom Limb
336:
334:
329:
327:
317:
309:
304:
301:Phantom Limb
300:
298:
286:
280:
276:
273:Phantom Limb
272:
268:
267:
262:
256:
254:
242:
238:
231:. Guitarist
228:Phantom Limb
226:
222:
220:
210:Phantom Limb
208:
204:
196:
171:
170:
169:
154:
146:
145:
136:
37:Studio album
2004:2012 albums
1884:Book Burner
1842:John Jarvis
1819:Adam Jarvis
1725:October 25,
1694:October 26,
1656:Book Burner
1637:October 24,
1435:Book Burner
1234:October 26,
1203:October 26,
1088:Poison Idea
721:Workaholics
691:Book Burner
686:Book Burner
673:Book Burner
652:Book Burner
551:Metal Sucks
371:Book Burner
330:Book Burner
305:Book Burner
299:Similar to
277:Book Burner
269:Book Burner
257:Book Burner
223:Book Burner
205:Book Burner
197:Book Burner
172:Book Burner
147:Book Burner
22:Book Burner
1993:Categories
1830:John Evans
1808:Scott Hull
1802:J.R. Hayes
1546:Metacritic
1260:Popmatters
1172:References
1128:Scott Hull
1067:"Betray" (
994:Black Flag
699:Popmatters
648:Metacritic
600:Popmatters
421:Metacritic
383:Black Flag
349:Black Flag
246:Dave Witte
233:Scott Hull
217:Background
201:Scott Hull
127:chronology
118:Scott Hull
56:2012-10-22
1891:Head Cage
1870:Terrifyer
1748:April 18,
1688:Pitchfork
1523:April 19,
1321:About.com
1111:Personnel
916:"Totaled"
872:"The Bug"
661:Pitchfork
589:Pitchfork
397:Reception
288:Terrifyer
177:grindcore
78:Grindcore
1663:April 1,
1609:April 4,
1580:April 5,
1575:Allmusic
1551:April 5,
1495:April 4,
1490:Loudwire
1469:April 4,
1446:April 4,
1416:April 5,
1367:April 4,
1331:April 4,
1291:April 5,
1265:April 5,
1229:Loudwire
1197:Exclaim!
1134:, noises
682:Loudwire
656:Exclaim!
513:Loudwire
501:Exclaim!
444:Allmusic
113:Producer
64:Recorded
49:Released
39: by
1970:Natasha
1009:Misfits
353:Melvins
295:Concept
160:(2013)
151:(2012)
142:(2008)
138:Natasha
106:Relapse
54: (
1132:guitar
1123:vocals
1071:cover)
1056:cover)
1041:cover)
1026:cover)
1011:cover)
996:cover)
984:Length
743:Length
718:sitcom
594:8.0/10
484:9.5/10
438:Rating
435:Source
425:86/100
415:Rating
412:Source
373:. The
84:Length
1139:drums
1103:11:18
981:Title
962:31:42
784:"Eve"
751:"Sis"
740:Title
677:metal
671:that
179:band
101:Label
73:Genre
1908:Demo
1750:2014
1727:2012
1696:2012
1665:2020
1639:2012
1611:2014
1582:2014
1553:2014
1525:2014
1497:2014
1471:2014
1448:2014
1418:2014
1369:2014
1333:2014
1293:2014
1267:2014
1236:2012
1205:2012
1093:2:21
1084:Void
1074:2:58
1059:0:22
1044:1:15
1029:0:51
1014:1:12
999:2:18
952:4:08
941:1:05
930:1:35
919:0:42
908:1:13
897:1:52
886:1:43
875:3:05
864:1:25
853:3:18
842:1:12
831:0:40
820:2:19
809:0:42
798:2:56
787:1:14
776:0:31
765:0:48
754:1:14
604:9/10
506:9/10
385:and
977:No.
946:19.
935:18.
924:17.
913:16.
902:15.
891:14.
880:13.
869:12.
858:11.
847:10.
736:No.
693:to
654:in
285:or
191:of
1995::
1716:.
1704:^
1685:.
1673:^
1628:.
1602:.
1590:^
1573:.
1561:^
1544:.
1533:^
1514:.
1488:.
1439:.
1409:.
1377:^
1341:^
1319:.
1301:^
1283:.
1258:.
1244:^
1227:.
1213:^
1194:.
1180:^
1130:–
1079:7.
1064:6.
1049:5.
1034:4.
1019:3.
1004:2.
989:1.
836:9.
825:8.
814:7.
803:6.
792:5.
781:4.
770:3.
759:2.
748:1.
393:.
259::
213:.
189:EP
93:42
89:31
1783:e
1776:t
1769:v
1752:.
1729:.
1698:.
1667:.
1658:"
1641:.
1613:.
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1555:.
1527:.
1499:.
1473:.
1450:.
1420:.
1371:.
1335:.
1295:.
1269:.
1238:.
1207:.
494:B
91::
58:)
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