Knowledge (XXG)

Brigitte Manceaux

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Manceaux as "sole guardian" of his estate. He also disclosed that his godchild, Marie-Ange Lebedeff, born on 13 September 1946, was in actuality his daughter that he had fathered out of wedlock with a friend, Fréderique Lebedeff. Neither his daughter nor Manceaux would learn the contents of the will until after Poulenc’s death. The document also indicated to Manceaux to whom he wished to bequeath various items from his estate, the majority of which he left to her. He also pleaded with her to care for his daughter in the event of his death. In the will, Poulenc said that Manceaux was "like a second Raymonde" to him.
87:. In July 1945, Poulenc wrote to Manceaux that he was delighted that she would be recording the sonata with the violinist Françoise Soulé, but no further trace of this recording appears to have survived. Soulé, another close friend of Manceaux's, would later marry Pierre Momméja. By the 1940s, Manceaux had become Poulenc's assistant, called upon to attend to various tasks on his behalf, often on short notice. Manceaux also became Poulenc's most trusted confidante and closest friend. 1202: 116:
Poulenc died on 30 January 1963 in his Paris apartment following weeks of illness; he had suffered a mild heart attack the previous August. Jacqueline Latarjet had been informed of Poulenc's death by Françoise Momméja, who pleaded with her to break the news to Manceaux. Latarjet called Manceaux, but
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she dubbed "La Brigida" in August 1957. In one of the few extant letters from Manceaux to Poulenc, she wrote on 16 August of her new home in this "pretty Basque country " that it suited her needs: "As I get older I need more heat, to live outdoors, and to enjoy living without sweaters." Manceaux
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In spring 1954, Poulenc was reeling from news that his lover, Lucien Roubert, had been diagnosed with terminal cancer. Poulenc was also suffering from problems with his gall bladder during this time. Fearing that he possibly had cancer as well, Poulenc drafted a will on 2 June 1954 designating
69:. In 1933 she met fellow student Jacqueline Bernard, who became a lifelong friend and later married Poulenc's then lover, Raymond Latarjet. After graduating, Manceaux taught piano privately, as well as gave recitals, often under the auspices of her uncle. 113:. Manceaux was described by her friend Jacqueline Latarjet as a fine musician, a charming woman, but a victim of an excess of modesty who lacked confidence in herself despite her qualities. Bonafoux recalled her generosity and her gregariousness. 134:. Manceaux wrote to her mother that the whole time she had the impression that Poulenc would reappear. "I do not understand what is happening to me," she continued," being there without Francis, in his place." The next month, she travelled with 72:
On 30 January 1930, Poulenc's childhood friend Raymonde Linossier died after a sudden illness. Later that year, Poulenc began to seek Manceaux's help and counsel. Poulenc wrote to Long that Manceaux was aiding him in the composition of his
61:. Between 1917 and 1919, the still teenaged Poulenc lived with the Manceaux family after his parents had died. Manceaux developed an interest in music as a child, which was encouraged by her uncle and mother. She later enrolled in the 117:
balked at the last moment. Instead, she suggested they visit the composer as he was not feeling well. Manceaux learned of her uncle's death when she arrived at his apartment, whereupon she screamed "He's dead!" and collapsed.
164:, who was by Manceaux's side at her death, her last words were: "My only consolation is knowing that I am going to meet Francis again, but at the same time it is hard to die when one is still young!" 1245: 638: 1250: 751: 74: 912: 37:
in 1930, Manceaux assumed her place as her uncle's closest friend and lifelong confidante; eventually she also became his unofficial secretary and advisor.
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in 1914 to André and Jeanne Manceaux, who had been wed on 2 June of the previous year. Her mother was the elder sister of the composer
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Manceaux's assistance proved especially invaluable while Poulenc composed and attended to the rehearsals for
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on 10 and 11 April respectively. She returned exhausted to "La Brigida," where she became afflicted with a
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in 1957. She not only completed tasks related to the opera itself, but also managed his home in
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while he was away. With the help of her father, Manceaux acquired a property for herself in
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lived with her partner Inès Bonafoux, a nurse she had met during the
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The following March, Manceaux travelled to Milan to supervise
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French pianist and niece of Francis Poulenc (1914–1963)
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Francis Poulenc: Lettres inédites à Brigitte Manceaux
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(2019). 534:Poulenc: The Life in the Songs 45:Brigitte Manceaux was born in 1: 1241:Conservatoire de Paris alumni 1261:French women music educators 1081:Les mariĂ©s de la tour Eiffel 536:. New York City: Liveright. 299:IMSLP Petrucci Music Library 666:Dialogues of the Carmelites 1277: 1034:Litanies Ă  la Vierge Noire 1197: 629: 1054:Sept rĂ©pons des tĂ©nèbres 847:ÉlĂ©gie pour cor et piano 789:Sonata for two clarinets 658:Les mamelles de TirĂ©sias 153:Sept rĂ©pons des tĂ©nèbres 127:Les Mamelles de TirĂ©sias 97:Dialogues des CarmĂ©lites 1140:L'Invitation au château 639:List of works for piano 75:Concerto for Two Pianos 1256:French piano educators 964:Les Chemins de l'amour 1116:Le Gendarme incompris 956:Fiançailles pour rire 883:Mouvements perpĂ©tuels 124:'s new production of 80:Quinze improvisations 1236:Musicians from Paris 1089:L'Ă©ventail de Jeanne 634:List of compositions 575:Poulenc: A Biography 1026:Choir and orchestra 991:Messe en sol majeur 948:Chansons gaillardes 905:SoirĂ©es de Nazelles 709:Les Animaux modèles 504:, pp. 357–358. 417:, pp. 365–366. 405:, pp. 363–364. 983:Choir (a cappella) 63:Paris Conservatory 28:Raymonde Linossier 1213: 1212: 1179:Brigitte 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539: 535: 531: 527: 526: 523:Cited sources 522: 516:, p. 20. 515: 514:Miscevic 2019 510: 507: 503: 502:Miscevic 2019 498: 495: 491: 486: 483: 479: 474: 471: 468:, p. 17. 467: 466:Miscevic 2019 462: 460: 456: 452: 451:Miscevic 2019 447: 444: 440: 435: 432: 428: 427:Miscevic 2019 423: 420: 416: 415:Miscevic 2019 411: 408: 404: 403:Miscevic 2019 399: 396: 393:, p. 18. 392: 391:Miscevic 2019 387: 384: 380: 375: 372: 368: 363: 360: 356: 351: 348: 344: 339: 336: 333:, p. 16. 332: 331:Miscevic 2019 327: 324: 321:, p. 44. 320: 319:Miscevic 2019 315: 312: 300: 296: 290: 287: 283: 278: 275: 272:, p. 81. 271: 266: 263: 260:, p. 77. 259: 254: 251: 248:, p. 13. 247: 246:Miscevic 2019 242: 240: 236: 232: 231:Miscevic 2019 227: 224: 221:, p. 10. 220: 215: 212: 209:, p. 14. 208: 207:Miscevic 2019 203: 201: 197: 193: 188: 185: 182:, p. 12. 181: 180:Miscevic 2019 176: 173: 167: 165: 163: 159: 155: 154: 149: 145: 144:New York City 141: 137: 136:Pierre Bernac 133: 132:Nino Sanzogno 130:conducted by 129: 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Index

Francis Poulenc
Raymonde Linossier
fr
Paris
Francis Poulenc
Jeanne Raunay
Claire Croiza
Paris Conservatory
Marguerite Long
Concerto for Two Pianos
Quinze improvisations
Violin Sonata
Dialogues des Carmélites
Noizay
Saint-Tropez
war
La Scala
Les Mamelles de Tirésias
Nino Sanzogno
Pierre Bernac
Suzanne Peignot
New York City
Clarinet Sonata
Sept répons des ténèbres
bowel obstruction
Marcel Schneider
Miscevic 2019
Johnson 2020

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