1304:" suggests some of the political and class issues around At around the same time, the Arts Council also set up a top-down inquiry that overturned the result of the Society's elections that had once more brought in a council dominated by those sympathetic to the Poetry Revival. As a result of the Arts Council setting aside the votes of the members, many of the members boycotted the Society. Robert Sheppard has provided a useful critique of Barry's account and of the tactics of the committee members: as a representative of a younger generation of poets, who had grown up through Cobbings's writers forum workshops, whose 'linguistically innovative poetry' was more akin to LANGUAGE poets than to the New American Poetry, and felt the boycott was a tactical error.
1474:, selected by Peter Riley were reappraised and returned to their rightful place in the history of 20th century British poetry. Another interesting development was the establishment of the British and Irish poetry discussion list by Richard Caddel. This continued, for some decades, to provide an international forum for discussion and the exchange of news on experimental British and Irish poetry. Much wider publication for Revival poetry was arranged via the USA. Caddel, together with Peter Middleton, edited a selection of new UK poetry for US readers in a special issue of
952:, she writes for performance as much as for the page and there is an undercurrent of feminist concerns in her work. Other poets associated with the North of England included Paul Buck, Glenda George, and John Seed. Paul Buck and Glenda George for many years edited Curtains, a magazine instrumental in disseminating contemporary French poetry and philosophical/theoretical writing. John Seed had picked up on Objectivism while still in the North-East. Geraldine Monk's edited collection of reminiscences by various Northern poets (including
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1120:
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25:
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1256:, Robert Garioch and Liz Lochhead. About 700 people attended. For POEM73, the attendance was over 1300 people, hearing Hugh MacDiarmid, George Macbeth, Adrian Mitchell, Jon Silkin and Iain Crichton Smith. The final festival, POEM74, included readings by Adrian Henri, Libby Houston, Jeff Nuttall, Rose McGuire, Frances Horovitz, Ruth Fainlight and Sorley Maclean.
127:
941:, stayed in a group of four cottages in the village of Sparty Lea. This has often been presented as a pivotal event in the British Poetry Revival, bringing together poets who were separated geographically and in terms of poetic influences and encouraging them to support and publish each other's work.
710:
Griffiths started Pirate Press to publish work by himself and others. Allen Fisher set up
Spanner for similar reasons, and Sinclair's early books were published by his own Albion Village Press, which also published work by Chris Torrance and Brian Catling. Book production has always been an important
718:
writers and the US poets linked with the New
American Poetry more generally, and his abilities as a promoter and poet. In large part through Mottram's presence there, King's College London was another important site for the British Poetry Revival. Poets who attended there (a number of them also
1251:
In a similar vein, in 1972-4 John
Schofield, then a post-graduate student, organised three annual poetry festivals in various halls at Edinburgh University, called POEM 72, POEM73 and POEM74. Poets reading their work at the first included Edwin Morgan, Norman MacCaig,
1276:
Nuttall and MacSweeney both served as chairperson of the society during this period and Bob
Cobbing used the photocopying facilities in the basement of the society's building to produce Writers Forum books. Around this time, Cobbing, Finch and others established the
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in North London has been instrumental in bringing to wider attention contemporary
Modernist writers such as Nicholas Potamitis, Mario Petrucci, Robert Vas Dias and Peter Brennan; the press was also responsible for the first publication in Britain of
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emerged as key individual poets during this time, each interested in, among other forms, sound and visual poetry. The viability of a wider, deeper experimental infrastructure in poetry was helped by the gallery, performance space and bookshop at the
902:. Pickard and MacSweeney shared Bunting's interest in reviving Northumbrian vowel patterns and verbal music in poetry and all of these poets were influenced by the older poet's insistence on poetry as sounded speech rather than purely written text.
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and in the elections became the Poetry
Society's new council. The Society had been traditionally hostile to modernist poetry, but under the new council this position was reversed. Eric Mottram was made editor of the society's magazine
1273:. Over the next six years, he edited twenty issues that featured most, if not all, of the key Revival poets and carried listings of books and magazines from the wide range of small presses that had sprung up to publish them.
1288:, Mottram was removed as editor of the magazine; his editorial practices being seen by the Arts Council as "a treacherous assault on British poetry", according to Mottram's preface to his section of the anthology,
1094:. Contributors and recipients included Peter Armstrong, Jim Burns, Elaine Feinstein, John Hall, John James, Tim Longville, Barry MacSweeney, J. H. Prynne, Tom Raworth, John Temple, Chris Torrance and Nick Wayte'
1517:
workshop. A sub-development of the workshop was the instigation of the Foro De
Escritores workshop, in Santiago, Chile, run on similar aesthetic principles. This workshop has contributed to the development of
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were among those who were to the fore. These, and others, met regularly at
Gilbert Adair's Subvoicive reading series, which also regularly featured poets from North America, as well as visiting poets such as
1097:
The
Cambridge poets in general wrote in a cooler, more measured style than many of their London or Northumbrian peers (although Barry MacSweeney, for example, felt an affinity with them) and many taught at
1292:. in which he outlines some of the breadth of poetic activity from which this loose grouping emerged. An archive-based, event-history approach to subsequent events is provided by Peter Barry in his book
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maintained links with the modernist legacy of the inter-war and post-war years while publishing contemporary poets; often, however, by mixing the avant-garde with aesthetically conservative texts.
1216:
sequence is widely regarded as one of the major long poems to come out of the
Revival. For some account of this period, see the reminiscences of Chris Torrance and Peter Finch in Geraldine Monk's
711:
part of Revival practice. Many of these writers also participated enthusiastically in performance poetry events, both individually or in groups like Cobbing's Bird Yak and Konkrete Canticle.
1296:(Salt, 2006). An account of this 'battle' from the other side is provided by James Sutherland Smith, where his comparison of the brief takeover of the Poetry Society to an attempt "by the
1090:, a privately-circulated worksheet published between January 1966 and April 1968. It was founded by Andrew Crozier, who edited the first and third series; the second series was edited by
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was published. It featured a section on the Revival poets edited by Mottram and another on the younger poets edited by Edwards. In 1987, Crozier and Longville published their anthology
549:
1490:
1989:
1082:'s return to poetry in the 1960s. The New York school were also an important influence for many of the Cambridge poets - most obviously in the work of John James. The
1086:, which published these poets, was originally thought of as a kind of magazine of British Objectivism. The early formation of this group is evidenced in the pages of
354:. By the beginning of the 1960s a number of younger poets were starting to explore poetic possibilities that these older writers had opened up. They included
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poets. However, some of the more experimental poets in Wales were not of Welsh origins. Two of the most important expatriate poets operating in Wales were
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913:
Poetry Festival. This was a ten-day session of reading, writing and discussion. The participants, including the Pickards, MacSweeney, Andrew Crozier,
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1007:
774:
192:
that took place in the late 1960s and 1970s. The term was a neologism first used in 1964, postulating a New British Poetry to match the anthology
42:
1385:, which continued to be a major publisher of contemporary poetry until 2018 and an important bridge between US and UK poetries. The London-based
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In the 60s and early 70s Peter Finch, an associate of Bob Cobbing, ran the No Walls Poetry readings and the ground breaking inclusive magazine,
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1768:
1717:
501:
Publishing outlets for this new experimental poetry included Turnbull's Migrant Press, Raworth's Matrix Press and Goliard Press, Horovitz's
659:
Griffiths writes a poetry of dazzling surface and deep political commitment that incorporates such matter as his professional knowledge of
149:
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magazine focused more on the Objectivist and Bunting-inspired poetry of the Northumbrian school while introducing a number of new poets.
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2030:
1377:, the magazine he had co-edited through the 1970s with Peter Barry and Robert Hampson. Through Reality Studios, he helped introduce the
185:
898:
were to become important models for Caddel and Simms in their writing about the Northumbrian environment, while John Seed picked up on
553:(1969). A broader view of the first and second generations of the Revival is in the sections edited by Eric Mottram and Ken Edwards in
2205:
683:
sequence of books. O'Sullivan explores a view of the poet as shaman in her work, while Randell and Riley were among the first British
1969:
89:
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1033:
800:
167:
108:
559:(1988). Robert Sheppard also provides an account of some of this activity in his chapter "The British Poetry Revival" in his book,
61:
474:. Turnbull, who spent some time in the USA, was also influenced by Williams. His fellow Scots Morgan and Finlay both worked with
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2014:
68:
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1011:
778:
46:
1964:
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featured another aspect of the Revival; the recovery of neglected British modernists of the generation after Bunting. Poets
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1103:
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in the MA in Poetic Practice at Royal Holloway, University of London, including Becky Cremin, Frances Kruk, Ryan Ormond,
823:, which is widely considered to be his masterpiece. A number of younger poets began to gather around Bunting. In 1963,
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1608:
1374:
1281:(ALP) to promote and support small press publishers and organise book fairs at which they could sell their productions.
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454:
75:
145:
141:
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1416:, which focused mainly on the Cambridge poets, and Iain Sinclair edited yet another anthology of Revival-related work
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996:
763:
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In 1971, a large number of the poets associated with the British Poetry Revival joined the dormant, if not moribund
2007:
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57:
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1134:
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1000:
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Poets associated with the British Poetry Revival generally looked to modernist models, such as the American poets
35:
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1055:
914:
535:
268:
212:
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1494:(Oxford University Press, USA, 2001) incorporates this poetry into a wider retrospective of the whole century.
1422:(1996). For an account of some of the work produced by these poets, see Robert Hampson and Peter Barry (eds.),
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Eric Mottram was a central figure on the London scene, both for his personal and professional knowledge of the
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832:
335:
1519:
2225:
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1632:
1408:
1392:
1337:
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555:
292:
1523:
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1591:) also emerged more fully as poets in their own right. New writings have arisen from the involvement of
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and an interest in exploring the meaning of place, particularly London, which can be seen in Sinclair's
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648:. Some sense of the atmosphere of this period is provided by the series of reminiscences included in
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concerns with experimental poetic practice. For more on Griffiths's poetry, see William Rowe (ed.),
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American and European poetry. The first representative anthology of the new movement was Horovitz's
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may contain an excessive amount of intricate detail that may interest only a particular audience
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1200:. Freeman is another British poet influenced by the Objectivists, and he has written on both
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895:
864:
399:
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1979:
1212:, Freeman, Hampson and others. Torrance has expressed his debt to David Jones. His ongoing
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2385:
2155:
2105:
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John Seed, 'Living the Storm: George Oppen's "Songs of Experience"' in John Freeman (ed.)
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715:
652:(Shearsman, 2016), edited by Robert Hampson and Ken Edwards, and in Ken Edwards's memoir,
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462:
438:
351:
972:, mentioned above, provides a rich account of innovative poetry outside the metropolis.
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Fisher, a professional jazz pianist, applied the lessons of William Carlos Williams's
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1514:
1431:
1427:
1387:
1382:
1209:
1106:. There was also less emphasis on performance than there was among the London poets.
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more conservative approach to British poetry. The poets included an older generation—
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magazine brought many of the younger poets together – in particular, Adrian Clarke,
563:(Liverpool University Press, 2005)', while Juha Virtanen wrote a Revival monograph,
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2170:
2160:
2135:
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1937:
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to a British readership. He also ran Reality Street Editions with Cambridge-based
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In the late 1970s, in response to the number of 'foreign poets' being featured in
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2110:
2085:
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530:
403:
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367:
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224:
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24:
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2100:
1654:
1636:
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355:
331:
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1763:(4th rev. ed.). Princeton, NJ: Princeton University Press. p. 426.
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2165:
1543:
1350:
965:
957:
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Through Bunting, these younger writers became familiar with the work of the
703:(Manchester UP, 2007). For Fisher, see Robert Hampson and cris cheek (eds),
422:
148:
any relevant information, and removing excessive detail that may be against
2439:
421:
on 11 June 1965 to create what has often been claimed as the first British
1208:, essays on the poetry of George Oppen, which included work by John Seed,
871:. For some reminiscences of this scene, see the essays by Connie Pickard,
2315:
2280:
688:
2425:
2250:
2220:
1316:
under Mottram, began to emerge around the end of the 1970s. In London,
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1639:
at University of Bedfordshire's Creative Writing programme, including
1294:
Poetry Wars: British poetry in the 1970s and the Battle of Earls Court
2340:
2034:
1312:
A number of younger poets, many of whom who first found an outlet in
906:
585:
1999:
1913:
http://www.jamessutherland-smith.co.uk/cgi-bin/diarist?month=201106
494:; while Raworth and Harwood shared an interest in the poets of the
2190:
565:
Poetry and Performance During the British Poetry Revival 1960-1980
1709:
A Companion to Contemporary British and Irish Poetry, 1960 - 2015
719:
students taught by Mottram) included Gilbert Adair, Peter Barry,
2140:
1984:
1901:
Not Comforts / But Vision: essays on the Poetry of George Oppen
860:
450:
2003:
1849:
Not Comforts / But Vision: Essays on the poetry of George Oppen
1974:
1113:
979:
746:
120:
18:
486:. Mottram, Nuttall, Horovitz and Burns were all close to the
1862:
Barry MacSweeney and the Politics of Post-War British Poetry
1706:
Gortschacher, Wolfgang; Malcolm, David (21 December 2020).
1513:
have surfaced after direct involvement in the Cobbing-led
813:
By the early 1950s, Basil Bunting had returned to live in
1923:
For a detailed account of these events, see Peter Barry,
695:(Salt, 2007). For more on Sinclair, see Robert Sheppard,
490:
writers. Mottram and Raworth were also influenced by the
1980:
Archives of the British and Irish poetry discussion list
550:
Children of Albion: Poetry of the Underground in Britain
1550:), have made a similar impact via the Cambridge scene.
1491:
Anthology of Twentieth-Century British and Irish Poetry
1188:
in 1974 and the shop served as a focal point for young
1950:
Talisman: a Journal of Contemporary Poetry and Poetics
944:
Although published by Writers Forum and Pirate Press,
1886:
Neil Pattison, Reitha Pattison, Luke Roberts (eds.),
543:. Many of these presses and magazines also published
1424:
The New British poetries: the scope of the possible
417:and an audience of 7,000 people at the Albert Hall
49:. Unsourced material may be challenged and removed.
948:is very much a poet of the North of England. Like
835:. The first reading was by Bunting, and Ginsberg.
291:, Gavin Selerie, Frances Presley, Elaine Randell,
1938:http://jacketmagazine.com/31/sheppard-barry.html
1760:The Princeton Encyclopedia of Poetry and Poetics
1046:The Cambridge poets were a group centred around
1738:New British poetries: The scope of the possible
1635:, John Sparrow and Stephen Willey; and through
429:'s event-based art and Skoob Tower ceremonies;
2015:
1825:(Maine: National Poetry Foundation, 1980), 1.
1736:. In Robert Hampson & Peter Barry (eds).
1426:(Manchester University Press, 1993). In 1994
831:started a reading series and bookshop in the
667:. Both Sinclair and Fisher share a taste for
8:
1888:Certain Prose of 'The English Intelligencer
1875:CUSP: recollections of poetry in transition
1836:CUSP: recollections of poetry in transition
1218:CUSP: recollections of poetry in transition
1148:. Unsourced material may be challenged and
1014:. Unsourced material may be challenged and
881:CUSP: recollections of poetry in transition
781:. Unsourced material may be challenged and
2022:
2008:
2000:
1627:, and Chris Paul; from the involvement of
1497:Into the 1990s and beyond poets including
1485:Other: British and Irish Poetry since 1970
588:was a hub for many young poets, including
1990:Piers Hugill on British Poetry since 1977
1260:"A treacherous assault on British poetry"
1168:Learn how and when to remove this message
1034:Learn how and when to remove this message
855:all read there. They were soon joined by
801:Learn how and when to remove this message
184:is the general name now given to a loose
168:Learn how and when to remove this message
109:Learn how and when to remove this message
1795:Robert Hampson & Ken Edwards (eds),
1244:, "Chapman", and Duncan Glen's magazine
699:(Northcote House, 2007) or Brian Baker,
1698:
1078:and Crozier was partly responsible for
539:, Crozier's Ferry Press, and Cobbing's
457:in ZĂĽrich at the start of the century.
1797:CLASP: late modernist poetry in London
1712:. John Wiley & Sons. p. 236.
817:and, in 1966, Fulcrum Press published
650:CLASP: late modernist poetry in London
584:and its associated writers' workshop,
437:'s 1962 collage-events in Liverpool's
425:. Earlier British happenings included
259:—and a younger generation: Paul Buck,
580:Thanks in no small part to Cobbing's
7:
1927:(Manchester University Press, 2007).
1821:Carroll F. Terrell, 'Introduction',
1546:(in particular, Marianne Morris and
1434:co-edited the anthology of Scottish
1146:adding citations to reliable sources
1012:adding citations to reliable sources
779:adding citations to reliable sources
47:adding citations to reliable sources
1985:The Life and Works of Jeff Nuttall
1441:(Gairfish and Southfields Press).
616:, Gavin Selerie, Frances Presley,
150:Knowledge (XXG)'s inclusion policy
14:
1970:The English Intelligencer Archive
1890:(Cambridge: Mountain Press, 2012)
1563:, who had co-edited the magazine
1470:, selected by Andrew Crozier and
1204:and Niedecker.In 1985, he edited
2438:
1864:(Palgrave Macmillan, 2017), 4-6.
1657:
1488:(USA, 1999); while Keith Tuma's
1399:. In the Midlands, Tony Baker's
1118:
984:
909:, 1967 MacSweeney organised the
751:
419:International Poetry Incarnation
125:
23:
723:, Hannah Bramness, Clive Bush,
34:needs additional citations for
1740:. Manchester University Press.
1439:Contraflow on the SuperHighway
1373:, a magazine that grew out of
1236:in Glasgow (later renamed the
863:but an honorary Northumbrian,
519:, Galloping Dog Press and its
433:'s 1964 auto-destructive art;
1:
1279:Association of Little Presses
1851:(Interim Press, 1985), 10-25
1753:; et al., eds. (2012).
1530:. Those associated with the
1406:In 1988 an anthology called
1375:Alembic (UK poetry magazine)
1238:Centre for Contemporary Arts
567:(Palgrave Macmillan, 2017).
342:and British figures such as
1838:(Bristol: Shearsman, 2012).
1823:Basil Bunting: Man and Poet
1454:, selected by Jeremy Reed;
1223:In Scotland, Edwin Morgan,
1184:. He began Oriel Books in
1074:. Prynne was influenced by
413:Many of these poets joined
2496:
2480:British literary movements
1925:The Battle of Earl's Court
1734:The British Poetry Revival
1617:Dartington College of Arts
1458:, selected by Tony Lopez;
1206:Not Comforts / but Visions
705:The Allen Fisher Companion
449:. They had their roots in
2434:
2376:San Francisco Renaissance
2041:
1603:, under the direction of
1088:The English Intelligencer
536:The English Intelligencer
1064:Veronica Forrest-Thomson
879:in Geraldine Monk (ed.)
207:-inspired, primarily by
58:"British Poetry Revival"
1995:Profile of Harry Thomas
1583:(previously editors of
847:and the Canadian poets
336:William Carlos Williams
194:The New American Poetry
2465:British Poetry Revival
2206:Generation of the '30s
2081:British Poetry Revival
1903:(Interim Press, 1985).
1834:Geraldine Monk (ed.),
1732:Mottram, Eric (1993).
1409:The New British Poetry
1290:the new british poetry
1242:Scottish International
833:Morden Tower Book Room
556:The New British Poetry
505:, Stuart Montgomery's
211:'s works, reaction to
182:British Poetry Revival
2256:Informationist poetry
1965:List of related links
1542:), and more recently
1436:Informationist poetry
1379:L=A=N=G=U=A=G=E poets
1240:). Magazines such as
841:Lawrence Ferlinghetti
525:magazine, Pig Press,
2381:Scottish Renaissance
2076:Black Mountain poets
1899:John Freeman (ed.),
1673:Black Mountain poets
1334:Robert Gavin Hampson
1142:improve this section
1100:Cambridge University
1070:, Tim Longville and
1008:improve this section
775:improve this section
729:Robert Gavin Hampson
561:The Poetry of Saying
492:Black Mountain poets
289:Robert Gavin Hampson
243:, the Canadian poet
43:improve this article
2321:New American Poetry
2071:Black Arts Movement
2051:Akhmatova's Orphans
1952:16 (1996): 110–173.
1812:(Grand Iota, 2019).
1755:"Poetry of England"
1613:Performance Writing
1524:Andreas Aandwandter
1482:Caddel also edited
1447:Conductors of Chaos
1419:Conductors of Chaos
1308:The 1980s and after
1225:Ian Hamilton Finlay
1220:(Shearsman, 2012).
883:(Shearsman, 2012).
707:(Shearsman, 2020).
663:and his years as a
364:Ian Hamilton Finlay
235:, the Finnish poet
2470:Literary movements
2396:Southern Agrarians
2291:Metaphysical poets
2231:Harlem Renaissance
1877:(Shearsman, 2012).
1567:in the mid-1990s,
1110:Wales and Scotland
1104:Anglia Polytechnic
1084:Grosseteste Review
727:, Bill Griffiths,
522:Poetry Information
516:Grosseteste Review
203:The Revival was a
2452:
2451:
2445:Poetry portal
2241:Hungry generation
2236:Harvard Aesthetes
2211:Generation of '98
2201:Generation of '27
2176:The poets of Elan
1799:(Shearsman, 2016)
1770:978-0-691-15491-6
1719:978-1-118-84320-8
1605:Caroline Bergvall
1565:Object Permanence
1559:. From Scotland,
1540:Keston Sutherland
1480:Peter Quartermain
1363:Maggie O'Sullivan
1347:Caroline Bergvall
1300:to take over the
1298:Militant Tendency
1178:
1177:
1170:
1044:
1043:
1036:
950:Maggie O'Sullivan
888:Objectivist poets
811:
810:
803:
735:, Will Rowe, and
634:Maggie O'Sullivan
604:, Gilbert Adair,
470:in his long poem
408:Christopher Logue
308:Maggie O'Sullivan
196:(1960) edited by
178:
177:
170:
119:
118:
111:
93:
2487:
2443:
2442:
2356:Parnassian poets
2326:New Apocalyptics
2301:Modernist poetry
2116:Confessionalists
2106:Churchyard poets
2024:
2017:
2010:
2001:
1975:The Morden Tower
1953:
1947:
1941:
1934:
1928:
1921:
1915:
1910:
1904:
1897:
1891:
1884:
1878:
1873:Geraldine Monk,
1871:
1865:
1858:
1852:
1845:
1839:
1832:
1826:
1819:
1813:
1806:
1800:
1793:
1787:
1781:
1775:
1774:
1747:
1741:
1730:
1724:
1723:
1703:
1667:
1662:
1661:
1660:
1534:(most obviously
1234:Third Eye Centre
1173:
1166:
1162:
1159:
1153:
1122:
1114:
1039:
1032:
1028:
1025:
1019:
988:
980:
896:Lorine Niedecker
890:. Specifically,
865:Barry MacSweeney
859:, brought up in
806:
799:
795:
792:
786:
755:
747:
743:Northern England
455:Cabaret Voltaire
400:Elaine Feinstein
380:Michael Horovitz
173:
166:
162:
159:
153:
129:
128:
121:
114:
107:
103:
100:
94:
92:
51:
27:
19:
2495:
2494:
2490:
2489:
2488:
2486:
2485:
2484:
2455:
2454:
2453:
2448:
2437:
2430:
2401:Spasmodic poets
2386:Sicilian School
2336:New York School
2156:Dolce Stil Novo
2037:
2028:
1961:
1956:
1948:
1944:
1935:
1931:
1922:
1918:
1911:
1907:
1898:
1894:
1885:
1881:
1872:
1868:
1859:
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1846:
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1833:
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1782:
1778:
1771:
1749:
1748:
1744:
1731:
1727:
1720:
1705:
1704:
1700:
1696:
1678:Language poetry
1663:
1658:
1656:
1653:
1633:Sophie Robinson
1393:Robert Sheppard
1371:Reality Studios
1338:Robert Sheppard
1310:
1262:
1174:
1163:
1157:
1154:
1139:
1123:
1112:
1040:
1029:
1023:
1020:
1005:
989:
978:
929:, Peter Riley,
807:
796:
790:
787:
772:
756:
745:
716:Beat generation
622:Robert Sheppard
578:
573:
496:New York School
488:Beat generation
439:The Cavern Club
352:Hugh MacDiarmid
328:
293:Robert Sheppard
174:
163:
157:
154:
140:Please help by
139:
130:
126:
115:
104:
98:
95:
52:
50:
40:
28:
17:
16:Poetry movement
12:
11:
5:
2493:
2491:
2483:
2482:
2477:
2475:British poetry
2472:
2467:
2457:
2456:
2450:
2449:
2435:
2432:
2431:
2429:
2428:
2423:
2421:Uranian poetry
2418:
2413:
2408:
2403:
2398:
2393:
2388:
2383:
2378:
2373:
2368:
2363:
2358:
2353:
2348:
2343:
2338:
2333:
2328:
2323:
2318:
2313:
2308:
2303:
2298:
2293:
2288:
2286:Martian poetry
2283:
2278:
2276:Language poets
2273:
2268:
2263:
2258:
2253:
2248:
2243:
2238:
2233:
2228:
2223:
2218:
2216:Georgian poets
2213:
2208:
2203:
2198:
2193:
2188:
2183:
2178:
2173:
2168:
2163:
2158:
2153:
2151:Della Cruscans
2148:
2143:
2138:
2133:
2128:
2123:
2118:
2113:
2108:
2103:
2098:
2096:Cavalier poets
2093:
2091:Castalian Band
2088:
2083:
2078:
2073:
2068:
2063:
2058:
2056:Angry Penguins
2053:
2048:
2042:
2039:
2038:
2029:
2027:
2026:
2019:
2012:
2004:
1998:
1997:
1992:
1987:
1982:
1977:
1972:
1967:
1960:
1959:External links
1957:
1955:
1954:
1942:
1929:
1916:
1905:
1892:
1879:
1866:
1860:Luke Roberts,
1853:
1840:
1827:
1814:
1801:
1788:
1783:Jeff Nuttall,
1776:
1769:
1751:Greene, Roland
1742:
1725:
1718:
1697:
1695:
1692:
1691:
1690:
1685:
1680:
1675:
1669:
1668:
1652:
1649:
1621:Kirsten Lavers
1597:Bridgid Mcleer
1520:Martin Gubbins
1472:Nicholas Moore
1462:, selected by
1452:David Gascoyne
1444:The anthology
1369:. Edwards ran
1359:D. S. Marriott
1330:Lawrence Upton
1318:Bill Griffiths
1309:
1306:
1266:Poetry Society
1261:
1258:
1198:Chris Torrance
1176:
1175:
1126:
1124:
1117:
1111:
1108:
1060:Douglas Oliver
1052:Andrew Crozier
1042:
1041:
992:
990:
983:
977:
974:
946:Geraldine Monk
923:Pete Armstrong
892:Louis Zukofsky
857:Richard Caddel
837:Robert Creeley
809:
808:
759:
757:
750:
744:
741:
737:Lawrence Upton
693:Bill Griffiths
673:Suicide Bridge
618:Elaine Randell
606:Lawrence Upton
590:Bill Griffiths
577:
574:
572:
569:
527:Andrew Crozier
503:New Departures
466:to his native
453:events at the
431:Gustav Metzger
415:Allen Ginsberg
327:
324:
283:, Ulli Freer,
277:Lawrence Upton
261:Bill Griffiths
241:Andrew Crozier
213:the Movement's
190:United Kingdom
176:
175:
133:
131:
124:
117:
116:
31:
29:
22:
15:
13:
10:
9:
6:
4:
3:
2:
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2433:
2427:
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2419:
2417:
2414:
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2399:
2397:
2394:
2392:
2389:
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2379:
2377:
2374:
2372:
2371:Rhymers' Club
2369:
2367:
2364:
2362:
2359:
2357:
2354:
2352:
2349:
2347:
2344:
2342:
2339:
2337:
2334:
2332:
2331:New Formalism
2329:
2327:
2324:
2322:
2319:
2317:
2314:
2312:
2309:
2307:
2304:
2302:
2299:
2297:
2294:
2292:
2289:
2287:
2284:
2282:
2279:
2277:
2274:
2272:
2269:
2267:
2266:Jindyworobaks
2264:
2262:
2259:
2257:
2254:
2252:
2249:
2247:
2244:
2242:
2239:
2237:
2234:
2232:
2229:
2227:
2224:
2222:
2219:
2217:
2214:
2212:
2209:
2207:
2204:
2202:
2199:
2197:
2194:
2192:
2189:
2187:
2184:
2182:
2179:
2177:
2174:
2172:
2169:
2167:
2164:
2162:
2159:
2157:
2154:
2152:
2149:
2147:
2144:
2142:
2139:
2137:
2134:
2132:
2129:
2127:
2126:Cubo-Futurism
2124:
2122:
2119:
2117:
2114:
2112:
2109:
2107:
2104:
2102:
2099:
2097:
2094:
2092:
2089:
2087:
2084:
2082:
2079:
2077:
2074:
2072:
2069:
2067:
2064:
2062:
2059:
2057:
2054:
2052:
2049:
2047:
2044:
2043:
2040:
2036:
2032:
2025:
2020:
2018:
2013:
2011:
2006:
2005:
2002:
1996:
1993:
1991:
1988:
1986:
1983:
1981:
1978:
1976:
1973:
1971:
1968:
1966:
1963:
1962:
1958:
1951:
1946:
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1939:
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1926:
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1902:
1896:
1893:
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1880:
1876:
1870:
1867:
1863:
1857:
1854:
1850:
1844:
1841:
1837:
1831:
1828:
1824:
1818:
1815:
1811:
1808:Ken Edwards,
1805:
1802:
1798:
1792:
1789:
1786:
1780:
1777:
1772:
1766:
1762:
1761:
1756:
1752:
1746:
1743:
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1726:
1721:
1715:
1711:
1710:
1702:
1699:
1693:
1689:
1686:
1684:
1681:
1679:
1676:
1674:
1671:
1670:
1666:
1655:
1650:
1648:
1646:
1645:Allison Boast
1642:
1638:
1634:
1630:
1626:
1622:
1618:
1615:programme at
1614:
1610:
1606:
1602:
1601:Alaric Sumner
1598:
1594:
1590:
1586:
1582:
1581:Richard Price
1578:
1577:David Kinloch
1574:
1570:
1566:
1562:
1558:
1553:
1552:Perdika Press
1549:
1545:
1541:
1537:
1533:
1529:
1528:Martin Bakero
1525:
1521:
1516:
1515:Writers Forum
1512:
1508:
1504:
1500:
1495:
1493:
1492:
1487:
1486:
1481:
1478:(1996). With
1477:
1473:
1469:
1465:
1461:
1457:
1453:
1449:
1448:
1442:
1440:
1437:
1433:
1432:Richard Price
1429:
1428:W. N. Herbert
1425:
1421:
1420:
1415:
1414:A Various Art
1411:
1410:
1404:
1402:
1398:
1397:Andrew Duncan
1394:
1390:
1389:
1388:Angel Exhaust
1384:
1383:Wendy Mulford
1380:
1376:
1372:
1368:
1364:
1360:
1356:
1355:Andrew Duncan
1352:
1348:
1343:
1339:
1335:
1331:
1327:
1323:
1319:
1315:
1314:Poetry Review
1307:
1305:
1303:
1299:
1295:
1291:
1287:
1286:Poetry Review
1282:
1280:
1274:
1272:
1271:Poetry Review
1267:
1259:
1257:
1255:
1249:
1247:
1243:
1239:
1235:
1230:
1226:
1221:
1219:
1215:
1211:
1210:Jeremy Hooker
1207:
1203:
1199:
1195:
1191:
1187:
1183:
1172:
1169:
1161:
1158:February 2014
1151:
1147:
1143:
1137:
1136:
1132:
1127:This section
1125:
1121:
1116:
1115:
1109:
1107:
1105:
1101:
1095:
1093:
1089:
1085:
1081:
1077:
1076:Charles Olson
1073:
1069:
1065:
1061:
1057:
1053:
1050:and included
1049:
1038:
1035:
1027:
1024:February 2014
1017:
1013:
1009:
1003:
1002:
998:
993:This section
991:
987:
982:
981:
975:
973:
971:
967:
963:
962:Glenda George
959:
955:
951:
947:
942:
940:
936:
932:
928:
927:Tim Longville
924:
920:
916:
912:
908:
903:
901:
897:
893:
889:
884:
882:
878:
874:
870:
866:
862:
858:
854:
853:Lionel Kearns
850:
849:Gerry Gilbert
846:
845:Gregory Corso
842:
838:
834:
830:
826:
822:
821:
816:
805:
802:
794:
791:February 2014
784:
780:
776:
770:
769:
765:
760:This section
758:
754:
749:
748:
742:
740:
738:
734:
730:
726:
722:
717:
712:
708:
706:
702:
701:Iain Sinclair
698:
697:Iain Sinclair
694:
690:
686:
682:
679:and Fisher's
678:
674:
670:
669:William Blake
666:
662:
657:
655:
651:
647:
643:
639:
635:
631:
630:Clive Fencott
627:
626:Adrian Clarke
623:
619:
615:
611:
607:
603:
602:Iain Sinclair
599:
595:
591:
587:
583:
582:Writers Forum
575:
570:
568:
566:
562:
558:
557:
552:
551:
546:
542:
541:Writers Forum
538:
537:
532:
528:
524:
523:
518:
517:
512:
511:Tim Longville
508:
507:Fulcrum Press
504:
499:
497:
493:
489:
485:
484:visual poetry
481:
477:
473:
469:
465:
464:
458:
456:
452:
448:
445:'s events in
444:
440:
436:
432:
428:
424:
420:
416:
411:
409:
405:
401:
397:
393:
389:
385:
381:
377:
373:
369:
365:
361:
360:Gael Turnbull
357:
353:
349:
348:Basil Bunting
345:
341:
340:Charles Olson
337:
333:
325:
323:
321:
317:
313:
309:
305:
304:Clive Fencott
301:
300:Adrian Clarke
297:
294:
290:
286:
282:
278:
274:
273:Gilbert Adair
270:
266:
262:
258:
257:Iain Sinclair
254:
250:
246:
245:Lionel Kearns
242:
238:
234:
230:
226:
222:
218:
214:
210:
209:Basil Bunting
206:
201:
199:
195:
191:
187:
183:
172:
169:
161:
151:
147:
143:
137:
134:This article
132:
123:
122:
113:
110:
102:
99:February 2014
91:
88:
84:
81:
77:
74:
70:
67:
63:
60: –
59:
55:
54:Find sources:
48:
44:
38:
37:
32:This article
30:
26:
21:
20:
2436:
2346:Objectivists
2306:The Movement
2171:Ego-Futurism
2161:Dymock poets
2136:Cyclic Poets
2131:Culteranismo
2080:
1949:
1945:
1932:
1924:
1919:
1908:
1900:
1895:
1887:
1882:
1874:
1869:
1861:
1856:
1848:
1843:
1835:
1830:
1822:
1817:
1810:Wild Metrics
1809:
1804:
1796:
1791:
1785:Bomb Culture
1784:
1779:
1759:
1745:
1737:
1733:
1728:
1708:
1701:
1688:Situationism
1683:The Movement
1665:1960s portal
1641:Alyson Torns
1629:Redell Olsen
1611:through the
1588:
1584:
1572:
1571:, editor of
1564:
1561:Peter Manson
1557:Bill Berkson
1536:Andrea Brady
1532:Barque Press
1511:Piers Hugill
1499:Johan de Wit
1496:
1489:
1483:
1475:
1456:W. S. Graham
1445:
1443:
1438:
1423:
1417:
1413:
1407:
1405:
1400:
1386:
1370:
1367:Denise Riley
1313:
1311:
1293:
1289:
1285:
1283:
1275:
1270:
1263:
1250:
1245:
1241:
1222:
1217:
1213:
1205:
1202:George Oppen
1194:John Freeman
1181:
1179:
1164:
1155:
1140:Please help
1128:
1096:
1087:
1083:
1048:J. H. Prynne
1045:
1030:
1021:
1006:Please help
994:
969:
943:
935:J. H. Prynne
904:
900:George Oppen
885:
880:
818:
812:
797:
788:
773:Please help
761:
713:
709:
704:
696:
692:
680:
676:
672:
658:
654:Wild Metrics
653:
649:
646:Denise Riley
598:Allen Fisher
594:Paula Claire
579:
564:
560:
554:
548:
544:
534:
520:
514:
502:
500:
471:
461:
459:
447:Better Books
443:Jeff Nuttall
435:Adrian Henri
412:
392:Edwin Morgan
384:Eric Mottram
372:Jeff Nuttall
329:
320:Denise Riley
253:Allen Fisher
237:Anselm Hollo
233:Jeff Nuttall
229:Eric Mottram
221:Paula Claire
202:
198:Donald Allen
193:
181:
179:
164:
158:January 2021
155:
142:spinning off
135:
105:
96:
86:
79:
72:
65:
53:
41:Please help
36:verification
33:
2406:Sung poetry
2391:Sons of Ben
2316:Neotericism
2296:Misty Poets
2261:Ä°kinci Yeni
2111:Conceptismo
2086:Cairo poets
2061:Auden Group
1589:Southfields
1548:Jow Lindsay
1507:Jeff Hilson
1503:Sean Bonney
1468:J.F. Hendry
1460:David Jones
1342:Ken Edwards
1302:Rotary Club
1229:Tom Leonard
1182:second aeon
1092:Peter Riley
1080:Carl Rakosi
1068:Peter Riley
919:John Temple
877:Tom Pickard
869:Colin Simms
829:Tom Pickard
820:Briggflatts
733:Jeff Hilson
725:Ken Edwards
721:Sean Bonney
687:to combine
685:women poets
665:Hells Angel
661:Anglo-Saxon
610:Peter Finch
545:avant-garde
531:Peter Riley
427:John Latham
404:Lee Harwood
388:Peter Finch
376:Tom Raworth
368:Bob Cobbing
344:David Jones
285:Ken Edwards
281:Peter Finch
249:Lee Harwood
225:Tom Raworth
217:Bob Cobbing
2459:Categories
2411:Surrealism
2366:Précieuses
2361:La Pléiade
2271:Lake Poets
2146:Deep image
2101:Chhayavaad
1637:Keith Jebb
1625:Andy Smith
1619:including
1593:cris cheek
1569:Drew Milne
1464:Drew Milne
1326:cris cheek
1322:Ulli Freer
1254:Tom Buchan
1214:Magic Door
1072:John Riley
1056:John James
939:Nick Waite
915:John James
911:Sparty Lea
873:Tony Baker
642:Tony Lopez
638:cris cheek
614:Ulli Freer
468:Birmingham
356:Roy Fisher
332:Ezra Pound
326:Beginnings
316:Tony Lopez
312:Cris Cheek
296:Paul Evans
269:John James
146:relocating
69:newspapers
2416:Symbolism
2311:NĂ©gritude
2246:Imaginism
2226:The Group
2196:Gay Saber
2186:Fugitives
2166:Ecopoetry
2066:The Beats
1609:John Hall
1573:Parataxis
1544:Bad Press
1351:Paul Buck
1129:does not
995:does not
976:Cambridge
966:John Seed
958:Paul Buck
954:Jim Burns
931:John Hall
815:Newcastle
762:does not
423:happening
396:Jim Burns
265:John Hall
205:modernist
2281:Marinism
2121:Créolité
1651:See also
1476:Talisman
689:feminist
677:Lud Heat
463:Paterson
186:movement
2426:Zutiste
2251:Imagism
2221:Goliard
2046:Acmeism
2031:Schools
1186:Cardiff
1150:removed
1135:sources
1016:removed
1001:sources
783:removed
768:sources
571:England
188:in the
83:scholar
2351:Others
2341:Oberiu
2035:poetry
1767:
1716:
1340:, and
1102:or at
964:, and
907:Easter
875:, and
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