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He started composing when only 12 years old. His career is effectively in two distinct and different periods – the first being up until 1967 during which time he gained a wide national and international success. From 1968, as consequence of the evolution of both his thought and his social
110:
His non compositional writings cover a number of other fields, especially pedagogy and grassroots didactics, but also philosophical reflections such as those expressed in "Metacultural
Hypothesis: an hypothesis for survival" (1999).
133:
His deep interest in the global problems affecting contemporary society have led Boris Porena, together with the
Metacultural Centre, to formulate the Metacultural Hypothesis (MCH), also known as "the Hypothesis".
73:
involvement, he abstained from composing, a period which lasted for the next twenty years. During that time he devoted himself to a grassroots cultural practice and set up the
Metacultural Centre, located at
143:(Formulation 1) Every one of our acts or thoughts, being a possible communication object, has in itself a cultural component which must be relativised with regard to the culture which has produced it.
439:(1. Figurale monodico, 2. Afigurale I, 3. Figurale armonico (corale variato), 4. Afigurale II, 5. Figurale contrappuntistico (Fuga prima), 6. Afigurale III (Fuga seconda)) (2000)
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and didactical expert. He was married to Paola BuÄŤan, a famous
Croatian cellist and teacher who, until her retirement in 2014 was a tenured professor at the
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84:(Einaudi, 1975) stands out, going beyond purely musical issues and authoritatively examines and explores the fields of social and political analysis.
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period, which he has used with originality in order to build his own musical research which directly influenced his later compositional processes.
593:
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As a musical critic he has written essays about his master, Goffredo
Petrassi along with several other important texts about music; among them
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in Rome and he has been director of the
Research and Experimental Centre "Musica in Sabina". Among his many disciples are JesĂşs Villa-Rojo,
573:
88:
343:, (three flutes, three oboes, three clarinets, two bassoons, three horns, three trumpets, three trombones, percussions, strings) (1963)
77:(Rieti, Italy). In 1988 he began to compose again with renewed enthusiasm, starting on a new and different compositional phase.
114:
He has a considerable and deep-seated interest in natural sciences which have led him to becoming something of an authority in
313:(soprano, piano) 1. Die Zerstörung Magdeburgs, 2. St. NepomuksVorabend, 3. Schneider-Courage, 4. Die wandelnde Glocke (1956)
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His rich musical production, which comprises hundreds of works, has been accurately catalogued by Prof. Patrizia Conti (see
421:(Symphony N. 4), 1. Punkte, Linien, Flächen, Farben, 2. Linie, auf Abenteuer aus, 3. Gebrauchssinfonietta, 4. Räume (1997)
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331:(bass, 3 trombones – or 3 cellos) 1. Im Osten 2. Klage 3. Der Schlaf (originating also other Trakl-Lieder) (1959–1960)
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Ritratto radiofonico di 57' a cura di
Emanuele Pappalardo per Antologia di Radio 3 (a cura di Mirella Fulvi) 1991
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499:
107:, Oliver Wehlmann, Monica Conversano , Massimo Fornetti, Alessandro De Rosa, Emanuele Pappalardo and many more.
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Musica Prima. Musical composition: a tool for grassroots cultural practice at the school and in the territory
319:(baritone, soprano, choir, two flutes, two oboes, two clarinets, 2 bassoons, four trumpets, strings) (1957)
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III serie estampida
Girotondo Canzone a Ballo Ritmo indiano Danza dell'anitra Danza rituale Tarantella)
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325:(soprano, clarinet) 1. Fernen 2. Auge der Zeit 3. Ich weiss 4. Der uns die Stunden zählte (1958)
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About
Composition. Metacultural reflection addressed to musicians, professionals and amateurs
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149:(Formulation 2) MCH coincides with the interruption of the principle of non contradiction.
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He has written a rich collection of poetry, especially in German, his mother tongue.
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Metacultural
Hypothesis: an hypothesis for composing differences, i.e. for survival
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537:
https://archive.org/details/scuolamediaunascuolachesirinnovadse16121980a87103roma1
159:, it is always possible either to find or to build a local cultural universe LCU
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poetics, he later evolved towards the use of the harmonic language of the late
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https://archive.org/details/ILPIACEREDICONOSCERE07121987F28712RomaMpeg2video
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https://archive.org/details/RitrattoDiB.porena-EmanuelePappalardo-Radio31991
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II serie Valzer Polka Tango Samba Ragtime Rock I Rock II Passacaglia
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355:(in memoriam of Serapione) – Musical Inquisitions (piano) (1970)
277:, (2004), 364 pages plus photographies, Zecchini Editore, Varese
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448:
I serie Preludio Menuetto Sarabanda Gavotta Bourrée Pavana Giga
273:'L'utopia possibile. Vita, Musica e filosofia di Boris Porena
61:, and Sergio Cafaro. Although he was initially influenced by
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Boris Porena e Maurizio Della Casa_RAI DSE 1980(prima parte)
409:. Scenic action in three acts plus an intermezzo (1993–1995)
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do, listen, learn, discuss. For the middle school and beyond
307:. Liturgical text (1. Kyrie 2. Sanctus 3. Agnus Dei) (1954)
95:, Celestino Dionisi, Giuliano d'Angiolini, Derek Healey,
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For the sake of a truly renewed elementary school (2003)
294:). The following works should be particularly notable:
215:(review and technical comments by Paola BuÄŤan) (1988)
87:He has taught new didactics of composition at the
53:– alongside other distinguished musicians such as
221:– An itinerary for the first three years of study
137:This Hypothesis has known several formulations.
403:(second version) Dialogue for cello solo (1992)
347:Ăśber aller dieser deiner Trauer. Passio judaica
397:(flute, clarinet, violin, cello, piano) (1991)
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239:– An itinerary towards professional activity
391:(four concertant violins, strings) (1988)
533:a cura di Emanuele Pappalardo Rai2 1987
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431:Eine weltliche Passion. Passio mundana
413:Euphorion. Szene fĂĽr einen Goetheabend
189:Music-Society. Musical Inquisitions II
155:(Formulation 3) Given any proposition
101:Jorge (Manuel Rosado Marques) Peixinho
7:
543:https://archive.org/details/DSE19802
227:– Grammatical and Syntactical Issues
599:20th-century Italian male musicians
367:(Beethoven opus 109) (piano) (1987)
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589:21st-century Italian philosophers
584:20th-century Italian philosophers
579:Italian male classical composers
569:20th-century classical composers
521: (archived October 27, 2009)
594:20th-century Italian composers
385:(violin, cello, piano) (1987)
1:
425:Eight preludes for cello solo
195:Music in Compulsory Schooling
30:, 3 May 2022) was an Italian
16:Italian composer (1927–2022)
574:Italian classical composers
401:About the more and the less
359:Suite N. 1 Benjamin Britten
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361:(cello solo) Prima (1981)
299:Sonatina "Vive la France!"
152:And even in a third form:
89:Santa Cecilia Conservatory
445:(Suite of suites) (2000)
373:(Schumann) (piano) (1987)
317:Der Gott und die Bayadere
257:From knowing to thinking.
207:Lake of Reflected Stories
379:(Debussy) (piano) (1987)
365:Sonata quasi una parodia
337:(Baroque cantata) (1961)
505:Musica – Società (1975)
500:Il Blog di Boris Porena
341:Music for orchestra N.1
197:(5 volumes) (1975–1978)
40:Conservatorio di Musica
323:Vier kanonische Lieder
311:Vier klassische Lieder
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49:He was a disciple of
26:, 27 September 1927 -
335:Eine Gryphius-Kantate
269:Giorgio De Martino,
183:Musical Inquisitions
97:James Clifford Brown
604:Composers from Rome
305:Three sacred pieces
290:'L'Utopia possibile
225:N.2 for Composition
213:New Music Didactics
75:Cantalupo in Sabina
28:Cantalupo in Sabina
377:Claude ... déchiré
118:and especially in
99:, Claudio Pietro,
510:Metaparole (2008)
419:Bauhaus-Symphonie
51:Goffredo Petrassi
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395:Satura for Bruno
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231:N.3 Music by ...
105:Armando Santiago
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519:Wayback Machine
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383:Trio N. 1 Felix
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120:coleopterology
82:Musica/SocietĂ
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237:N.4 for Cello
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479:. Retrieved
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177:Kinder-Musik
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63:neoclassical
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20:Boris Porena
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564:2022 deaths
559:1927 births
353:Sei Ländler
329:Drei Lieder
67:Renaissance
553:Categories
477:. corriere
461:References
443:Suite 2000
146:But also:
116:entomology
264:Biography
46:(Italy).
253:. (1998)
171:Writings
517:at the
481:30 June
389:Vivaldi
247:(1999).
44:Perugia
32:thinker
433:(2000)
427:(1999)
415:(1997)
349:(1965)
209:(1984)
203:(1979)
191:(1975)
185:(1974)
179:(1973)
483:2022
24:Rome
407:Wir
42:in
555::
122:.
103:,
57:,
34:,
485:.
165:p
161:p
157:p
22:(
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