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prompted that "aesthetically, the strip smacks of commercial art: full page ads and catalog layouts." Cloud breaks the mold in composition, frequently experimenting with backgrounds and panel layouts. Cloud noted in an interview that color is very important to him, and he described picking colors for
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a boy's head one day and didn't want to mess it up with a poorly-drawn body. He drew a simple rectangular shape below the neck, and to his surprise, the design worked out fairly well. He gave him
Slither as a friend, because Cloud found snakes to be exceedingly simple to draw. Cloud wanted his
202:. The Boy on a Stick gradually developed a highly optimistic personality, while Slither became a pessimistic character: Cloud said of the Boy on a Stick and Slither that "the characters allow me to debate myself. They're the best and worst of me." Godek of
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described Boy on a Stick as "the voice of innocence and possibility" who is paired with
Slither, "the voice of cynicism and negation." However, Godek also described both characters is inherently
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play a very minor role, and were primarily created when Cloud was low on ideas. Two characters, the "Florida
Cracker" and "Frickles Mudcat", helped Cloud present political topics during the
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as with saying "Nothing in BOASAS stands still. Jittering characters, constantly shifting backgrounds and frequent non-sequiturs proliferate through the webcomic." Cloud's day job in
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any given strip as "probably my favorite thing to do." For print publications, Cloud draws alternate black-and-white versions of his strips.
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323:"Nihilism is Easy: the Theory of Entropic Narrative or Webcomics and the Death of Culture"
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was first uploaded in 1999 and was originally a member of webcomics collective
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characters to become iconic and easily recognizable, like the characters in
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351:"Boy on a Stick and Slither by Steven Cloud, reviewed by Michael Whitney"
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by Steven L. Cloud. Strips usually feature a short, pithy and sometimes
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exchange between the title characters. The strip is characterized by
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Steven Cloud conceptualized the titular "Boy on a Stick" as he was
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looks very cognizant of color and layout. Michael
Whitney of
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primarily exists on the web, it has also been published in
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The Boy and
Slither in the 2011 strip "Any Day Now"
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383:Attitude 3: The New Subversive Online Cartoonists
241:Attitude 3: The New Subversive Online Cartoonists
299:"Boy on a Stick and Slither goes to Comics.com"
140:. In April 2007, the webcomic was picked up by
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274:appeared in the October 2002 issue of
174:is apparent in the strip's design, as
388:Nantier Beall Minoustchine Publishing
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415:Boy on a Stick and Slither website
349:Whitney, Michael (December 2013).
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265:The Atlanta Journal-Constitution
130:The Atlanta Journal-Constitution
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471:Boy on a Stick and Slither
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86:(sometimes abbreviated as
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521:American comedy webcomics
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56:Current status/schedule
328:The Webcomics Examiner
253:The Charlotte Observer
204:The Webcomics Examiner
163:The Webcomics Examiner
50:http://www.boasas.com/
335:on November 11, 2006.
148:until February 2009.
546:1998 webcomic debuts
217:Other characters in
59:Infrequently updated
321:Godek, Tym (2005).
262:appeared weekly in
250:appeared weekly in
541:Webcomics in print
361:on March 26, 2009.
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75:Existential Humor
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304:Comics Beat
268:(2001–2002)
64:Launch date
515:Categories
285:References
208:nihilistic
187:Characters
166:described
146:Comics.com
451:Dumbrella
378:Rall, Ted
355:Comixtalk
212:Comixtalk
180:Comixtalk
123:. Though
121:Dumbrella
38:Author(s)
229:In Print
193:doodling
138:magazine
94:webcomic
72:Genre(s)
277:Esquire
199:Peanuts
136:Esquire
133:and in
112:History
108:humor.
106:cynical
98:surreal
92:) is a
46:Website
453:comics
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89:BOASAS
492:Goats
156:Style
392:ISBN
104:and
67:1998
102:dry
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.