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described by Fatima El-Tayeb, "Black
Germansâ attempt to make their country their home by creating a space for themselves on its imaginary map â a step which, if successful, would mean a dramatic reconfiguration of âGermannessâ â is held against them by exactly those white Germans who most decry the nation's anachronistic and exclusionary concept of identity." On the other hand, they are also criticized, mostly by white German liberals, for being too Black, racially exclusive, and anti-multicultural. They also received charges for perpetuating male dominance and masculinity that undermines the notable role that women and feminism asserted during the early stages of the Hip Hop movement. The main concern is that while they have made significant contributions to the protest against racial divides and essentialization for the Afro-German community in large, they might have done so in a way that fails to subvert gender stereotypes and is quite often offensive, if not hostile, towards women.
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and videos that were explicitly against Nazism and anti-Blackness in
Germany, they formed a confrontational masculine collectivity. This was reaffirmed by their exclusion of women from their music and videos, an absence which they claimed was due to female performers being pregnant or on maternity leave. Some of the female performers in question, Sisters Keepers, contrasted with that masculinity with a rhetoric of peace and coalition-building rather than direct confrontation. In fact, in the music video for Sisters Keepers's "Liebe und Verstand," members of Brothers Keepers make visual and auditory cameos, giving the song a gendered authenticity. Although Brothers Keepers sought to reaffirm Afro-German identity with a masculinist perspective, it is important to note that the formation of the Afro-German identity was done largely by Afro-German women.
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they generally model themselves after images of black masculinity that are often deeply sexist and homophobic". In other words, "By relegating female performers to the margins... Brothers
Keepers runs counter to the strong presence of women and feminism in the history of Afro-German political organizing". Brother Keepersâ female counterpart, Sisters Keepers, emerged as an ostensible afterthought, and in their collaboration, Sisters Keepers were relinquished to the background as apolitical and demure sidekicks. This representation is a far cry from the true role Afro-German women have played in activism.
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402:"This is something like a final warning, / As we have been planning our counterstrike for a long time. / We intervene where you emerge, / At last, we offer resistance to your brown shit. / âCause what you want is the end. / And what we offer are clenched fists and not our hands. / Your downfall forever! / And what weâll hear is your crying and your whimpering."
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As hip-hop became means of forwarding Afro-German activism, Brother
Keepersâ select historical consciousness demonstrates how "the strong presence of women â articulate, feminist, often lesbian â in the first decades of the Afro-German struggle has been hard for young male MCs to stomach, given that
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Brothers
Keepers presented themselves and delivered their message in traditionally masculine ways. Their presentation was heavily influenced by the Black masculinity of mainstream American Hip-Hop, but maintained a distinctly Afro-German identity and spoke to Afro-German issues. Especially in lyrics
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Dies' ist so 'was wie eine letzte
Warnung, / Denn unser RĂŒckschlag ist lĂ€ngst in Planung. / Wir fallân darein, wo ihr auffallt, / Wir bieten eurer braunen ScheiĂe endlich Aufhalt. / Denn was ihr sucht, ist das Ende. / Und was wir reichen sind geballte FĂ€uste und keine HĂ€nde. / Euer Niedergang fĂŒr
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Brothers
Keepers faced much criticism and disapproval despite being one of the first groups of Afro-German hip-hop artists that broke into the mainstream while addressing the struggles behind the Afro-German racial identity. On the one hand, the rappers are denounced for being "too German." As
312:). These organizations' early activities involved publishing magazines and organizing the first Black History Month celebrations in Berlin. They were foundational for community building along gendered and racialized lines in Germany and elsewhere, and they were pioneered by Afro-German women.
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Als
Alberto Adriano an Pfingsten 2000 von Neonazis in Dessau ermordet wird, hinterlĂ€sst er eine Ehefrau und drei Kinder â eine Familie, die nun nicht nur lernen muss, ohne ihren Vater und Mann zu leben, sondern zugleich verstehen muss, dass er starb, weil er ein Schwarzer
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Ich sage K, sage Z, sage Nazis rein / Ich will nicht labern, denn ich kenn mein
Vaterland / Macht es mich krank wie Masern, dann verspĂŒr ich Tatendrang / Ich fĂŒhle mich eingeengt und will statt Prominenz / Und statt groĂer Fans, Nazis die wie Poster
418:"I say K, I say Z, I say Nazis inside / I don't wanna talk 'cause I know my country / Does it make me sick like measles, then I wanna act / Then I feel constricted and want instead of prominence / and lots of fans, Nazis who hang like posters."
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Alberto
Adriano, killed on pentecost 2000 by neo-nazis in Dessau, is survived by a wife and three children - a family that not only must learn to live without a father and husband, but also has to understand that he died because he was
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Brothers Keepers has local groups active in information campaigns, presenting teach-ins at schools etc. However the project primarily gained prominence in Germany through the collaborative album,
308:). Then, several organizations coalesced to critique the racism of the German feminist movement, including Initiative Schwarze Deutsche" (ISD), and "Afro-deutsche Frauen" (
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can be identified as instrumental in facilitating contemporary articulations of Black Germanness. In 1984, Lorde visited Berlin and met with Black German women (such as
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Brothers Keepers, which, while lacking the organizational superstructure of its German counterpart, contributed a track to
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Weheliye, Alexander (2009). "My Volk to Come: Peoplehood in Recent Diaspora Discourse in Afro-German Popular Music".
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later diverged from Brother Keepers, renaming themselves to "Sisters" and releasing the more radical record
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shows a procession of rappers, marching as a united front and the chorus, sung by
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in 2000. A group of musicians decided to organize and fight back.
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There is also a female version of this Movement/Band called the
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The following quote is about Adriano's death and its effect.
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The idea for the project took root when a German of
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253:. The proceeds of this album went to
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334:Black Power
328:Song lyrics
296:Afro-German
280:Audre Lorde
235:Samy Deluxe
219:politician
213:Lightkultur
173:Mozambiquan
137:anti-racism
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881:2021-12-21
848:2021-12-21
820:References
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559:(with the
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387:Original:
366:German rap
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664:"Bereit"
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346:education
324:in 2008.
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181:neo-Nazis
161:Neo-Nazis
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247:Beginner
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496:) with
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412:hÀngen.
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255:charity
251:D-Flame
167:History
141:hip hop
132:-based
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761:Nosliw
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368:. Its
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185:Dessau
145:reggae
130:German
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604:Year
516:Year
380:star
370:video
362:crĂšme
340:anti-
243:Denyo
239:Afrob
231:Torch
128:is a
87:JSTOR
73:books
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660:2005
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470:Kaye
434:and
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149:soul
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