Bracha L. Ettinger - Knowledge (XXG)

1477:) or rejection (Freud on Narcissism) of the other, primary compassion, awe and fascinance (which are unconscious psychic affective accesses to the other, and which join reattunement and differentiating-in-jointness by borderlinking) occur. The combination of fascinance and primary compassion does not enter the economy of social exchange, attraction and rejection; it has particular forms of Eros and of resistance that can inspire the political sphere and reach action and speech that is ethical-political without entering any political institutional organization. The infant's primary compassion is a proto-ethical psychological means that joins the aesthetical fascinance and creates a feel-knowing that functions at best within maternal (and also parental) compassionate hospitality. Awareness to the matrixial time-space, pre-maternal com-passion and maternal compassion together with the ethical 'seduction-into-life' it involves, is source of responsibility. Here, one witnesses in jointness: The I wit(h)ness while borderlinking (bordureliance) to the non-I and borderspacing (bordurespacement) from the other. Ettinger calls for the recognition of the matrixial transference as a dimension in the transferential relationships in psychoanalysis. They must entails besideness to (and not a split from) the archaic the m/Other (Autremere) and parental figures; jointness-in-differentiation rather than their exclusion. She sees in the trans-subjectivity a distinct dimension of human specific linkage and shareability, different from, and supplementary to "inter-subjectivity" and "self" psychology. Her most prominent and comprehensive book regarding this theory is "The Matrixial Borderspace" (reprint of essays from 1994–1999) published in French in 1999 and in English in 2006, but her most recent concepts are mainly elaborated in the different essays printed in 2005–2006. 1473:

aesthetics, and developed a theoretical philosophical field in her artist's books and notebooks starting 1985, and in books and journals printed in academic journals from 1991 onwards. She had suggested that pre-natal impressions, connected to the phantasmatic and traumatic real of the pregnant becoming-mother, are trans-inscribed in the emerging subject and form the primary phase and position of the human psyche. "I" and "non-I", without rejection and without symbiotic fusion, conjointly inscribe memory traces that are dispersed asymmetrically but in a trans-subjective mode. Trans-subjective mental and affective unconscious "strings", connecting the prenatal emerging subject to the archaic m/Other, open unconscious routes ("feminine", non phallic, in both males and females) that enable subjectivizing processes all throughout life whenever a new matrixial encounter-event takes place. The matrixial encounter-event forms specific aesthetical and ethical accesses to the Other. Ettinger articulated the 'matrixial gaze' and the process of 'metramorphosis' and 'co-poiesis'. This allows new understanding of trans-generational transmission, trauma and artistic processes. Ettinger formulates the woman(girl)-to-woman(mother) difference as the first sexual difference for females to be viewed first of all according to the matrixial parameters. The feminine-maternal Eros informs also the father/son and mother/son relations. According to Ettinger, in parallel but also before expressions of abjection (

1434:. She claims that, in a similar way, when seduction is assigned to the paternal figure during regression, it is recognized in most cases as a result of the therapeutic process itself. The analyst therefore must become aware to her capacity for a 'seduction into life' as well as for retraumatizing the analysand. A matrixial ethical countertransference can be worked-through only in 'empathy within compassion' in where therapist avoids parent-blaming. The analyst develops her psychic womb-space to be able to work with the matrixial sphere for the directing of healing. Therapists must likewise realize that during regression phantasmatic maternal "not-enoughness" appears and must also be recognized as the result of the process itself, and be worked-through without the mother-hating that Ettinger considers contributes to a "psychotization" of the subject, which blocks the passage from rage to sorrow and from there to compassion. To be able to recognize the phantasmatic status of the psychic material arising during therapy, the Lacanian concepts of the Symbolic, the Imaginary and the Real are useful to her. Ettinger works between the fields of psychoanalysis and philosophy to change Ethics according to the feminine-maternal-matrixial source after Levinas and Lacan. She is also rethinging and gives new meaning the concepts of beauty and of the sublime. 1497:. In the domain of psychoanalysis, around the question of same-sex differences, the primary feminine difference is the difference opened between woman (girl) and woman (m/Other), maternal subjectivity, maternal/pregnance Eros of com-passion, the effects of compassion and awe and the passion for borderlinking and borderspacing and the idea that three kinds of fantasy (that she names Mother-fantasies) should be recognized, when they appear in a state of regression aroused by therapy itself, as primal: Mother-fantasies of Not-enoughness, Devouring and Abandonment. Their mis-recognition in psychoanalysis (and analytical therapy), together with the ignorance of maternal Eros of com-passion leads to catastrophic blows to the matrixial daughter-mother tissue and hurts the maternal potentiality of the daughter herself, in the sense that attacking the "non-I" is always also attacking the "I" that dwells inside an "I"-and-"non-I" trans-subjective matrixial (feminine-maternal) tissue. Contributing to Self psychoanalysis after 1560: 1192: 1506:

between the "good" mother figure (the therapist) and a "bad" mother figure (the real mother). This splitting is destructive in both internal and external terms, and mainly for the daughter-mother relations, since the I and non-I are in any case always trans-connected, and therefore any split and projected hate (toward such figures) will turn into a self-hate in the woman/daughter web. Such a concept of subjectivity, where "non-I" is trans-connected to the "I", has deep ethical implications as well as far-reaching sociological and political implications that have been further developed by

1133: 31: 208: 1501:, Ettinger articulated the difference between com-passionate borderlinking, compassion (as affect) and empathy, and between "empathy without compassion" and "empathy within compassion", claiming that the analyst's empathy without compassion harms the matrixial psychic tissue of the analysand, while empathy within compassion leads to creativity and to the broadening of the ethical horizon. Ettinger explains how by empathy (toward the patient's complaints) 1464:, female-prematernal-prenatal encounter, Encounter-event, ethical seduction into life, uncanny compassion and uncanny awe (that supplement the uncanny anxiety), fascinance, proto-ethics, being-toward-birth with being-toward-birthing, seduction into life, empathy within compassion, carriance (caring-carrying in the unconscious space of psychic pregnancy) and the matricial feminine-maternal Eros. 1398:, she contributed to psychoanalysis the idea of a feminine-maternal sphere of sexuality and ethics, function, and structure where symbolic and imaginary dimensions are based on femaleness in the real (the meaning of matrix is womb). This dimension, as symbolic, contributes to ethical thinking about human responsibility to one another and to the world. The French philosopher 1414:. She is a senior clinical psychologist, and a supervising and training psychoanalyst. Her artistic practice and her articulation, since 1985, of what has become known as the matrixial theory of trans-subjectivity have transformed contemporary debates in contemporary art, psychoanalysis, women's studies, and cultural studies. Ettinger was an analysand of 1616:

and even our shared earth, through care and compassion and in wonder and reverence. Lets work together against retraumatization and toward an understanding of a human subject which is informed by feminine transubjectivity in all genders, and become sensitive to the particular Eros of borderlinking between each I and non-I, which is a kind of love...

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organizations of Israelis and Palestinians collaborating together: "Women Make Peace", "Forum of Bereaved Families", "Combatants for Peace" and "Physicians for Human Rights" ("PHR-Israel"). Ettinger contributes to the organization as senior clinical psychologist, attending Palestinian patients in needed areas in the Palestinian territories.

1456:, borderlinking, borderspacing, matrixial time-space, copoiesis, wit(h)nessing, co/in-habit(u)ation, transubjectivity, transjectivity, fascinance, seduction-into-life and carriance. She named the processes of transformation in a matrixial sphere: metramorphoses, and proposed the coemergnce of partial-subjects of 1505:

compassion (toward the patient's surrounding past and present family figures, no less than toward the patient itself), the therapist "produces" the patient's real mother as a "ready-made monster-mother" figure, that serves to absorb complaints of all kinds, and thus, a dangerous splitting is induced

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Ettinger revolutionized the field of psychoanalysis and cultural studies when she coined in artist's books (Notebooks) that she exposed publicly starting from 1985 and in a long series of articles published since 1991 the concept of the matrixial (matricial) space and proposed the feminine matrixial

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Ettinger invented the concept 'matrixial space' ('matricial space' from etymology of 'womb'), matrixial gaze, matrixial sphere, a feminine-maternal and feminine-prematernal transjective dimension, space, function, Eros and dynamics in the human Unconscious that as the source of humanized ethics and

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of string-like subject-subject (trans-subjective) and subject-object (transjective) transmissivity and affective co-emergence, transformed the way to think both the feminine and the human subject, both the analyst in transference relation and the analysant in its relation to her, in psychoanalysis.

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From 1981-92, her principal artwork consisted of drawing and mixed media on paper as well as notebooks and artist's books, where alongside theoretical work and conversations she made ink and wash painting and drawing. Since 1992, apart from her notebooks, most of her artwork consists of mixed media

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The other and the earth need to be known through affective communicaring in self-fragilization. The knowledge revealed in this way, of the invisible chords to which our senses are not yet attuned, is at the basis of the ethical obligation to attend to the vulnerability of the other, human, animal,

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Ettinger led the biggest rescue, evacuation and saving operation in the history of the Middle East: saving the drowning young men of the Eilat shipwreck (in 1967), when she was 19 years old. She was wounded during the operation and suffered shell-shock after it. More than a half-century later, the

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Ettinger's 'matrixial theory' articulating transjectivity and transubjectivity in the subject and in human relationships had proposed an unconscious feminine/maternal and pre-maternal/prenatal time-space of feminine sexuality and femininity in all genders, which go together with ethics of care and

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Bracha L. Ettinger, "Diotima and the Matrixial Transference: Psychoanalytical Encounter-Event as Pregnancy in Beauty." In: Van der Merwe, Chris N., and Viljoen, Hein, eds. Across the Threshold: Explorations of Liminality in Literature. New York: Peter Lang & Potchefstroom: Literator (2007);

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For Ettinger, the Freudian attitude to psychoanalysis is crucial as it emphasizes the phantasmatic value of materials that arise during regression. To Freud and Lacan she adds, however, a feminine-maternal space-time with its particular structures, functions, Eros, Aesthetic, Ethics and ethical

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Ettinger returned to Israel in 1979 and worked at Shalvata Hospital. She has painted and drawn since early childhood, self-taught. In her early days she avoided the art scene. In 1981, she divorced her first husband, decided to become a professional artist and moved to Paris where she lived and

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Ettinger is a supporter of human rights and stands for coexistence of two states, Israel and Palestine, side by side in mutual respect. She is feminist activist for peace and against the occupation for few decades, engaged in the efforts towards cohabitation in the frame of four different

1110:. Since 2001, she has been visiting professor in Psychoanalysis and Aesthetics at the AHRC Centre for Cultural Analysis, Theory and History (now CentreCATH). Ettinger had returned to Tel Aviv on a part-time basis in 2003 when she separated from her partner. She was a lecturer at the 965:'s 2027 edition. She resigned from that role with a public letter intended to open a radical discussion in the artworld, following the administration's rejection of her request for a pause due to the attacks on civilians in Israel and in Gaza and the ongoing heavy losses of life. 1448:

time-space of feminine/prenatal encounter-event as source of human aesthetics and proto-ethics, and femininity as the deep core of ethics, which enters the human subjectivity via the maternal. Ettinger invented and developed the Matrixial Trans-subjectivity theory, or simply "

1272:. From 2010 onward, her work still consists mainly of oil paintings, notebooks (artist's books) and drawings, she is doing new media animated video films where the images are multi-layered like her painting. In 2015, she participated with a solo show in the 14th 1200:

and oil paintings, with a few parallel series that spread over time like "Matrix — Family Album", "Autistwork" and "Eurydice", with themes of transgenerational transmission of personal and historical trauma, traces of memory and remnants of oblivion, the

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Ettinger is a theoretician who invented and developed a language for a feminine-maternal-'matrixial' (matricial) dimension in artistic creativity and in ethics of care and responsibility. She coined the concept of matrixial (matricial) space and

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Bracha L. Ettinger, "From Proto-ethical Compassion to Responsibility: Besidedness, and the three Primal Mother-Phantasies of Not-enoughness, Devouring and Abandonment", Athena Philosophical Studies. Vol. 2 (Vilnius: Versus, 2006), pp.

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Bracha L. Ettinger, "The Sublime and Beauty Beyond Uncanny Anxiety." In: Dombois, Florian, Mareis, Claudia, Meta Bauer, Ute, and Schwab, Michael, eds. Intellectual Birdhouse: Art Practice as Research. London: Koenig, pp. 205-231,

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Ettinger is author of several books and more than eighty psychoanalytical essays elaborating different aesthetical, ethical, psychoanalytical and artistic aspects of the matrixial. She is co-author of volumes of conversation with

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and History. Ettinger's recent theoretical proposals starting around 2008 include the three Shocks of maternality and the paternal infnticide impulses (Laius Complex) Carriance and the Demeter–Persephone Complex, working around

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and the World Wars, the gaze, light, color and the space, female body, womanhood and maternality, inspired by classical painting and creating an abstract space where the questions of beauty and sublime are renewed for our time.

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To Find the possible implications of the concept of "non-life" of Bracha Ettinger in conjunction with the knowledge from various branches of biology such as clinical embryology, nenonatal immunology and developmental biology

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Mainly: "From Proto-ethical Compassion to Responsibility", "Fascinance" and "Com-passionate Co-response-ability, Initiation in Jointness, and the link x of Matrixial Virtuality". All published in 2006 — see list of recent

4539: 177:, matrixial (matricial) space, transjectivity, transubjectivity, copoiesis, wit(h)nessing, Carriance, Seduction-into-life, Being towards birthing-with-birth, coemergence, matrixial trans-subjectivity 1240:. Along with painting she has worked on installations, theoretical research, lectures, video works, and "encounter events". Her paintings, photos, drawings, and notebooks have been exhibited at the 3824:

Lyotard, Jean-François (1993). "Anima Minima". Printed as "Des traces diffractées" / "Diffracted Traces." (“Anima Minima”), in: Christine Buci-Glucksmann, Jean-François Lyotard, Griselda Pollock.

2877:, n.24. NY: The Drawing Center, 2001. With texts by Judith Butler, Bracha Ettinger, Adrien Rifkin and the editors, and including a conversation between the Bracha Ettinger and Creigie Horsfield. 1013:

worked from 1981 onward. Her son, Itai Toker, was born in 1988. She returned to Tel Aviv in 2003. As well as painting, drawing and photography, she began writing, and received a D.E.A. in

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Emmanuel Levinas in conversation with Bracha L. Ettinger (1991–1993). Time is the Breath of the Spirit. Translated by C. Ducker and J. Simas. MOMA (Museum of Modern Art), Oxford, 1993;

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Around 1988, Ettinger began her Conversation and Photography project. Her personal art notebooks have become source for theoretical articulations. Her art has inspired historian

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Bracha L. Ettinger, "From Proto-ethical Compassion to Responsibility: Besideness, and the three Primal Mother-Phantasies of Not-enoughness, Devouring and Abandonment". In:

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Bracha L. Ettinger, "Diotima and the Matrixial Transference: Psychoanalytical Encounter-Event as Pregnancy in Beauty." In: Van der Merwe, Chris N., and Viljoen, Hein, eds.

5159: 5144: 1559: 4289: 3524:"21st Century will be feminine and Spiritual." Kochi-Muziris Biennale / ArtistSpeak, interviewed by Jaideep Sen. The New Indian Express / Indulge. 15 March 2019. < 4488:

Victor Malsey, Uwe Raseh, Peter Rautmann, Nicolas Schalz, Rosi Huhn, Passages. D'après Walter Benjamin / Passagen. Nach Walter Benjamin. Mainz: Herman Schmidt, 1992.

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Christine Buci-Glucksmann, "Le devenir-monde d'Eurydice", published to coincide with the project "Capturing the Moving Mind", Paris: BLE Atelier, 2005. Trans.

1865:"Beyond the Death-drive, Beyond the Life-drive—Being-toward-Birthing with Being-toward-Birth. Copoiesis and the Matrixial Eros—Metafeminist Notes", 4547: 1176:. The painting process engages a space of passage between figures and abstraction, and her attitude to abstraction resonates with the spiritual concerns of 5169: 5154: 997:(1970/71). She moved to London where she studied, trained, and worked between 1975 and 1979 at the London Centre for Psychotherapy (with Elsa Seglow), the 1009:) and became a British citizen. She married Loni Ettinger in 1975 and divorced him in 1981; her daughter, the actress Lana Ettinger, was born in London. 5234: 5164: 5149: 1352:(1995). Ettinger established a new area of studies in psychoanalysis, art and feminism. Over the last three decades, her work has been influential in 898: 5008:

Fintan Walsh, "From Enthusiasm to Encounter-Event: Bracha L. Ettinger, Samuel Beckett, and the Theatre of Affect. Parallax, 17:2 (2011), pp. 110–123.

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Catherine de Zegher and Brian Massumi (eds.), "Bracha Lichtenberg Ettinger: The Eurydice Series". Drawing Papers, n.24. NY: The Drawing Center, 2001.

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To identify how the Ettingerian theory differs from other psychoanalytic tradition and to discuss the philosophical aspects of matrixial borderspace.

4065:. 14th Istanbul Biennial Catalogue. Edited by Carolyn Christov Bokargiev, 2015. Printed also in: Bracha L. Ettinger. A α א And My Heart Wound-Space. 3616: 1977:"From Proto-ethical Compassion to Responsibility: Besidedness, and the three Primal Mother-Phantasies of Not-enoughness, Devouring and Abandonment" 1191: 1653:

To elaborate on the works on Matrixial Thanatos and Matrixial Eros and how Ettinger's approach differs from the traditional views on death drive.

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Rosi Huhn, "Die Passage zum Anderen: Bracha Lichtenberg Ettingers äesthetisches Konzept der Matrix und Metramorphose", Silvia Baumgart (Hrsg),

2783: 5219: 2294:(1989). Artist book, limited edition, with 60 photos of Christian Boltanski by Ettinger, and Conversation between Ettinger and Boltanski. 1991. 376: 5249: 4771: 4757: 4711: 4676: 4330: 4233: 3660: 3609: 3373: 3297: 3274: 3208: 3175: 2626: 2204: 1959: 1923: 1909: 1805: 1766: 1745: 396: 2348:). Trans. C. Ducker and J. Simas. Reprinted to coincide with the Kabinet exhibition, Stedelijk Museum, Amsterdam, Paris: BLE Atelier, 1997; 2463: 891: 223: 2715: 5334: 5309: 5304: 5244: 3851: 3798:

Bracha L. Ettinger, "Wit(h)nessing Trauma and the Matrixial Gaze: From Phantasm to Trauma, from Phallic Structure to Matrixial Sphere."

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Bracha L. Ettinger, "Uncanny Awe, Uncanny Compassion and Matrixial Transjectivity beyond Uncanny Anxiety", FLS, Volume XXXVIII, 2011.

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Bracha L. Ettinger, “Uncanny Awe, Uncanny Compassion and Matrixial Transjectivity beyond Uncanny Anxiety”, FLS, Volume XXXVIII, 2011.

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http://www.newindianexpress.com/cities/thiruvananthapuram/2019/mar/15/the-21st-century-will-be-feminine-and-spiritual-1951146.html

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in Paris. She is member of the Tel Aviv Institute for Contemporary Psychoanalysis (TAICP), the New Lacanian School (NLS) and the

5071: 5264: 5259: 5239: 5229: 5194: 2608:. Psychoanalytical writings from the 1990s. Spanish Edition translated and Introduced by Julian Gutierrez Albilla (Gedisa 2019) 2437: 2109:"The Red Cow Effect" (First printed in 1996 in: Act 2, ISSN 1360-4287). Reprinted in: Mica Howe & Sarah A. Aguiar (eds.), 5289: 2734: 986: 770: 74: 3675:"Thinking the Feminine: Aesthetic Practice as Introduction to Bracha Ettinger and the Concepts of Matrix and Metramorphosis" 2276:"From transference to the aesthetic paradigm: a conversation with Felix Guattari" (1989). Reprinted in Brian Massumi (ed.), 2049:. Edited by Catherine de Zegher and Hendel Teicher, 199–231. NY/New Haven: The Drawing Center/Yale University Press (2005); 5284: 5039: 823: 787: 117: 4766:. Edited by Carol Armstrong and Catherine de Zegher. Cambridge Massachusetts: October Books, MIT Press, 2006, pp. 35–83; 5329: 5294: 5269: 5189: 876: 191: 2297:

Edmond Jabès in conversation with Bracha Ettinger (1990, selection). "This is the Desert, Nothing Strikes Root Here",

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Griselda Pollock, "Rethinking the Artist in the Woman, The Woman in the Artist, and that Old Chestnut, the Gaze." In:

4564: 1281: 1168:. Her subjects concern the human condition and the tragedy of war, and her work in this aspect joins artists such as 4990:

Bracha L. Ettinger, "From transference to the aesthetic paradigm: a conversation with Felix Guattari." Reprinted in

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Griselda Pollock, "Beyond Oedipus. Feminist Thought, Psychoanalysis, and Mythical Figurations of the Feminine." In:

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Ettinger's art engages in the subject of trauma, mothers and women during war as well as the feminine in mythology:

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Art in the Time-Space of Memory and Migration: Sigmund Freud, Anna Freud and Bracha L. Ettinger in the Freud Museum

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Art in the Time-Space of Memory and Migration: Sigmund Freud, Anna Freud and Bracha L. Ettinger in the Freud Museum

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Art in the Time-Space of Memory and Migration: Sigmund Freud, Anna Freud and Bracha L. Ettinger in the Freud Museum

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Kinsella, Tina, "Sundering the Spell of Visibility", and Pollock Griselda, "Between Painting and the Digital" in

2441: 1968:. Edited by Tero Nauha and Akseli Virtanen. Finnish Academy of Fine Arts with Aivojen yhteistyo, Helsinki, 2009. 1778: 1092: 2452: 2262: 1026: 1018: 1002: 950: 446: 4826: 4816: 4752:. Edited by Carol Armstrong and Catherine de Zegher. Cambridge Massachusetts: October Books, MIT Press, 2006; 3837:

Lyotard, Jean-François. "L'anamnèse" (1995). In: Mazin, Victor, Turkina, Olessia, and Seppala, Marketta, eds.

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Bracha L. Ettinger, "Diotima and the Matrixial Transference." In: Van der Merwe, C. N., and Viljoen, H., eds.

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Based mainly in Paris, Ettinger was visiting professor (1997–1998) and then research professor (1999–2004) in

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in Jerusalem until 2006, when she became Chair and Professor at the EGS. She founded the matrixial theory in

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Pollock, Griselda. "Agnes Dreaming: Dreaming Agnes", and Bracha L. Ettinger "The Art-and-Healing Oeuvre" in

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Adrien Harris, "Beyond/Outside Gender Dichotomies: New Forms of Constituting Subjectivity and Difference."

4215:, Yochai Ataria, David Gurevitz, Haviva Pedaya, Yuval Neria, eds., New York and Heidelberg: Springer (2016) 1986:"Com-passionate Co-response-ability, Initiation in Jointness, and the link x of Matrixial Virtuality". In: 5279: 1769:(with 4 essays by Bracha L. Ettinger, foreword by Carolyn Christov-Bakargiev, and texts by, among others, 1383: 1036:

in 1987, and a solo exhibition at the Museum of Calais in 1988. In 1995, she had a solo exhibition at the

625: 416: 126: 3613: 2641:. Selected papers from the 1990s edited with Introduction by Griselda Pollock. Pelgrave Macmillan (2020). 2154:"Transgressing with-in-to the feminine." (1997) Reprinted in: Penny Florence & Nicola Foster (eds.), 3361: 2476: 2253: 1399: 1237: 942: 782: 750: 515: 276: 122: 3727:

Bracha L. Ettinger, "Fascinance. The Woman-to-woman (Girl-to-m/Other) Matrixial Feminine Difference",

2150: 1693:(essays 1994–1999) appeared in French in 1999 (La lettre volée), and has been published in English as 1571:

details of this event were declassified and she was awarded the highest Air-Force Medal for Heroism.

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Bracha L. Ettinger, "Laius Complex and Shocks of Maternality. Reading Franz Kafka and Sylvia Plath",

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Rosi Huhn (Interview), Bracha L. Ettinger (Portraits of R. Doineau) and the Parisian Photographs of

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Podcast of UCD Humanities Institute lecture - Beauty in the Human: Uncanny Compassion, Uncanny Awe

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Reprint of Le féminin est cette différence inouïe (livre d'artiste, 1994 that includes the text of

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To identify the possible connections of Ettinger's works with natural sciences and social sciences.

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in South India on 24 December 2013 which offers Introductory Course in Ettingerian Psychoanalysis

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first in her artistic Notebooks from 1985 onward, and in academic publications from 1992 onward.

500: 4524: 4326: 2839: 2691:"Faculty some of the best in the world — GCAS College Dublin debt-free, higher-quality education" 2363:"Working-Through." A conversation between Bracha Lichtenberg Ettinger and Craigie Horsfield. In: 2123:"Matrixial Gaze and Screen: Other than Phallic and Beyond the Late Lacan." In: Laura Doyle (ed.) 1582:

photography, taken in the context of conversation projects. Some of her portraits, like those of

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and at GCAS, Dublin. In 2023, she was part of the Finding Committee for the Artistic Director of

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and Bracha L. Ettinger: an artistic dialogue between the 16th and the 20th/21st centuries". In:

2024:"Art and Healing Matrixial Transference Between the Aesthetical and the Ethical." In Catalogue: 1284:

in India.2019. Bracha L. Ettinger is represented by Andrew Kreps, New York and High Art, Paris.

1160:, and matrixial Eros. Her abstract research in painting concerns light and space, which follows 1065: 3475: 2007:. Edited by Catherine de Zegher, NY/New Haven: The Drawing Center/Yale University Press. 2006; 5078: 4999: 4974: 4960: 4925: 4910: 4896: 4862: 4847: 4789: 4767: 4753: 4725: 4707: 4686: 4672: 4632: 4473: 4457: 4274: 4229: 4183: 4152: 4121: 3694: 3656: 3636: 3605: 3597: 3369: 3333: 3293: 3270: 3246: 3204: 3171: 3000: 2977: 2957: 2934: 2908: 2855: 2791: 2622: 2542: 2375: 2349: 2331: 2317: 2302: 2281: 2240: 2232: 2219: 2200: 2187: 2159: 2142: 2128: 2114: 2100: 2064: 2050: 2036: 2008: 1991: 1955: 1937: 1919: 1905: 1826: 1801: 1788: 1774: 1762: 1754: 1741: 1682: 1678: 1301: 1300:. Ettinger is now considered to be a prominent figure among both the French painters' and the 1273: 1169: 830: 802: 797: 715: 4952: 4159: 4148: 4092: 3997:

Pollock, Griselda. "Abandoned at the Mouth of Hell" In: Florence, P., and Pollock, G., eds.

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related to Ettinger's writing and painting in two famous articles written in 1993 and 1995,

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and reprinted as brochure for "The Aerials of Sublime Transscapes", Breda: Lokaal 01, 2008.

3674: 3124: 2385:

Conversation between Bracha L. Ettinger and Akseli Virtanen, "Art, Memory, Resistance." In

1904:. Edited by F. Dombois, U. M. Bauer, C. Marais and M. Schwab. London: Koening Books (2011); 4268: 4262: 3620: 3589: 3503: 3480: 3308: 2486: 2481: 2099:. (Expression after Deleuze and Guattari). London & NY: Routledge, 2002, pp. 215–239; 2085: 1713: 1633: 1622: 1599: 1563: 1520: 1419: 1338: 1325: 1241: 1229: 1049: 1033: 851: 777: 755: 655: 580: 575: 550: 540: 490: 286: 150: 2059:"Trenzado y escena primitiva del ser-de-a-tres" (7 June 2000). In: Jacques-Alain Miller, 1740:. Selected papers edited with Introduction by Griselda Pollock. Pelgrave Macmillan 2020; 1674: 1591: 530: 5063:

Russian State Museum of History, St Petersburg, Peter and Paul Fortress St. Petersburg.

4108:, essays from the 1990 translated by Julián Gutiérrrez Albilla, Gedisa Editorial, 2019. 2668: 2095:"Trans-subjective transferential borderspace" (1996). Reprinted in Brian Massumi (ed.), 4781: 4624: 3538: 2900: 2509: 1800:. Spanish Edition translated and Introduced by Julian Gutierrez Albilla (Gedisa 2019); 1717: 1532: 1515: 1474: 1453: 1387: 1366: 1329: 1185: 1173: 1115: 1103: 1057: 1014: 994: 946: 792: 705: 670: 660: 620: 600: 535: 406: 266: 130: 96: 4224:

Bracha L. Ettinger, "And My Heart Wound-space With-in Me. The Space of Carriance" In:

2031:"Fascinance. The Woman-to-woman (Girl-to-m/Other) Matrixial Feminine Difference". In: 949:

and related concepts around trauma, aesthetics and ethics. Ettinger is a professor at

941:, she lived and works in Paris. She is a feminist theorist and artist in contemporary 5133: 4991: 4874: 4836: 4747: 4144: 4140: 2497: 2459: 2423: 1918:. Edited by S. E. Wilmer and A. Zukauskaite. Oxford University Press, 2010 (189–214); 1813:. Translated by Akseli Virtanen et al. Helsinki: Tutkijaliitto (Polemos-sarja), 2009. 1721: 1702: 1698: 1449: 1378:

Working on the question of trauma, memory and oblivion at the intersections of human

1248:

in 1997. In the last decade, Ettinger's oil on canvas paintings involve figures like

1106:

and aesthetics at the School of Fine Art, History of Art and Cultural Studies at the

1096: 1061: 1037: 930: 635: 615: 595: 590: 555: 495: 475: 470: 436: 316: 306: 5089: 3811:

Bracha L. Ettinger, "Weaving a Woman Artist With-in the Matrixial Encounter-Event",

2141:, Ghent-Amsterdam: Ludion & Brussels: Palais des Beaux-Arts, 2000, pp. 91–115. ( 1646:

To apply the matrixial theory in arts, philosophy, psychoanalysis and art criticism.

1373:

wonder, 'seduction-into-life' and responsibility, where trans-subjectivity is in an

4839:, "Bracha's Eurydice. Theory, Culture and Society'", Vol. 21, 2004; ISSN 0263-2764. 2330:. Translated by C. Ducker and J. Simas. MOMA (Museum of Modern Art), Oxford, 1993; 1936:. Edited by Ayelet Zohar. Newcastle upon Tyne: Cambridge Scholars Publishing, 2010; 1540: 1524: 1486: 1415: 1379: 1293: 1217: 1177: 990: 720: 675: 650: 605: 570: 560: 525: 485: 426: 386: 366: 158: 1852:

Feminist Arts & Histories Network – Dept. of Fine Art, Leeds University (1995)

1621:

Bracha L. Ettinger on launch of Fascinance: Forum for Ettinger Studies started by

4891:

Christine Buci-Glucksmann, "Eurydice and her doubles. Painting after Auschwitz",

2214:"The Becoming Threshold of Matrixial Borderlines.". In: Robertson et als. (eds.) 1879:"Laius Complex and Shocks of Maternality. Reading Franz Kafka and Sylvia Plath", 4498: 3562: 3186:

Buci-Glucksmann, Christine. "Images of Absence in the Inner Space of Painting",

2926: 1498: 1353: 1221: 1006: 958: 934: 837: 680: 610: 4941:

Christine Buci-Glucksmann, "Images of Absence in the Inner Space of Painting",

4394: 4301: 2420:

Inspiration, Inspiriting and Transpiriting. Fragilization and Resistance in Art

2340:

Emmanuel Levinas in conversation with Bracha L. Ettinger (1991–93, selection).

2326:

Emmanuel Levinas in conversation with Bracha L. Ettinger (1991–93, selection).

2182:"Metramorphic Borderlinks and Matrixial Borderspace." In: John Welchman (ed.), 4407: 4355: 4335: 4244: 2419: 2374:"Conversation: Craigie Horsfield and Bracha L. Ettinger". September 2004. In: 1819:. Poems by James Wagner to Paintings by Bracha L. Ettinger. There Press (2014) 1395: 1257: 1157: 1056:(The Palais des Beaux Arts) in Brussels, and in 2001 a solo exhibition at the 1022: 630: 585: 154: 3698: 3690: 2795: 2546: 1954:). Edited by C. N. van der Merwe and H. Viljoen. New York: Peter Lang. 2007; 4946: 4721: 2175:"The Feminine/Prenatal Weaving in the Matrixial Subjectivity-as-Encounter." 2002: 1897:. 14th Istanbul Biennial Catalogue. Ed. by Carolyn Christov Bokargiev (2015) 1536: 1528: 1511: 1181: 962: 520: 326: 4829:(1993), "Scriptures: Diffracted Traces" (First version of "Anima Minima"), 4739:. Text / catalogue for virtual solo exhibition at Lokaal01, Antwerp, 2007. 4572: 4499:"Clipping of the New Indian Express Group - the New Indian Express-Madurai" 3324:

Bracha L. Ettinger, Translucent Fore-images. Glowing through painting. In:

2079: 989:

where she worked as research assistant for, then as personal assistant of,

5022: 3828:. Aix en Provence: Cité du Livre & Jerusalem: The Israel Museum, 1995. 2690: 1712:

Ettinger is one of the leading intellectuals associated with contemporary

5104: 5093: 4439:

Glowacka, Dorota. "Lyotard and Eurydice: The Anamnesis of the Feminine",

3015:

Brian Massumi, "Painting: The voice of the grain" in Bracha L. Ettinger,

2430: 1579: 1374: 1261: 1195:

Bracha L. Ettinger, Eurydice, The Graces, Medusa. Oil painting, 2006–2012

1188:. Her notebooks accompany the painting process but are equally artworks. 1145: 978: 954: 740: 54: 4702:

Dorota Glowacka, "Lyotard and Eurydice: The Anamnesis of the Feminine",

4602: 4520:"Madurai gender-queer activists to offer course on gender and sexuality" 4381: 4052:. Theory, Culture and Society, vol 23, Numbers 2–3, 2006; ISSN 0263-2764 2312:

Edmond Jabès in conversation with Bracha L. Ettinger (1990, selection).

2179:, VII:3, The Analytic Press, New York, 1997, pp. 363–405; ISSN 1048-1885 2127:. Evanston, Illinois: Northwestern University Press, 2001, pp. 103–143; 4895:. Ghent-Amsterdam: Ludion & Brussels: Palais des Beaux-Arts, 2000; 4671:. . Ghent: MER. Paper Kunsthalle & Brussels: ASA Publishers, 2011; 4456:. Translated by Annemarie Hamad and Scott Lerner. MOMA, Oxford (1993); 4413: 4367: 4340: 2719: 1297: 1269: 1265: 1253: 1153: 16:

Israeli-French artist, painter, philosopher, theorist and psychoanalyst

4718:

Encounters in the Virtual Feminist Museum: Time, Space and the Archive

3877: 2999:. Ludion: Ghent-Amsterdam, and Brussels: Palais des Beaux-Arts, 2000; 2316:. Translated by Annemarie Hamad and Scott Lerner. MOMA, Oxford, 1993; 2061:

Los usos del lapso, Los cursos psicoanaliticos de Jacques-Alain Miller

1990:. Edited by Sofie Van Loo. Royal Museum of Fine Art. Antwerpen, 2006; 5116: 5082: 4907:

Looking Back to the Future: Essays by Griselda Pollock from the 1990s

4806: 1494: 1249: 1165: 1149: 926: 922: 162: 62: 3427:. Ghent: MER. Paper Kunsthalle & Brussels: ASA Publishers, 2011. 1787:. (Essays from 1994 to 1999). University of Minnesota Press (2006); 1430:

potentiality (she names matrixial proto-ethics) and dynamics in the

4265:, "Promenades dans les passage de Paris avec Robert Doisneau." In: 2815: 2231:. Translated by Joseph Simas. Museum Of Modern Art, Oxford, 1993; 2170:

Fatal Women. Journal of the Center for Women's and Gender Research

2028:. 68–75; 76–81. Helsinki: Kiasma Museum of Contemporary Art (2006) 1558: 1201: 1190: 1161: 1131: 4985:

Bracha L. Ettinger: La folie de la raison / Wahnsinn der Vernunft

4356:"טריילר פרשת טיבוע המשחתת אח"י אילת 1967. אורי בורדה Uri Borreda" 2582:. (Essays from 1994 to 1999). University of Minnesota Press, 2006 1485:

Her more recent artistic and theoretical work centers around the

2735:"Resignations Roil Documenta as War in Gaza Polarizes Art World" 2716:

Documenta Kicks Off Search for Artistic Director of 2027 Edition

1886:"And My Heart, Wound-Space With-in Me. The Space of Carriance", 1876:. Torino: Castello di Rivoli & GAM, SilvanaEditorials (2017) 1862:"What is Intelligence". Spike Art Magazine, vol 77: 36-37 (2023) 4514: 4512: 1934:

PostGender: Sexuality and Performativeivity in Japanese Culture

5032: 5031:. Film by Nimrod Gershoni, Art and text by Bracha L. Ettinger 4202:. Vol. 2 (Vilnius: Versus). 2006. pp. 100–135; ISSN 1822-5047. 4037:

Aesthetics, Ethics and Trauma in the Cinema of Pedro Almodovar

3787:

Across the Threshold: Explorations of Liminality in Literature

1490: 1391: 1346:(1992), fragments from her notebooks (Moma, Oxford, 1993) and 146: 92: 5064: 4452:

Edmond Jabès in conversation with Bracha L. Ettinger (1990).

4228:, Leeds: Wild Pansy Press and 14th Istanbul Biennial (2015); 2412: 2086:

Weaving a Woman Artist With-in the Matrixial Encounter-Event"

1883:, eds. Y. Ataria et al, NY & Heidelberg: Springer (2016). 3269:. Leeds: Wild Pansy Press and 14th Istanbul Biennial, 2015; 2639:

Matrixial Subjectivity, Aesthetics, Ethics. Vol 1: 1990-2000

1738:

Matrixial Subjectivity, Aesthetics, Ethics. Vol 1: 1990-2000

3352:. Leeds: Wild Pansy Press and 14th Istanbul Biennial, 2015. 3253:. Leeds: Wild Pansy Press and 14th Istanbul Biennial (2015) 2382:. Edited by Catherine de Zegher. Paris: Jeu de Paume, 2006. 2239:. (Reprinted in Artworking 1985–1999. Ghent: Ludion, 2000; 1643:

To Read, Study and Discuss the works of Bracha L. Ettinger.

3975:

de Zegher, Catherine. Inside the Visible. MIT Press, 1996.

3945:

Bracha L. Ettinger in conversation with Emmanuel Lévinas.

3932:

Bracha L. Ettinger in conversation with Emmanuel Lévinas.

3476:"Artist/Personality: Bracha Lichtenberg-Ettinger: Painter" 3028:

Jean-François Lyotard, "Diffracted Traces / Anima Minima,

1566:

photographed by Ettinger in his studio in Montrouge, 1992.

5070:

Visiting Artist and Scholar at University of Puerto Rico

4996:

A Shock to Thought. Expression after Deleuze and Guattari

4802:. Royal Museum of Fine Arts, Antwerp & Gynaika, 2006. 3332:. Castello di Rivoli, Museum of Modern Art, Turin, 2017; 3237:. Leeds: Wild Pansy Press and London: Freud Museum (2013) 3045:

Jean-François Lyotard, "Anamnesis", in Noam Sigal (ed.),

1606:

appear in several official publications and collections.

5090:

Art exhibit at the Galerie Claude Samuel, Paris, France.

4888:. . Drawing Papers, n.24. NY: The Drawing Center, 2001. 2229:

Matrix . Halal(a) — Lapsus. Notes on Painting, 1985–1992

2035:. Edited by Griselda Pollock. Oxford: Blackwell (2006); 1890:. 14th Istanbul Biennial. Leeds: Wild Pansy Press (2015) 255:

The Origin of the Family, Private Property and the State

4881:. . Drawing Papers, n.24. NY: The Drawing Center, 2001. 4048:

Bracha L. Ettinger, "Matrixial Trans-subjectivity" in:

3742:

Matrix. Halal(a) – Lapsus. Notes on Painting, 1985–1992

2854:

Paris: Flammarion and Centre Georges Pompidou (1996);

2438:

Feminine and the Maternal in the Matrixial Transference

1842:

Matrix. Halal(a) – Lapsus. Notes on Painting, 1985–1992

4716:

Griselda Pollock, Ch. 6: "The Graces of Catastrophe",

3789:. NY: Peter Lang & Potchefstroom: Literator, 2007. 3348:

Tina Kinsella, Sundering the Spell of Visibility, in:

3123:

AHRC Centre for Cultural Analysis, Theory and History

3058:

Christine Buci-Glucksmann, "Inner space of painting",

1304:'s scenes. Her art was analysed at length in the book 1280:. In 2018-19 she participated with a solo show at the 1236:, Ettinger has become one of the major artists of the 4559: 4557: 3744:. Oxford: MoMA, 1993. Reprinted in: Artworking, 2000. 3539:"BRACHA L. ETTINGER - Artists - Andrew Kreps Gallery" 1902:

Intellectual Birdhouse. Artistic Practice as Research

1900:"The Sublime and Beauty beyond Uncanny Anxiety". In: 1872:"Translucent Fore-images. Glowing through Painting." 4076:

Matrix. Halala - Lapsus. Notes on Painting 1985-1992

3966:. Wild Pansy Press & London: Freud Museum, 2013. 2948: 2946: 2922: 2920: 1099:, who dedicated a number of essays to her painting. 3166:Benjamin, Andrew. "Lighting, Colouring, Workin" in 2784:"Documenta: Bracha L. Ettinger über ihren Austritt" 2301:. The Israel Museum, Jerusalem, 1991, pp. 246–256; 2254:

Differences: A Journal of Feminist Cultural Studies

1761:. The Wild Pansy Press, University of Leeds, 2015; 1753:. On the occasion of Bracha's Soloshow at The 14th 1052:. In 2000, she had a mid-life retrospective at the 168: 136: 116: 102: 84: 70: 37: 21: 5101:On Face à l'Histoire, Pompidou Centre art exhibit. 3097:de Zegher, Catherine and Pollock, Griselda, eds. 2733:Marshall, Alex; Farago, Jason (17 November 2023). 2342:"What would Eurydice Say?"/ "Que dirait Eurydice?" 1040:in Jerusalem, and in 1996 she participated in the 4893:Bracha Lichtenberg Ettinger: Artworking 1985–1999 4857:Heinz-Peter Schwerfel, "Matrix und Morpheus" in: 4667:Catherine de Zegher and Griselda Pollock (eds.), 3753:Bracha L. Ettinger, "Matrix and Metramorphosis." 3423:Catherine de Zegher and Griselda Pollock (eds.), 2993:Bracha Lichtenberg Ettinger: Artworking 1985–1999 2873:Edited by Catherine de Zegher and Brian Massumi. 2565:Bracha L. Ettinger, "Matrix and Metramorphosis", 2433:at the City Theatre, Amsterdam. 10 February 2009. 2139:Bracha Lichtenberg Ettinger: Artworking 1985–1999 1844:. Translated by Joseph Simas. Oxford: MOMA (1993) 1064:. She continued to train as a psychoanalyst with 4886:Bracha Lichtenberg Ettinger: The Eurydice Series 4879:Bracha Lichtenberg Ettinger: The Eurydice Series 4861:. DuMont Literatur und Kunst Verlag, Koln. 2003; 4213:Interdisciplinary Handbook of Trauma and Culture 4139:, University of Minnesota Press 2006, edited by 3826:Bracha Lichtenberg Ettinger: Halala – Autistwork 3153:Manning, Erin. "Vertiginious Before the Light", 2371:, n.24. NY: The Drawing Center. 2001, pp. 37–62. 1983:. Nr. 2 (Vilnius: Versus). 2006; ISSN 1822-5047 1966:Bracha L. Ettinger: Fragilization and Resistance 1881:Interdisciplinary Handbook of Trauma and Culture 1716:and feminist psychoanalytical thought alongside 1697:(2006, University of Minnesota Press, edited by 1342:) achieved recognition after the publication of 4655:edited by Catherine de Zegher. MIT Press (1996) 3841:. Ylojarvi: Pori Art Museum Publications, 1997. 3201:Bracha L. Ettinger. A. And My Heart Wound-Space 2759:"Documenta Resignation Letter - Notes - e-flux" 2533:Evans, Brad; Ettinger, Bracha L. (2016-12-17). 1613: 4957:Generations and Geographies in the Visual Arts 4669:Art as Compassion. Bracha Lichtenberg Ettinger 3425:Art as Compassion. Bracha Lichtenberg Ettinger 2667:. The European Graduate School. Archived from 1260:, and Eurydice, and the subject matter of the 5115:Griselda Pollock interviews Bracha Ettinger. 3949:. Stedelijk Museum print, 1997; Reprinted at 3267:Bracha L. Ettinger - And My Heart Wound-space 3251:Bracha L. Ettinger - And My Heart Wound-Space 2871:Bracha Lichtenberg Ettinger: Eurydice Series. 2186:, Minnesota University Press, 1996. 125–159; 1468:The early theory: from 1985 through the 1990s 973:Bracha Lichtenberg was born to Jewish-Polish 899: 8: 5023:İKSV Medya İlişkileri / IKSV Media Relations 4884:Adrian Rifkin, "... respicit Orpheus", 4061:“Carriance, Copoiesis and the Subreal.” In: 3900:Bracha L. Ettinger, "What is Intelligence". 3350:Bracha L. Ettinger: And My Heart Wound-space 3315:. New York: Columbia University Press, 2012. 3168:Bracha L. Ettinger. And My Heart Wound-Space 3049:, Radicants / Le press du reel, Paris, 2022 2974:Matrix. Halal(a) — Lapsus. Notes on Painting 2365:Bracha Lichtenberg Ettinger: Eurydice Series 2168:"Trauma and Beauty." In: Kjell R. Soleim , 2063:. Buenos Aires: Paidos. 2004, pp. 466–481; 5052:"To Feel the World's Pain and its Beauty". 4540:"New LGBT Website Aims at Gender Awareness" 3036:, Radicants / Le press du reel, Paris, 2022 2360:. Vol. 2 (Vilnius: Versus); ISSN 1822-5047. 2000:"Gaze-and-touching the Not Enough Mother", 981:on 23 March 1948. She received her M.A. in 921:(born 23 March 1948) is an Israeli-British 5340:Naturalised citizens of the United Kingdom 5180:Academic staff of European Graduate School 4877:, "Painting: The Voice of the Grain", In: 4745:Brigid Doherty, "Dwelling on Spaces". In: 4089:Matrixial Subjectivity, Aesthetics, Ethics 3138:Matrixial Subjectivity, Aesthetics, Ethics 3032:, Israel Museum, 1995 and in: Noam Sigal, 2137:"Art as the Transport-Station of Trauma", 1838:. Artist's book. Paris: BLE Atelier (1991) 1138:Painting: Matrix — Family Album series n.3 906: 892: 186: 29: 18: 4971:Denkräum. Zwischen Kunst und Wissenschaft 4026:. Royal Museum of Fine Art Antwerp, 2017. 3716:Encounters in the Virtual Feminist Museum 3633:Encounters in the Virtual Feminist Museum 3386:Encounters in the Virtual Feminist Museum 3073:Encounters in the Virtual Feminist Museum 1893:"Carriance, Copoiesis and the Subreal", 1728:dedicated an issue to her work in 2004. 1314:Encounters in the Virtual Feminist Museum 1072:, and became an influential contemporary 5160:21st-century Israeli non-fiction writers 5145:20th-century Israeli non-fiction writers 5054:Brad Evans interviews Bracha L. Ettinger 4565:"Fascinance: Forum for Ettinger Studies" 4273:. . Verlag Herman Schmidt, Mainz, 1992; 3265:. Between painting and the Digital, in: 2840:Interview (in Hebrew) with Lana Ettinger 1952:Explorations of Liminality in Literature 1232:'s major exhibition of 20th Century art 4595:"The Advisory Board of Srishti Madurai" 4428:Matrix et le voyage a Jerusalem de C.B. 3366:Writing on Contemporary Art and Artists 2842:, haaretz.co.il. Accessed 5 April 2024. 2525: 2427:The Old Brand New Series: New Knowledge 2292:Matrix et le voyage à Jérusalem de C.B. 2172:, Bergen Univ., Vol. 11: 115–128 (1999) 1836:Matrix et le Voyage à Jerusalem de C.B. 198: 5119:, Hay-en-Wye, Wales, 19 November 2011. 4800:Gorge(l): Oppression and relief in Art 4380:"We Owe Bracha Our Lives" by Or Ravid 3839:Doctor and Patient. Memory and Amnesia 3101:, Ghent: Mer. Papers Kunsthalle, 2011. 2218:. Routledge, London, 1994, pp. 38–62; 2158:, London: Ashgate, 2000, pp. 183–210; 1988:Gorge(l). Oppression and Relief in Art 1610:Fascinance: Forum for Ettinger Studies 1068:, Piera Auglanier, Pierre Fedida, and 378:Feminist Theory: From Margin to Center 4998:. London & NY: Routeledge, 2002; 4905:Griselda Pollock and Penny Florence, 4842:Griselda Pollock, "Does Art Think?", 4819:(1995), "Anamnesis: Of the Visible", 4735:Sofie Van Loo, "Eros and Erotiek" in 3292:. Manchester University Press, 2013; 3249:, Bracha Ettinger: Off Figures, in: 3088:, Ghent: Mer. Papers Kunsthalle, 2015 3019:, University of Minnesota Press, 2006 2655: 2653: 2651: 2649: 2647: 2535:"Opinion | Art in a Time of Atrocity" 2280:. London & NY: Routeledge, 2002; 398:Toward a Feminist Theory of the State 7: 4078:. Museum of Modern Art, Oxford, 1993 3496:"Pavilion Istanbul in/+Leeds Part 3" 1964:"Fragilization and Resistance". In: 1825:. Brussels: La lettre volee (1999); 4409:המרפאה הניידת של רופאים לזכויות אדם 4118:Regard et Espace-de-bord matrixiels 4039:. Edinburch University Press, 2017. 4001:. NY: G&B New Arts Press, 2001. 3673:Pollock, Griselda (February 2004). 2956:. Indiana University Press (1997); 2933:. Rutgers University Press (2003); 2931:Modernist Women and Visual Cultures 2593:Régard et éspace-de-bord matrixiels 2090:Theory, Culture and Society Journal 2021:– TCS, 23:2–3. 2006; ISSN 0263-2764 1823:Regard et Espace-de-bord matrixiels 1691:Regard et Espace-de-Bord Matrixiels 1424:World Association of Psychoanalysis 1292:Ettinger's work consists mostly of 1032:Ettinger had a solo project at the 5170:21st-century Israeli women artists 5155:20th-century Israeli women artists 5124:2012 Podcasts | Bracha L. Ettinger 4823:, Vol. 21(1), 2004; ISSN 0263-2764 4631:. Oxford University Press (2006); 4063:Saltwater. Theory of Thought Forms 2714:Alex Greenberger (30 March 2023), 2595:. Brussels: La Lettre Volée, 1999. 1914:"Antigone With(out) Jocaste". In: 1339:Feminist theory and psychoanalysis 873: 428:Feminism and the Mastery of Nature 14: 5235:British women non-fiction writers 5165:21st-century Israeli philosophers 5150:20th-century Israeli philosophers 5040:interview by Annie Godfrey Larmon 4922:Azetta — L'art de femmes Berberes 4846:. Oxford: Basil Blackwell, 2003; 3368:. Leuven University Press, 2012; 3203:. Leeds: Wild Pansy Press, 2015; 3170:. Leeds: Wild Pansy Press, 2015; 2387:Framework: The Finnish Art Review 1928:"Communicaring: Reflexion around 1869:. Leuven University Press (2019). 1112:Bezalel Academy of Art and Design 5126:, ucd.ie. Accessed 5 April 2024. 5096:International. 1 September 1997. 5049:, nytimes.com, 16 December 2016. 3934:Time is the Breath of the Spirit 3401:. Leeds: Wild Pansy Press, 2013. 2346:Time is the Breath of the Spirit 2328:Time is the Breath of the Spirit 2017:"Matrixial Trans-subjectivity". 1224:who had chosen her work for the 993:(1969/70, 1973/74, 1974/75) and 945:who invented the concept of the 206: 4987:. Goethe Institut, Paris, 1990. 4938:, VII: 3, 1997; ISSN 1048-1885. 4764:Women Artists as the Millennium 4454:A Threshold Where We are Afraid 4336:"הלילה בו פיקדתי על חיל-האוויר" 4271:/ Passagen Nach Walter benjamin 4050:Problematizing Global Knowledge 3802:21. Vol. 7, nº 4: 89–114, 2001. 3586:Women Artists at the Millennium 2314:A Threshold Where We are Afraid 1452:", with original concepts like 1306:Women Artists at the Millennium 167: 4091:. Vol I: 1990-2000, edited by 3936:. Lim. ed. Oxford: MOMA, 1993. 3224:. Yale University Press, 2005. 3140:. Vol I: 1990-2000. Edited by 2621:. New York: Peter Lang, 2007; 2460:Psychoanalysis and Aesthetics. 1632:is forum which was started by 987:Hebrew University of Jerusalem 75:Hebrew University of Jerusalem 1: 5220:British contemporary painters 5033:at the 14th Istanbul Biennial 4200:Athena: Philosophical Studies 4095:. Pelgrave - Macmillan (2000) 4074:Ettinger, Bracha Lichtnberg, 3878:"You are being redirected..." 3679:Theory, Culture & Society 3157:. MER Paper Kunsthalle, 2011. 2972:Bracha Lichtenberg Ettinger, 2852:Face à l'Histoire. 1933–1996. 2358:Athena: Philosophical Studies 2251:"Matrix and metramorphosis". 1981:Athena: Philosophical Studies 824:Feminist Philosophy Quarterly 788:Social construction of gender 5250:Israeli contemporary artists 5065:Interview by Marina Saburova 5045:"Art in a Time of Atrocity" 4909:. G&B Arts Press, 2000; 4780:. Edited by Vanda Zajko and 4685:. . . Musee d'Angers, 2011; 4649:Inscriptions in the feminine 4344:(in Hebrew). 8 October 2018. 3729:Psychoanalysis and the Image 3313:The Generation of Postmemory 3290:After-affects - After-images 2782:Kegel, Sandra (2023-11-20). 2449:On the Matrixial Borderspace 2033:Psychoanalysis and the Image 2019:Theory Culture & Society 1726:Theory Culture & Society 1046:Face à l'Histoire. 1933–1996 1019:University Paris VII Diderot 5058:Los Angeles Review of Books 5047:NYT interview by Brad Evans 4959:. London: Routledge, 1996; 4924:. Paris: Flammarion, 2000; 4831:Theory, Culture and Society 4821:Theory, Culture and Society 4811:Antwerp Royal Museum Annual 4503:Epaper.newindianexpress.com 4397:, iaf.org. 1 February 2018. 4246:public lecture at EGS, 2012 4011:Theory, Culture and Society 3815:. Vol. 21 (1): 69–94, 2004. 3813:Theory, Culture and Society 3388:. Taylor and Francis, 2010. 3144:, Pelgrave-Macmillan, 2020. 3047:Bracha Lichtenberg Ettinger 3034:Bracha Lichtenberg Ettinger 2907:. Oxford University Press; 2888:Theory, Culture and Society 2661:"Bracha Ettinger Biography" 1639:The aims of the forum are: 1282:Kochi-Muziris Biennale 2018 919:Bracha Lichtenberg Ettinger 308:Speculum of the Other Woman 23:Bracha Lichtenberg Ettinger 5356: 5335:Israeli women philosophers 5310:Philosophers of psychology 5305:Philosophers of literature 5245:British women philosophers 3999:Looking Back to the Future 3988:. Paris: Flammarion, 2000. 3852:"Members of the Institute" 3731:. Oxford: Blackwell, 2006. 3653:Women's Work is Never Done 3619:February 28, 2008, at the 3502:. Pavilion. Archived from 3412:Women's Work is Never Done 3330:Carolyn Christov-Bakargiev 3086:Women's Work is Never Done 3030:Matrix - Halala Autistwork 2498:20th century Women Artists 2045:"Art-and-Healing Oeuvre." 1759:Carolyn Christov-Bakargiev 1578:Ettinger is known for her 1539:and the poets and writers 1322:Women's Work is Never Done 1278:Carolyn Christov-Bakargiev 1125: 388:The Creation of Patriarchy 5315:Philosophers of sexuality 5200:Feminist studies scholars 4706:. SUNY Press: NY (2007); 4697:Eurydice's Becoming-World 4681:Patrick le Nouene (ed.), 4137:The Matrixial Borderspace 4024:A Glimpse of the Cocealed 3017:The Matrixial Borderspace 2580:The Matrixial Borderspace 2442:University of Puerto Rico 2209:The Matrixial Borderspace 1785:The Matrixial Borderspace 1779:Christine Buci-Glucksmann 1695:The Matrixial Borderspace 1386:, maternal subjectivity, 1344:Matrix and Metramorphosis 1093:Christine Buci-Glucksmann 937:based in France. Born in 318:This Sex Which is Not One 181: 80: 28: 5175:Continental philosophers 5085:. Accessed 5 April 2024. 4973:. Reimer, Berlin, 1993; 4936:Psychoanalytic Dialogues 4412:(in Hebrew) – via 4358:(in Hebrew). 31 May 2016 4226:And My Heart Wound Space 3691:10.1177/0263276404040479 2723:. Accessed 5 April 2024. 2453:European Graduate School 2263:Indiana University Press 2207:. Reprinted as Ch. I in 2177:Psychoanalytic Dialogues 2082:, Othervoices.org (1999) 2076:, Ephemeraweb.org (2005) 1888:And My Heart Wound-Space 1751:And My Heart Wound-space 1083:, international curator 1027:University of Paris VIII 1021:in 1987, and a Ph.D. in 1003:Philadelphia Association 951:European Graduate School 448:The Promise of Happiness 5300:Philosophers of culture 5018:14th Istanbul Biennial 4786:Oxford University Press 4443:. NY: SUNY Press, 2007. 4035:Gutierrez-Albilla, J., 3947:What Would Eurydice Say 3614:The MIT press book page 2976:. Oxford: MOMA (1993); 2494:(Jean-François Lyotard) 2482:Feminist Psychoanalysis 2409:Beyond Uncanny Anxiety. 2156:Differential Aesthetics 1757:"Saltwater" curated by 1481:The theory in the 2000s 1276:drafted and curated by 358:The Politics of Reality 243:The Subjection of Women 143:Lacanian Psychoanalysis 89:Contemporary philosophy 5265:Jewish Israeli artists 5260:Israeli women painters 5240:British women painters 5230:British psychoanalysts 5195:Feminist psychologists 4601:. 2013. Archived from 4571:. 2013. Archived from 3904:, vol 77: 36-37, 2023. 3651:De Zegher, Catherine, 3635:. Taylor and Francis; 3436:De Zegher, Catherine, 3410:De Zegher, Catherine, 3328:. Curator and Editor: 3110:de Zegher, Catherine, 1916:Interrogating Antigone 1627: 1567: 1412:L'anamnese (anamnesis) 1196: 1141: 418:Black Feminist Thought 368:Women, Race, and Class 127:Continental philosophy 5290:Artists from Tel Aviv 5038:Artforum Interviews. 4827:Jean-François Lyotard 4817:Jean-François Lyotard 4550:on December 29, 2013. 4426:Ettinger, Bracha L., 4302:"A Night to Remember" 4106:PROTO-ÉTICA MATRICIAL 4104:Ettinger, Bracha L., 4087:Ettinger, Bracha L., 3757:. Vol. 4, nº 3, 1992. 3655:. MER Edition, 2015; 3362:Jean-Francois Lyotard 3084:Catherine de Zegher, 2606:Proto-ética matricial 2569:. Vol. 4, nº 3, 1992. 2477:New European Painting 2402:Lectures and seminars 2080:"Re - In - De - Fuse" 1857:Selected publications 1798:Proto-ética matricial 1588:Jean-François Lyotard 1562: 1438:Psychoanalytic theory 1400:Jean-Francois Lyotard 1238:New European Painting 1194: 1135: 1089:Jean-François Lyotard 943:New European Painting 783:Gender performativity 278:The Feminine Mystique 123:New European Painting 5285:Mass media theorists 4788:, 2006, pp. 87–117; 4778:Laughing with Medusa 4704:Gender After Lyotard 4683:Le Cabinet de Bracha 4629:Laughing with Medusa 4544:Newindianexpress.com 4441:Gender After Lyotard 4290:he:טיבוע המשחתת אילת 4160:Upress relevant page 4013:. Vol. 21 (1). 2004. 3740:Bracha L. Ettinger, 3563:"Bracha L. Ettinger" 3506:on 19 September 2015 3414:. MER Edition, 2015. 3136:Bracha L. Ettinger, 3125:AHRC B.Ettinger page 3062:, Israel Museum 1995 2995:, with a reprint of 2905:Laughing with Medusa 2890:. Vol. 21 (1), 2004. 2637:Bracha L. Ettinger, 2619:Across the Threshold 2604:Bracha L. Ettinger, 2591:Bracha L. Ettinger, 2578:Bracha L. Ettinger, 2515:Feminist film theory 2444:, Río Piedras (2008) 2418:Bracha L. Ettinger. 2407:Bracha L. Ettinger. 2391:Permanent Transience 2125:Bodies of Resistance 1948:Across the Threshold 1527:, the woman artists 1510:in order to rethink 1070:Jacques-Alain Miller 1054:Centre for Fine Arts 348:In a Different Voice 338:Throwing Like a Girl 298:The Dialectic of Sex 5330:Social philosophers 5295:Philosophers of art 5270:Jewish philosophers 5190:Feminist philosophy 5079:Paintings 1992–2005 4920:Paul Vandenbroeck, 4833:, Vol. 21(1), 2004. 4605:on 25 December 2013 4575:on 25 December 2013 4528:. 25 December 2013. 4395:"Alone in El Arish" 4120:. La lettre volee; 3962:Pollock, Griselda. 3631:Pollock, Griselda, 3594:Catherine de Zegher 3543:www.andrewkreps.com 3397:Pollock, Griselda, 3384:Pollock, Griselda, 3060:Halala - autistwork 2695:GCAS College Dublin 2671:on 5 September 2015 2415:, 12 November 2010. 2393:and in Web Journal 2299:Routes Of Wandering 1930:Hiroshima mon amour 1687:Christian Boltanski 1604:Yeshayahu Leibowitz 1584:Christian Boltanski 1318:Catherine de Zegher 1214:Catherine de Zegher 1108:University of Leeds 1087:, and philosophers 1085:Catherine de Zegher 983:Clinical Psychology 975:Holocaust survivors 939:Mandatory Palestine 877:Feminist philosophy 200:Feminist philosophy 59:Mandatory Palestine 5320:Postmodern artists 5205:Feminist theorists 5111:ICI Berlin: Events 5072:Bracha L. Ettinger 5029:Heart String Space 4943:Inside the Visible 4653:Inside the Visible 4647:Griselda Pollock, 4525:The Times of India 4384:, 9 December 2017. 3902:Spike Art Magazine 3718:. Routledge, 2007. 3588:, 2006, Edited by 3440:. MIT Press, 1996. 3438:Inside the Visible 3233:Pollock, Griselda, 3190:. MIT Press, 1996. 3188:Inside the Visible 3114:, MIT Press, 1996. 3112:Inside the Visible 3071:Griselda Pollock, 2739:The New York Times 2539:The New York Times 2278:A Shock to Thought 2197:The Matrixial Gaze 2184:Rethinking Borders 2097:A Shock to Thought 1848:The Matrixial Gaze 1568: 1549:Alejandra Pizarnik 1384:feminine sexuality 1349:The Matrixial Gaze 1220:, director of the 1197: 1142: 1128:The Matrixial Gaze 1048:exhibition in the 845:Radical Philosophy 111:Western philosophy 5325:Postmodern theory 5225:British feminists 5077:Bracha Ettinger. 4772:978-0-262-01226-3 4758:978-0-262-01226-3 4750:as the Millennium 4712:978-0-7914-6956-9 4677:978-94-6117-008-8 4267:Passages d'après 4234:978-1-900687-55-3 4022:Vandenbroeck, P. 3984:Vandenbroeck, P. 3661:978-94-90693-47-3 3610:978-0-262-01226-3 3455:Centrepompidou.fr 3374:978-90-586-7886-7 3298:978-0-7190-8798-1 3275:978-1-900687-55-3 3247:Nicolas Bourriaud 3209:978-1-900687-55-3 3176:978-1-900687-55-3 3155:Art as Compassion 3099:Art as Compassion 3075:, Routledge, 2007 2997:Notes on Painting 2954:Feminism and Film 2627:978-1-4331-0002-4 2504:Écriture féminine 2458:Bracha Ettinger. 2447:Bracha Ettinger. 2440:, Lecture at the 2436:Bracha Ettinger. 2376:Craigie Horsfield 2205:978-0-9524899-0-0 2111:He Said, She Says 1960:978-1-4331-0002-4 1924:978-0-19-955921-3 1910:978-3-86335-118-2 1867:Aberrant Nuptials 1806:978-84-17690-86-1 1775:Nicolas Bourriaud 1767:978-1-900687-55-3 1755:Istanbul Biennial 1746:978-1-137-34515-8 1679:Craigie Horsfield 1418:in London and of 1408:Diffracted Traces 1274:Istanbul Biennial 1234:Face à l'Histoire 1136:Bracha Ettinger, 916: 915: 803:Standpoint theory 798:Intersectionality 226:A Vindication of 185: 184: 5347: 5255:Israeli painters 5210:Feminist writers 5185:Feminist artists 4953:Griselda Pollock 4805:Sofie Van Loo, " 4656: 4645: 4639: 4623:Vanda Zajko and 4621: 4615: 4614: 4612: 4610: 4591: 4585: 4584: 4582: 4580: 4561: 4552: 4551: 4546:. 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Reprinted in: 2266: 2265:: 176–208. 1992. 2216:Travelers' Tales 1970:Maternal Studies 1771:Griselda Pollock 1707:Griselda Pollock 1701:and foreword by 1671:Emmanuel Levinas 1625: 1596:Emmanuel Lévinas 1555:Other activities 1545:Marguerite Duras 1508:Griselda Pollock 1310:Griselda Pollock 1246:Stedelijk Museum 1226:contemporary art 1210:Griselda Pollock 1081:Griselda Pollock 1042:Contemporary art 1025:of Art from the 999:Tavistock Clinic 908: 901: 894: 875: 452: 442: 432: 422: 412: 402: 392: 382: 372: 362: 352: 342: 332: 322: 312: 302: 292: 282: 272: 261: 260: 247: 236: 235: 229: 210: 187: 107:Contemporary Art 51: 47: 45: 33: 19: 5355: 5354: 5350: 5349: 5348: 5346: 5345: 5344: 5130: 5129: 5117:Crunch Festival 5099:Adrian Rifkin. 5015: 4949:, Boston, 1996. 4844:Art and Thought 4798:Sofie Van Loo, 4664: 4662:Further reading 4659: 4646: 4642: 4622: 4618: 4608: 4606: 4599:Srishti Madurai 4593: 4592: 4588: 4578: 4576: 4569:Srishti Madurai 4563: 4562: 4555: 4538: 4537: 4533: 4518: 4517: 4510: 4497: 4496: 4492: 4487: 4483: 4471: 4467: 4451: 4447: 4438: 4434: 4425: 4421: 4406: 4405: 4401: 4392: 4388: 4379: 4375: 4361: 4359: 4354: 4353: 4349: 4334: 4331:Wayback Machine 4324: 4320: 4310: 4308: 4300: 4299: 4295: 4288: 4284: 4269:Walter Benjamin 4263:Robert Doisneau 4260: 4256: 4245: 4243: 4239: 4223: 4219: 4210: 4206: 4197: 4193: 4180: 4176: 4170: 4166: 4135: 4131: 4116: 4112: 4103: 4099: 4086: 4082: 4073: 4069: 4060: 4056: 4047: 4043: 4034: 4030: 4021: 4017: 4009: 4005: 3996: 3992: 3983: 3979: 3974: 3970: 3961: 3957: 3944: 3940: 3931: 3927: 3921: 3917: 3912: 3908: 3899: 3895: 3885: 3883: 3876: 3875: 3871: 3861: 3859: 3850: 3849: 3845: 3836: 3832: 3823: 3819: 3810: 3806: 3797: 3793: 3784: 3780: 3775: 3771: 3765: 3761: 3752: 3748: 3739: 3735: 3726: 3722: 3710: 3706: 3672: 3671: 3667: 3650: 3646: 3630: 3626: 3621:Wayback Machine 3590:Carol Armstrong 3584: 3580: 3571: 3569: 3561: 3560: 3556: 3547: 3545: 3537: 3536: 3532: 3523: 3519: 3509: 3507: 3500:pavilion.org.uk 3494: 3493: 3489: 3481:Pompidou Centre 3474: 3473: 3469: 3459: 3457: 3449: 3448: 3444: 3435: 3431: 3422: 3418: 3409: 3405: 3396: 3392: 3383: 3379: 3360: 3356: 3347: 3343: 3338:9-788836-636693 3323: 3319: 3309:Marianne Hirsch 3307: 3303: 3284: 3280: 3261: 3257: 3245: 3241: 3232: 3228: 3222:3 x Abstraction 3219: 3215: 3198: 3194: 3185: 3181: 3165: 3161: 3152: 3148: 3135: 3131: 3122: 3118: 3109: 3105: 3096: 3092: 3083: 3079: 3070: 3066: 3057: 3053: 3044: 3040: 3027: 3023: 3014: 3010: 2991: 2987: 2971: 2967: 2951: 2944: 2925: 2918: 2898: 2894: 2885: 2881: 2869: 2865: 2850: 2846: 2838: 2834: 2824: 2822: 2814: 2813: 2809: 2800: 2798: 2781: 2780: 2776: 2767: 2765: 2757: 2756: 2752: 2743: 2741: 2732: 2731: 2727: 2713: 2709: 2699: 2697: 2689: 2688: 2684: 2674: 2672: 2659: 2658: 2645: 2636: 2632: 2616: 2612: 2603: 2599: 2590: 2586: 2577: 2573: 2564: 2560: 2551: 2549: 2532: 2531: 2527: 2523: 2487:French Feminism 2473: 2425:). Lecture in: 2404: 2273: 2250: 2092:, No. 21 (2004) 2047:3 X Abstraction 2026:ARS 06 Biennale 1859: 1851: 1811:Yhdessatuotanto 1734: 1714:French feminism 1666: 1634:Srishti Madurai 1626: 1623:Srishti Madurai 1620: 1612: 1600:Robert Doisneau 1564:Robert Doisneau 1557: 1521:Greek Mythology 1483: 1470: 1445: 1440: 1420:Piera Aulagnier 1362: 1334:French feminism 1326:cultural theory 1324:. Her ideas in 1290: 1242:Pompidou Centre 1230:Pompidou Center 1228:section of the 1130: 1124: 1074:French feminist 1066:Françoise Dolto 1050:Pompidou Centre 1034:Pompidou Centre 971: 912: 883: 882: 881: 880: 879: 872: 867: 859: 858: 857: 817: 809: 808: 807: 778:Gender equality 735: 727: 726: 725: 465: 457: 456: 450: 440: 430: 420: 410: 400: 390: 380: 370: 360: 350: 340: 330: 320: 310: 300: 290: 288:Sexual Politics 280: 270: 263: 258: 253: 245: 238: 233: 227: 224: 218: 171: 151:feminist theory 139: 129: 71:Alma mater 66: 52: 49: 43: 41: 24: 17: 12: 11: 5: 5353: 5351: 5343: 5342: 5337: 5332: 5327: 5322: 5317: 5312: 5307: 5302: 5297: 5292: 5287: 5282: 5277: 5275:Jewish writers 5272: 5267: 5262: 5257: 5252: 5247: 5242: 5237: 5232: 5227: 5222: 5217: 5215:Film theorists 5212: 5207: 5202: 5197: 5192: 5187: 5182: 5177: 5172: 5167: 5162: 5157: 5152: 5147: 5142: 5132: 5131: 5128: 5127: 5120: 5113: 5108: 5097: 5088:Anne Dagbert. 5086: 5075: 5068: 5061: 5050: 5043: 5036: 5026: 5014: 5013:External links 5011: 5010: 5009: 5006: 4988: 4981: 4967: 4950: 4939: 4932: 4918: 4903: 4889: 4882: 4872: 4869: 4859:Kino und Kunst 4855: 4840: 4834: 4824: 4814: 4803: 4796: 4782:Miriam Leonard 4774: 4760: 4743: 4733: 4714: 4700: 4693: 4679: 4663: 4660: 4658: 4657: 4640: 4625:Miriam Leonard 4616: 4586: 4553: 4531: 4508: 4490: 4481: 4465: 4445: 4432: 4419: 4399: 4386: 4373: 4347: 4318: 4293: 4282: 4254: 4237: 4217: 4204: 4191: 4174: 4164: 4129: 4110: 4097: 4080: 4067: 4054: 4041: 4028: 4015: 4003: 3990: 3977: 3968: 3955: 3938: 3925: 3915: 3906: 3893: 3869: 3843: 3830: 3817: 3804: 3791: 3778: 3769: 3759: 3746: 3733: 3720: 3704: 3665: 3644: 3624: 3578: 3554: 3530: 3517: 3487: 3467: 3442: 3429: 3416: 3403: 3390: 3377: 3354: 3341: 3317: 3301: 3278: 3255: 3239: 3226: 3213: 3192: 3179: 3159: 3146: 3129: 3116: 3103: 3090: 3077: 3064: 3051: 3038: 3021: 3008: 2985: 2965: 2952:Humm, Maggie, 2942: 2916: 2901:Miriam Leonard 2892: 2879: 2875:Drawing Papers 2863: 2844: 2832: 2807: 2774: 2750: 2725: 2707: 2682: 2643: 2630: 2610: 2597: 2584: 2571: 2558: 2524: 2522: 2519: 2518: 2517: 2512: 2510:Gender studies 2507: 2500: 2495: 2489: 2484: 2479: 2472: 2469: 2468: 2467: 2456: 2445: 2434: 2416: 2403: 2400: 2399: 2398: 2383: 2372: 2369:Drawing Papers 2361: 2338: 2324: 2310: 2295: 2289: 2272: 2269: 2268: 2267: 2248: 2226: 2212: 2194: 2180: 2173: 2166: 2152: 2135: 2121: 2107: 2093: 2083: 2077: 2071: 2057: 2043: 2029: 2022: 2015: 1998: 1984: 1974: 1962: 1944: 1926: 1912: 1898: 1891: 1884: 1877: 1870: 1863: 1858: 1855: 1854: 1853: 1845: 1839: 1833: 1820: 1814: 1808: 1795: 1782: 1748: 1733: 1732:Selected books 1730: 1724:. 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Laing 959:Switzerland 935:philosopher 838:philoSOPHIA 793:Care ethics 766:metaphysics 646:Taylor Mill 481:de Beauvoir 328:Gyn/Ecology 217:Major works 5134:Categories 5020:Salt Water 4382:Walla News 4362:9 February 4311:9 February 3953:n.2, 2006. 3886:9 February 3572:2024-06-29 3548:2024-06-29 3460:9 February 2825:9 February 2816:"78372597" 2801:2024-02-22 2768:2024-02-22 2763:e-flux.com 2744:2023-11-19 2700:9 February 2552:2024-02-22 2521:References 2413:ICI Berlin 1630:Fascinance 1396:aesthetics 1258:Persephone 1244:, and the 1158:Persephone 1023:Aesthetics 1001:, and the 746:analytical 511:De la Cruz 155:aesthetics 44:1948-03-23 4947:MIT Press 4722:Routledge 3881:Wapol.org 3856:taicp.org 3699:0263-2764 2796:0174-4909 2547:0362-4331 2003:Eva Hesse 1895:Saltwater 1537:Emma Kunz 1529:Eva Hesse 1487:spiritual 1288:Reception 1182:Emma Kunz 1029:in 1996. 1017:from the 985:from the 963:Documenta 691:Showalter 666:Pankhurst 626:MacKinnon 621:Luxemburg 581:Haslanger 546:Firestone 5105:Artforum 5103:Review. 5094:Artforum 5092:Review. 4724:, 2007; 4627:(eds.), 4609:15 March 4579:12 March 4329:and the 3800:Parallax 3767:100–135. 3617:Archived 3567:HIGH ART 2903:(ed.s), 2820:Viaf.org 2471:See also 2431:De Appel 2395:Ephemera 2380:Relation 1619:— 1580:portrait 1523:and the 1375:ontology 1146:Eurydice 1122:Artistic 1062:New York 979:Tel Aviv 955:Saas-Fee 866:Category 816:Journals 741:Feminism 701:Voilquin 676:Plumwood 656:Nussbaum 601:Kristeva 591:Irigaray 541:Federici 192:a series 190:Part of 55:Tel Aviv 5074:, 2008. 5042:, 2018. 5035:, 2015. 5025:, 2015. 4994:(ed.), 4813:, 2006. 4414:YouTube 4368:YouTube 4341:YouTube 4306:Iaf.org 4251:YouTube 3858:. 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