30:
3104:'s version of the tune is comparatively more popular. Davis alters the A section's main motif, and tritone substitutes Monk's changes during the bridge. Therefore, Miles Davis starts the melody of the bridge a half-step too low. He later recorded a contrafact of the tune, called "I Didn't", and appears on the album
784:
The original stereo LP referred to the song as “That Old Man” on both the jacket and the label, but the mono LP listed the song as “That Old Man” on the jacket and “Children’s Song” on the label, as have later reissues of the stereo LP. A 1984 European LP listed it as simply "Children’s Song", but it
2458:
A 32-bar ballad in AABA-form that Monk composed around 1945, and first titled "Manhattan Moods". The tune was later retitled "Ruby, My Dear" after Rubie
Richardson, Monk's first love and his older sister Marion's best friend. It was however not for nostalgic reasons, but because the first phrase of
2759:
Music educator Mark C. Gridley wrote about Monk's composition style: "Monk employed simple compositional devices with very original results. His 'Straight, No Chaser' involves basically only one idea played again and again, each time in a different part of the measure and with a different ending."
1577:
The tune is notable for its radical chord progressions and form, as it is borderline atonal. In most jazz standards, the A-section is used to establish the key, while the B-section has tonal excursions, but in "Introspection", the roles of the sections are reversed. The A-section doesn't land on a
2985:
A 32-bar tune in AABA-form. “The first known recording of Ugly Beauty took place on
November 14, 1967, for a taped television broadcast. Exactly one month later, Monk’s quartet made their only studio recording of this song (Columbia CS9632)" on December 14, 1967, for the album
2929:
may have misheard when Monk said the title of the tune in studio – Gitler reports that Monk may have said "Trinkle, Tinkle, like a star" instead of "Twinkle, Twinkle, like a star". It is also believed that the title is a corruption of the term "tickler", which was what the old
360:, where Denzil Best's parents were born. It is a 16-bar tune with an AABA-form. The 4-bar A-section is essentially in C major but borrows tones from the parallel C minor scale, and is transposed up a fourth to create the B section of the form. The tune also appears on
2964:'s house. It is believed that since Monk kept most of his sheet music in Pannonica's house, Clark stole the lead sheet and claimed as his own, in hopes of the tune being a hit. The original lead sheet was later discovered around the 1990s, and was first recorded by
1896:
A ballad in AABA-form that was written around 1943–1944, and went through many working titles, including "Feeling That Way Now", and "Be
Merrier Sarah", until Monk settled for the title "Monk's Mood". It was first recorded on October 24, 1947, for the
679:
A notoriously difficult 22-bar tune in ABA-form (8-7-7 bars respectively), where the head is first played slowly and then in double-time. The choruses in the solos also follow this form. The tune was first recorded on
October 15, 1956, for the album
2515:
A 32-bar tune in AABA-form that Monk composed on New Year's Eve 1959. The tune was initially titled "Classified
Information", but he opted to retitle it as "Worry Later", when recording it for the first time on April 29, 1960, for the album
567:, released by the Black Lion label. This is the only recording of this composition. The melody is based on blues riffs that are loosely crafted, and was largely improvised. Monk demonstrated his artistry in stride piano in this recording.
3049:
A 32-bar tune in AABA-form that is one of Monk's most popular tunes, and is famous for its chromatically ascending/descending chords. The tune was earlier known as "You Need 'Na". The tune was first recorded on
October 24, 1947, for the
1055:
sessions. However, Monk repeatedly changed notes and the chords to the tune and added the B-section, eventually making it "his" tune. Hakim originally wrote the tune in dedication to an old flame of Hakim, Lenore Gordon
3082:
Monk's version uses an F pedal in the A section, with an obbligato figure in addition to the melody. The line rises chromatically from C for each bar, then descends when it has reached E. The bridge starts on
188:
in C, and was copyrighted by Monk under the title "Nameless" in April 1944. The tune was also called "Bip Bop" by Monk, and he claims that the tune's latter title was the origin of the genre-defining name
1324:
1268:
A 32-bar tune in AABA-form that Monk wrote between
December 1965–January 1966 in dedication to his children who went to school at that point. It was first recorded on November 14, 1966, for the album
2996:'s suggestion to play the tune as a waltz, and "Ugly Beauty" is therefore significant for being Monk's only waltz. Mike Ferro later wrote lyrics to the tune, and the song was recorded in 1988 by
2223:
featuring a one-bar riff built on the interval of a raised fourth (or augmented fourth), also known as a flatted fifth or tritone. Monk recorded it only once, on
February 14, 1968, for the album
3146:
A 32-bar tune in AABA-form, and is also notable for its difficult melody, chromatic changes, and obbligato bass line. Monk recorded it only once, on
September 22, 1954, and appears on the album
734:
wanted to call the tune "Go", but because of the Latin influence, Weinstock asked for a
Spanish translation, thus "Go" became "Vaya", and "Vaya" became "Bye-Ya". The tune was later recorded for
641:. Both versions have the AABA form, where the last A-section has an extended coda. The version from 1955 has 10 bars in the last A-section, while the version from 1964 has 12 bars, accordingly.
5263:
2011:
1918:
1121:
1111:
896:
741:
487:
2099:. Two unrelated explanations have been reported regarding the origin of the title. The plausible explanation is that the title is a reference to the radio personality and jazz broadcaster
29:
1305:
later claimed ownership of the tune and recorded it under the name "Rifftide" and recorded it February 23, 1945. It was not recorded by Monk until May 11, 1954, and appears on the album
5235:
2622:
sessions, but it has since the 2000s became a popular tune, with many cover versions. It is commonly agreed that the "Skippy"'s changes are based on Monk's reharmonization of "
2322:
1524:
1430:
1106:
476:
1064:
backwards). When the recording was released, it was only credited to Monk – Hakim and Sulieman did not receive the composer's credit until Monk's death. It later appeared on
657:" that Monk developed during the European tour in 1961, where the melody consists of staccato notes that outline the harmony. It was first recorded on November 1, 1962, for
831:
3075:
The title was inspired by jazz singer Charles Beamon. Monk wrote a song and told Beamon he was going to name it after him, to which Beamon replied, "Well, you need not".
3245:
1088:". The title is a corruption from "Just You, Just Me" to "Just Us" to "Justice" to the final title "Evidence". The tune was first recorded on July 2, 1948, for the
2004:", in that in their respective B-sections, that A-part is transposed to the subdominant to create B-section. The tune was recorded again July 1957 for the album
983:, and was copyrighted on June 2, 1941, and was the first tune copyrighted by Monk. It is a relatively atonal 32-bar tune in ABCB-form, though the key center is C
1379:” that was the first tune Monk recorded as a leader. During the head, the first four bars of the A-section are replaced with cycling dominants, that start on F
2436:"'Round Midnight" is Monk's most recorded tune, and the world's most recorded standard by a jazz musician. The tune was first recorded on August 22, 1944, by
2278:
it is "classic, paradoxical Monk, beautiful and memorable yet a minefield of odd intervals, each essential to its bricks-and-mortar structure". In the 1980s,
919:"Criss-Cross" (originally titled "Sailor Cap") was one Monk's first compositions, he wrote early in 1944 as response to a collaborative project between Monk,
859:
A through-composed tune that is played without solos. Monk composed the tune throughout May 1957. The tune was originally titled "Twilight with Nellie", but
5410:
3033:
2702:
1775:
1270:
992:
The main melodic theme was composed by Clarke, after experimenting with fingerings on the ukulele, and the chords were written by Monk. However, the word "
309:'s troubles with her stay at the Bolivar Hotel, where her parties would disturb the management of the hotel. It also appears on the posthumous Monk album,
5587:
5291:
2849:
2069:
1970:
built on a short riff similar to one later used in "Raise Four". Monk recorded it only once, in the afternoon session on October 31, 1964, for the album
1922:
1746:
1540:
1203:
900:
495:
5158:
1000:
as "the repetition of a word or expression at the end of successive phrases, clauses, sentences, or verses especially for rhetorical or poetic effect".
5116:
2132:
A 33-bar tune in AABA-form (8-8-8-9) that is one of Monk's most popular ballads. The tune was written around the summer of 1956, and was dedicated to
2892:. The tune is very similar in conception to "Thelonious", as the melody insists the tonic, with albeit more unexpected changes than in "Thelonious".
1735:, that was written around 1943–1944, and was originally called "The Pump". It was later retitled "Little Rootie Tootie" in dedication to Monk's son,
690:
edited the final version by splicing together material from the takes. The tune was later recorded in a simplified version on November 20, 1968, for
5582:
5417:
2035:
A 32-bar tune in AABA-form that is notoriously difficult to play. The tune was first titled "What Now", and part of the A-section was borrowed from
319:; on the latter release, it was retitled "Bolivar Blues" or "Blue Bolivar Blues". Live versions also appear from the albums recorded in 1964 at the
1976:. The recording session was in Los Angeles during a West Coast tour by the quartet, suggesting that the title probably refers to Sunset Boulevard.
474:, and is by far the tune Monk recorded the most. The melody is partly borrowed from Charlie Shavers' "Pastel Blue". Versions of the tune appear on
5333:
4954:
1870:
736:
659:
593:
315:
5470:
5270:
1161:
A 32-bar tune in AABA-form notorious for its many 16th notes. A contrafact of "Five Foot Two", It was first recorded on July 23, 1951, for the
362:
5046:
5008:
4975:
4647:
4614:
937:. On the first version, the tune is in a standard 32-bar AABA-form, but in the last version, the two last bars of the B-section are dropped.
3201:
1011:
on April 1, 1942, and it was later recorded by Clarke's band on September 5, 1946. It was not recorded by Monk before July 2, 1948, for the
5553:
5207:
793:
An improvised, abstract, and conceptual composition by Monk, recorded on November 15, 1971, and released as a bonus track in Black Lion's
2544:
A 32-bar tune in AABA-form, with an unusual bass ostinato. The title is a corruption of "shuffle ball", which is a move commonly used in
1512:, and many biographies of Powell have since cited it as Monk's gratitude for Powell's actions in his defense during a police raid of the
5424:
2988:
2843:
2616:-major. The tune was named after Nellie Monk's sister, whose real name was Evelyn. Its only recording was done on May 30, 1952, for the
2225:
1794:
1792:
A Christmas tune that Monk composed in the holiday of 1959 with lyrics, that was never recorded. It was supposed to be recorded for the
1546:
1276:
1110:. The melody and chord progression of the tune continued to evolve, finally gelling into a "definitive" form in later 1957, as heard on
613:
3935:
2598:. Untitled at the time of the recording, Monk would later record a refined version in his San Francisco session called "Round Lights".
5542:
5284:
5249:
5200:
4331:
3058:
3027:
2908:
2473:
2249:
2057:
2015:
2006:
1862:
A 32-bar tune in AABA-form, and was first recorded October 15, 1952, and written around the same time. It first appeared on the album
1832:
1683:
1534:
1313:
1227:
1100:
1066:
745:
587:
5547:
5305:
5193:
5077:
4919:
4301:
4281:
3148:
2479:
2414:
2261:
2148:
1197:
547:
430:
5312:
5172:
3134:
3052:
2900:
A 32-bar tune in AABA-form that is notorious for its difficult melody. It was first recorded on December 18, 1952, for the album
2837:
2684:
2618:
2574:
2518:
2461:
2446:
2051:
1899:
1667:
1650:
1564:
1518:
1397:
1363:
1168:
1163:
1129:
1051:
929:
238:
5361:
3132:
A 32-bar tune in AABA-form, and is notable for its difficult melody. Monk recorded it only once, on November 21, 1947, for the
2572:
A 16-bar tune in AABA-form, and the title is from the tune's number of bars. Its only recording was done May 30, 1952, for the
2200:
2095:
1838:
1717:
1618:. The tune's march-like feeling made it the opening theme for many of Monk's concerts. It also appears on the live albums from
1451:
1172:
1137:
749:
3249:
2733:
2349:
The A section is found in multiple recordings of Monk's friends on recordings from the 1930s to 1940s. The theme is found in
5403:
5109:
2107:
named a different jazz composition, "An Oscar for Treadwell"). The other explanation is that title is a corruption of the
410:
2198:. The B-section rhythmically displaces the concluding phrase from the preceding A-section. It later appears on the album
5498:
5067:
1677:
1003:
The tune appears on almost every single live album by Monk, as it was the closing tune of each set from Monk's days at
5136:
1798:
sessions, but was never ultimately recorded due to Monk's failing health. It was first released as a piano version by
1187:
in G. The tune was written and recorded in the studio on November 13, 1953. The tune was partly inspired by trumpeter
2807:
minor in ABA-form. "Teo" was written as a tribute to Monk's, and many other of Columbia's jazz musicians', producer,
4738:
4663:
5354:
5214:
3574:
2961:
2628:
2133:
860:
806:
503:
306:
5525:
5396:
2855:
2725:
2431:
1850:
1344:
1145:
668:
511:
404:
324:
2528:, it finally appeared under the title "San Francisco Holiday", which Monk named after his family's long stay in
5326:
5102:
2713:
1619:
908:
650:
386:
4955:
https://ia803106.us.archive.org/26/items/cd_underground_thelonious-monk_0/cd_underground_thelonious-monk_0.pdf
2594:
An improvised blues recorded for the soundtrack of French movie "Les Liaisons dangereuses 1960", directed by
5449:
2862:
The A-section is based on a riff that Monk used very often, dating back to his days as the house pianist at
1814:"Misterioso" was the first 12-bar blues that Monk wrote, and it was first recorded on July 2, 1948, for the
1640:
528:
194:
2444:, persuaded Williams to record the tune. The song was first recorded by Monk on November 21, 1947, for the
617:. "Boo Boo" was the nickname of Monk's daughter, Barbara Evelyn Monk (September 3, 1953–January 10, 1984).
1497:
625:
A tune that was recorded only twice, and the form is different on both versions. It was first recorded by
447:
5368:
2776:
2560:
2386:
The piece has since appeared on dozens of Monk's releases, as well as being covered by musicians such as
1029:
637:
5484:
2255:
1826:
1799:
810:
2880:
A 32-bar tune in AABA-form. The tune was first recorded on November 13, 1953, and appears on the album
2863:
2362:
1004:
709:
34:
1612:, that Monk named after his niece, Jackie Smith. It was first recorded on June 4, 1959, for the album
5277:
5179:
3106:
2902:
2812:
2607:
2343:
2239:
1992:
1864:
1741:
1707:
1125:
1116:
841:
726:
491:
470:
348:
336:
269:
2320:, and one of Monk's staple tunes. "Rhythm-A-Ning" was first recorded on May 15, 1957, for the album
1767:
A 20-bar tune in ABA-form (8-8-4) that was first recorded on May 11, 1954, and appears on the album
5389:
5340:
5256:
5165:
5000:
4874:
4688:
4639:
2888:
2721:
2690:
2634:
2524:
2338:
2328:
2154:
1878:
later wrote lyrics to the tune, and retitled it "Man, That Was a Dream", and was first recorded by
1844:
1816:
1436:
1420:
1319:
1256:
1141:
1090:
1072:
1013:
934:
891:
847:
664:
654:
599:
507:
398:
320:
2743:. It has been recorded numerous times by Monk and others and is one of Monk's most covered songs.
5477:
5228:
2657:
2623:
2298:
1905:
1217:
1184:
5038:
4763:
4572:
3794:
2682:", makes creative use of chromatics in the melody. It was first recorded July 23, 1951, for the
2418:. The album's liner notes claim the title is "in honor of" the "ancient, ornate chandeliers" in
563:
Probably one of the last official known compositions by Monk recorded on November 15, 1971, for
3420:
2342:. It also appears on almost every single live album recorded by Monk since 1958, starting with
1562:
A 36-bar tune in AABA-form (8-8-8-12). It that was first recorded on October 24, 1947, for the
17:
5375:
5221:
5186:
5073:
5042:
5004:
4971:
4915:
4667:
4643:
4610:
4606:
4396:
4327:
4297:
4277:
3120:
3021:
3002:
2882:
2817:
2752:
2583:
2498:
2379:
2358:
2350:
2288:
2180:
2166:
2138:
1884:
1769:
1645:
1493:
1474:
1307:
1298:
1294:
1085:
976:
950:
920:
777:
682:
582:
538:
368:
301:
264:
4713:
4315:
5560:
4992:
4631:
4387:
3037:. The tune was initially called "Weetee", which was the nickname for Monk's cousin, Evelyn.
2948:
1501:
1464:
941:
708:
A 32-bar Latin-tune in AABA-form that was originally titled "Playhouse" (as a dedication to
438:
in 1958, the melody is borrowed from Warren's "The Talking Drum Looks Ahead" from the album
4802:
611:
A 21-bar tune in AAB-form. Monk recorded it only once, on December 21, 1967, for the album
5125:
2785:
2437:
2237:
A popular ballad in AABA-form that was first recorded on December 18, 1952, for the album
2108:
2100:
2045:
1415:
1302:
1046:
1008:
997:
955:
864:
721:
443:
214:
210:
202:
42:
5491:
5463:
5431:
5242:
4993:
4632:
4079:
3064:
2914:
2708:
2554:
2467:
2267:
2063:
1947:
1755:
1689:
1250:
1244:
A 32-bar tune in AABA-form with a notoriously difficult melody. It was first recorded by
1023:
873:
692:
631:
482:
4943:
877:; on that album (and on many of its reissues), "Crepuscule" was spelled "Crepescule" (3
486:. The tune appears on almost every single live album by Monk, including the albums from
5319:
5298:
5031:
2931:
2781:
2696:
2606:
A 32-bar tune in ABAC-form, and is based entirely on cycling dominant chords (or their
2579:
2311:
2194:
2104:
2075:
1614:
1513:
1447:
1442:
1392:
1336:
1332:
1192:
904:
822:
687:
244:
206:
185:
2925:
There are two stories about the origin of the title, the first explains that producer
2450:
sessions (titled as "'Round About Midnight"), and appears on many of his live albums.
785:
has generally been known as “Children’s Song (That Old Man)” since the 2002 CD issue.
5576:
5518:
5347:
4891:
4599:
4391:
2943:
2717:
2639:
2610:). The tune's tonality is completely hidden until the last 4 bars clearly establish A
2529:
2387:
2366:
2293:
2279:
2171:
2160:
2112:
1910:
1875:
1803:
1623:
1551:
1505:
1487:
1459:
1391:
in bar 5. The cycling dominants became a cliché that Monk would always play on other
1340:
1133:
731:
697:
515:
499:
451:
392:
255:
2459:
the tune fit with the new title. It was first recorded on October 24, 1947, for the
5456:
3115:
3038:
2997:
2747:
2669:
2533:
2493:
2391:
2374:
2283:
2275:
2175:
2019:
1990:
that written in the studio and first recorded on September 22, 1954, for the album
1879:
1821:
1750:
1694:
1654:
1469:
1425:
1376:
1188:
1095:
1018:
980:
826:
814:
772:
713:
533:
259:
3757:
3019:
A 32-bar tune in AABA-form, and was first recorded on May 11, 1954, for the album
2192:
A 16-bar tune in AABA-form that was first recorded on June 1, 1959, for the album
4895:
2174:
wrote lyrics to tune and called it ”Little Butterfly”, and was first recorded by
3114:
Mike Ferro later wrote lyrics to the tune, and the song was recorded in 1988 by
3101:
2953:
2595:
2419:
2395:
1914:
1806:
in Blue Note's Christmas album "Yule Struttin': A Blue Note Christmas" in 1990.
1672:
1609:
1328:
1042:
959:
818:
343:
2774:
major that was recorded by Monk only once, on February 10, 1964, for the album
2642:
argues that Monk composed "Skippy", then applied the changes to "Tea for Two".
1508:. Monk composed "In Walked Bud" as a tribute to friend and fellow jazz pianist
1446:. Live versions of the tune appear on the albums recorded at the Five Spot, in
4323:
3568:
2965:
2926:
2815:". The tune was first recorded March 9, 1964, and first appeared on the album
2808:
2549:
2441:
2244:
2116:
2040:
1736:
1509:
1455:
1245:
993:
924:
717:
626:
552:
519:
468:
written in the studio and first recorded on September 22, 1954, for the album
435:
381:
273:
258:
wrote lyrics to the tune and called it ”How I Wish”; it was first recorded by
181:
4356:
1705:
An 8-bar tune that was composed in 1957, and first appears on the live album
1578:
stable chord until bar 6 where it lands on D, but the B-section establishes D
1395:
tunes. The tune was recorded by Monk only once, on October 15, 1947, for the
1311:. It quickly became a staple of Monk's repertoire, and appears on the albums
5382:
2993:
2545:
2485:
2247:, who was the producer for the session. The tune also appears on the albums
2036:
2001:
1972:
1941:
1665:
A 32-bar tune in AABA-form that was first recorded on May 30, 1952, for the
1570:
523:
373:
250:
198:
2872:
and A, insisting on the tonic, and is reharmonized with descending chords.
1516:
in 1945. The tune was first recorded by Monk on November 21, 1947, for the
1418:
in December 1946. The first recording by Monk was on July 2, 1948, for the
193:. It quickly became popular as an opening and closing tune on the clubs on
2746:
Lyrics were written by Sally Swisher and the song was recorded in 1988 by
2492:
Lyrics were written by Sally Swisher and the song was recorded in 1988 by
635:, and the second version was recorded on February 10, 1964, for the album
4361:
1468:. Hendricks re-titled the tune ”You Know Who”, and was first recorded by
829:
with Monk's rhythm section. This performance currently appears on Monk's
357:
1643:". It was first recorded on November 13, 1953, and appears on the album
3940:
3206:
724:'s big band, but wasn't recorded until October 15, 1952, for the album
377:
3202:"Dizzy Gillespie And His Orchestra – 52nd Street Theme / Anthropology"
2906:,. Monk recorded a quartet arrangement that was released on the album
1939:, described as Monk's "homage to the bent note", it first appeared on
1462:
have written lyrics to tune. Khan's lyrics first appears on the album
2957:
805:
A 19-bar tune in AAB-form that Monk wrote in 1958 during his stay at
213:'s sextet on February 22, 1946, under the title "52nd Street Theme".
3936:"Kenny Clark And His 52nd Street Boys – Epistrophy / Oop Bop Sh'Bam"
3246:"Thelonious Sphere Monk Centennial: Primary and Secondary Documents"
2960:
addiction at the time, and was a frequent visitor to Monk's friend,
2952:, under the title "Five Will Get You Ten". The tune was credited to
2049:. Monk later recorded the tune the same year on October 24, for the
1584:
as a new key center. The last extended A-section finally lands on D
5094:
2942:
A tune that was never recorded by Monk, but was first recorded by
1639:
A 32-bar tune in AABA-form that's very similar to the changes to "
384:
to play the drums. Live versions appear on the albums recorded in
190:
28:
2756:. For copyright reasons, the song was renamed "Get It Straight".
775:". Monk recorded it only once, on October 7, 1964, for the album
4878:
3006:. For copyright reasons, the song was renamed "Still We Dream".
2835:
major. The tune was first recorded on October 15, 1947, for the
5098:
3124:. For copyright reasons, the song was renamed "It's Over Now".
1167:
sessions. It later appeared on the live albums recorded at the
2918:, and a solo piano arrangement that was released on the album
2552:
with Monk as a sideman on October 15, 1955, for Gryce's album
1361:
that was recorded by Monk only once, on May 30, 1952, for the
1248:
with Monk as a sideman on October 15, 1955, for Gryce's album
1215:
A 12-bar blues recorded solo on April 16, 1957, for the album
629:
with Monk as a sideman on October 15, 1955, for Gryce's album
3089:, then ascends and descends chromatically to C, the dominant.
1225:, while the first take was later used in compiling the album
1195:
stepped in instead. The tune was later released on the album
948:, which premiered on May 17, 1960, and was later released on
712:'s, where Monk was the house pianist in the early 1940s with
518:
wrote lyrics to the tune around 1961, and it was recorded by
352:. The tune is also known as "Bimsha Swing", because the word
335:"Bemsha Swing" redirects here. For the Woody Shaw album, see
48:
4423:
4421:
4419:
4417:
4415:
4320:
A Diary of the Underdogs: Jazz in the 1960s in San Francisco
4274:
Monk's Music: Thelonious Monk and Jazz History in the Making
4257:
4255:
4253:
4251:
4249:
4247:
4245:
4243:
4218:
4216:
4214:
4212:
4210:
4208:
4183:
4181:
4179:
4177:
4145:
4143:
4141:
4116:
4114:
4112:
4051:
4049:
4047:
4034:
4032:
4019:
4017:
4015:
3965:
3963:
3961:
3959:
3853:
3851:
3849:
3821:
3819:
3817:
3815:
3721:
3719:
3717:
3704:
3702:
3700:
3687:
3685:
3683:
3681:
3679:
3677:
3652:
3650:
3648:
3646:
3633:
3631:
3629:
3604:
3602:
3600:
3598:
3596:
3594:
3528:
3526:
3524:
3522:
3459:
3457:
3455:
3453:
3402:
3400:
3398:
3396:
3394:
3392:
3390:
3377:
3375:
3373:
3371:
3369:
3367:
3365:
3363:
835:, though it first appeared on the 1984 rarities compilation
663:. Live versions also appear from the albums recorded at the
5264:
Thelonious Monk Quartet with John Coltrane at Carnegie Hall
5033:
Thelonious Monk: The Life and Times of an American Original
3327:
3325:
3323:
3321:
3296:
3294:
3292:
3290:
3288:
3275:
3273:
3271:
3269:
3267:
3169:
3167:
3165:
2502:. For copyright reasons, the song was renamed "Dear Ruby".
1745:. It was later recorded with Monk's big band for the album
686:. The session ended with 25 incomplete takes, and producer
356:
is a re-spelling of "Bimshire" – a colloquial nickname for
346:
and was first recorded on December 18, 1952, for the album
4764:"Jazz Standards Songs and Instrumentals ('Round Midnight)"
1301:
and was first recorded on December 15, 1944, by her band.
4296:. Henry Martin and Keith Waters. Cengage Learning, 2005.
3184:
3182:
771:, derived from the traditional children's counting song "
4900:. Billboard Books. p. 116 – via Google Books.
4834:
4832:
4528:
4526:
4501:
4499:
4486:
4484:
4164:
4162:
4160:
4158:
3990:
3988:
3986:
3984:
3982:
3980:
3978:
3882:
3880:
3878:
3836:
3834:
3509:
3507:
3505:
3503:
3501:
3488:
3486:
3484:
2912:, a big band arrangement that was released on the album
1739:, and first recorded on October 15, 1952, for the album
5069:
Brilliant Corners: A Bio-Discography of Thelonious Monk
4970:. New York City: Oxford University Press. p. 452.
4276:. Gabriel Solis. University of California Press, 2007.
3740:
3738:
3736:
3734:
3350:
3348:
3346:
3344:
3342:
3340:
3092:
Monk would in later versions play alternatingly F and G
1554:. The song has since been covered by numerous artists.
3072:. Live versions appear on most of Monk's live albums.
2136:. The tune was first recorded on October 9, 1956, for
2010:. Live versions of the tune appear on the albums from
1528:. Live versions of the tune appear on the live albums
1191:
having the flu on the recording date, and horn player
4944:
http://www.theloniousrecords.com/compositionshtml.htm
4739:"Mary Lou Williams played piano with spiritual style"
2737:
album, in which the tune is played in F rather than B
2357:(with Andy Kirk, 1936), and on bootleg recordings of
2115:
speculates that this tune was Monk's response to the
1649:. It later appears on the live album recorded at the
1544:. The last recording by Monk was for his 1968 record
871:. The tune was first recorded with Monk's septet for
740:, and live versions appear on the albums recorded at
4601:
Weather Bird: Jazz at the Dawn of Its Second Century
3078:
There are three widely played versions of the tune;
845:, and it was later recorded in studio for the album
842:
Thelonious in Action: Recorded at the Five Spot Cafe
5535:
5508:
5441:
5150:
1568:sessions. It was also later recorded for the album
1522:sessions. It was later also recorded for the album
817:. It was first recorded on February 25, 1958, with
5060:thelonious monk something in blue compositions by.
5030:
4598:
1753:by the horns in the big band. It later appears on
1041:A 32-bar tune in AABA-form originally composed by
927:. It was first recorded on July 23, 1951, for the
5236:Art Blakey's Jazz Messengers with Thelonious Monk
2712:. Live versions appear on the albums recorded in
2323:Art Blakey's Jazz Messengers with Thelonious Monk
1525:Art Blakey's Jazz Messengers with Thelonious Monk
1431:Art Blakey's Jazz Messengers with Thelonious Monk
1120:. Live versions appear on the albums recorded at
1107:Art Blakey's Jazz Messengers with Thelonious Monk
545:The tune was the opening track on the 1959 album
477:Art Blakey's Jazz Messengers with Thelonious Monk
2578:sessions, but was not released officially until
2119:movement, as the tune mostly lies on one chord.
2039:. It was first recorded on January 10, 1947, by
716:). It was originally supposed to be arranged by
41:This is a list of compositions by jazz musician
2055:sessions. The tune later appears on the albums
1749:, where Monk's solo from the first played as a
2841:sessions. It was later recorded for the album
2656:. Monk recorded it only once, at the marathon
1414:A 32-bar tune in AABA-form, first recorded by
975:"Epistrophy" (initially called "Fly Rite" or "
5110:
4968:The Jazz Standards: A Guide to the Repertoire
933:sessions, and was later featured on the 1964
8:
3098:when comping, but keep the bridge as it was.
2440:, after his pianist and Monk's good friend,
1323:. It appears on the live albums recorded at
1201:. The tune later appeared on the live album
1049:. It was recorded on July 23, 1951, for the
2829:A 36-bar tune in AABA-form (8-10-8-10) in B
1917:. It later appears on the live albums from
839:. A live version appears on the 1958 album
380:added to his set. This inspired Monk's son
5292:The Thelonious Monk Orchestra at Town Hall
5117:
5103:
5095:
4357:https://www.allmusic.com/song/mt0043545979
2850:The Thelonious Monk Orchestra at Town Hall
2361:'s tune "Meet Dr. Christian", recorded at
2070:The Thelonious Monk Orchestra at Town Hall
1747:The Thelonious Monk Orchestra at Town Hall
1541:The Thelonious Monk Orchestra at Town Hall
1204:The Thelonious Monk Orchestra at Town Hall
442:. The title is a tribute to Monk's friend
272:sings a version (the lyric is credited to
4708:
4706:
3239:
3237:
3235:
3233:
3231:
3229:
3227:
3225:
2847:, and live versions appear on the albums
2811:. The changes are based on the standard "
2233:Reflections (aka 'Portrait of an ermite')
1492:"In Walked Bud" was based loosely on the
813:, where the house had a good view of the
603:. It is also known as "Five Spot Blues".
434:. Monk wrote the tune after a visit from
236:first recorded on July 23, 1951, for the
5418:Thelonious Monk Nonet Live in Paris 1967
3744:
2365:. Monk and Williams were close friends.
428:first recorded on October 21, 1959, for
4691:. learnjazzstandards.com. 5 August 2013
3161:
2369:added lyrics to the tune, retitling it
299:first recorded on October 9, 1956, for
5471:Miles Davis and the Modern Jazz Giants
5271:The Complete 1957 Riverside Recordings
4931:
4862:
4850:
4838:
4823:
4788:
4584:
4568:
4556:
4544:
4532:
4517:
4505:
4490:
4475:
4463:
4451:
4439:
4427:
4374:
4261:
4234:
4222:
4199:
4187:
4168:
4149:
4132:
4120:
4103:
4091:
4067:
4055:
4038:
4023:
4006:
3994:
3969:
3922:
3910:
3898:
3886:
3869:
3857:
3840:
3825:
3781:
3725:
3708:
3691:
3668:
3656:
3637:
3620:
3608:
3585:
3556:
3544:
3532:
3513:
3492:
3475:
3463:
3444:
3406:
3381:
3354:
3331:
3312:
3300:
3279:
3188:
3173:
2866:. The riff contains only the pitches B
2731:Miles Davis recorded a version on his
1254:, and later appears on the live album
536:as "Monkery's the Blues" on the album
363:Miles Davis and the Modern Jazz Giants
4352:
4350:
3419:Hillshafer, Linda (August 15, 2016).
2582:released their compilation of Monk's
2232:
1671:sessions. It was later recorded with
1183:A 4-bar tune built on an embellished
7:
5554:Thelonious Monk: Straight, No Chaser
5208:Thelonious Monk Plays Duke Ellington
4999:. Oxford University Press. pp.
4638:. Oxford University Press. pp.
3421:"Bemsha Swing: Stories of Standards"
3244:Iverson, Ethan (29 September 2017).
2465:sessions. The tune later appears on
2142:. It later appears on Monk's albums
1945:, then a second (and final) time on
1903:sessions. The tune later appears on
1007:onwards. The first recording was by
4605:. Oxford University Press. p.
4597:Giddins, Gary (November 15, 2004).
3031:under the name "Manganèse", and on
795:The London Collection: Volume Three
765:A 16-bar (AA-form) composition in E
5250:Thelonious Monk with John Coltrane
2934:pianists used to call themselves.
2909:Thelonious Monk with John Coltrane
2626:" (which he would later record on
2474:Thelonious Monk with John Coltrane
2007:Thelonious Monk with John Coltrane
1951:with the Oliver Nelson Orchestra.
1228:Thelonious Monk with John Coltrane
1221:. The second take was released on
730:under the name "Bye-Ya". Producer
25:
5588:Lists of compositions by composer
5548:Thelonious Monk Institute of Jazz
5306:Thelonious Alone in San Francisco
5194:Thelonious Monk and Sonny Rollins
4912:Jazz Styles: History and Analysis
4664:"Thelonious Monk – Rhythm-a-ning"
3149:Thelonious Monk and Sonny Rollins
3025:. It later appears on the albums
2886:, and later appears on the album
2480:Thelonious Alone in San Francisco
2415:Thelonious Alone in San Francisco
2262:Thelonious Alone in San Francisco
2149:Thelonious Alone in San Francisco
1997:
1711:. It later appears on the albums
1550:, featuring lyrics and vocals by
1274:, and later appears on the album
1198:Thelonious Monk and Sonny Rollins
565:The London Collection: Volume One
548:Thelonious Alone in San Francisco
431:Thelonious Alone in San Francisco
217:claims he gave the latter title.
209:played. It was first recorded by
5313:Thelonious Monk at the Blackhawk
5173:Genius of Modern Music: Volume 2
5159:Genius of Modern Music: Volume 1
4995:Bebop: The Music and Its Players
4914:. Prentice Hall, July 31, 2002.
4634:Bebop: The Music and Its Players
3041:also wrote lyrics for the tune.
2536:also wrote lyrics for the tune.
2522:. When it appeared on the album
2519:Thelonious Monk at the Blackhawk
2422:, where the album was recorded.
2296:sang the tune on her 2003 album
2111:pronunciation of "ask for tea".
2022:also wrote lyrics for the tune.
1868:. It later appears on the album
1773:. It later appears on the album
1697:also wrote lyrics for the tune.
1657:also wrote lyrics for the tune.
5583:Compositions by Thelonious Monk
5362:Big Band and Quartet in Concert
4718:theloniousspheremonk.weebly.com
2688:sessions, and later appears on
2292:under the name "Looking Back".
2286:, who released it on her album
2201:Big Band and Quartet in Concert
2096:Big Band and Quartet in Concert
2093:that only appears on the album
1984:A 32-bar tune in AABA-form in B
1839:Big Band and Quartet in Concert
1729:A 32-bar tune in AABA-form in A
1718:Big Band and Quartet in Concert
1385:, before landing on the tonic B
1355:A 32-bar tune in AABA-form in D
895:., and on the live albums from
720:, when Monk was the pianist in
230:A tonally ambiguous ballad in D
18:Brilliant Corners (composition)
3056:sessions. It later appears on
2679:
2660:session of November 15, 1971.
2282:wrote lyrics for the song for
1996:. The tune is structured like
37:, New York, ca. September 1947
1:
5404:Misterioso (Recorded on Tour)
4080:"Thelonious Monk Discography"
3795:"Thelonious Monk Discography"
3070:Les Liaisons dangereuses 1960
2412:recorded in October 1959 for
2334:Les Liaisons dangereuses 1960
2144:Les Liaisons dangereuses 1960
1713:Les Liaisons dangereuses 1960
1297:” that was first "stolen" by
887:Les Liaisons dangereuses 1960
885:). The tune also appears on
863:suggested instead to use the
832:Complete Riverside Recordings
411:Misterioso (Recorded on Tour)
311:Les Liaisons dangereuses 1960
242:sessions. It also appears on
3118:as part of her studio album
3000:as part of her studio album
2780:. The A-section is based on
2750:as part of her studio album
2496:as part of her studio album
2425:
2253:as "Portrait of an Ermite",
1824:. The tune later appears on
1428:. The tune later appears on
1027:and was an outtake from the
1021:. It was later recorded for
867:word for twilight, which is
5355:Miles & Monk at Newport
5029:Kelley, Robin D.G. (2009).
4881:. Retrieved April 24, 2009.
2548:. It was first recorded by
5604:
5215:The Unique Thelonious Monk
4801:Jazz Discography Project.
2962:Pannonica de Koenigswarter
2956:, who was struggling with
2629:The Unique Thelonious Monk
2429:
2134:Pannonica de Koenigswarter
1485:
861:Pannonica de Koenigswarter
807:Pannonica de Koenigswarter
334:
307:Pannonica de Koenigswarter
289:Ba-Lue Bolivar Ba-Lues-Are
5397:Live at the Jazz Workshop
5132:
4365:. Retrieved July 3, 2009.
4294:Jazz: The First 100 Years
2856:Live at the Jazz Workshop
2243:. The title was given by
2043:and appears on the album
1851:Live at the Jazz Workshop
1634:
944:to compose variations on
5327:Thelonious Monk in Italy
5066:Sheridan, Chris (2001).
4803:"Bud Powell Discography"
2992:. It was Monk's drummer
2406:An improvised blues in B
1660:
606:
440:Themes for African Drums
63:
58:
4897:Carmen McRae: Miss Jazz
2784:, and is borrowed from
2558:, and later appears on
2326:, and later appears on
1802:and a vocal version by
979:") was co-written with
529:The Newest Sound Around
342:A tune Monk wrote with
305:. The title references
293:A riff-based blues in B
5037:. Free Press. p.
4991:Owens, Thomas (1996).
4630:Owens, Thomas (1996).
3135:Genius of Modern Music
3053:Genius of Modern Music
2838:Genius of Modern Music
2685:Genius of Modern Music
2619:Genius of Modern Music
2575:Genius of Modern Music
2462:Genius of Modern Music
2447:Genius of Modern Music
2052:Genius of Modern Music
1900:Genius of Modern Music
1668:Genius of Modern Music
1603:A 16-bar tune in the B
1565:Genius of Modern Music
1519:Genius of Modern Music
1398:Genius of Modern Music
1364:Genius of Modern Music
1239:
1164:Genius of Modern Music
1052:Genius of Modern Music
935:album of the same name
930:Genius of Modern Music
855:Crepuscule with Nellie
239:Genius of Modern Music
158:
153:
148:
143:
138:
133:
128:
123:
118:
113:
108:
103:
98:
93:
88:
83:
78:
73:
68:
38:
5485:Sonny Rollins, Vol. 2
4314:Alberts, Don (2013).
2608:tritone substitutions
2511:San Francisco Holiday
2355:Walking and Swinging
2256:Sonny Rollins, Vol. 2
1928:
1857:
1827:Sonny Rollins, Vol. 2
811:Weehawken, New Jersey
278:Kerouac, Then and Now
32:
5450:Midnight at Minton's
5278:Thelonious in Action
5180:Thelonious Monk Trio
4520:, pp. 368, 566.
4359:"In Walked Bud"] at
3107:The Musings of Miles
2903:Thelonious Monk Trio
2344:Thelonious in Action
2240:Thelonious Monk Trio
1993:Thelonious Monk Trio
1891:
1865:Thelonious Monk Trio
1820:sessions, featuring
1742:Thelonious Monk Trio
1725:Little Rootie Tootie
1708:Thelonious in Action
1504:composed in 1927 by
1424:sessions, featuring
1117:Thelonious in Action
1094:sessions, featuring
1017:sessions, featuring
801:Coming on the Hudson
760:
727:Thelonious Monk Trio
620:
555:, recorded in 1959.
506:(1958, 1959, 1963),
471:Thelonious Monk Trio
349:Thelonious Monk Trio
337:Bemsha Swing (album)
5411:Straight, No Chaser
5390:Live at the It Club
5257:Mulligan Meets Monk
5166:Wizard of the Vibes
5072:. Greenwood Press.
4966:Gioia, Ted (2012).
4791:, pp. 101–102.
4770:. November 21, 1947
4478:, pp. 259–265.
4430:, pp. 369–370.
4264:, pp. 128–129.
4237:, pp. 249–250.
4225:, pp. 235–236.
4190:, pp. 127–128.
4152:, pp. 167–168.
4123:, pp. 384–385.
4070:, pp. 261–262.
4058:, pp. 164–165.
4041:, pp. 348–349.
4026:, pp. 287–288.
3972:, pp. 140–141.
3901:, pp. 288–289.
3860:, pp. 258–259.
3828:, pp. 221–223.
3784:, pp. 240–241.
3728:, pp. 347–349.
3711:, pp. 112–113.
3694:, pp. 400–403.
3659:, pp. 350–351.
3640:, pp. 193–194.
3611:, pp. 393–394.
3559:, pp. 299–300.
3535:, pp. 237–238.
3478:, pp. 244–245.
3466:, pp. 277–278.
3409:, pp. 159–161.
3384:, pp. 327–329.
3334:, pp. 210–213.
3303:, pp. 268–269.
3282:, pp. 154–155.
3176:, pp. 563–569.
3034:Straight, No Chaser
2703:Straight, No Chaser
2691:Mulligan Meets Monk
2664:Straight, No Chaser
2650:A 12-bar blues in B
2329:Mulligan Meets Monk
2217:A 12-bar blues in B
1964:A 12-bar blues in B
1960:North of the Sunset
1933:A 12-bar blues in B
1845:Live at the It Club
1817:Wizard of the Vibes
1788:A Merrier Christmas
1776:Straight, No Chaser
1590:in the 4-bar coda.
1437:Mulligan Meets Monk
1421:Wizard of the Vibes
1271:Straight, No Chaser
1257:Live at the It Club
1091:Wizard of the Vibes
1014:Wizard of the Vibes
655:Sweet Georgia Brown
600:Live at the It Club
5543:Blue Note Sessions
5229:Thelonious Himself
4875:Straight No Chaser
3252:on January 3, 2018
2864:Minton's Playhouse
2801:A 24-bar tune in B
2788:'s tune "Stuffy".
2768:A 32-bar tune in D
2658:Black Lion Records
2373:and it appears on
2363:Minton's Playhouse
2299:A Little Moonlight
2087:An 8-bar tune in A
1906:Thelonious Himself
1223:Thelonious Himself
1218:Thelonious Himself
1185:Andalusian cadence
1045:, co-written with
1005:Minton's Playhouse
940:The tune inspired
645:Bright Mississippi
607:Boo Boo's Birthday
39:
35:Minton's Playhouse
5570:
5569:
5561:Rewind & Play
5222:Brilliant Corners
5048:978-0-684-83190-9
5010:978-0-19-510651-0
4977:978-0-19-993739-4
4910:Mark C. Gridley:
4879:jazzstandards.com
4768:Jazzstandards.com
4668:pastemagazine.com
4649:978-0-19-510651-0
4616:978-0-19-534816-3
4397:The Village Voice
4390:(June 28, 1988).
4388:Christgau, Robert
4082:, jazzzdisco.org.
3925:, pp. 76–77.
3913:, pp. 69–70.
3191:, pp. 94–95.
3121:Carmen Sings Monk
3045:Well, You Needn't
3003:Carmen Sings Monk
2753:Carmen Sings Monk
2646:Something in Blue
2499:Carmen Sings Monk
2380:Carmen Sings Monk
2359:Charlie Christian
2353:' arrangement of
2351:Mary Lou Williams
2289:Carmen Sings Monk
2181:Carmen Sings Monk
2139:Brilliant Corners
1885:Carmen Sings Monk
1681:, and appears on
1494:chord progression
1475:Carmen Sings Monk
1375:A contrafact of ”
1350:
1299:Mary Lou Williams
1295:Oh, Lady Be Good!
1293:A contrafact of ”
1086:Just You, Just Me
1084:A contrafact of "
977:Iambic pentameter
951:Jazz Abstractions
921:Mary Lou Williams
683:Brilliant Corners
675:Brilliant Corners
585:, and appears on
581:dedicated to the
539:Carmen Sings Monk
369:Brilliant Corners
302:Brilliant Corners
265:Carmen Sings Monk
184:based loosely on
176:52nd Street Theme
33:Thelonious Monk,
16:(Redirected from
5595:
5536:Related articles
5369:It's Monk's Time
5119:
5112:
5105:
5096:
5090:
5088:
5086:
5062:
5057:
5055:
5036:
5015:
5014:
4998:
4988:
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4981:
4963:
4957:
4952:
4946:
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4935:
4929:
4923:
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4888:
4882:
4872:
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4854:
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4798:
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4751:
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4620:
4604:
4594:
4588:
4582:
4576:
4566:
4560:
4554:
4548:
4542:
4536:
4530:
4521:
4515:
4509:
4503:
4494:
4488:
4479:
4473:
4467:
4461:
4455:
4449:
4443:
4437:
4431:
4425:
4410:
4409:
4407:
4405:
4392:"Consumer Guide"
4384:
4378:
4372:
4366:
4354:
4345:
4344:
4342:
4340:
4311:
4305:
4291:
4285:
4271:
4265:
4259:
4238:
4232:
4226:
4220:
4203:
4197:
4191:
4185:
4172:
4166:
4153:
4147:
4136:
4130:
4124:
4118:
4107:
4101:
4095:
4089:
4083:
4077:
4071:
4065:
4059:
4053:
4042:
4036:
4027:
4021:
4010:
4004:
3998:
3992:
3973:
3967:
3954:
3953:
3951:
3949:
3932:
3926:
3920:
3914:
3908:
3902:
3896:
3890:
3884:
3873:
3867:
3861:
3855:
3844:
3838:
3829:
3823:
3810:
3809:
3807:
3805:
3791:
3785:
3779:
3773:
3772:
3770:
3768:
3754:
3748:
3742:
3729:
3723:
3712:
3706:
3695:
3689:
3672:
3666:
3660:
3654:
3641:
3635:
3624:
3618:
3612:
3606:
3589:
3583:
3577:
3571:
3566:
3560:
3554:
3548:
3542:
3536:
3530:
3517:
3511:
3496:
3490:
3479:
3473:
3467:
3461:
3448:
3442:
3436:
3435:
3433:
3431:
3416:
3410:
3404:
3385:
3379:
3358:
3352:
3335:
3329:
3316:
3310:
3304:
3298:
3283:
3277:
3262:
3261:
3259:
3257:
3248:. Archived from
3241:
3220:
3219:
3217:
3215:
3198:
3192:
3186:
3177:
3171:
3097:
3096:
3088:
3087:
2949:A Fickle Sonance
2871:
2870:
2834:
2833:
2806:
2805:
2777:It's Monk's Time
2773:
2772:
2742:
2741:
2677:
2676:
2655:
2654:
2615:
2614:
2561:It's Monk's Time
2411:
2410:
2319:
2318:
2310:A tune based on
2222:
2221:
2092:
2091:
1989:
1988:
1969:
1968:
1938:
1937:
1734:
1733:
1641:Honeysuckle Rose
1608:
1607:
1589:
1588:
1583:
1582:
1465:Echoes of an Era
1390:
1389:
1384:
1383:
1360:
1359:
1112:at Carnegie Hall
1030:It's Monk's Time
996:" is defined by
988:
987:
942:Gunther Schuller
770:
769:
638:It's Monk's Time
580:
579:
467:
466:
427:
426:
408:, and the album
298:
297:
235:
234:
53:
21:
5603:
5602:
5598:
5597:
5596:
5594:
5593:
5592:
5573:
5572:
5571:
5566:
5531:
5526:'Round Midnight
5504:
5437:
5146:
5128:
5126:Thelonious Monk
5123:
5093:
5084:
5082:
5080:
5065:
5053:
5051:
5049:
5028:
5024:
5019:
5018:
5011:
4990:
4989:
4985:
4978:
4965:
4964:
4960:
4953:
4949:
4942:
4938:
4930:
4926:
4909:
4905:
4890:
4889:
4885:
4873:
4869:
4861:
4857:
4849:
4845:
4837:
4830:
4822:
4818:
4808:
4806:
4805:. Jazzdisco.org
4800:
4799:
4795:
4787:
4783:
4773:
4771:
4762:
4761:
4757:
4747:
4745:
4737:
4736:
4732:
4722:
4720:
4714:"Rhythm-a-ning"
4712:
4711:
4704:
4694:
4692:
4689:"Rhythm-A-Ning"
4687:
4686:
4682:
4672:
4670:
4662:
4661:
4657:
4650:
4629:
4628:
4624:
4617:
4596:
4595:
4591:
4583:
4579:
4567:
4563:
4555:
4551:
4543:
4539:
4531:
4524:
4516:
4512:
4504:
4497:
4489:
4482:
4474:
4470:
4462:
4458:
4450:
4446:
4438:
4434:
4426:
4413:
4403:
4401:
4386:
4385:
4381:
4373:
4369:
4355:
4348:
4338:
4336:
4334:
4313:
4312:
4308:
4292:
4288:
4272:
4268:
4260:
4241:
4233:
4229:
4221:
4206:
4198:
4194:
4186:
4175:
4167:
4156:
4148:
4139:
4131:
4127:
4119:
4110:
4102:
4098:
4090:
4086:
4078:
4074:
4066:
4062:
4054:
4045:
4037:
4030:
4022:
4013:
4005:
4001:
3993:
3976:
3968:
3957:
3947:
3945:
3934:
3933:
3929:
3921:
3917:
3909:
3905:
3897:
3893:
3885:
3876:
3868:
3864:
3856:
3847:
3839:
3832:
3824:
3813:
3803:
3801:
3793:
3792:
3788:
3780:
3776:
3766:
3764:
3756:
3755:
3751:
3743:
3732:
3724:
3715:
3707:
3698:
3690:
3675:
3667:
3663:
3655:
3644:
3636:
3627:
3619:
3615:
3607:
3592:
3584:
3580:
3569:
3567:
3563:
3555:
3551:
3543:
3539:
3531:
3520:
3512:
3499:
3491:
3482:
3474:
3470:
3462:
3451:
3443:
3439:
3429:
3427:
3418:
3417:
3413:
3405:
3388:
3380:
3361:
3353:
3338:
3330:
3319:
3311:
3307:
3299:
3286:
3278:
3265:
3255:
3253:
3243:
3242:
3223:
3213:
3211:
3200:
3199:
3195:
3187:
3180:
3172:
3163:
3158:
3144:
3130:
3094:
3093:
3085:
3084:
3047:
3044:
3017:
3012:
2983:
2978:
2940:
2898:
2896:Trinkle, Tinkle
2878:
2868:
2867:
2831:
2830:
2827:
2803:
2802:
2799:
2794:
2786:Coleman Hawkins
2770:
2769:
2766:
2739:
2738:
2674:
2673:
2666:
2652:
2651:
2648:
2612:
2611:
2604:
2592:
2570:
2542:
2513:
2508:
2456:
2438:Cootie Williams
2434:
2432:'Round Midnight
2428:
2426:'Round Midnight
2408:
2407:
2404:
2316:
2315:
2308:
2235:
2219:
2218:
2215:
2210:
2190:
2130:
2125:
2109:British English
2101:Oscar Treadwell
2089:
2088:
2085:
2046:Bud Powell Trio
2033:
2028:
1986:
1985:
1982:
1966:
1965:
1962:
1957:
1935:
1934:
1931:
1894:
1860:
1812:
1790:
1785:
1765:
1731:
1730:
1727:
1703:
1663:
1637:
1635:Let's Call This
1632:
1605:
1604:
1601:
1596:
1586:
1585:
1580:
1579:
1560:
1490:
1484:
1416:Coleman Hawkins
1412:
1407:
1387:
1386:
1381:
1380:
1373:
1357:
1356:
1353:
1303:Coleman Hawkins
1291:
1286:
1266:
1242:
1240:Gallop's Gallop
1237:
1213:
1181:
1179:Friday the 13th
1159:
1154:
1082:
1047:Idrees Sulieman
1039:
1009:Cootie Williams
998:Merriam-Webster
985:
984:
973:
968:
956:Ornette Coleman
917:
857:
837:Blues Five Spot
803:
791:
767:
766:
763:
761:Children's Song
758:
722:Dizzy Gillespie
706:
677:
647:
623:
609:
577:
576:
573:
571:Blues Five Spot
561:
526:on their album
464:
463:
460:
444:Coleman Hawkins
424:
423:
420:
340:
333:
295:
294:
291:
286:
276:) on his album
232:
231:
228:
223:
215:Leonard Feather
211:Dizzy Gillespie
203:Dizzy Gillespie
178:
173:
168:
167:
166:
165:
54:
51:
43:Thelonious Monk
23:
22:
15:
12:
11:
5:
5601:
5599:
5591:
5590:
5585:
5575:
5574:
5568:
5567:
5565:
5564:
5557:
5550:
5545:
5539:
5537:
5533:
5532:
5530:
5529:
5522:
5514:
5512:
5506:
5505:
5503:
5502:
5495:
5488:
5481:
5474:
5467:
5460:
5453:
5445:
5443:
5439:
5438:
5436:
5435:
5428:
5421:
5414:
5407:
5400:
5393:
5386:
5379:
5372:
5365:
5358:
5351:
5344:
5337:
5330:
5323:
5320:Monk in France
5316:
5309:
5302:
5299:5 by Monk by 5
5295:
5288:
5281:
5274:
5267:
5260:
5253:
5246:
5239:
5232:
5225:
5218:
5211:
5204:
5197:
5190:
5183:
5176:
5169:
5162:
5154:
5152:
5148:
5147:
5145:
5144:
5139:
5133:
5130:
5129:
5124:
5122:
5121:
5114:
5107:
5099:
5092:
5091:
5078:
5063:
5047:
5025:
5023:
5020:
5017:
5016:
5009:
4983:
4976:
4958:
4947:
4936:
4934:, p. 311.
4924:
4903:
4892:Gourse, Leslie
4883:
4867:
4865:, p. 205.
4855:
4843:
4841:, p. 357.
4828:
4816:
4793:
4781:
4755:
4743:aaregistry.org
4730:
4702:
4680:
4655:
4648:
4622:
4615:
4589:
4587:, p. 365.
4577:
4561:
4559:, p. 261.
4549:
4547:, p. 172.
4537:
4535:, p. 116.
4522:
4510:
4508:, p. 219.
4495:
4493:, p. 282.
4480:
4468:
4456:
4454:, p. 217.
4444:
4442:, p. 242.
4432:
4411:
4379:
4377:, p. 250.
4367:
4346:
4333:978-1257225651
4332:
4306:
4286:
4266:
4239:
4227:
4204:
4202:, p. 120.
4192:
4173:
4171:, p. 158.
4154:
4137:
4135:, p. 102.
4125:
4108:
4106:, p. 378.
4096:
4094:, p. 368.
4084:
4072:
4060:
4043:
4028:
4011:
4009:, p. 114.
3999:
3997:, p. 177.
3974:
3955:
3927:
3915:
3903:
3891:
3889:, p. 332.
3874:
3862:
3845:
3843:, p. 335.
3830:
3811:
3786:
3774:
3758:"Monk* – Monk"
3749:
3730:
3713:
3696:
3673:
3671:, p. 308.
3661:
3642:
3625:
3623:, p. 163.
3613:
3590:
3588:, p. 243.
3578:
3561:
3549:
3547:, p. 341.
3537:
3518:
3516:, p. 221.
3497:
3495:, p. 179.
3480:
3468:
3449:
3447:, p. 183.
3437:
3411:
3386:
3359:
3357:, p. 271.
3336:
3317:
3315:, p. 371.
3305:
3284:
3263:
3221:
3193:
3178:
3160:
3159:
3157:
3154:
3143:
3140:
3129:
3126:
3112:
3111:
3099:
3090:
3046:
3043:
3016:
3013:
3011:
3008:
2982:
2979:
2977:
2974:
2968:for his album
2946:for his album
2939:
2936:
2920:The Man I Love
2897:
2894:
2877:
2874:
2826:
2823:
2798:
2795:
2793:
2790:
2782:rhythm changes
2765:
2762:
2697:5 by Monk by 5
2678:which, as in "
2665:
2662:
2647:
2644:
2603:
2600:
2591:
2588:
2580:Mosaic Records
2569:
2566:
2541:
2538:
2512:
2509:
2507:
2504:
2455:
2452:
2430:Main article:
2427:
2424:
2403:
2400:
2371:Listen to Monk
2312:rhythm changes
2307:
2304:
2234:
2231:
2214:
2211:
2209:
2206:
2195:5 by Monk by 5
2189:
2186:
2129:
2126:
2124:
2121:
2105:Charlie Parker
2084:
2081:
2076:Monk in France
2032:
2029:
2027:
2024:
1998:"Bemsha Swing"
1981:
1978:
1961:
1958:
1956:
1953:
1930:
1927:
1893:
1890:
1882:for the album
1859:
1856:
1811:
1808:
1789:
1786:
1784:
1781:
1764:
1761:
1726:
1723:
1702:
1699:
1675:for the album
1662:
1661:Let's Cool One
1659:
1636:
1633:
1631:
1628:
1615:5 by Monk by 5
1600:
1597:
1595:
1592:
1559:
1556:
1514:Savoy Ballroom
1486:Main article:
1483:
1480:
1472:for the album
1452:Lincoln Center
1443:5 by Monk by 5
1411:
1408:
1406:
1403:
1393:Rhythm changes
1372:
1369:
1352:
1349:
1333:Gerry Mulligan
1290:
1287:
1285:
1282:
1265:
1264:Green Chimneys
1262:
1241:
1238:
1236:
1233:
1212:
1209:
1193:Julius Watkins
1180:
1177:
1173:Lincoln Center
1158:
1155:
1153:
1150:
1138:Lincoln Center
1081:
1078:
1038:
1035:
972:
969:
967:
964:
916:
913:
856:
853:
823:Johnny Griffin
802:
799:
790:
787:
762:
759:
757:
754:
750:Lincoln Center
705:
702:
700:'s orchestra.
688:Orrin Keepnews
676:
673:
646:
643:
622:
619:
608:
605:
583:Five Spot Café
572:
569:
560:
557:
459:
456:
419:
416:
332:
329:
290:
287:
285:
282:
245:5 by Monk by 5
227:
224:
222:
219:
207:Charlie Parker
186:rhythm changes
177:
174:
172:
169:
162:
161:
156:
151:
146:
141:
136:
131:
126:
121:
116:
111:
106:
101:
96:
91:
86:
81:
76:
71:
66:
61:
55:
50:
49:
47:
24:
14:
13:
10:
9:
6:
4:
3:
2:
5600:
5589:
5586:
5584:
5581:
5580:
5578:
5563:
5562:
5558:
5556:
5555:
5551:
5549:
5546:
5544:
5541:
5540:
5538:
5534:
5527:
5523:
5520:
5519:In Walked Bud
5516:
5515:
5513:
5511:
5507:
5501:
5500:
5496:
5494:
5493:
5489:
5487:
5486:
5482:
5480:
5479:
5475:
5473:
5472:
5468:
5466:
5465:
5461:
5459:
5458:
5454:
5452:
5451:
5447:
5446:
5444:
5440:
5434:
5433:
5429:
5427:
5426:
5422:
5420:
5419:
5415:
5413:
5412:
5408:
5406:
5405:
5401:
5399:
5398:
5394:
5392:
5391:
5387:
5385:
5384:
5380:
5378:
5377:
5373:
5371:
5370:
5366:
5364:
5363:
5359:
5357:
5356:
5352:
5350:
5349:
5348:Monk in Tokyo
5345:
5343:
5342:
5338:
5336:
5335:
5331:
5329:
5328:
5324:
5322:
5321:
5317:
5315:
5314:
5310:
5308:
5307:
5303:
5301:
5300:
5296:
5294:
5293:
5289:
5287:
5286:
5282:
5280:
5279:
5275:
5273:
5272:
5268:
5266:
5265:
5261:
5259:
5258:
5254:
5252:
5251:
5247:
5245:
5244:
5240:
5238:
5237:
5233:
5231:
5230:
5226:
5224:
5223:
5219:
5217:
5216:
5212:
5210:
5209:
5205:
5203:
5202:
5198:
5196:
5195:
5191:
5189:
5188:
5184:
5182:
5181:
5177:
5175:
5174:
5170:
5168:
5167:
5163:
5161:
5160:
5156:
5155:
5153:
5149:
5143:
5140:
5138:
5135:
5134:
5131:
5127:
5120:
5115:
5113:
5108:
5106:
5101:
5100:
5097:
5081:
5079:0-313-30239-1
5075:
5071:
5070:
5064:
5061:
5050:
5044:
5040:
5035:
5034:
5027:
5026:
5021:
5012:
5006:
5002:
4997:
4996:
4987:
4984:
4979:
4973:
4969:
4962:
4959:
4956:
4951:
4948:
4945:
4940:
4937:
4933:
4928:
4925:
4921:
4920:0-13-099282-8
4917:
4913:
4907:
4904:
4899:
4898:
4893:
4887:
4884:
4880:
4876:
4871:
4868:
4864:
4859:
4856:
4853:, p. 33.
4852:
4847:
4844:
4840:
4835:
4833:
4829:
4826:, p. 51.
4825:
4820:
4817:
4804:
4797:
4794:
4790:
4785:
4782:
4769:
4765:
4759:
4756:
4744:
4740:
4734:
4731:
4719:
4715:
4709:
4707:
4703:
4690:
4684:
4681:
4669:
4665:
4659:
4656:
4651:
4645:
4641:
4636:
4635:
4626:
4623:
4618:
4612:
4608:
4603:
4602:
4593:
4590:
4586:
4581:
4578:
4574:
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4565:
4562:
4558:
4553:
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4546:
4541:
4538:
4534:
4529:
4527:
4523:
4519:
4514:
4511:
4507:
4502:
4500:
4496:
4492:
4487:
4485:
4481:
4477:
4472:
4469:
4466:, p. 94.
4465:
4460:
4457:
4453:
4448:
4445:
4441:
4436:
4433:
4429:
4424:
4422:
4420:
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4398:
4393:
4389:
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4380:
4376:
4371:
4368:
4364:
4363:
4358:
4353:
4351:
4347:
4335:
4329:
4325:
4321:
4317:
4310:
4307:
4303:
4302:0-534-62804-4
4299:
4295:
4290:
4287:
4283:
4282:0-520-25201-2
4279:
4275:
4270:
4267:
4263:
4258:
4256:
4254:
4252:
4250:
4248:
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4117:
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4109:
4105:
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4097:
4093:
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4025:
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4018:
4016:
4012:
4008:
4003:
4000:
3996:
3991:
3989:
3987:
3985:
3983:
3981:
3979:
3975:
3971:
3966:
3964:
3962:
3960:
3956:
3948:September 22,
3944:
3942:
3937:
3931:
3928:
3924:
3919:
3916:
3912:
3907:
3904:
3900:
3895:
3892:
3888:
3883:
3881:
3879:
3875:
3872:, p. 93.
3871:
3866:
3863:
3859:
3854:
3852:
3850:
3846:
3842:
3837:
3835:
3831:
3827:
3822:
3820:
3818:
3816:
3812:
3804:September 21,
3800:
3799:jazzdisco.org
3796:
3790:
3787:
3783:
3778:
3775:
3763:
3759:
3753:
3750:
3746:
3745:Sheridan 2001
3741:
3739:
3737:
3735:
3731:
3727:
3722:
3720:
3718:
3714:
3710:
3705:
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3333:
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3314:
3309:
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3297:
3295:
3293:
3291:
3289:
3285:
3281:
3276:
3274:
3272:
3270:
3268:
3264:
3256:September 20,
3251:
3247:
3240:
3238:
3236:
3234:
3232:
3230:
3228:
3226:
3222:
3214:September 22,
3210:
3208:
3203:
3197:
3194:
3190:
3185:
3183:
3179:
3175:
3170:
3168:
3166:
3162:
3155:
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3151:
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3141:
3139:
3137:
3136:
3127:
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3123:
3122:
3117:
3109:
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3091:
3081:
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3076:
3073:
3071:
3067:
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3061:
3060:
3055:
3054:
3042:
3040:
3036:
3035:
3030:
3029:
3024:
3023:
3014:
3009:
3007:
3005:
3004:
2999:
2995:
2991:
2990:
2980:
2975:
2973:
2971:
2967:
2963:
2959:
2955:
2951:
2950:
2945:
2944:Jackie McLean
2937:
2935:
2933:
2928:
2923:
2921:
2917:
2916:
2911:
2910:
2905:
2904:
2895:
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2820:
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2814:
2810:
2796:
2791:
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2783:
2779:
2778:
2764:Stuffy Turkey
2763:
2761:
2757:
2755:
2754:
2749:
2744:
2736:
2735:
2729:
2727:
2726:Jazz Workshop
2723:
2719:
2715:
2711:
2710:
2705:
2704:
2699:
2698:
2693:
2692:
2687:
2686:
2681:
2671:
2663:
2661:
2659:
2645:
2643:
2641:
2640:Ethan Iverson
2637:
2636:
2631:
2630:
2625:
2621:
2620:
2609:
2601:
2599:
2597:
2589:
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2567:
2565:
2563:
2562:
2557:
2556:
2551:
2547:
2539:
2537:
2535:
2531:
2530:San Francisco
2527:
2526:
2525:Monk in Italy
2521:
2520:
2510:
2505:
2503:
2501:
2500:
2495:
2490:
2488:
2487:
2482:
2481:
2476:
2475:
2470:
2469:
2464:
2463:
2454:Ruby, My Dear
2453:
2451:
2449:
2448:
2443:
2439:
2433:
2423:
2421:
2417:
2416:
2401:
2399:
2397:
2393:
2389:
2388:Dexter Gordon
2384:
2382:
2381:
2376:
2372:
2368:
2367:Jon Hendricks
2364:
2360:
2356:
2352:
2347:
2345:
2341:
2340:
2335:
2331:
2330:
2325:
2324:
2313:
2306:Rhythm-A-Ning
2305:
2303:
2301:
2300:
2295:
2294:Dianne Reeves
2291:
2290:
2285:
2281:
2280:Jon Hendricks
2277:
2274:According to
2272:
2270:
2269:
2264:
2263:
2258:
2257:
2252:
2251:
2246:
2242:
2241:
2230:
2228:
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2212:
2207:
2205:
2203:
2202:
2197:
2196:
2187:
2185:
2183:
2182:
2177:
2173:
2172:Jon Hendricks
2169:
2168:
2163:
2162:
2161:Monk in Tokyo
2157:
2156:
2151:
2150:
2145:
2141:
2140:
2135:
2127:
2122:
2120:
2118:
2114:
2113:Ethan Iverson
2110:
2106:
2102:
2098:
2097:
2082:
2080:
2078:
2077:
2072:
2071:
2066:
2065:
2060:
2059:
2054:
2053:
2048:
2047:
2042:
2038:
2030:
2025:
2023:
2021:
2017:
2013:
2012:Carnegie Hall
2009:
2008:
2003:
1999:
1995:
1994:
1979:
1977:
1975:
1974:
1959:
1954:
1952:
1950:
1949:
1944:
1943:
1926:
1924:
1920:
1919:Carnegie Hall
1916:
1912:
1911:John Coltrane
1908:
1907:
1902:
1901:
1889:
1887:
1886:
1881:
1877:
1876:Jon Hendricks
1873:
1872:
1867:
1866:
1855:
1853:
1852:
1847:
1846:
1841:
1840:
1835:
1834:
1829:
1828:
1823:
1819:
1818:
1809:
1807:
1805:
1804:Dianne Reeves
1801:
1797:
1796:
1787:
1782:
1780:
1778:
1777:
1772:
1771:
1762:
1760:
1758:
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1621:
1617:
1616:
1611:
1598:
1593:
1591:
1575:
1573:
1572:
1567:
1566:
1558:Introspection
1557:
1555:
1553:
1552:Jon Hendricks
1549:
1548:
1543:
1542:
1537:
1536:
1531:
1527:
1526:
1521:
1520:
1515:
1511:
1507:
1506:Irving Berlin
1503:
1499:
1495:
1489:
1488:In Walked Bud
1482:In Walked Bud
1481:
1479:
1477:
1476:
1471:
1467:
1466:
1461:
1460:Jon Hendricks
1457:
1453:
1449:
1445:
1444:
1439:
1438:
1433:
1432:
1427:
1423:
1422:
1417:
1409:
1404:
1402:
1400:
1399:
1394:
1378:
1370:
1368:
1366:
1365:
1348:
1346:
1345:Jazz Workshop
1343:, and at the
1342:
1338:
1334:
1330:
1326:
1322:
1321:
1316:
1315:
1310:
1309:
1304:
1300:
1296:
1288:
1283:
1281:
1279:
1278:
1273:
1272:
1263:
1261:
1259:
1258:
1253:
1252:
1247:
1234:
1232:
1230:
1229:
1224:
1220:
1219:
1210:
1208:
1206:
1205:
1200:
1199:
1194:
1190:
1186:
1178:
1176:
1174:
1170:
1166:
1165:
1156:
1151:
1149:
1147:
1146:Jazz Workshop
1143:
1139:
1135:
1131:
1127:
1123:
1122:Carnegie Hall
1119:
1118:
1113:
1109:
1108:
1103:
1102:
1097:
1093:
1092:
1087:
1079:
1077:
1075:
1074:
1069:
1068:
1063:
1059:
1054:
1053:
1048:
1044:
1036:
1034:
1032:
1031:
1026:
1025:
1020:
1016:
1015:
1010:
1006:
1001:
999:
995:
990:
982:
978:
970:
965:
963:
962:as soloists.
961:
957:
953:
952:
947:
943:
938:
936:
932:
931:
926:
922:
914:
912:
910:
906:
902:
898:
897:Carnegie Hall
894:
893:
888:
884:
880:
876:
875:
870:
866:
862:
854:
852:
850:
849:
844:
843:
838:
834:
833:
828:
824:
820:
816:
812:
808:
800:
798:
796:
788:
786:
782:
780:
779:
774:
755:
753:
751:
747:
743:
742:Carnegie Hall
739:
738:
733:
732:Bob Weinstock
729:
728:
723:
719:
715:
711:
703:
701:
699:
698:Oliver Nelson
695:
694:
689:
685:
684:
674:
672:
670:
669:Jazz Workshop
666:
662:
661:
656:
652:
644:
642:
640:
639:
634:
633:
628:
618:
616:
615:
604:
602:
601:
596:
595:
590:
589:
584:
570:
568:
566:
558:
556:
554:
550:
549:
543:
541:
540:
535:
531:
530:
525:
521:
517:
516:Abbey Lincoln
513:
512:Jazz Workshop
510:, and at the
509:
505:
501:
497:
493:
489:
488:Carnegie Hall
485:
484:
479:
478:
473:
472:
457:
455:
453:
452:San Francisco
449:
445:
441:
437:
433:
432:
417:
415:
413:
412:
407:
406:
405:Jazz Workshop
401:
400:
395:
394:
389:
388:
383:
379:
375:
371:
370:
365:
364:
359:
355:
351:
350:
345:
338:
330:
328:
326:
325:Jazz Workshop
322:
318:
317:
312:
308:
304:
303:
288:
283:
281:
279:
275:
271:
267:
266:
261:
257:
256:Jon Hendricks
253:
252:
247:
246:
241:
240:
225:
220:
218:
216:
212:
208:
204:
200:
196:
192:
187:
183:
175:
170:
164:
160:
157:
155:
152:
150:
147:
145:
142:
140:
137:
135:
132:
130:
127:
125:
122:
120:
117:
115:
112:
110:
107:
105:
102:
100:
97:
95:
92:
90:
87:
85:
82:
80:
77:
75:
72:
70:
67:
65:
62:
60:
57:
56:
46:
44:
36:
31:
27:
19:
5559:
5552:
5510:Compositions
5509:
5497:
5492:Nica's Tempo
5490:
5483:
5476:
5469:
5464:Bags' Groove
5462:
5457:Bird and Diz
5455:
5448:
5432:Monk's Blues
5430:
5423:
5416:
5409:
5402:
5395:
5388:
5381:
5374:
5367:
5360:
5353:
5346:
5339:
5334:Monk's Dream
5332:
5325:
5318:
5311:
5304:
5297:
5290:
5283:
5276:
5269:
5262:
5255:
5248:
5243:Monk's Music
5241:
5234:
5227:
5220:
5213:
5206:
5199:
5192:
5185:
5178:
5171:
5164:
5157:
5142:Compositions
5141:
5083:. Retrieved
5068:
5059:
5052:. Retrieved
5032:
4994:
4986:
4967:
4961:
4950:
4939:
4927:
4911:
4906:
4896:
4886:
4870:
4858:
4846:
4819:
4809:February 13,
4807:. Retrieved
4796:
4784:
4774:February 13,
4772:. Retrieved
4767:
4758:
4746:. Retrieved
4742:
4733:
4721:. Retrieved
4717:
4693:. Retrieved
4683:
4671:. Retrieved
4658:
4633:
4625:
4600:
4592:
4580:
4564:
4552:
4540:
4513:
4471:
4459:
4447:
4435:
4402:. Retrieved
4395:
4382:
4370:
4360:
4337:. Retrieved
4319:
4316:"Bud Powell"
4309:
4293:
4289:
4273:
4269:
4230:
4195:
4128:
4099:
4087:
4075:
4063:
4002:
3946:. Retrieved
3939:
3930:
3918:
3906:
3894:
3865:
3802:. Retrieved
3798:
3789:
3777:
3765:. Retrieved
3761:
3752:
3664:
3616:
3581:
3564:
3552:
3540:
3471:
3440:
3430:November 22,
3428:. Retrieved
3424:
3414:
3308:
3254:. Retrieved
3250:the original
3212:. Retrieved
3205:
3196:
3147:
3145:
3133:
3131:
3119:
3116:Carmen McRae
3113:
3105:
3077:
3074:
3069:
3065:Monk's Music
3063:
3057:
3051:
3048:
3039:Margo Guryan
3032:
3026:
3020:
3018:
3001:
2998:Carmen McRae
2987:
2984:
2970:Monk on Monk
2969:
2947:
2941:
2924:
2919:
2915:Monk's Blues
2913:
2907:
2901:
2899:
2887:
2881:
2879:
2876:Think of One
2861:
2854:
2848:
2842:
2836:
2828:
2816:
2800:
2775:
2767:
2758:
2751:
2748:Carmen McRae
2745:
2732:
2730:
2709:Monk's Blues
2707:
2701:
2695:
2689:
2683:
2670:12-bar blues
2667:
2649:
2633:
2627:
2617:
2605:
2593:
2573:
2571:
2559:
2555:Nica's Tempo
2553:
2543:
2540:Shuffle Boil
2534:Margo Guryan
2523:
2517:
2514:
2497:
2494:Carmen McRae
2491:
2484:
2478:
2472:
2468:Monk's Music
2466:
2460:
2457:
2445:
2435:
2413:
2405:
2402:Round Lights
2392:Kenny Barron
2385:
2378:
2375:Carmen McRae
2370:
2354:
2348:
2337:
2333:
2327:
2321:
2309:
2297:
2287:
2284:Carmen McRae
2276:Gary Giddins
2273:
2268:Monk's Blues
2266:
2260:
2254:
2248:
2238:
2236:
2224:
2216:
2199:
2193:
2191:
2188:Played Twice
2179:
2176:Carmen McRae
2165:
2159:
2153:
2147:
2143:
2137:
2131:
2103:(after whom
2094:
2086:
2074:
2068:
2064:Monk's Music
2062:
2056:
2050:
2044:
2034:
2020:Margo Guryan
2005:
1991:
1983:
1971:
1963:
1948:Monk's Blues
1946:
1940:
1932:
1929:Monk's Point
1909:, featuring
1904:
1898:
1895:
1883:
1880:Carmen McRae
1871:Monk's Dream
1869:
1863:
1861:
1858:Monk's Dream
1849:
1843:
1837:
1831:
1825:
1822:Milt Jackson
1815:
1813:
1793:
1791:
1774:
1768:
1766:
1756:Monk's Blues
1754:
1751:shout chorus
1740:
1728:
1716:
1712:
1706:
1704:
1695:Margo Guryan
1690:Monk's Blues
1688:
1682:
1676:
1666:
1664:
1655:Margo Guryan
1644:
1638:
1613:
1602:
1576:
1569:
1563:
1561:
1545:
1539:
1533:
1529:
1523:
1517:
1502:pop standard
1500:", an early
1491:
1473:
1470:Carmen McRae
1463:
1441:
1435:
1429:
1426:Milt Jackson
1419:
1413:
1396:
1377:I Got Rhythm
1374:
1362:
1354:
1318:
1312:
1306:
1292:
1275:
1269:
1267:
1255:
1251:Nica's Tempo
1249:
1243:
1226:
1222:
1216:
1214:
1202:
1196:
1189:Ray Copeland
1182:
1162:
1160:
1115:
1105:
1099:
1096:Milt Jackson
1089:
1083:
1071:
1065:
1061:
1057:
1050:
1040:
1028:
1024:Monk's Music
1022:
1019:Milt Jackson
1012:
1002:
991:
981:Kenny Clarke
974:
954:, featuring
949:
945:
939:
928:
918:
890:
886:
882:
878:
874:Monk's Music
872:
868:
858:
846:
840:
836:
830:
827:Pepper Adams
815:Hudson River
809:'s house at
804:
794:
792:
783:
776:
773:This Old Man
764:
737:Monk's Dream
735:
725:
714:Kenny Clarke
707:
693:Monk's Blues
691:
681:
678:
660:Monk's Dream
658:
648:
636:
632:Nica's Tempo
630:
624:
621:Brake's Sake
612:
610:
598:
594:Monk's Dream
592:
586:
575:A blues in B
574:
564:
562:
551:, his third
546:
544:
537:
534:Carmen McRae
527:
483:Monk's Blues
481:
475:
469:
462:A blues in B
461:
439:
429:
422:A blues in B
421:
409:
403:
397:
391:
385:
378:timpani drum
372:, featuring
367:
361:
353:
347:
341:
331:Bemsha Swing
316:Monk's Dream
314:
310:
300:
292:
277:
263:
260:Carmen McRae
249:
243:
237:
229:
179:
163:
40:
26:
5442:With others
5425:Underground
5341:Criss-Cross
5137:Discography
5003:–117, 215.
4932:Kelley 2009
4863:Kelley 2009
4851:Kelley 2009
4839:Kelley 2009
4824:Kelley 2009
4789:Kelley 2009
4748:February 8,
4723:February 8,
4695:21 November
4673:21 November
4585:Kelley 2009
4569:Kelley 2009
4557:Kelley 2009
4545:Kelley 2009
4533:Kelley 2009
4518:Kelley 2009
4506:Kelley 2009
4491:Kelley 2009
4476:Kelley 2009
4464:Kelley 2009
4452:Kelley 2009
4440:Kelley 2009
4428:Kelley 2009
4404:October 27,
4375:Kelley 2009
4339:October 27,
4262:Kelley 2009
4235:Kelley 2009
4223:Kelley 2009
4200:Kelley 2009
4188:Kelley 2009
4169:Kelley 2009
4150:Kelley 2009
4133:Kelley 2009
4121:Kelley 2009
4104:Kelley 2009
4092:Kelley 2009
4068:Kelley 2009
4056:Kelley 2009
4039:Kelley 2009
4024:Kelley 2009
4007:Kelley 2009
3995:Kelley 2009
3970:Kelley 2009
3923:Kelley 2009
3911:Kelley 2009
3899:Kelley 2009
3887:Kelley 2009
3870:Kelley 2009
3858:Kelley 2009
3841:Kelley 2009
3826:Kelley 2009
3782:Kelley 2009
3726:Kelley 2009
3709:Kelley 2009
3692:Kelley 2009
3669:Kelley 2009
3657:Kelley 2009
3638:Kelley 2009
3621:Kelley 2009
3609:Kelley 2009
3586:Kelley 2009
3557:Kelley 2009
3545:Kelley 2009
3533:Kelley 2009
3514:Kelley 2009
3493:Kelley 2009
3476:Kelley 2009
3464:Kelley 2009
3445:Kelley 2009
3407:Kelley 2009
3382:Kelley 2009
3355:Kelley 2009
3332:Kelley 2009
3313:Kelley 2009
3301:Kelley 2009
3280:Kelley 2009
3189:Kelley 2009
3174:Kelley 2009
3102:Miles Davis
2989:Underground
2981:Ugly Beauty
2954:Sonny Clark
2889:Criss-Cross
2844:Underground
2724:and at the
2635:Criss-Cross
2624:Tea for Two
2596:Roger Vadim
2420:Fugazi Hall
2396:Chick Corea
2339:Criss-Cross
2226:Underground
2155:Criss-Cross
1915:Wilbur Ware
1892:Monk's Mood
1800:Benny Green
1795:Underground
1737:"Toot" Monk
1673:Clark Terry
1610:lydian mode
1547:Underground
1450:and at the
1329:Miles Davis
1320:Criss-Cross
1277:Underground
1171:and at the
1157:Four in One
1098:, later on
1073:Criss-Cross
1043:Sadik Hakim
960:Eric Dolphy
946:Criss-Cross
915:Criss-Cross
892:Criss-Cross
848:Criss-Cross
819:Clark Terry
614:Underground
559:Blue Sphere
382:"Toot" Monk
344:Denzil Best
270:Mark Murphy
195:52nd Street
5577:Categories
5478:Moving Out
5285:Misterioso
5201:Piano Solo
5022:Literature
4571:, p.
4400:. New York
4324:Lulu Press
3156:References
3138:sessions.
3128:Who Knows?
3059:Piano Solo
3028:Piano Solo
2966:Monk's son
2927:Ira Gitler
2825:Thelonious
2809:Teo Macero
2734:Milestones
2590:Six in One
2586:sessions.
2550:Gigi Gryce
2442:Bud Powell
2250:Piano Solo
2245:Ira Gitler
2213:Raise Four
2117:modal jazz
2058:Piano Solo
2041:Bud Powell
1833:Misterioso
1810:Misterioso
1763:Locomotive
1701:Light Blue
1684:Misterioso
1599:Jackie-ing
1535:Misterioso
1530:Discovery!
1510:Bud Powell
1498:Blue Skies
1456:Chaka Khan
1410:I Mean You
1401:sessions.
1367:sessions.
1351:Hornin' In
1314:Piano Solo
1289:Hackensack
1246:Gigi Gryce
1211:Functional
1101:Piano Solo
1067:Piano Solo
1033:sessions.
994:epistrophe
971:Epistrophy
925:Bud Powell
869:crepuscule
789:Chordially
718:Gil Fuller
651:contrafact
627:Gigi Gryce
588:Misterioso
553:solo album
520:Jeanne Lee
448:Black Hawk
446:, and the
436:Guy Warren
274:Ben Sidran
226:Ask Me Now
182:contrafact
5383:Solo Monk
5151:As leader
4304:, p. 215.
4284:, p. 149.
3570:Blue Monk
3068:, and on
2994:Ben Riley
2938:Two Timer
2706:, and on
2680:Blue Monk
2632:, and on
2584:Blue Note
2546:tap dance
2486:Solo Monk
2483:, and on
2377:'s album
2336:, and on
2265:, and on
2128:Pannonica
2073:, and on
2037:Elmo Hope
2031:Off Minor
2016:Five Spot
2002:Good Bait
1973:Solo Monk
1942:Solo Monk
1923:Town Hall
1651:Blackhawk
1571:Solo Monk
1440:, and on
1317:, and on
1169:Blackhawk
1130:Blackhawk
1126:Five Spot
1104:, and on
1070:, and on
901:Town Hall
746:Five Spot
532:, and by
524:Ran Blake
496:Town Hall
492:Five Spot
458:Blue Monk
374:Max Roach
313:, and on
251:Solo Monk
199:Manhattan
5499:In Orbit
4894:(2001).
4362:AllMusic
3425:kuvo.org
3095:♭
3086:♭
2869:♭
2832:♭
2804:♭
2771:♭
2740:♭
2675:♭
2653:♭
2613:♭
2409:♭
2317:♭
2220:♭
2090:♭
2014:and the
1987:♭
1967:♭
1936:♭
1732:♭
1678:In Orbit
1606:♭
1587:♭
1581:♭
1388:♭
1382:♯
1358:♭
1335:(1955),
1144:and the
1080:Evidence
986:♯
768:♭
667:and the
578:♭
465:♭
450:club in
425:♭
418:Bluehawk
358:Barbados
323:and the
296:♭
233:♭
52:Contents
5085:May 23,
3941:discogs
3767:May 24,
3762:Discogs
3575:YouTube
3207:discogs
2722:It Club
2638:,) but
2568:Sixteen
2083:Oska T.
1715:and on
1538:and on
1454:. Both
1325:Newport
1142:It Club
665:It Club
508:It Club
504:Newport
399:It Club
376:with a
321:It Club
5076:
5054:May 5,
5045:
5007:
4974:
4918:
4646:
4642:–215.
4613:
4330:
4300:
4280:
3015:We See
2958:heroin
2932:stride
2853:, and
2602:Skippy
2394:, and
2164:, and
1687:, and
1448:France
1337:France
1062:Lenore
1058:Eronel
1037:Eronel
923:, and
905:France
865:French
748:, and
710:Minton
704:Bye-Ya
597:, and
480:, and
354:Bemsha
248:, and
201:where
2813:Topsy
2718:Tokyo
2714:Italy
2000:and "
1980:Nutty
1624:Tokyo
1620:Italy
1371:Humph
1341:Tokyo
1327:with
1134:Tokyo
909:Italy
881:s, 1
696:with
500:Tokyo
393:Tokyo
387:Italy
191:bebop
5376:Monk
5187:Monk
5087:2019
5074:ISBN
5056:2014
5043:ISBN
5005:ISBN
4972:ISBN
4916:ISBN
4811:2016
4776:2016
4750:2018
4725:2018
4697:2016
4675:2016
4644:ISBN
4611:ISBN
4406:2015
4341:2015
4328:ISBN
4298:ISBN
4278:ISBN
3950:2018
3943:.com
3806:2018
3769:2019
3432:2017
3258:2018
3216:2018
3209:.com
3142:Work
3022:Monk
2883:Monk
2818:Monk
2672:in B
2314:in B
2167:Monk
1921:and
1913:and
1848:and
1770:Monk
1646:Monk
1622:and
1496:of "
1458:and
1331:and
1308:Monk
1114:and
958:and
907:and
825:and
778:Monk
653:of "
522:and
366:and
205:and
5039:568
5001:116
4877:at
4640:214
4607:588
4573:338
3573:on
2797:Teo
2178:on
1060:is
262:on
197:on
171:0-9
64:0–9
59:Top
5579::
5058:.
5041:.
4831:^
4766:.
4741:.
4716:.
4705:^
4666:.
4609:.
4525:^
4498:^
4483:^
4414:^
4394:.
4349:^
4326:.
4322:.
4318:.
4242:^
4207:^
4176:^
4157:^
4140:^
4111:^
4046:^
4031:^
4014:^
3977:^
3958:^
3938:.
3877:^
3848:^
3833:^
3814:^
3797:.
3760:.
3733:^
3716:^
3699:^
3676:^
3645:^
3628:^
3593:^
3521:^
3500:^
3483:^
3452:^
3423:.
3389:^
3362:^
3339:^
3320:^
3287:^
3266:^
3224:^
3204:.
3181:^
3164:^
3152:.
3062:,
2972:.
2922:.
2859:.
2821:.
2728:.
2720:,
2716:,
2700:,
2694:,
2668:A
2564:.
2532:.
2489:.
2477:,
2471:,
2398:.
2390:,
2383:.
2346:.
2332:,
2302:.
2271:.
2259:,
2229:.
2204:.
2184:.
2170:.
2158:,
2152:,
2146:,
2079:.
2067:,
2061:,
2018:.
1925:.
1888:.
1874:.
1854:.
1842:,
1836:,
1830:,
1779:.
1759:.
1721:.
1693:.
1653:.
1626:.
1574:.
1532:,
1478:.
1434:,
1347:.
1339:,
1280:.
1260:.
1231:.
1207:.
1175:.
1148:.
1140:,
1136:,
1132:,
1128:,
1124:,
1076:.
989:.
911:.
903:,
899:,
889:,
879:e'
851:.
821:,
797:.
781:.
752:.
744:,
671:.
649:A
591:,
542:.
514:.
502:,
498:,
494:,
490:,
454:.
414:.
402:,
396:,
390:,
327:.
280:.
268:.
254:.
180:A
45:.
5528:"
5524:"
5521:"
5517:"
5118:e
5111:t
5104:v
5089:.
5013:.
4980:.
4922:.
4813:.
4778:.
4752:.
4727:.
4699:.
4677:.
4652:.
4619:.
4575:.
4408:.
4343:.
3952:.
3808:.
3771:.
3747:.
3434:.
3260:.
3218:.
3110:.
3083:D
3010:W
2976:U
2792:T
2506:S
2208:R
2123:P
2026:O
1955:N
1783:M
1630:L
1594:J
1405:I
1284:H
1235:G
1152:F
1056:(
966:E
883:u
756:C
339:.
284:B
221:A
159:W
154:U
149:T
144:S
139:R
134:P
129:O
124:N
119:M
114:L
109:J
104:I
99:H
94:G
89:F
84:E
79:C
74:B
69:A
20:)
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