Bookbinding - Knowledge (XXG)

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styles varied considerably, and there was no standard of uniformity. Early and medieval codices were bound with flat spines, and it was not until the fifteenth century that books began to have the rounded spines associated with hardcovers today. Because the vellum of early books would react to humidity by swelling, causing the book to take on a characteristic wedge shape, the wooden covers of medieval books were often secured with straps or clasps. These straps, along with metal bosses on the book's covers to keep it raised off the surface that it rests on, are collectively known as furniture.

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slightly bigger to accommodate slightly thicker, stronger wire. Once punched, the back cover is then placed on to the front cover ready for the wire binding elements (double loop wire) to be inserted. The wire is then placed through the holes. The next step involves the binder holding the book by its pages and inserting the wire into a "closer" which is basically a vise that crimps the wire closed and into its round shape. The back page can then be turned back to its correct position, thus hiding the spine of the book.

742: 1646:, the spine text, when the book is standing upright, runs from the top to the bottom. This means that when the book is lying flat with the front cover upwards, the title is oriented left-to-right on the spine. This practice is reflected in the industry standards ANSI/NISO Z39.41 and ISO 6357, but "lack of agreement in the matter persisted among English-speaking countries as late as the middle of the twentieth century, when books bound in Britain still tended to have their titles read up the spine". 1260: 48: 180: 839:, where the signatures of the book start off as loose pages which are then clamped together. Small vertical holes are punched through the far left-hand edge of each signature, and then the signatures are sewn together with lockstitches to form the text block. Oversewing is a very strong method of binding and can be done on books up to five inches thick. However, the margins of oversewn books are reduced, and the pages will not lie flat when opened. 1120: 362: 417: 457: 1191: 277:, a few are multi-quire. Codices were a significant improvement over papyrus or vellum scrolls in that they were easier to handle. However, despite allowing writing on both sides of the leaves, they were still foliated—numbered on the leaves, like the Indian books. The idea spread quickly through the early churches, and the word "Bible" comes from the town where the Byzantine monks established their first 514: 3436: 171:

This is partially overcome in the second method, which is to wrap the scroll around two cores, as in a Torah. With a double scroll, the text can be accessed from both beginning and end, and the portions of the scroll not being read can remain wound. This still leaves the scroll a sequential-access medium: to reach a given page, one generally has to unroll and re-roll many other pages.

300: 1128: 40: 1044: 1678: 1116:, or taken apart, in order to be given a new binding. Once the text block of the book has been pulled, it can be rebound in almost any structure; a modern suspense novel, for instance, could be rebound to look like a 16th-century manuscript. Bookbinders may bind several copies of the same text, giving each copy a unique appearance. 1244:, or some combination of the three. Many people choose to rebind books, from amateurs who restore old paperbacks on internet instructions to many professional book and paper conservators and restorationists, who often in the United States are members of the American Institute for Conservation of Historic and Artistic Works (AIC). 435:, and often small metal pieces of furniture. Medieval stamps showed animals and figures as well as the vegetal and geometric designs that would later dominate book cover decoration. Until the end of the period books were not usually stood up on shelves in the modern way. The most functional books were bound in plain white 973:), and when the glue cools, it adheres the paper to the spine. Thermal glue strips can also be purchased separately for individuals that wish to use customized or original covers. However, creating documents using thermal binding glue strips can be a tedious process, requiring a scoring device and a large-format printer. 595:

rounding and backing the spines of books to create a solid, smooth surface and "shoulders" supporting the textblock against its covers facilitated the upright storage of books and titling on spine. This became common practice by the close of the 16th century but was consistently practiced in Rome as early as the 1520s.

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through another plastic strip called the receiving strip. The excess portion of the pins is cut off and the plastic heat-sealed to create a relatively flat bind method. VeloBind provides a more permanent bind than comb-binding but is primarily used for business and legal presentations and small publications.

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In languages with Chinese-influenced writing systems, the title is written top-to-bottom, as is the language in general. In languages written from left to right, the spine text can be pillar (one letter per line), transverse (text line perpendicular to long edge of spine) and along spine. Conventions

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papers may be used for the sides or end-sheets. Finally, the cover is hand-tooled in gold leaf. The design of the book cover involves such hand-tooling, where an extremely thin layer of gold is applied to the cover. Such designs can be lettering, symbols, or floral designs, depending on the nature of

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Books requiring restoration or conservation treatment run the gamut from the very earliest of texts to books with modern bindings that have undergone heavy usage. For each book, a course of treatment must be chosen that takes into account the book's value, whether it comes from the binding, the text,

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bindings. Also, when creating a new work, modern binders may wish to select a book that has already been printed and create what is known as a 'design binding'. "In a typical design binding, the binder selects an already printed book, disassembles it, and rebinds it in a style of fine binding—rounded

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Though almost any existing book can be repaired to some extent, only books that were originally sewn can be rebound by resewing. Repairs or restorations are often done to emulate the style of the original binding. For new works, some publishers print unbound manuscripts which a binder can collate and

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Scrolls can be rolled in one of two ways. The first method is to wrap the scroll around a single core, similar to a modern roll of paper towels. While simple to construct, a single core scroll has a major disadvantage: in order to read text at the end of the scroll, the entire scroll must be unwound.

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sheets with one's hands and tools, or in modern publishing, by a series of automated processes. Firstly, one binds the sheets of papers along an edge with a thick needle and strong thread. One can also use loose-leaf rings, binding posts, twin-loop spine coils, plastic spiral coils, and plastic spine

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In most cases, questions related to book-binding did not figure into the discussions between authors and publishers about the formal aspects of editions of their works, because individual purchasers generally made separate arrangements with either the publisher or a bookbinder to have printed sheets

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Sometimes the restoration of the cover is a matter of surgically strengthening the original cover by lifting the original materials and applying new materials for strength. This is perhaps a more common method for covers made with book-cloth although leather books can be approached this way as well.

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uses a 9/16" pitch rectangular hole pattern punched near the bound edge. A curled plastic "comb" is fed through the slits to hold the sheets together. Comb binding allows a book to be disassembled and reassembled by hand without damage. Comb supplies are typically available in a wide range of colors

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in order to create a book. For instances, these design and cut pages, assemble pages into paper sheets, et cetera. The trade of bookbinding is both a craft done out of creativity and passion and a process happening in a factory. But each type of bookbinding always resolves three problems in making a

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In languages written from left to right, such as English, books are bound on the left side of the cover; looking from on top, the pages increase counterclockwise. In right-to-left languages, books are bound on the right. In both cases, this is so the end of a page coincides with where it is turned.

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Many times, books that need to be restored are hundreds of years old, and the handling of the pages and binding has to be undertaken with great care and a delicate hand. The archival process of restoration and conservation can extend a book's life for many decades and is necessary to preserve books

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uses a one-piece cover with glue applied to its spine to quickly and easily bind documents without the need for punching. Individuals usually purchase "thermal covers" or "therm-a-bind covers", which are usually made to fit a standard-size sheet of paper and come with a glue channel down the spine.

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This type of binding uses either a 3:1 pitch hole pattern with three holes per inch or a 2:1 pitch hole pattern with two holes per inch. The three to one hole pattern is used for smaller books that are up to 9/16" in diameter while the 2:1 pattern is normally used for thicker books as the holes are

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under the tooling and stamps were imported from the Islamic world in the 15th century, and thereafter the gold-tooled leather binding has remained the conventional choice for high quality bindings for collectors, though cheaper bindings that only used gold for the title on the spine, or not at all,

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The next step is the restoration of the book cover. This can be as complicated as completely re-creating a period binding to match the original using whatever is appropriate for that time it was originally created. Sometimes this means a new full leather binding with vegetable tanned leather, dyed

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comes from taking care of the institution's archive of books. The goal of restoration is to return the book to a previous state as envisioned by the restorer, often imagined as the original state of the book. The methods of restoration have been developed by bookbinders with private clients mostly

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Hand bookbinders create new bindings that run the gamut from historical book structures made with traditional materials to modern structures made with 21st-century materials, and from basic cloth-case bindings to valuable full-leather fine bindings. Repairs to existing books also encompass a broad

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is one example of this type. Perfect bound books usually consist of various sections with a cover made from heavier paper, glued together at the spine with a strong glue. The sections are milled in the back and notches are applied into the spine to allow hot glue to penetrate into the spine of the

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together at the spine to form a text block. In contrast to oversewing, through-the-fold books have wide margins and can open completely flat. Pages cannot fall out unless they are ripped. Many varieties of sewing stitches exist, from basic links to the often-used Kettle Stitch. While Western books

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are considered more ephemeral than books, and less durable means of binding them are usual. In general, the cover papers of magazines will be the same as the inner pages (self-cover) or only slightly heavier (plus cover). Most magazines are stapled or saddle-stitched; however, some are bound with

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is the most economical form of mechanical binding when using plastic or metal. It is commonly used for atlases and other publications where it is necessary or desirable for the publication to be opened back onto itself without breaking or damaging the spine. A number of different varieties exist,

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is used to permanently rivet pages together using a plastic strip on the front and back of the document. Sheets for the document are punched with a line of holes near the bound edge. A series of pins attached to a plastic strip called a Comb feeds through the holes to the other side and then goes

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Until the mid-20th century, covers of mass-produced books were laid with bookcloth, but from that period onward, most publishers adopted clothette, a kind of textured paper which vaguely resembles cloth but is easily differentiated on close inspection. Most cloth-bound books are now half-and-half

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is generally credited with having introduced cotton-based book cloth to wholesale bookbinding, which was of great importance to the economy and global expansion of book sales in the 19th century. The new material was much longer lasting than paper "boards" and significantly cheaper than the more

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beginning in the mid-15th century, bookbinding began to standardize somewhat, but page sizes still varied considerably.. Paper leaves also meant that heavy wooden boards and metal furniture were no longer necessary to keep books closed, allowing for much lighter pasteboard covers. The practice of

257:. According to T. C. Skeat, "in at least three cases and probably in all, in the form of codices" and he theorized that this form of notebook was invented in Rome and then "must have spread rapidly to the Near East". In his discussion of one of the earliest pagan parchment codices to survive from 1212:

Conservation and restoration are practices intended to repair damage to an existing book. While they share methods, their goals differ. The goal of conservation is to slow the book's decay and restore it to a usable state while altering its physical properties as little as possible. Conservation

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refers to a binding method that utilises thermal adhesive tape applied to the base of a document. A tape binding machine, such as the PLANAX COPY Binder or Powis Parker Fastback system, is then typically used to complete the binding process and to activate the thermal adhesive on the glue strip.

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Western books from the fifth century onwards were bound between hard covers, with pages made from parchment folded and sewn onto strong cords or ligaments that were attached to wooden boards and covered with leather. Since early books were exclusively handwritten on handmade materials, sizes and

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Double-fan adhesive binding starts off with a stack of loose pages, which is run over a roller, "fanning" the pages, to apply a thin layer of glue to each page edge. Then the pages are perfectly aligned to form a text block, and the glued edges of the text block are attached to a piece of cloth

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In China (only areas using Traditional Chinese), Japan, and Taiwan, literary books are written top-to-bottom, right-to-left, and thus are bound on the right, while textbooks are written left-to-right, top-to-bottom, and thus are bound on the left. In mainland China the direction of writing and

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is a type of binding that is used for books that will be viewed or read in an office or home type environment. The binding involves the use of a C-shaped wire spine that is squeezed into a round shape using a wire closing device. Double wire binding allows books to have smooth crossover and is

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The spine of the book is an important aspect in book design, especially in cover design. When the books are stacked up or stored in a shelf, what is on the spine is the only visible information about the book. In a bookstore, the details on the spine are what initially attract attention.

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Some books that appeared in the mid-20th century signature-bound appear in reprinted editions in glued-together editions. Copies of such books stitched together in their original format are often difficult to find and are much sought after for both aesthetic and practical reasons.

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Typically, the first step in saving and preserving a book is its deconstruction. The text pages need to be separated from the covers and, if necessary, the stitching removed. This is done as delicately as possible. All page restoration is done at this point, be it the removal of

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the spine text, when the book is standing upright, runs from the bottom up, so the title can be read by tilting the head to the left. This allows the reader to read spines of books shelved in alphabetical order in accordance to the usual way: left-to-right and top-to-bottom.

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The sections are then hand-sewn in the style of its period, back into book form, or the original sewing is strengthened with new lining on the text-spine. New hinges must be accounted for in either case both with text-spine lining and some sort of end-sheet restoration.

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In either case, one of the modern standards for conservation and restoration is "reversibility". That is, any repair should be done in such a way that it can be undone if and when a better technique is developed in the future. Bookbinders echo the physician's creed,

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In the German book-distribution system of the late 18th and early 19th centuries, the end-user buyers of books "generally made separate arrangements with either the publisher or a bookbinder to have printed sheets bound according to their wishes and their budget".

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Bookbinding is a skilled trade that requires measuring, cutting, and gluing. A finished book requires many steps to complete. This is usually determined by the materials needed and the layout of the book. Bookbinding combines skills from the trades of

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Spiral coil binding uses a number of different hole patterns for binding documents. The most common hole pattern used is 4:1 pitch (4 holes per inch). However, spiral coil spines are also available for use with 3:1 pitch, 5:1 pitch and 0.400-hole

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relief panels or enamel elements. Very few of these have survived intact, as they have been broken up for their precious materials, but a fair number of the ivory panels have survived, as they were hard to recycle; the divided panels from the

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are more sturdily made, with traditional gatherings or sections of bifolios, usually larger, and more expensive. The difference between the two can usually easily be seen by looking for the sections in the top or bottom sides of the

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in Egypt, Eric Turner seems to challenge Skeat's notion when stating "its mere existence is evidence that this book form had a prehistory" and that "early experiments with this book form may well have taken place outside of Egypt".

291:, "to fasten"—appeared when the text of the individual testaments of the Bible were combined and text had to be searched through more quickly. This book format became the preferred way of preserving manuscript or printed material. 148:

The book was not needed in ancient times, as many early Greek texts—scrolls—were 30 pages long, which were customarily folded accordion-fashion to fit into the hand. Roman works were often longer, running to hundreds of pages. The

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were always more common. Although the arrival of the printed book vastly increased the number of books produced in Europe, it did not in itself change the various styles of binding used, except that vellum became much less used.

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certification, though no such certification exists in the United States. MFA programs that specialize in the 'Book Arts' (hand papermaking, printmaking and bookbinding) are available through certain colleges and universities.

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affordable in many colors. This binding is great for annual reports, owners' manuals and software manuals. Wire bound books are made of individual sheets, each punched with a line of round or square holes on the binding edge.

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Modern bookbinding by hand can be seen as two closely allied fields: the creation of new bindings, and the repair of existing bindings. Bookbinders are often active in both fields. Bookbinders can learn the craft through

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and diameters. The supplies themselves can be re-used or recycled. In the United States, comb binding is often referred to as 19-ring binding because it uses a total of 19 holes along the 11-inch side of a sheet of paper.

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combs, but they last for a shorter time. Next, one encloses the bound stack of paper in a cover. Finally, one places an attractive cover onto the boards, and features the publisher's information and artistic decorations.

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When creating new work, modern hand binders often work on commission, creating bindings for specific books or collections. Books can be bound in many different materials. Some of the more common materials for covers are

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reminds us, most newly published books were sold with customised or temporary bindings. There are various commercial techniques in use today. Today, most commercially produced books belong to one of four categories:

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lining to form the spine. Double-fan adhesive bound books can open completely flat and have a wide margin. However, certain types of paper do not hold adhesive well, and, with wear and tear, the pages can come loose.

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Sewing through the fold (also called Smyth Sewing), where the signatures of the book are folded and stitched through the fold, has been called the "gold standard" for binding. The signatures are then sewn and

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formats were often hinged together along one edge, analogous to the spine of modern books, as well as a folding concertina format. Such a set of simple wooden boards sewn together was called by the Romans a

3416:– A rich set of tools, ranging in age from 60 years old to 100 years old, used by the first independent craft binder to set up shop in Vancouver, British Columbia, from the UBC Library Digital Collections 1139:, a flat, tapered, polished piece of bone used to crease paper and apply pressure. Additional tools common to hand bookbinding include a variety of knives and hammers, as well as brass tools used during 2210: 1562:, the pages are aligned, cut, and glued with a strong and flexible layer that holds the book together. In a paperback book, the visible portion of the spine is part of the flexible layer. 848:

are generally sewn through punched holes or sawed notches along the fold, some Asian bindings, such as the Retchoso or Butterfly Stitch of Japan, use small slits instead of punched holes.

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publications. Though many publishers have started to provide "library binding" editions, many libraries elect to purchase paperbacks and have them rebound in hard covers for longer life.

833:". The textblock is then attached to the cover or "case" which is made of cardboard covered with paper, cloth, vinyl or leather. This is also known as cloth binding, or edition binding. 1558:

Regardless of whether a book is bound with a hardcover or bound with a paperback cover, the binding of the signatures determines the durability of the book-as-artefact. In the case of

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book: (i) how to bind the paper sheets into a book block; (ii) how to cover and protect the bound pages; and (iii) how to label and decorate the book covers that protect the pages.

1163:). Those bindings that are made with exceptionally high craftsmanship, and that are made of particularly high-quality materials (especially full leather bindings), are known as 1612:

on their spines; rather they were shelved flat with their spines inward, and titles written with ink along their fore edges. Modern books display their titles on their spines.

620:, a prominent centre of the German book-trade, in 1739 had 20 bookshops, 15 printing establishments, 22 book-binders and three type-foundries in a population of 28,000 people. 4139: 2180: 1099:; by attending specialized trade schools; by taking classes in the course of university studies, or by a combination of those methods. Some European countries offer a 634:, enabling missionaries to take portable books with them around the world, and modern wood glues enabled the addition of paperback covers to simple glue bindings. 167:

scrolls, editions of first five books of the Old Testament, known as the Israelite (or Hebrew) Bible, were—and still are—also held in special holders when read.

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However, some users also refer to tape binding as the process of adding a colored tape to the edge of a mechanically fastened (stapled or stitched) document.

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is a publication that resembles a hardbound book, despite being a paperback with a hard cover. Many books sold as hardcover are actually of this type; the

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size), cheaply made with each sheet fully cut and glued at the spine; these are likely to fall apart or lose sheets after much handling or several years.

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covers with cloth covering only the spine. In that case, the cover has a paper overlap. The covers of modern hardback books are made of thick cardboard.

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elegant leather bindings. As the century progressed, fine quality mass produced covers emerged, often with bright colours and textures, introduced by

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The preparation of the "foundations" of the book could mean the difference between a beautiful work of art and a useless stack of paper and leather.

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bound together. When the book is opened in the middle of a signature, the binding threads are visible. Signatures of hardcover books are typically

510:– 121 AD) introduced the first significant improvement and standardization of papermaking by adding essential new materials into its composition. 2326: 2315: 2202: 627:

The reduced cost of books facilitated cheap lightweight Bibles, made from tissue-thin oxford paper, with floppy covers, that resembled the early

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is constructed in the same way as a hardbound book, except that it lacks the hard covers. The binding is as durable as that of a hardbound book.

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Erlin, Matt (2010). "How to Think about Luxury Editions in Late Eighteenth- & Early Nineteenth-Century Germany". In Tatlock, Lynne (ed.).

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Materials such as Japanese tissues of various weights may be used. Colors may be matched using acrylic paints or simple colored pencils.

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Modern Bookbinding: A Treatise Covering Both Letterpress and Stationery Branches of the Trade, with a Section on Finishing and Design

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Case binding is the most common type of hardcover binding for books. The pages are arranged in signatures and glued together into a "

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retain the binding on the right, which allows the art, laid out to be read right-to-left, to be published without mirror-imaging it.

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also refer to the size of the finished book, based on the sheet size that a paper maker could produce with a manual printing press:

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volume (sixteen-page signature) is typically 5 to 6 in (13 to 15 cm) by 8 to 9 in (20 to 23 cm), the size of a

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volume (eight-page signature) is typically 9 by 12 in (23 by 30 cm), about the size of a modern magazine. A sheet folded

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being wound through a number of holes punched along the spine of the book, providing a hinge with a greater degree of flexibility.

856: 4914: 4125: 3387: 2791: 2765: 2713: 2687: 2612: 2499: 696: 524: 229:, meaning "the trunk" of a tree, around the first century AD. Two ancient polyptychs, a pentaptych and octoptych, excavated at 2591: 1108:

range of techniques, from minimally invasive conservation of a historic book to the full restoration and rebinding of a text.

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Luxury medieval books for the library had leather covers decorated, often all over, with tooling (incised lines or patterns),

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dynasties (1644–1912), and finally the adoption of Western-style bookbinding in the 20th century (coupled with the European

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Eloquent witnesses: bookbindings and their history ; a volume of essays dedicated to the memory of Dr Phiroze Randeria

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series is an example. This type of document is usually bound with thermal adhesive glue using a perfect-binding machine.

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A variation of the hardcover which is more durable is the calf-binding, where the cover is either half or fully clad in

3623: 1906: 1363:. In a finished book, each section is sewn through the fold. The number of bifolia determine the name of the section: 350:

by the year 300 AD. By the 6th century AD, the scroll and wax tablet had been completely replaced by the codex in the

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side of a leaf faces right when the leaf is held upright from the spine (usually an even-numbered page in a book).

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side of a leaf faces left when the leaf is held upright from the spine (usually an odd-numbered page in a book).

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realized that personal books would need to fit in saddle bags and thus produced books in the smaller formats of

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Islamic bookcover features a with a flap on the back cover that encloses the front when the book is closed.

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Science and Civilization in China: Volume 5: Chemistry and Chemical Technology, Part 1: Paper and Printing

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Pugliese Carratelli, Giovanni (1950). "L'Instrumentum Scriptorium nei Monumenti Pompeiani ed Ercolanesi".

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book. The other three sides are then face trimmed, allowing the magazine or paperback book to be opened.

571:). The initial phase of this evolution, the accordion-folded palm-leaf-style book, most likely came from 253:. Martial used the term with reference to gifts of literature exchanged by Romans during the festival of 4633: 4181: 4023: 3872: 3401: 1821: 1739: 1413: 1347: 948: 768: 4171: 2312: 1525:

will have folds at the spine and at the top, which must be trimmed before the leaves can be turned. A

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volume is typically 15 in (38 cm) or more in height, the largest book of regular dimensions.

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Foot, Mirjam M. (2022)."Who Planted the Trees? Pioneers in the development of Bookbinding History."

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methods have been developed in the course of taking care of large collections of books. The term

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ABC of bookbinding: a unique glossary with over 700 illustrations for collectors and librarians

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Publishing Culture and the "Reading Nation": German Book History in the Long Nineteenth Century

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binding for all books was changed to be like left to right languages in the mid-20th century.

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and backed spine, laced-in boards, sewn headbands, decorative end sheets, leather cover etc."

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Hand bookbinders use a variety of specialized hand tools, the most emblematic of which is the

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Middleton, B.C. 1963 "A History of English Craft Bookbinding Technique" New York & London

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Klepikov, S.A. (1961). "Russian Bookbinding from the 11th to the Middle of the 17th Century.

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in Egypt. Consisting of primarily Gnostic texts in Coptic, the books were mostly written on

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Leslie, W. (2016). "Bridging the Gap: Artist's Book and Design Bindings by Karen Hanmer".

2595: 2584: 2573: 2562: 2543: 2528: 2464: 2379: 2330: 2319: 1781: 1714: 1546: 1461: 798: 532: 416: 381: 190: 91: 4564: 3424: 1291:

It is usually harder to restore leather books because of the fragility of the materials.

761:(a single sheet folded three times), though they may also be folio, quarto, or 16mo (see 2735: 2344: 825:

There are a number of methods used to bind hardcover books. Those still in use include:

5044: 4965: 4725: 4618: 4166: 3948: 3852: 3847: 3809: 3690: 3168:

Japanese Bookbinding: Instructions from a Master Craftsman / adapted by Barbara Stephan

2962: 1810: 1724: 1631: 1541: 1422: 1280: 1096: 981: 691: 646: 599: 591: 576: 564: 517: 410: 406: 327: 108: 3384: 2863: 2476:

Parisi, Paul (February 1994). "Methods of Affixing Leaves: Options and Implications".

1342:

is a single sheet of paper folded in half to make two leaves; the plural is "bifolia".

456: 5109: 5064: 4975: 4856: 4841: 4374: 4294: 3786: 3371:

Online exhibit of publishers' bookbinding, 1830–1910 from the University of Rochester

3265: 3015: 2787: 2761: 2709: 2683: 2608: 2495: 1754: 1661: 1627: 792: 758: 351: 150: 3159:

Harrop, Dorothy J. 1975. "Craft Binders at Work V: H. J. Desmond Yardley, 1905-72."

2588: 439:

over boards, and had a brief title hand-written on the spine. Techniques for fixing

5032: 4970: 4950: 4866: 4750: 4720: 4682: 4677: 4628: 4581: 4569: 4529: 4389: 4366: 4284: 4256: 4225: 4008: 3857: 1805: 1744: 905: 891: 881: 583: 560: 556: 552: 548: 544: 513: 331: 243: 233:

employed a unique connecting system that presages later sewing on thongs or cords.

3282:

Romme, Mirjam M. (1969). "The Henry Davis Collection I: The British Museum Gift."

4310: 3069: 3048: 3027: 2993: 2948: 2245: 163:

was a massive 200 pages long and was used in funerary services for the deceased.

5059: 5022: 5017: 4909: 4826: 4783: 4765: 4755: 4697: 4667: 4652: 4623: 4539: 4464: 4434: 4379: 4251: 4241: 4220: 4106: 4096: 4033: 3958: 3917: 3819: 3766: 3710: 3643: 3638: 3583: 3575: 1639: 1535: 1276: 1048: 701: 668: 587: 496: 492: 432: 339: 323: 278: 266: 258: 230: 1453:(also 4to. and 4º) is twice folded in half at right angles to make four leaves. 1184:

Hardbound book with half leather binding (spine and corners) and marbled boards

5094: 4803: 4778: 4745: 4657: 4549: 4544: 4491: 4481: 4469: 4454: 4439: 4424: 4394: 4345: 4068: 4049: 3988: 3862: 3842: 3827: 3741: 3695: 3611: 3588: 3435: 1854: 1844: 1839: 1241: 1235:

Rebacking saving original spine, showing one volume finished and one untouched

1136: 1066: 1022: 1014: 710: 420:

Sammelband of three alchemical treatises, bound in Strasbourg by Samuel Emmel

343: 254: 207: 130: 75: 2521: 2250:. Studies in German Literature Linguistics and Culture Series. Vol. 76. 1248:

that sometimes are limited to a small handful of remaining copies worldwide.

236:

At the turn of the first century, a kind of folded parchment notebook called

5089: 5079: 5054: 4960: 4904: 4899: 4889: 4831: 4818: 4798: 4788: 4740: 4715: 4710: 4687: 4643: 4606: 4559: 4444: 4429: 4187: 4054: 3966: 3925: 3781: 3771: 3628: 3447: 3303:

Tomlinson, W and Master, R (1996 "Bookcloth 1823-1980", Stockport, Cheshire

3270:

Binding design and paper conservation of antique books, albums and documents

1734: 1465: 1127: 1061: 958: 953: 933: 861: 814: 802: 762: 750: 440: 385: 299: 215: 138: 17: 39: 4117: 3353:

digital collection, Thomas Fisher Rare Book Library, University of Toronto

3325:

Books, Boxes and Portfolios: Binding Construction, and Design Step-by-Step

2831: 2287: 1616:

differ about the direction in which the title along the spine is rotated:

1208:

Conservation and restoration of books, manuscripts, documents and ephemera

1196:

Cloth book cover with attached paper panel, mimicking half leather binding

5007: 5002: 4985: 4945: 4919: 4735: 4730: 4705: 4672: 4601: 4496: 4449: 4409: 4279: 4101: 4028: 4003: 3993: 3981: 3976: 3902: 3882: 3801: 3715: 3375: 2896: 1834: 1029: 1009: 937: 898: 844: 540: 184: 145:, referring to the beechwood on which early written works were recorded. 83: 3126:. (Originally published by Rinehart & Company, 1946 in two volumes.) 1901: 5039: 4894: 4874: 4793: 4773: 4596: 4586: 4554: 4511: 4506: 4501: 4384: 4195: 4076: 4018: 3998: 3887: 3776: 3761: 3685: 3658: 3616: 2662:. New Castle (Del.) Nottingham (GB): Oak Knoll press The Plough press. 2555: 1800: 1160: 1148: 970: 806: 788: 617: 500: 335: 315: 285:, in modern Lebanon. The idea of numbering each side of the page—Latin 270: 250: 211: 134: 2456:

Joshua P. Hochschild, Publishers' Bind, First Things (November 2020),

1930:

Pompeiana: raccolta di studi per il secondo centenario degli di Pompei

1677: 1533:

might require trimming of the other two edges. Moreover, books with a

5027: 4851: 4476: 4459: 3705: 2891: 1828: 1457: 1446: 1253: 628: 610: 604: 436: 347: 319: 282: 154: 126: 90:

and binding deals with books planned to be read. This comprises: the

79: 2498:. Stanford University Libraries and Academic Information Resources. 1507:(also 16mo. and 16º) is folded in half four times to make 16 leaves. 1043: 969:

The paper is placed in the cover, heated in a machine (resembling a

925:

Some of the different types of thermally activated binding include:

697:

Traditional Chinese and Korean bookbinding and Japanese stab binding

86:, manifold books, day books, diaries, and portfolios. The second is 1231: 4576: 4521: 4419: 3402:

University of Iowa Libraries Bookbinding Models Digital Collection

3365: 2129: 2127: 1676: 1593: 1578: 1521:

separates the leaves of the bound book into pages. A sheet folded

1472:(also 8vo. and 8º) is folded in half three times to make 8 leaves. 1404: 1329: 1320: 1258: 1230: 1156: 1152: 1126: 1118: 1042: 1021:, joins a set of nested folios into a single magazine issue; most 910: 855: 765:). Unusually large and heavy books are sometimes bound with wire. 740: 631: 572: 512: 415: 393: 365:

Decorative binding with figurehead of the 12th century manuscript

360: 311: 298: 220: 178: 164: 104: 67: 63: 46: 38: 3539: 3133:. London: The Bibliographical Society, The British Library, 2004. 4997: 4955: 4808: 4414: 4399: 3720: 2421:. New York & London: Hafner Publishing Company. p. 346. 488: 59: 4314: 4121: 3732: 3548: 1315:, thus "folio 5r" means "On the recto of the leaf numbered 5": 745:

Book conservators at the State Library of New South Wales, 1943

141:. The modern English word "book" comes from the Proto-Germanic 125:

Writers in the Hellenistic-Roman culture wrote longer texts as

3544: 3396: 2566: 1974:. Philadelphia: University of Pennsylvania Press. p. 38. 1475:

A sextodecimo volume (thirty-two-page signature) is typically

909:

though all are produced through the basic principle of a wire

451: 3425:

UNCG Digital Collections: American Publishers' Trade Bindings

3251:

Pearson, David. 2020. "Bookbinding History and Sacred Cows."

1263:

Example of blind tooling a book binding with exquisite detail

3366:

Several free books on Bookbinding, Gilding, Box construction

795:. This is also called full-bound or, simply, leather bound. 2458:

https://www.firstthings.com/article/2020/11/publishers-bind

3420:

Dutch art nouveau and art deco bookbindings on Anno1900.nl

2436:. Stockport, Cheshire: Dorothy Tomlinson. pp. 1–143. 405:

were given a new gold relief cover in about 1500, and the

242:

in Latin, became commonly used for writing throughout the

3350:

Great and Manifold: A Celebration of the Bible in English

74:

The trade of binding books is in two parts: the first is

2382:" at My Handbound Books – Bookbinding Blog, 19 June 2011 107:, textile and leather-working crafts, model making, and 94:

fine binding, edition binding and publisher's bindings.

3397:

Publishers Bindings Online, 1815–1930: The Art of Books

2536: 2396:. Stockport, Cheshire: Dorothy Tomlinson. p. vii. 1539:(uncut) are untrimmed and usually are special interest 1408:

is a series of quires sewn and bound through the folds.

1112:

bind, but often an existing commercially bound book is

547:(618–907), improved by the 'butterfly' bindings of the 468: 413:, New York) have their original cover from around 800. 334:

during the 1st century AD. First described by the poet

3429: 2577: 527:

replaced traditional Chinese writing supports such as

342:, it largely replaced earlier writing mediums such as 210:

were commonly used in Antiquity as a writing surface.

2496:"A Dictionary of Descriptive Terminology: self-cover" 1953: 1951: 1034:

perfect binding and use thermally activated adhesive.

427:, showing metal clasps and leather covering of boards 3313:

Waller, Ainslie C. "The Guild of Women-Binders", in

3026:

Skeat, Theodore Cressy (2004). Elliot, J. K. (ed.).

2343:

Cyril James, Humphries Davenport (23 January 2006).

2322:

library exhibition "Islamic Books and Bookbinding";

2050:. New Castle, DE: Oak Knoll Press. pp. 79–117. 598:

In the early sixteenth century, the Italian printer

4928: 4865: 4817: 4764: 4696: 4520: 4365: 4272: 4234: 4153: 4042: 3957: 3916: 3818: 3800: 3740: 3582: 2813:

ANSI/NISO Z39.41-1997 Printed Information on Spines

1831: – Japanese historic precursor to modern books 1359:if unprinted) is a group of bifolia organized as a 1143:(as seen in the lead photograph for this article). 376:The earliest surviving European bookbinding is the 3014: 2862: 2762:"Etherington & Roberts. Dictionary—sexternion" 520:book board from a book published in London in 1872 3291:Non-adhesive Binding: Books Without Paste or Glue 2788:"Etherington & Roberts. Dictionary—signature" 2274:bound according to their wishes and their budget. 535:and paper scrolls. The evolution of the codex in 30:"Bookbinder" redirects here. For other uses, see 3345:Fine Printing & Binding of the English Bible 2419:A History of English Craft Bookbinding Technique 1598:Three books with different titling orientations: 3245:. (Originally published by B.T. Batsford, 1952) 3179: 2710:"Etherington & Roberts. Dictionary—section" 3458:. Vol. IV (9th ed.). pp. 41–44. 3186: 3029:The Collected Biblical Writings of T. C. Skeat 2932:. Vancouver, BC: David & Charles Limited. 2930:The Craft of Bookbinding: A Practical Handbook 2609:"Etherington & Roberts. Dictionary—folder" 642:The history of book-binding methods features: 4326: 4133: 3560: 2684:"Etherington & Roberts. Dictionary—quire" 2432:Tomlinson, William; Masters, Richard (1996). 2373:Secret Belgian Binding — not a secret anymore 2173:"A brief history of shelving, and other news" 776:, which dominated bookbinding for a century. 187:containing about ten codices depicted in the 8: 2834:Spine titles on books and other publications 2288:"Historic Cut-away Binding Structure Models" 2133: 2118: 2106: 1942: 805:binding of books intended for the rigors of 719:(or "crisscross binding"), invented in 1986. 551:(960–1279), the wrapped back binding of the 401:are among the most notable. The 8th century 392:, often studded with gems and incorporating 133:, while important documents were written on 4059: 3378:, by Cyril James Humphries Davenport, from 3200:. New York: Charles Scribner's Sons, 1978. 2535:, The London College of Communication, and 1999:. London: British Academy. pp. 15–22. 1220:interested in improving their collections. 366: 286: 237: 224: 188: 4333: 4319: 4311: 4140: 4126: 4118: 3567: 3553: 3545: 649:: a method of sewing leaves/pages together 380:of about 700, in red goatskin, now in the 3116:Bookbinding: Its Background and Technique 1397:) — six bifolia, producing twelve leaves. 882:Double wire, twin loop, or Wire-O binding 754: 555:(1271–1368), the stitched binding of the 3385:British Library Database of Bookbindings 3357:Book bindings through the ages on Flickr 3293:. Fairport, NY: Sigma Foundation, 1992. 3212:The Practical Guide to Craft Bookbinding 2992:Roberts, Colin H.; Skeat, T. C. (1987). 2231: 1887: 1857: – Japanese traditional bookbinding 265:Early intact codices were discovered at 3430:BBinding project, resources and manuals 2578:– Nova Scotia College of Art and Design 2094: 2082: 2070: 2029:, New York & Oxford, 1991, p. 473. 1875: 1868: 1381:— four bifolia, producing eight leaves; 1174: 543:in the 9th century AD, during the late 3237:. New York: Dover Publications, 1957. 3118:. New York: Dover Publications, 1980. 3102:Bookbinding: A Guide to the Literature 2589:University of the Arts in Philadelphia 1375:— three bifolia, producing six leaves; 491:paper had existed in China during the 2953:. H.M. Stationery Office – via 2653: 2651: 2649: 2183:from the original on 13 February 2017 2171:Piepenbring, Dan (12 November 2015). 1957: 1626:In texts published or printed in the 1387:— five bifolia, producing ten leaves; 1369:— two bifolia, producing four leaves; 1025:are well-known examples of this type. 7: 3493:Bookbinding: Its Processes and Ideal 3071:Geschichte des deutschen Buchhandels 2742:from the original on 3 February 2009 2615:from the original on 9 November 2011 1995:Roberts, Colin H; Skeat, TC (1983). 586:manufacturing in Europe in the late 582:With the arrival (from the East) of 577:Buddhist missionaries and scriptures 569:traditional Chinese printing methods 314:-style book, using sheets of either 3414:Dorothy Burnett's bookbinding tools 3214:. London: Thames and Hudson, 1985. 3149:. New York: Van Nostrand Reinhold, 2890:Drösser, Christoph (9 April 2011). 2794:from the original on 11 August 2011 2213:from the original on 9 October 2016 1816:Bookbindings in the British Library 1131:Traditionally sewn book opened flat 2842:from the original on 31 March 2022 2022:The Oxford Dictionary of Byzantium 1825:– a book bound in human skin 1299:In U.S. publishing the terms are: 223:(pl. codices)—from the Latin word 25: 3525:"Bookbinding and Book Collecting" 3104:. Westport, CT: Greenwood, 1982. 2904:from the original on 7 April 2022 2790:. US Government Printing Office. 2768:from the original on 18 July 2011 2764:. US Government Printing Office. 2716:from the original on 18 July 2011 2712:. US Government Printing Office. 2690:from the original on 18 July 2011 2686:. US Government Printing Office. 2611:. US Government Printing Office. 2502:from the original on 16 June 2012 2394:Foreword to "Bookcloth 1823-1980" 2353:from the original on 27 July 2020 2294:from the original on 27 June 2015 774:Archibald Winterbottom & Sons 159:, meaning "to cut". The Egyptian 66:format, from an ordered stack of 4915:Bronze and brass ornamental work 3731: 3506:Davenport, Cyril J. H. (1911). " 3434: 3376:English Embroidered Bookbindings 3327:. New York: Design Press, 1990. 3076:History of the German Book Trade 2738:. National Diet Library, Japan. 2346:English Embroidered Bookbindings 1189: 1177: 575:and was introduced to China via 455: 43:A traditional bookbinder at work 3260:English Blind-Stamped Bindings. 3170:. New York: Weatherhill, 1986. 2151:Boundless Books and Writingware 1972:The Typology of the Early Codex 3317:Autumn 1983, published by the 3268:, Licheva, Elitsa and others, 2537:The North Bennet Street School 2533:The Camberwell College of Arts 2417:Middleton, Bernard C. (1963). 1123:Hardbound book spine stitching 674:Calf binding ("leather-bound") 322:(before the spread of Chinese 1: 3319:Private Libraries Association 3129:Foot, Mirjam Michaela (ed.). 3078:] (in German). C.H.Beck. 951:(pulp paperbacks) are small ( 608:(one-quarter-size pages) and 525:Bookbinding in medieval China 504: 421: 196: 58:is the process of building a 3262:Cambridge: University Press. 1417:contains the text. Although 1202:Conservation and restoration 495:period (202 BC – 9 AD), the 273:, and while many are single- 246:. This term was used by the 155: 27:Process of assembling a book 4262:List of proofreader's marks 3624:Canons of page construction 3540:American Bookbinding Museum 3462:Joseph William Zaehnsdorf, 3272:, (BBinding), Sofia, 2014. 3180: 3178:. (Originally published as 3100:Brenni, Vito J., compiler. 3068:Wittmann, Reinhard (2011). 2736:"Printing and Book Designs" 2392:Middleton, Bernard (1995). 1907:Online Etymology Dictionary 1621:Top-to-bottom (descending): 936:books. It is also used for 921:Thermally activated binding 728:For several hundred years, 206:In addition to the scroll, 32:Bookbinder (disambiguation) 5172: 3533:Metropolitan Museum of Art 3361:National Library of Sweden 3163:24 (no 2) Summer: 245-250. 3142:71 no.3 (Autumn): 417–424. 2975:Cambridge University Press 2955:Victoria and Albert Museum 1693: 1651:Bottom-to-top (ascending): 1205: 29: 4352: 3752:Anthropodermic bibliopegy 3729: 3187: 3047:Vaughan, Alex J. (1950). 2947:Harthan, John P. (1950). 2865:The Book on the Bookshelf 2658:Greenfield, Jane (2002). 2046:Greenfield, Jane (2002). 1681:Modern book spine designs 1608:Early books did not have 724:Modern commercial binding 707:Anthropodermic bibliopegy 614:(one-eighth-size pages). 403:Vienna Coronation Gospels 4092:Intentionally blank page 3390:26 February 2015 at the 3286:18 no 1 (spring): 23–44. 3258:Oldham, J. Basil, 1952. 2861:Petroski, Henry (1999). 2818:14 November 2008 at the 2636:Journal of Artists Books 2594:21 November 2007 at the 2572:12 December 2007 at the 2556:Columbia College Chicago 2463:13 November 2020 at the 2333:from the Brooklyn Museum 2134:Needham & Tsien 1985 2119:Needham & Tsien 1985 2107:Needham & Tsien 1985 1943:Roberts & Skeat 1987 1284:any particular project. 996:Stitched or sewn binding 51:Bookbinder's type holder 5050:Painting in Hälsingland 4148:Book publishing process 3513:Encyclopædia Britannica 3498:Popular Science Monthly 3489:Cobden-Sanderson, T. J. 3455:Encyclopædia Britannica 3407:12 January 2009 at the 3230:10 4 (autumn): 408–422. 3017:Introducing Bookbinding 3013:Robinson, Ivor (1968). 2998:. OUP/British Academy. 2583:5 February 2009 at the 2290:. Book Arts Web. 2013. 2027:Oxford University Press 873:Different types of the 658:Long-stitch bookbinding 539:began with folded-leaf 529:bamboo and wooden slips 487:Although early, coarse 330:), was invented in the 4060: 3481:Arts and Crafts Essays 3472:T. J. Cobden-Sanderson 3465:The Art of Bookbinding 3147:Simplified Bookbinding 2995:The Birth of the Codex 2928:Burdett, Eric (1975). 2892:"Linksdrehende Bücher" 2527:26 August 2009 at the 2329:6 January 2017 at the 2318:6 January 2017 at the 2147:"The Book on Two Legs" 1997:The Birth of the Codex 1710:Archibald Winterbottom 1702:Guild of Women-Binders 1682: 1605: 1303:In a finished book, a 1264: 1236: 1132: 1124: 1091: 949:Mass-market paperbacks 865: 746: 717:Secret Belgian binding 709:(rare) bookbinding in 680:In-board cloth binding 521: 428: 399:Codex Aureus of Lorsch 373: 367: 307: 303:9th-century Qur'an in 287: 238: 225: 203: 189: 52: 44: 4182:intellectual property 3439:Texts on Wikisource: 3198:Manual of Bookbinding 2567:University of Alabama 2285:See some examples at 1970:Turner, Eric (1977). 1822:Destinies of the Soul 1740:Jane Bissell Grabhorn 1694:Further information: 1680: 1597: 1577:Many translations of 1262: 1234: 1130: 1122: 1046: 859: 744: 638:Forms of book binding 516: 499:Chinese court eunuch 448:Introduction of paper 419: 364: 302: 182: 50: 42: 5070:Pressed flower craft 4211:Developmental editor 4206:Commissioning editor 4178:Contract negotiation 2522:Centro del bel Libro 2378:15 July 2015 at the 2207:www.encyclopedia.com 1750:Carolyn Price Horton 1696:Category:Bookbinders 1602:(middle) descending 1579:Japanese comic books 1466:trade paperback book 1295:Terms and techniques 809:use and are largely 665:Wooden-board binding 239:pugillares membranei 88:letterpress printing 5141:Egyptian inventions 4487:Spinning (textiles) 4405:Friendship bracelet 4190:rates, format, etc. 3529:Digital Collections 3449:"Bookbinding" 3315:The Private Library 3210:Johnson, Arthur W. 3196:Johnson, Arthur W. 3181:Hon no tsukuriikata 2869:. Alfred A. Knopf. 2561:12 May 2009 at the 2542:16 May 2008 at the 2434:Bookcloth 1823-1980 2136:, pp. 227–229. 1932:. pp. 166–178. 1850:Swell (bookbinding) 1777:Gligorije Vozarević 1772:Polly Lada-Mocarski 1039:Modern hand binding 943:National Geographic 687:Embroidered binding 683:Cased cloth binding 590:and the use of the 121:Origins of the book 4172:Publisher's reader 4087:Fore-edge painting 4082:Extra-illustration 3523:Museum Libraries. 3284:The Book Collector 3227:The Book Collector 3161:The Book Collector 3139:The Book Collector 2967:Tsien, Tsuen-Hsuin 2324:spread out example 2254:. pp. 25–54. 2048:ABC of Bookbinding 1683: 1658:continental Europe 1606: 1265: 1237: 1133: 1125: 1092: 932:is often used for 866: 769:Archibald Leighton 747: 677:Paper case binding 522: 467:. You can help by 429: 378:St Cuthbert Gospel 374: 308: 305:Reza Abbasi Museum 204: 175:Early book formats 153:word for book was 53: 45: 5103: 5102: 4993:Hardstone carving 4941:Balloon modelling 4455:Ribbon embroidery 4308: 4307: 4115: 4114: 3994:Addendum/Appendix 3878:Table of contents 3380:Project Gutenberg 3278:978-954-92311-8-2 3235:Basic Bookbinding 3166:Ikegami, Kojiro. 3085:978-3-406-61760-7 3060:978-0-7090-5820-5 3005:978-0-19-726061-6 2669:978-1-884718-41-0 2478:New Library Scene 2109:, pp. 38–41. 1945:, pp. 15–22. 1900:Harper, Douglas. 1787:Joseph Zaehnsdorf 1730:Douglas Cockerell 1600:(left) ascending 1554:Paperback binding 1468:. A sheet folded 1226:First, do no harm 1101:Master Bookbinder 1080:Right page, recto 1047:Scheme of common 978:cardboard article 877:binding include: 791:, usually from a 737:Hardcover binding 730:Bernard Middleton 653:Ethiopian binding 485: 484: 390:treasure bindings 369:Liber Landavensis 16:(Redirected from 5163: 5156:Print production 5075:Qing handicrafts 4880:Chemical milling 4335: 4328: 4321: 4312: 4142: 4135: 4128: 4119: 4063: 3792:Treasure binding 3735: 3569: 3562: 3555: 3546: 3536: 3517: 3516:(11th ed.). 3502: 3459: 3451: 3438: 3289:Smith, Keith A. 3255:21 (4): 498–517. 3192: 3190: 3189: 3183: 3089: 3064: 3043: 3022: 3020: 3009: 2988: 2958: 2943: 2914: 2913: 2911: 2909: 2887: 2881: 2880: 2868: 2858: 2852: 2851: 2849: 2847: 2828: 2822: 2810: 2804: 2803: 2801: 2799: 2784: 2778: 2777: 2775: 2773: 2758: 2752: 2751: 2749: 2747: 2732: 2726: 2725: 2723: 2721: 2706: 2700: 2699: 2697: 2695: 2680: 2674: 2673: 2655: 2644: 2643: 2631: 2625: 2624: 2622: 2620: 2605: 2599: 2552: 2546: 2518: 2512: 2511: 2509: 2507: 2492: 2486: 2485: 2473: 2467: 2454: 2448: 2447: 2429: 2423: 2422: 2414: 2408: 2407: 2389: 2383: 2371:Miller, Rhonda " 2369: 2363: 2362: 2360: 2358: 2340: 2334: 2310: 2304: 2303: 2301: 2299: 2283: 2277: 2276: 2270: 2268: 2241: 2235: 2229: 2223: 2222: 2220: 2218: 2199: 2193: 2192: 2190: 2188: 2177:The Paris Review 2168: 2162: 2161: 2159: 2157: 2143: 2137: 2131: 2122: 2116: 2110: 2104: 2098: 2097:, pp. 8–11. 2092: 2086: 2080: 2074: 2068: 2062: 2061: 2043: 2037: 2017: 2011: 2010: 1992: 1986: 1985: 1967: 1961: 1955: 1946: 1940: 1934: 1933: 1925: 1919: 1918: 1916: 1914: 1897: 1891: 1885: 1879: 1873: 1768: 1502: 1501: 1497: 1494: 1488: 1487: 1483: 1480: 1193: 1181: 1083:Left page, verso 1019:saddle-stitching 959:Trade paperbacks 559:(1368–1644) and 509: 506: 480: 477: 459: 452: 426: 423: 372: 290: 241: 228: 201: 198: 194: 161:Book of the Dead 158: 21: 5171: 5170: 5166: 5165: 5164: 5162: 5161: 5160: 5131:Book publishing 5106: 5105: 5104: 5099: 5085:Straw marquetry 4924: 4861: 4837:Enamelled glass 4813: 4760: 4692: 4516: 4361: 4348: 4342:Decorative arts 4339: 4309: 4304: 4273:Book production 4268: 4230: 4216:Authors' editor 4201:Literary editor 4149: 4146: 4116: 4111: 4038: 3953: 3949:Tipped-in pages 3912: 3893:Acknowledgments 3814: 3796: 3743: 3736: 3727: 3701:Recto and verso 3587: 3578: 3573: 3522: 3505: 3501:. Vol. 46. 3491:(March 1895). " 3487: 3442: 3409:Wayback Machine 3392:Wayback Machine 3341: 3184: 3097: 3095:Further reading 3092: 3086: 3067: 3061: 3046: 3040: 3025: 3012: 3006: 2991: 2985: 2963:Needham, Joseph 2961: 2946: 2940: 2939:978-071536656-1 2927: 2923: 2918: 2917: 2907: 2905: 2889: 2888: 2884: 2877: 2860: 2859: 2855: 2845: 2843: 2830: 2829: 2825: 2820:Wayback Machine 2811: 2807: 2797: 2795: 2786: 2785: 2781: 2771: 2769: 2760: 2759: 2755: 2745: 2743: 2734: 2733: 2729: 2719: 2717: 2708: 2707: 2703: 2693: 2691: 2682: 2681: 2677: 2670: 2657: 2656: 2647: 2633: 2632: 2628: 2618: 2616: 2607: 2606: 2602: 2596:Wayback Machine 2585:Wayback Machine 2574:Wayback Machine 2563:Wayback Machine 2553: 2549: 2544:Wayback Machine 2529:Wayback Machine 2519: 2515: 2505: 2503: 2494: 2493: 2489: 2475: 2474: 2470: 2465:Wayback Machine 2455: 2451: 2444: 2431: 2430: 2426: 2416: 2415: 2411: 2404: 2391: 2390: 2386: 2380:Wayback Machine 2370: 2366: 2356: 2354: 2342: 2341: 2337: 2331:Wayback Machine 2320:Wayback Machine 2313:Yale University 2311: 2307: 2297: 2295: 2286: 2284: 2280: 2266: 2264: 2262: 2243: 2242: 2238: 2230: 2226: 2216: 2214: 2201: 2200: 2196: 2186: 2184: 2170: 2169: 2165: 2155: 2153: 2145: 2144: 2140: 2132: 2125: 2117: 2113: 2105: 2101: 2093: 2089: 2085:, pp. 8–9. 2081: 2077: 2069: 2065: 2058: 2045: 2044: 2040: 2018: 2014: 2007: 1994: 1993: 1989: 1982: 1969: 1968: 1964: 1956: 1949: 1941: 1937: 1927: 1926: 1922: 1912: 1910: 1899: 1898: 1894: 1886: 1882: 1874: 1870: 1865: 1860: 1796: 1791: 1782:Ignatz Wiemeler 1762: 1720:William Anthony 1715:Katharine Adams 1698: 1692: 1675: 1604:(right) upright 1603: 1601: 1599: 1592: 1573: 1568: 1560:perfect binding 1556: 1547:book collectors 1499: 1495: 1492: 1490: 1485: 1481: 1478: 1476: 1462:digest magazine 1297: 1210: 1204: 1197: 1194: 1185: 1182: 1090: 1089: 1041: 998: 966:Thermal binding 930:Perfect binding 923: 914: 886: 871: 823: 799:Library binding 739: 726: 640: 507: 481: 475: 472: 465:needs expansion 450: 424: 382:British Library 297: 199: 191:Codex Amiatinus 183:Early medieval 177: 123: 118: 100: 92:library binding 35: 28: 23: 22: 15: 12: 11: 5: 5169: 5167: 5159: 5158: 5153: 5148: 5146:Graphic design 5143: 5138: 5133: 5128: 5123: 5118: 5108: 5107: 5101: 5100: 5098: 5097: 5092: 5087: 5082: 5077: 5072: 5067: 5062: 5057: 5052: 5047: 5042: 5037: 5036: 5035: 5025: 5020: 5015: 5013:Leatherworking 5010: 5005: 5000: 4995: 4990: 4989: 4988: 4978: 4973: 4968: 4966:Egg decorating 4963: 4958: 4953: 4948: 4943: 4938: 4932: 4930: 4926: 4925: 4923: 4922: 4917: 4912: 4907: 4902: 4897: 4892: 4887: 4882: 4877: 4871: 4869: 4863: 4862: 4860: 4859: 4854: 4849: 4844: 4839: 4834: 4829: 4823: 4821: 4815: 4814: 4812: 4811: 4806: 4801: 4796: 4791: 4786: 4781: 4776: 4770: 4768: 4762: 4761: 4759: 4758: 4753: 4748: 4743: 4738: 4733: 4728: 4723: 4718: 4713: 4708: 4702: 4700: 4694: 4693: 4691: 4690: 4685: 4680: 4675: 4670: 4665: 4660: 4655: 4649: 4648: 4647: 4646: 4641: 4636: 4626: 4621: 4616: 4611: 4610: 4609: 4604: 4594: 4589: 4584: 4579: 4574: 4573: 4572: 4567: 4562: 4552: 4547: 4542: 4537: 4532: 4526: 4524: 4518: 4517: 4515: 4514: 4509: 4504: 4499: 4494: 4489: 4484: 4479: 4474: 4473: 4472: 4467: 4457: 4452: 4447: 4442: 4437: 4432: 4427: 4422: 4417: 4412: 4407: 4402: 4397: 4392: 4387: 4382: 4377: 4371: 4369: 4363: 4362: 4360: 4359: 4353: 4350: 4349: 4340: 4338: 4337: 4330: 4323: 4315: 4306: 4305: 4303: 4302: 4297: 4292: 4287: 4282: 4276: 4274: 4270: 4269: 4267: 4266: 4265: 4264: 4254: 4249: 4244: 4238: 4236: 4232: 4231: 4229: 4228: 4223: 4218: 4213: 4208: 4203: 4198: 4192: 4191: 4185: 4179: 4175: 4174: 4169: 4167:Literary agent 4164: 4160: 4158: 4151: 4150: 4147: 4145: 4144: 4137: 4130: 4122: 4113: 4112: 4110: 4109: 4104: 4099: 4094: 4089: 4084: 4079: 4074: 4071: 4066: 4065: 4064: 4052: 4046: 4044: 4043:Other elements 4040: 4039: 4037: 4036: 4031: 4026: 4021: 4016: 4011: 4006: 4001: 3996: 3991: 3986: 3985: 3984: 3974: 3969: 3963: 3961: 3955: 3954: 3952: 3951: 3946: 3941: 3938: 3933: 3928: 3922: 3920: 3914: 3913: 3911: 3910: 3908:Printer's mark 3905: 3900: 3895: 3890: 3885: 3880: 3875: 3870: 3865: 3860: 3855: 3853:Imprimi potest 3850: 3848:Edition notice 3845: 3840: 3835: 3834: 3833: 3824: 3822: 3816: 3815: 3813: 3812: 3806: 3804: 3798: 3797: 3795: 3794: 3789: 3784: 3779: 3774: 3769: 3764: 3759: 3754: 3748: 3746: 3738: 3737: 3730: 3728: 3726: 3725: 3724: 3723: 3713: 3708: 3703: 3698: 3693: 3691:Page numbering 3688: 3683: 3678: 3673: 3672: 3671: 3666: 3656: 3651: 3646: 3641: 3636: 3631: 3626: 3621: 3620: 3619: 3614: 3609: 3604: 3593: 3591: 3580: 3579: 3574: 3572: 3571: 3564: 3557: 3549: 3543: 3542: 3537: 3520: 3519: 3518: 3503: 3485: 3469: 3460: 3432: 3427: 3422: 3417: 3411: 3399: 3394: 3382: 3373: 3368: 3363: 3354: 3340: 3339:External links 3337: 3336: 3335: 3323:Zeier, Franz. 3321: 3311: 3301: 3287: 3280: 3266:Petkov, Rossen 3263: 3256: 3249: 3246: 3231: 3222: 3208: 3194: 3164: 3157: 3145:Gross, Henry. 3143: 3134: 3127: 3114:Diehl, Edith. 3112: 3096: 3093: 3091: 3090: 3084: 3065: 3059: 3044: 3038: 3023: 3010: 3004: 2989: 2983: 2959: 2944: 2938: 2924: 2922: 2919: 2916: 2915: 2882: 2875: 2853: 2823: 2805: 2779: 2753: 2727: 2701: 2675: 2668: 2645: 2626: 2600: 2547: 2513: 2487: 2484:(1): 8–11, 15. 2468: 2449: 2442: 2424: 2409: 2402: 2384: 2364: 2335: 2305: 2278: 2260: 2236: 2234:, p. 269. 2224: 2194: 2163: 2138: 2123: 2121:, p. 227. 2111: 2099: 2087: 2075: 2063: 2056: 2038: 2012: 2005: 1987: 1980: 1962: 1947: 1935: 1920: 1892: 1880: 1867: 1866: 1864: 1861: 1859: 1858: 1852: 1847: 1842: 1837: 1832: 1826: 1818: 1813: 1811:Book rebinding 1808: 1803: 1797: 1795: 1792: 1790: 1789: 1784: 1779: 1774: 1769: 1757: 1752: 1747: 1742: 1737: 1732: 1727: 1725:George A. Baer 1722: 1717: 1712: 1706: 1705: 1704: 1691: 1690:Notable people 1688: 1674: 1671: 1654: 1653: 1632:United Kingdom 1624: 1623: 1591: 1588: 1583: 1582: 1572: 1569: 1567: 1564: 1555: 1552: 1551: 1550: 1516: 1515: 1514: 1508: 1505:in sextodecimo 1473: 1454: 1443: 1426: 1423:signature mark 1421:refers to the 1409: 1400: 1399: 1398: 1388: 1382: 1376: 1370: 1343: 1336: 1335: 1334: 1325: 1296: 1293: 1206:Main article: 1203: 1200: 1199: 1198: 1195: 1188: 1186: 1183: 1176: 1097:apprenticeship 1088: 1087: 1084: 1081: 1078: 1075: 1072: 1069: 1064: 1059: 1056: 1052: 1051: 1040: 1037: 1036: 1035: 1026: 1017:, also called 1006: 997: 994: 993: 992: 985: 982:Modern Library 974: 963: 922: 919: 918: 917: 906:Spiral binding 903: 896: 889: 875:punch and bind 870: 869:Punch and bind 867: 854: 853: 849: 840: 834: 822: 819: 801:refers to the 738: 735: 725: 722: 721: 720: 714: 704: 702:Girdle binding 699: 694: 692:Bradel binding 689: 684: 681: 678: 675: 672: 666: 663: 660: 655: 650: 647:Coptic binding 639: 636: 600:Aldus Manutius 592:printing press 567:that replaced 565:printing press 483: 482: 462: 460: 449: 446: 411:Morgan Library 407:Lindau Gospels 328:Imperial China 296: 293: 176: 173: 122: 119: 117: 114: 109:graphic design 99: 96: 26: 24: 14: 13: 10: 9: 6: 4: 3: 2: 5168: 5157: 5154: 5152: 5149: 5147: 5144: 5142: 5139: 5137: 5134: 5132: 5129: 5127: 5124: 5122: 5119: 5117: 5114: 5113: 5111: 5096: 5093: 5091: 5088: 5086: 5083: 5081: 5078: 5076: 5073: 5071: 5068: 5066: 5065:Private press 5063: 5061: 5058: 5056: 5053: 5051: 5048: 5046: 5043: 5041: 5038: 5034: 5031: 5030: 5029: 5026: 5024: 5021: 5019: 5016: 5014: 5011: 5009: 5006: 5004: 5001: 4999: 4996: 4994: 4991: 4987: 4984: 4983: 4982: 4979: 4977: 4976:Faux painting 4974: 4972: 4971:Engraved gems 4969: 4967: 4964: 4962: 4959: 4957: 4954: 4952: 4949: 4947: 4944: 4942: 4939: 4937: 4934: 4933: 4931: 4927: 4921: 4918: 4916: 4913: 4911: 4908: 4906: 4903: 4901: 4898: 4896: 4893: 4891: 4888: 4886: 4883: 4881: 4878: 4876: 4873: 4872: 4870: 4868: 4864: 4858: 4857:Stained glass 4855: 4853: 4850: 4848: 4845: 4843: 4842:Glass etching 4840: 4838: 4835: 4833: 4830: 4828: 4825: 4824: 4822: 4820: 4816: 4810: 4807: 4805: 4802: 4800: 4797: 4795: 4792: 4790: 4787: 4785: 4782: 4780: 4777: 4775: 4772: 4771: 4769: 4767: 4763: 4757: 4754: 4752: 4749: 4747: 4744: 4742: 4739: 4737: 4734: 4732: 4729: 4727: 4724: 4722: 4719: 4717: 4714: 4712: 4709: 4707: 4704: 4703: 4701: 4699: 4695: 4689: 4686: 4684: 4681: 4679: 4676: 4674: 4671: 4669: 4666: 4664: 4661: 4659: 4656: 4654: 4651: 4650: 4645: 4642: 4640: 4637: 4635: 4632: 4631: 4630: 4627: 4625: 4622: 4620: 4617: 4615: 4612: 4608: 4605: 4603: 4600: 4599: 4598: 4595: 4593: 4590: 4588: 4585: 4583: 4580: 4578: 4575: 4571: 4568: 4566: 4563: 4561: 4558: 4557: 4556: 4553: 4551: 4548: 4546: 4543: 4541: 4538: 4536: 4533: 4531: 4528: 4527: 4525: 4523: 4519: 4513: 4510: 4508: 4505: 4503: 4500: 4498: 4495: 4493: 4490: 4488: 4485: 4483: 4480: 4478: 4475: 4471: 4468: 4466: 4463: 4462: 4461: 4458: 4456: 4453: 4451: 4448: 4446: 4443: 4441: 4438: 4436: 4433: 4431: 4428: 4426: 4423: 4421: 4418: 4416: 4413: 4411: 4408: 4406: 4403: 4401: 4398: 4396: 4393: 4391: 4388: 4386: 4383: 4381: 4378: 4376: 4375:Banner-making 4373: 4372: 4370: 4368: 4364: 4358: 4355: 4354: 4351: 4347: 4343: 4336: 4331: 4329: 4324: 4322: 4317: 4316: 4313: 4301: 4298: 4296: 4293: 4291: 4288: 4286: 4283: 4281: 4278: 4277: 4275: 4271: 4263: 4260: 4259: 4258: 4257:Proof-reading 4255: 4253: 4250: 4248: 4245: 4243: 4240: 4239: 4237: 4233: 4227: 4224: 4222: 4219: 4217: 4214: 4212: 4209: 4207: 4204: 4202: 4199: 4197: 4194: 4193: 4189: 4186: 4183: 4180: 4177: 4176: 4173: 4170: 4168: 4165: 4162: 4161: 4159: 4156: 4152: 4143: 4138: 4136: 4131: 4129: 4124: 4123: 4120: 4108: 4105: 4103: 4100: 4098: 4095: 4093: 4090: 4088: 4085: 4083: 4080: 4078: 4075: 4072: 4070: 4067: 4062: 4058: 4057: 4056: 4053: 4051: 4048: 4047: 4045: 4041: 4035: 4032: 4030: 4027: 4025: 4022: 4020: 4017: 4015: 4012: 4010: 4007: 4005: 4002: 4000: 3997: 3995: 3992: 3990: 3987: 3983: 3980: 3979: 3978: 3975: 3973: 3970: 3968: 3965: 3964: 3962: 3960: 3956: 3950: 3947: 3945: 3942: 3939: 3937: 3936:Illustrations 3934: 3932: 3929: 3927: 3924: 3923: 3921: 3919: 3915: 3909: 3906: 3904: 3901: 3899: 3896: 3894: 3891: 3889: 3886: 3884: 3881: 3879: 3876: 3874: 3871: 3869: 3866: 3864: 3861: 3859: 3856: 3854: 3851: 3849: 3846: 3844: 3841: 3839: 3836: 3832:bastard title 3831: 3830: 3829: 3826: 3825: 3823: 3821: 3817: 3811: 3808: 3807: 3805: 3803: 3799: 3793: 3790: 3788: 3787:Picture cover 3785: 3783: 3780: 3778: 3775: 3773: 3770: 3768: 3765: 3763: 3760: 3758: 3755: 3753: 3750: 3749: 3747: 3745: 3739: 3734: 3722: 3719: 3718: 3717: 3714: 3712: 3709: 3707: 3704: 3702: 3699: 3697: 3694: 3692: 3689: 3687: 3684: 3682: 3679: 3677: 3674: 3670: 3667: 3665: 3662: 3661: 3660: 3657: 3655: 3652: 3650: 3647: 3645: 3642: 3640: 3637: 3635: 3632: 3630: 3627: 3625: 3622: 3618: 3615: 3613: 3612:Marginal note 3610: 3608: 3605: 3603: 3600: 3599: 3598: 3595: 3594: 3592: 3590: 3585: 3581: 3577: 3570: 3565: 3563: 3558: 3556: 3551: 3550: 3547: 3541: 3538: 3534: 3530: 3526: 3521: 3515: 3514: 3509: 3504: 3500: 3499: 3494: 3490: 3486: 3483: 3482: 3477: 3473: 3470: 3467: 3466: 3461: 3457: 3456: 3450: 3445: 3441: 3440: 3437: 3433: 3431: 3428: 3426: 3423: 3421: 3418: 3415: 3412: 3410: 3406: 3403: 3400: 3398: 3395: 3393: 3389: 3386: 3383: 3381: 3377: 3374: 3372: 3369: 3367: 3364: 3362: 3358: 3355: 3352: 3351: 3346: 3343: 3342: 3338: 3334: 3333:0-8306-3483-5 3330: 3326: 3322: 3320: 3316: 3312: 3310: 3306: 3302: 3300: 3299:0-927159-04-X 3296: 3292: 3288: 3285: 3281: 3279: 3275: 3271: 3267: 3264: 3261: 3257: 3254: 3250: 3247: 3244: 3243:0-486-20169-4 3240: 3236: 3233:Lewis, A. W. 3232: 3229: 3228: 3223: 3221: 3220:0-500-27360-X 3217: 3213: 3209: 3207: 3206:0-684-15332-7 3203: 3199: 3195: 3182: 3177: 3176:0-8348-0196-5 3173: 3169: 3165: 3162: 3158: 3156: 3155:0-442-22898-8 3152: 3148: 3144: 3141: 3140: 3135: 3132: 3128: 3125: 3124:0-486-24020-7 3121: 3117: 3113: 3111: 3110:0-313-23718-2 3107: 3103: 3099: 3098: 3094: 3087: 3081: 3077: 3073: 3072: 3066: 3062: 3056: 3052: 3051: 3045: 3041: 3039:90-04-13920-6 3035: 3031: 3030: 3024: 3019: 3018: 3011: 3007: 3001: 2997: 2996: 2990: 2986: 2984:0-521-08690-6 2980: 2976: 2972: 2968: 2964: 2960: 2956: 2952: 2951: 2945: 2941: 2935: 2931: 2926: 2925: 2920: 2903: 2899: 2898: 2893: 2886: 2883: 2878: 2876:0-375-40649-2 2872: 2867: 2866: 2857: 2854: 2841: 2837: 2835: 2827: 2824: 2821: 2817: 2814: 2809: 2806: 2793: 2789: 2783: 2780: 2767: 2763: 2757: 2754: 2741: 2737: 2731: 2728: 2715: 2711: 2705: 2702: 2689: 2685: 2679: 2676: 2671: 2665: 2661: 2654: 2652: 2650: 2646: 2641: 2637: 2630: 2627: 2614: 2610: 2604: 2601: 2597: 2593: 2590: 2586: 2582: 2579: 2575: 2571: 2568: 2564: 2560: 2557: 2551: 2548: 2545: 2541: 2538: 2534: 2530: 2526: 2523: 2520:Such as the: 2517: 2514: 2501: 2497: 2491: 2488: 2483: 2479: 2472: 2469: 2466: 2462: 2459: 2453: 2450: 2445: 2439: 2435: 2428: 2425: 2420: 2413: 2410: 2405: 2399: 2395: 2388: 2385: 2381: 2377: 2374: 2368: 2365: 2352: 2348: 2347: 2339: 2336: 2332: 2328: 2325: 2321: 2317: 2314: 2309: 2306: 2293: 2289: 2282: 2279: 2275: 2263: 2261:9781571134028 2257: 2253: 2249: 2248: 2240: 2237: 2233: 2232:Wittmann 2011 2228: 2225: 2212: 2208: 2204: 2198: 2195: 2182: 2178: 2174: 2167: 2164: 2152: 2148: 2142: 2139: 2135: 2130: 2128: 2124: 2120: 2115: 2112: 2108: 2103: 2100: 2096: 2091: 2088: 2084: 2079: 2076: 2072: 2067: 2064: 2059: 2057:1-884718-41-8 2053: 2049: 2042: 2039: 2036: 2032: 2028: 2024: 2023: 2016: 2013: 2008: 2006:0-19-726061-6 2002: 1998: 1991: 1988: 1983: 1981:0-8122-7696-5 1977: 1973: 1966: 1963: 1960:, p. 45. 1959: 1954: 1952: 1948: 1944: 1939: 1936: 1931: 1924: 1921: 1909: 1908: 1903: 1896: 1893: 1889: 1888:Robinson 1968 1884: 1881: 1878:, p. xi. 1877: 1872: 1869: 1862: 1856: 1853: 1851: 1848: 1846: 1843: 1841: 1838: 1836: 1833: 1830: 1827: 1824: 1823: 1819: 1817: 1814: 1812: 1809: 1807: 1804: 1802: 1799: 1798: 1793: 1788: 1785: 1783: 1780: 1778: 1775: 1773: 1770: 1766: 1761: 1758: 1756: 1755:Fortino Jaime 1753: 1751: 1748: 1746: 1743: 1741: 1738: 1736: 1733: 1731: 1728: 1726: 1723: 1721: 1718: 1716: 1713: 1711: 1708: 1707: 1703: 1700: 1699: 1697: 1689: 1687: 1679: 1672: 1670: 1667: 1666:French Canada 1663: 1662:Latin America 1659: 1652: 1649: 1648: 1647: 1645: 1641: 1637: 1633: 1629: 1628:United States 1622: 1619: 1618: 1617: 1613: 1611: 1596: 1589: 1587: 1580: 1575: 1574: 1570: 1565: 1563: 1561: 1553: 1548: 1544: 1543: 1538: 1537: 1532: 1528: 1524: 1520: 1517: 1512: 1509: 1506: 1474: 1471: 1467: 1463: 1459: 1455: 1452: 1448: 1444: 1441: 1437: 1436: 1434: 1430: 1427: 1424: 1420: 1416: 1415: 1410: 1407: 1406: 1401: 1396: 1392: 1389: 1386: 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705: 703: 700: 698: 695: 693: 690: 688: 685: 682: 679: 676: 673: 670: 667: 664: 661: 659: 656: 654: 651: 648: 645: 644: 643: 637: 635: 633: 630: 625: 621: 619: 615: 613: 612: 607: 606: 601: 596: 593: 589: 585: 580: 578: 574: 570: 566: 562: 558: 554: 550: 546: 542: 538: 534: 531:, as well as 530: 526: 519: 515: 511: 502: 498: 494: 490: 479: 476:February 2013 470: 466: 463:This section 461: 458: 454: 453: 447: 445: 442: 438: 434: 418: 414: 412: 408: 404: 400: 395: 391: 387: 383: 379: 371: 370: 363: 359: 355: 353: 352:Western world 349: 345: 341: 337: 333: 329: 325: 321: 317: 313: 306: 301: 294: 292: 289: 284: 280: 276: 272: 268: 263: 260: 256: 252: 249: 245: 240: 234: 232: 227: 222: 217: 213: 209: 193: 192: 186: 181: 174: 172: 168: 166: 162: 157: 152: 151:Ancient Greek 146: 144: 140: 136: 132: 128: 120: 115: 113: 110: 106: 97: 95: 93: 89: 85: 81: 77: 72: 69: 65: 62:, usually in 61: 57: 49: 41: 37: 33: 19: 5033:Glass mosaic 4951:Bone carving 4751:Wood carving 4746:Wood burning 4721:Chip 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New York: 3528: 3511: 3496: 3479: 3463: 3453: 3444:Paton, James 3348: 3324: 3314: 3290: 3283: 3269: 3259: 3252: 3234: 3225: 3211: 3197: 3167: 3160: 3146: 3137: 3130: 3115: 3101: 3075: 3070: 3049: 3028: 3016: 2994: 2970: 2950:Bookbindings 2949: 2929: 2906:. Retrieved 2895: 2885: 2864: 2856: 2844:. Retrieved 2833: 2826: 2808: 2796:. Retrieved 2782: 2770:. Retrieved 2756: 2744:. Retrieved 2730: 2718:. Retrieved 2704: 2692:. Retrieved 2678: 2659: 2639: 2635: 2629: 2617:. Retrieved 2603: 2550: 2516: 2504:. Retrieved 2490: 2481: 2477: 2471: 2452: 2433: 2427: 2418: 2412: 2393: 2387: 2367: 2355:. Retrieved 2349:. BookRags. 2345: 2338: 2308: 2296:. Retrieved 2281: 2272: 2265:. Retrieved 2252:Camden House 2246: 2239: 2227: 2215:. Retrieved 2206: 2197: 2185:. Retrieved 2176: 2166: 2154:. Retrieved 2150: 2141: 2114: 2102: 2095:Harthan 1950 2090: 2083:Harthan 1950 2078: 2073:, p. 8. 2071:Harthan 1950 2066: 2047: 2041: 2020: 2015: 1996: 1990: 1971: 1965: 1938: 1929: 1923: 1911:. Retrieved 1905: 1895: 1890:, p. 9. 1883: 1876:Vaughan 1950 1871: 1820: 1806:Book folding 1760:Paul Kersten 1745:James Hayday 1684: 1655: 1650: 1636:Commonwealth 1625: 1620: 1614: 1607: 1584: 1559: 1557: 1542:objets d’art 1540: 1534: 1530: 1526: 1522: 1518: 1510: 1504: 1469: 1450: 1432: 1428: 1418: 1412: 1403: 1394: 1390: 1384: 1378: 1372: 1366: 1360: 1356: 1352: 1346: 1339: 1328: 1319: 1312: 1308: 1304: 1298: 1290: 1286: 1281:hand-marbled 1277:natural dyes 1273: 1269: 1266: 1250: 1246: 1238: 1222: 1214: 1211: 1168: 1164: 1145: 1134: 1113: 1110: 1106: 1100: 1093: 1028: 1018: 1013:through the 1008: 1002: 988:Tape binding 987: 977: 965: 952: 941: 929: 924: 892:Comb binding 874: 872: 824: 797: 786: 782: 778: 767: 748: 727: 641: 626: 622: 616: 609: 603: 597: 581: 553:Yuan dynasty 549:Song dynasty 545:Tang dynasty 523: 486: 473: 469:adding to it 464: 433:blind stamps 430: 375: 356: 332:Roman Empire 309: 264: 244:Roman Empire 235: 205: 169: 147: 142: 124: 105:paper making 101: 73: 55: 54: 36: 18:Book binding 5126:Book design 5116:Bookbinding 5060:Pietra dura 5023:Micromosaic 4956:Doll making 4910:Silversmith 4827:Cameo glass 4784:Earthenware 4756:Woodturning 4668:Pop-up book 4653:Papermaking 4540:Calligraphy 4535:Bookbinding 4465:Rug hooking 4435:Needlepoint 4415:Lace-making 4380:Canvas work 4252:Typesetting 4221:Book editor 4157:preparation 4107:Thumb index 4073:Die-cutting 4034:Author page 3959:Back matter 3918:Body matter 3767:Dust jacket 3757:Bookbinding 3744:back covers 3711:Rubrication 3664:Historiated 3584:Page layout 3576:Book design 3508:Bookbinding 3476:Bookbinding 3021:. 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