310:
primarily perceived through hearing and decoding the cultural language of the place. They describe the evolution of their philosophy in a 2009 article in
Leonardo Music Journal. They first discovered that urban environments could be 'tuned' while working on a 1991 installation "Secrets of the Sun" at Trajan's Forum, Rome. When they placed microphones inside large amphora jars onsite, the discordant city noises were converted into their resonant harmonies and when played back into the site had a noticeable calming effect on bickering workers. With "Harmonic Bridge", a permanent sound art piece at Mass MoCA (installed 1998), they built a resonant frequency âtuning tubeâ to transform the sonic commons of a noisy underpass into a more humane entrance to the art center. "Hive Music" in New York City (1997) converted the urban sounds of the city's economic activity into a symphony. âBlue Moonâ at the World Financial Center, NYC (2004) sensitized visitorsâ ears to the sonic effects of the moon and tides on the busy harbor. The piece âtransforms the ambient sound of the waterfront using tuning tubes that collect and filter the surrounding ambient noise, distilling it into harmonic tones that are modulated by the changing tides.â O+A's Requiem for Fossil Fuels, performed at Judson Memorial Church, NYC in 2007 and the World Financial Center, NYC, in 2010, was a site-specific Latin requiem combining human voices and ambient sound. It "combines a traditional memorial mass sung by a world class vocal quartet with the noises of fossil-fuel powered cars, helicopters, airplanes, horns and alarms".
319:
Instead, sound seems to hang in the air, at once diffused and enriched. The combination of a parabolic floor, a high concave roof, and cylindrical walls elicits a dense mass of overtones from even a footfall or a cough." Ever since locals abducted him to it on the 1976 Chatauqua tour, Odland and friends had made pilgrimages to visit the tank, crawling through a portal to play and record music. In 2013, however, the tank was in danger of being sold for scrap metal. With two successful
Kickstarter campaigns and the help of Town officials and hundreds of supporters, the empty vessel was rescued and converted into an up-to-code performance space/assembly hall with a recording studio. Now officially the TANK Center for Sonic Arts, the venue attracts a wide range of musicians and choral groups and has garnered national attention. The TANK hosts musicians, concerts, recording projects, artistic residencies, workshops and other events. Odland serves as board president for the non-profit organization.
266:" (1999â2000) was exhibited at the Field Museum, Chicago. Designed and built by 30/70 Productions in collaboration with the museum's exhibit design team, it brought ancient instruments back to life in an interactive exhibit. While viewing the untouchable artifacts behind glass cases, visitors were able to play digital samples of the instruments using touch pads and to create music with other visitors in real-time jam sessions. Acoustic chaos was averted by the âBabble Converterâ, a behind-the-scenes computer program that synchronized the playersâ rhythms. Touchscreen workstations let visitors explore the provenance and anthropology of the artifacts and play them as 'virtual instruments'. The exhibit was so popular that it was held over for four months and became a case study for best practices in exhibit design.
229:
site-specific musical piece using recordings of local ambient sounds. Following the
Chatauqua, Odland was hired by the Denver agency Artreach to teach music workshops for incarcerated juveniles. Meanwhile, he continued his sonic explorations, creating installations for art galleries. "Soundworks" was shown in 1979 at Sebastian-Moore Gallery in Denver, using found natural and urban objects to create instruments. "Any and all sound has potential to be a musical source", he said. In "Sonic Excavation", a performance at the Denver Art Museum (1979), Odland played pre-Columbian flutes, ocarinas, drums, interwoven with location recordings. "The flutes, actually museum artifacts, were transformed before us into living, breathing instruments."
269:âPlanet Earth Gallery" (opened 1999) was commissioned by the UK Millennium Commission for a sustainable development theme park called the Earth Center in Doncaster, England, which was built in a reclaimed coal mine. The exhibition was an interactive "Stonehenge-cosmological clock" with giant glass monoliths, sculptures, audio, video, solar refraction art installed in a cavernous gallery. People walking through the exhibit triggered an array of motion sensors that affected the A/V outputs, varying the visitor experiences. Although intended to be permanent, Planet Earth Gallery was dismantled when the Earth Centre failed to secure long-term funding and was closed in 2004.
277:(O+A, 1991 Salzburg Festival) was a multi-media performance piece combining sound, music, dance, light shows and fireworks. High Performance magazine described it: âA site-specific symphony of light and sound that explored the nature of presence, resonance and history as consciousness, CityDream succeeded in linking the past with the future in a holistic rather than linear form. The result was a visionary work that invoked and reasserted the spiritual power of art through sensual experience without compromising its political essence or meaning.â In
301:(2019) for the Fort Collins, Colorado Music District. "A 16-day musical journey through the diverse musical communities of Colorado, a small crew of sound and video experts explore the sonic landscape of the state with modern technologies as they spiral their way from Hartsel toward The Tank in Rangely, in the spirit of the forgotten Chautauqua Movement of the 19th and 20th Centuries". Documented in 360 VR and audio, with special premier at the OtterBox Digital Dome Theater, Museum of Discovery in Fort Collins, Colorado.
281: (O+A, 2015), a piece for the Brugges Trienalle in Belgium, Odland and Auinger built balloon loudspeakers to accompany festival walkers through a map of "songlines", producing an echolocation readout that highlighted the Medieval architectural spaces. In 2015â16, for ESI Design, Odland created ambient information environment sonic designs for PNC Bank world headquarters in Pittsburgh, and for Beacon Capital Partnersâ Terrell Building in Washington DC. A permanent O+A sound installation,
225:, Chicago, in 1974 with a degree in composition and conducting. While there he became fascinated with electronic music, experimenting on an early Moog synthesizer. However, soon after graduating, Odland's interest turned to the "sounds inherent in processes and things". He departed from his classical music training to seek out the sounds, rhythms and harmonies of natural environments.
581:( Francesco Cavalli/The Wooster Group) (2007 to 2009). Musical director and sound design. 2007: Kaii Theater, Brussels, Belgium; Rotterdamse Schouwburg, Rotterdam, Netherlands; Edinburgh International Festival, UK. 2008: St. Ann's Warehouse, Brooklyn, New York; Grand Théùtre de la Ville, Luxembourg. 2009: St. Ann's Warehouse, Brooklyn, New York; REDCAT, Los Angeles.
87:) is a composer, sound artist and sonic thinker. He is known for large-scale sound installations in public spaces, creating unique instruments that reveal music inherent in natural and urban environments, and for his pioneering work in theater, film and interactive multi-media. He lives and works in
318:
In 2013, Odland and a handful of musician friends embarked on a project to save an old steel water tank with cathedral-like acoustics and a 40-second reverb in
Rangely, Colorado. Music critic Alex Ross describes it: "But itâs not a cathedral-style resonance, which dissipates in space as it travels.
245:
on trumpet), 2 rock drummers, bass, synth, and vocals that galvanized the Denver music scene for several years. The excitement generated was described by one columnist "like walking into a New York bar in the 1970s and hearing the
Talking Heads". The band was voted Denver's best rock band in
309:
Odland met Sam
Auinger while working on an installation, "Riverworks", at the 1987 Ars Electronic in Linz, Austria. They have collaborated since 1989 as the team O+A. Through their sonic explorations and installations they have evolved a "hearing perspective" in which the spatial environment is
232:
In 1979, the Denver Center
Theater Company created the position of Director of Sound and Music for Odland. He served that role from 1980 to 1984, creating musical scores and sound designs for more than 20 productions and developing new techniques for theater sound and speaker design. After
254:
Odland moved to New York City in 1990 to be closer to Europe, where he had begun working extensively with sound artist Sam
Auinger on O+A installations (see below). In the U.S., he continued to work in the theater, primarily in NYC with Joanne Akailitis, Andre Gregory, Wallace Shawn and Liz
228:
In 1976 Odland moved to Denver, Colorado where he was recruited as musical director/sound artist for the state's
Centennial Chatauqua tour. The entourage of artists and performers visited small towns in Colorado, conducting workshops and theatrical performances. In each town, he composed a
272:
During the 1990s, Odland began designing sonic installations for architectural spaces to acoustically define them as distinctive geographic places with their own history and to focus people on locating themselves and 'way finding' through their ears.
288:
Odland's work increasingly explores creating realistic acoustic spatiality for surround sound and video. He and
Auinger began experimenting with binaural microphones to make the 4-ears binaural recordings featured in their performance piece
593:(by Ăschylus) (1993). Director: Peter Sellars. Salzburg Festival, Szene Salzburg, Austria, Theater Bobigny, Paris, France; Mark Taper Forum, Los Angeles, California; International Festival, Edinburgh, UK; Hebbel Theater, Berlin, Germany.
240:
In 1984, Odland was production manager for Laurie Anderson's "Mr. Heartbreak" tour of the United States and Japan. Also in 1984, he formed the Bruce Odland Big Band (BOBB), a 10-piece New Wave Big Band, featuring 5 jazz horns (including
126:
He pioneered virtual musical instruments in 2000 in the "Sounds from the Vaults" exhibition at the Field Museum in Chicago, which won the Gold Muse award from the American Alliance of Museums for best interactive media exhibit.
246:
both 1985 and 1986. They recorded a single album, âCrossoverâ (XO Records). Ultimately, it proved too difficult to wrangle 10 musicians, all of whom played in multiple groups. Their last performance was in 1989.
285:, conceived and designed for Euroallee in Zurich, Switzerland opened in September 2020. Three "soundstone" loudspeakers play back city noise that has been transformed realtime into a sound field of harmony.
575:(2012â2014). Music and performance for Wooster Group/Royal Shakespeare production. London; World Shakespeare Festival, Stratford-on-Avon, UK; Disney Center, LA; Performing Garage, NYC.
487:, O+A. 2010 World Financial Center, New York, NY; 2008 Sopienkirche, Berlin; 2007 St. Joseph's Cathedral, San Jose, California; 2007 Judson Memorial Church, New York, NY.
481:, O+A. Performed 2015 Boston, Massachusetts; 2011Lentos Kunstmuseum Linz, Austria; 2010 Concordia University, Montreal, Canada; 2009 Judson Memorial Church, New York, NY.
587:(2004â2006). Sound design for the Puppet Theater Rock Opera by Dan Graham and Tony Oursler with music by Japanther. Performed a Miami Art Basel and on a European tour.
233:
leaving the DCTC, he continued working on theater pieces with the director Peter Sellars (1985â1987) at the Kennedy Center in Washington, D.C. and with Tina Packer's "
182:
123:, with whom he formed an artistic partnership O+A in 1989. Together they have created more than 50 sound installations in Europe, North America and Asia.
1491:
91:. Odland's musical sculptures and sound installations have been shown in major cities such as New York, Berlin, and Zurich; in art museums including the
1458:
1100:
Johnson, Carolyn S.; Wali, Alaka; Faron, Richard (2004). "The Field Museum: Sounds from the Vaults". In McLean, Kathleen; McEver, Catherine (eds.).
262:
In 1998, Odland incorporated "30/70 Productions, Ltd.", to take on two large multi-media exhibit design/build commissions for millennium projects. "
234:
100:
1743:
1733:
1214:
1128:
Moles, Steve (July 1999). "Fragile Earth: Steve Moles visits the Earth Centre in Doncaster â one of the first UK Millennium Landmark Projects".
672:
417:
1356:
1331:
198:
827:
Bhagat, Alexis; Gangemi, Gregory (Autumn 2007). Kyunghwa, Ahn (ed.). ""Sound Alchemists", an interview with Bruce Odland and Sam Auinger".
1699:
1542:"Composing a Symphony of the Streets: To Create an Urban Soundscape, Two Musicians Fuse the Noises of the City with a Traditional Mass"
622:
The Denver Center for the Performing Arts (1980â1984): Director of Sound and Music for more than 20 plays and sound designs, including
569:(by Wallace Shawn ) (2013). The Public Theater, new production, New York City (2000â2001): original music. Directed by Andre Gregory.
1738:
1109:
924:
256:
202:
194:
342:(2018). Music and sound design, VR 360Âș version of Hamlet by Commonwealth Shakespeare Company. Artistic Director Steven Maler.
1648:
1259:
690:
1758:
677: (2020 and 2021). A radio conversation about slowness between Anderson and Odland. Broadcast by Wesleyan University.
88:
112:
293:(2009â2015). He first experimented with music/sound design in virtual reality in the 2019 theatrical production of
438:, O+A (1991). Trajan's Forum, Rome, Italy. Part of "Secrets of the Sun" installation by solar artist Peter Erskine.
139:
1560:
1278:
1626:"In the Garden of Sonic Delights â 2014 Exhibition Catalogue by Caramoor Center for Music and the Arts â Issuu"
872:
1499:
1184:
1578:
379:, O+A (2013). Zurich, Switzerland. Art in Buildings for Psychiatric University Clinic, Rheinau Building 80.82
420:. 2014 Sound Art Exhibition "In the Garden of Sonic Delights". On the Rockefeller farm, Pocantico Hills, NY.
222:
1541:
1753:
769:
529:
519:
669:(2021). Podcast of the play by Wallace Shawn. Sound design, music and podcast production. Gideon Media.
663:(2021). Podcast of the play by Wallace Shawn. Sound design, music and podcast production. Gideon Media.
538:(1998). Original score, independent feature film by Stewart Culpepper. Premiered at Taos Film Festival.
1373:
965:
1748:
1625:
1232:
596:
Shakespeare and Company (1980â1988): The Mount, Lenox, Massachusetts. Director: Tina Packer. Plays:
1666:
1439:
1522:
1395:
854:
Martin, Mitch (September 3, 1999). "World jam; 'Sounds from the Vaults' taps Field's archives".
130:
Odland has collaborated with many well-known theater directors, musicians and artists including
1147:
550:(1989). Original music and sound design. Animation by Stacey Steers, narrated by Stan Brackage.
528:(2004). Director: Reynold Reynold. Sound design, film music, binaural recordings. Premiered at
1674:
1352:
1327:
1105:
836:
752:
717:(1988â1991): Weekly radio show with Paul Klite for CPB, NPR. Winner of Golden Reel Award 1990.
175:
116:
92:
1011:
Clurman, Irene (October 26, 1979). "Odland redefines boundary between music and visual art".
297:
for Google and Commonwealth Theater. Later that year, he led the project team creating
1385:
348:, Washington, D.C. (2016). Interactive wall installations by experiential design firm ESI.
159:
143:
949:
Tysh, George (April 13â27, 1979). "Bruce Odland: Roots of Music; The Sound of Everything".
190:
163:
155:
108:
1649:"Hear the City as a Symphony: Interactive Exhibit Tunes in the Sounds of Tufts Community"
996:
Giffen, Glenn (April 19, 1979). "Refreshing Music: 'Soundwork' Style Like Spring Bloom".
255:
LaCompte's Wooster Group. From 1996 to 1998 he was composer-in-residence for IBM at the
1102:
Are We There Yet? Conversations about Best Practices in Science Exhibition Development
1727:
1413:
171:
167:
131:
1399:
360:, The Earth Center, Doncaster, UK. (1999) A Landmark Millennium Commission project.
186:
147:
96:
733:
Silver Telly Award (2020): for Immersive Mixed Reality, Craft â use of 360 audio,
1148:"Failed Earth Centre in Doncaster becomes children's educational activity centre"
1026:"Bruce Odland, Pre-Columbian Sonic Excavation: Denver Art Museum, June 6, 1979".
745:
Gold Muse Award (2000): for Interactive Media, American Association of Museums,
208:
He is founding director of the Tank Center for Sonic Arts in Rangely, Colorado.
135:
119:. Many of his installations are collaborations with Austrian sound artist
120:
1600:
898:
699:. (2001): Radio broadcast of the play by Wallace Shawn, sound design, producer
475:, O+A (2017). Galerus Rotunda, Thessaloniki, Greece. For Documenta 14 Festival
391:(2011). Novartis Campus, Basel, Switzerland. Co-designed with Laurie Anderson.
151:
1678:
840:
1071:"The Denver Post's 1986 Music Poll: Best Rock Group: Bruce Odland Big Band".
242:
104:
84:
1390:
373:, O+A (2020). Zurich, Switzerland. Conceived and designed for Europaallee.
1041:
Katz, Alan (February 11, 1986). "Bruce Odland: The Birth of a Big Band".
789:
1165:
Apple, Jacki (Winter 1991). "The Sound of History Dreaming the Future".
925:"Sonic Artist Bruce Odland: Money Makes Noise, A Water Tank Creates Art"
544:(1989). Original score. Directed by Evelyn Purcell, starring Helen Hunt.
1185:"Quiet is the New Loud â Brugges Trienalle, Belgium â Odland + Auinger"
181:
Odland has lectured and led workshops at many institutions, including:
1056:"The Best of Denver 1985: Best Rock Band: The Bruce Odland Big Band".
1351:. Insa Art Space of the Arts Council Korea, Seoul. pp. 70â113.
1215:"A Look Behind ESI Design's Interactive Media Wall at Terrell Place"
674:
Party in the Bardo: Conversations with Laurie Anderson â Episode Two
563:(2018). Directed by JoAnne Akalaitis. Guthrie Theater, Minneapolis.
205:; University of Art, Berlin; and Insa Art Institute, Seoul, Korea.
1347:
Odland, Bruce; Auinger, Sam (2007). "Hearing Perspective: Seoul".
221:
Bruce Odland grew up in Janesville, Wisconsin and graduated from
1459:"At Shows Painted with Sound, Be Prepared to See with your Ears"
795:
762:
Golden Reel Award (1990): for the independent radio production
1297:
801:
967:
Colorado Chautauqua! Centennial-Bicentennial Souvenir Program
742:
Solo Artist, Composition Award (2009): NYSCA / Wooster Group.
1324:
Alien Agency; Experimental Encounters with Art in the Making
807:
522:. Directed and produced by Dave Davidson, Hudson West Media.
1326:. Cambridge, Massachusetts: The MIT Press. pp. 19â84.
450:(1980). Aspen Center for the Visual Arts, Aspen, Colorado.
1279:"'Hamlet' in Virtual Reality Casts the Viewer in the Play"
783:
68:
1233:"Harmonic Gate â Zurich, Switzerland â Odland + Auinger"
835:. Kim Jung-heun (Chairman Arts Council Korea): 215â219.
1167:
High Performance, A Quarterly Magazine for the New Arts
1082:
Menconi, David (July 19â25, 1989). "Art rock reunion".
739:
DAAD Artists-in-Berlin fellowship (2011â2012): Germany.
397:, O+A (2002). West Hollywood, Los Angeles, California.
60:
Sonic installations, multi-media, virtual instruments
964:
Colorado Centennial-Bicentennial Commission (1976).
512:(2013). Original score. Documentary by Cindy Kleine.
403:, O+A (1998). MassMoCA, North Adams, Massachusetts.
770:
Foundation for Contemporary Arts, Grants to Artists
518:(2012). Original score. Documentary on the life of
432:, O+A (2004). World Financial Center, New York, NY.
201:; and The Bartlett School of Architecture, London;
64:
56:
48:
40:
30:
23:
1667:"A sound artist hears symphonies in ambient noise"
1492:"New Sounds Live: Requiem for Fossil Fuels by O+A"
462:(1979). Sebastian-Moore Gallery, Denver, Colorado.
1581:. CBS Sunday Morning. CBS News. December 25, 2016
1260:"Sonic wallpaper from O+A in 'my eyes...my ears'"
1028:Artspace Southwestern Contemporary Arts Quarterly
426:(2008). Tufts University, Boston, Massachusetts.
1579:"Reverberations: A water tank's sonic splendors"
1476:Vogel, Carol (April 16, 2004). "Sounds of Art".
681:Interior Design Innovation Podcast: Episode 2
8:
723:(1985): Bruce Odland Big Band, XO Records.
493:, O+A (1991). Salzburg Festival, Austria.
20:
1389:
1277:Harris, Elizabeth A. (January 25, 2019).
981:Cleary, Andy. "The Artist Behind Walls".
1521:Brandstrader, J.R. (October 28, 2007).
1296:Pictures, Arcadian (October 28, 2019),
819:
385:, O+A (2011). Frankfurt, Germany.
237:" in Lenox, Massachusetts (1980â1988).
193:; Harvard University School of Design;
790:http://bruceodland.net/category/press/
510:Andre Gregory: Before and After Dinner
418:Caramoor Center for Music and the Arts
354:The Field Museum, Chicago. (1999â2000)
1317:
1315:
1208:
1206:
1123:
1121:
1104:. The Exploratorium. pp. 88â92.
1095:
1093:
923:Aldredge, Michelle (March 21, 2013).
516:Everything Turns, Everything Revolves
456:(1979). Denver Art Museum, Colorado.
328:Multimedia installations and 360-film
199:Massachusetts Institute of Technology
52:Composer, sound artist, sonic thinker
7:
1372:Odland, Bruce; Auinger, Sam (2009).
1322:Salter, Chris (2015). "Resonances".
1258:Guerrieri, Matthew (March 9, 2015).
867:
865:
1540:Dollar, Steve (November 12, 2010).
755:(1997): Award in Sound Design, for
1498:. October 27, 2010. Archived from
1374:"Reflections on the Sonic Commons"
749:exhibition, Field Museum, Chicago.
473:Requiem for the Extraction Economy
14:
1561:"A Water Tank Turned Music Venue"
953:. Vol. 2:17. pp. 10â11.
408:Temporary sound art installations
1601:"The TANK Center For Sonic Arts"
1438:Strauss, Neil (March 20, 1997).
1060:. February 26, 1986. p. 46.
970:. State of Colorado. p. 28.
899:"The TANK Center For Sonic Arts"
806:The TANK Center for Sonic Arts:
735:Detour 360 â a sonic experiment.
336:(2019). Colorado Music District.
257:Thomas J. Watson Research Center
1457:Smith, Roberta (May 21, 2004).
759:, directed by Joanne Akalaitis.
689:. O+A (2007): CD, supported by
1744:People from Yorktown, New York
1734:Northwestern University alumni
1299:Detour 360: A Sonic Experiment
983:Ocular, Winter Quarter 1978â79
585:Don't Trust Anyone over Thirty
555:Theater music and sound design
499:(1984â1989). Denver, Colorado.
334:Detour 360: A Sonic Experiment
314:The TANK Center for Sonic Arts
250:Later career â 1990 to present
1:
1671:The Christian Science Monitor
1647:McQuaid, Cate (May 9, 2008).
1213:Lau, Wanda (August 1, 2016).
796:https://vimeo.com/user5420783
365:Permanent sound installations
203:Technische UniversitÀt Berlin
16:American composer (born 1952)
1559:Ross, Alex (July 24, 2017).
877:American Alliance of Museums
711:(1993): CD, Arcadian Records
661:Grasses of A Thousand Colors
504:Film scores and sound design
444:, O+A (1990). Linz, Austria.
89:Westchester County, New York
802:https://odland-auinger.com/
782:Bruce Odland website:
424:Harmony in the Age of Noise
414:Seven Bells for Stone Barns
103:; and at the international
1775:
1651:. Arts & Performance.
614:The Merry Wives of Windsor
873:"2000 MUSE Award Winners"
808:http://www.tanksounds.org
610:A Midsummer Night's Dream
235:Shakespeare & Company
1739:Musicians from Milwaukee
1523:"The Music of the Gears"
687:Requiem for Fossil Fuels
485:Requiem for Fossil Fuels
183:Tisch School of the Arts
1546:The Wall Street Journal
800:Odland-Aunger website:
784:http://bruceodland.net/
683:(2018). Interior Design
442:Garden of Time Dreaming
352:Sounds from the Vaults,
305:O+A hearing perspective
259:in Yorktown, New York.
223:Northwestern University
185:, New York University;
113:Edinburgh International
69:http://bruceodland.net/
44:Northwestern University
1391:10.1162/lmj.2009.19.63
1378:Leonardo Music Journal
747:Sounds from the Vaults
697:The Designated Mourner
648:An Enemy of the People
567:The Designated Mourner
530:Sundance Film Festival
491:StadTraum (City Dream)
561:Bad News: I was There
497:Bruce Odland Big Band
279:Quiet is the New Loud
1759:Cooper Union faculty
1349:The Art of Listening
794:Bruce Odland vimeo:
788:Bruce Odland press:
772:, Music/Sound (1990)
655:Recordings and radio
573:Troilus and Cressida
358:Planet Earth Gallery
275:StadTraum/City Dream
77:Michael Bruce Odland
35:Milwaukee, Wisconsin
1502:on January 10, 2013
1013:Rocky Mountain News
542:Land of Little Rain
189:; Pratt Institute;
1636:– via Issuu.
1527:The New York Times
1478:The New York Times
1463:The New York Times
1444:The New York Times
1283:The New York Times
1237:odland-auinger.com
1219:Architect Magazine
1189:odland-auinger.com
1130:Lighting and Sound
693:, Berlin, Germany.
667:Designated Mourner
602:A Comedy of Errors
264:Sounds from Vaults
117:Salzburg Festivals
1414:"Harmonic Bridge"
1358:978-89-93082-27-2
1333:978-0-262-02846-2
1239:. January 1, 2020
985:. pp. 70â76.
858:. pp. 53â34.
753:Helen Hayes Award
536:The Origin of Man
479:My Eyes...My Ears
291:My Eyes...My Ears
93:Denver Art Museum
74:
73:
1766:
1715:
1714:
1712:
1710:
1696:
1690:
1689:
1687:
1685:
1673:. May 20, 2008.
1663:
1657:
1656:
1653:The Boston Globe
1644:
1638:
1637:
1635:
1633:
1622:
1616:
1615:
1613:
1611:
1597:
1591:
1590:
1588:
1586:
1575:
1569:
1568:
1556:
1550:
1549:
1537:
1531:
1530:
1529:. pp. CY-5.
1518:
1512:
1511:
1509:
1507:
1488:
1482:
1481:
1473:
1467:
1466:
1454:
1448:
1447:
1446:. pp. C-18.
1435:
1429:
1428:
1426:
1424:
1410:
1404:
1403:
1393:
1369:
1363:
1362:
1344:
1338:
1337:
1319:
1310:
1309:
1308:
1306:
1293:
1287:
1286:
1274:
1268:
1267:
1264:The Boston Globe
1255:
1249:
1248:
1246:
1244:
1229:
1223:
1222:
1210:
1201:
1200:
1198:
1196:
1181:
1175:
1174:
1162:
1156:
1155:
1154:. March 8, 2012.
1144:
1138:
1137:
1125:
1116:
1115:
1097:
1088:
1087:
1079:
1073:
1072:
1068:
1062:
1061:
1053:
1047:
1046:
1038:
1032:
1031:
1023:
1017:
1016:
1008:
1002:
1001:
993:
987:
986:
978:
972:
971:
961:
955:
954:
946:
940:
939:
937:
935:
920:
914:
913:
911:
909:
895:
889:
888:
886:
884:
869:
860:
859:
851:
845:
844:
824:
705:. O+A (1995): CD
644:The Passing Game
454:Sonic Excavation
144:JoAnne Akalaitis
83:, (born 1952 in
21:
1774:
1773:
1769:
1768:
1767:
1765:
1764:
1763:
1724:
1723:
1721:
1719:
1718:
1708:
1706:
1698:
1697:
1693:
1683:
1681:
1665:
1664:
1660:
1646:
1645:
1641:
1631:
1629:
1624:
1623:
1619:
1609:
1607:
1599:
1598:
1594:
1584:
1582:
1577:
1576:
1572:
1558:
1557:
1553:
1548:. pp. A27.
1539:
1538:
1534:
1520:
1519:
1515:
1505:
1503:
1490:
1489:
1485:
1475:
1474:
1470:
1456:
1455:
1451:
1437:
1436:
1432:
1422:
1420:
1412:
1411:
1407:
1371:
1370:
1366:
1359:
1346:
1345:
1341:
1334:
1321:
1320:
1313:
1304:
1302:
1295:
1294:
1290:
1276:
1275:
1271:
1257:
1256:
1252:
1242:
1240:
1231:
1230:
1226:
1212:
1211:
1204:
1194:
1192:
1183:
1182:
1178:
1164:
1163:
1159:
1146:
1145:
1141:
1127:
1126:
1119:
1112:
1099:
1098:
1091:
1081:
1080:
1076:
1070:
1069:
1065:
1055:
1054:
1050:
1045:. pp. 1âC.
1043:The Denver Post
1040:
1039:
1035:
1025:
1024:
1020:
1015:. pp. 12C.
1010:
1009:
1005:
998:The Denver Post
995:
994:
990:
980:
979:
975:
963:
962:
958:
948:
947:
943:
933:
931:
922:
921:
917:
907:
905:
897:
896:
892:
882:
880:
871:
870:
863:
856:Chicago Tribune
853:
852:
848:
826:
825:
821:
816:
779:
730:
657:
632:Under Milk Wood
618:As You Like It.
557:
506:
469:
410:
401:Harmonic Bridge
367:
330:
325:
316:
307:
252:
219:
214:
191:Yale University
164:Jennifer Tipton
156:Laurie Anderson
140:Robert Woodruff
109:Ars Electronica
41:Alma mater
36:
26:
17:
12:
11:
5:
1772:
1770:
1762:
1761:
1756:
1751:
1746:
1741:
1736:
1726:
1725:
1717:
1716:
1691:
1658:
1639:
1617:
1592:
1570:
1565:The New Yorker
1551:
1532:
1513:
1483:
1468:
1449:
1440:"The Pop Life"
1430:
1405:
1364:
1357:
1339:
1332:
1311:
1288:
1269:
1250:
1224:
1202:
1191:. May 20, 2015
1176:
1157:
1139:
1117:
1110:
1089:
1074:
1063:
1048:
1033:
1030:. Summer 1979.
1018:
1003:
988:
973:
956:
941:
915:
890:
861:
846:
818:
817:
815:
812:
811:
810:
804:
798:
792:
786:
778:
777:External links
775:
774:
773:
767:
760:
757:Dance of Death
750:
743:
740:
737:
729:
726:
725:
724:
718:
712:
706:
700:
694:
684:
678:
670:
664:
656:
653:
652:
651:
620:
594:
588:
582:
576:
570:
564:
556:
553:
552:
551:
545:
539:
533:
523:
513:
505:
502:
501:
500:
494:
488:
482:
476:
468:
465:
464:
463:
457:
451:
445:
439:
436:Traffic Mantra
433:
427:
421:
409:
406:
405:
404:
398:
392:
386:
380:
374:
366:
363:
362:
361:
355:
349:
343:
337:
329:
326:
324:
321:
315:
312:
306:
303:
251:
248:
218:
215:
213:
210:
72:
71:
66:
62:
61:
58:
57:Known for
54:
53:
50:
46:
45:
42:
38:
37:
34:
32:
28:
27:
24:
15:
13:
10:
9:
6:
4:
3:
2:
1771:
1760:
1757:
1755:
1754:Living people
1752:
1750:
1747:
1745:
1742:
1740:
1737:
1735:
1732:
1731:
1729:
1722:
1705:
1701:
1695:
1692:
1680:
1676:
1672:
1668:
1662:
1659:
1654:
1650:
1643:
1640:
1627:
1621:
1618:
1606:
1605:Atlas Obscura
1602:
1596:
1593:
1580:
1574:
1571:
1566:
1562:
1555:
1552:
1547:
1543:
1536:
1533:
1528:
1524:
1517:
1514:
1501:
1497:
1493:
1487:
1484:
1479:
1472:
1469:
1464:
1460:
1453:
1450:
1445:
1441:
1434:
1431:
1419:
1418:Atlas Obscura
1415:
1409:
1406:
1401:
1397:
1392:
1387:
1383:
1379:
1375:
1368:
1365:
1360:
1354:
1350:
1343:
1340:
1335:
1329:
1325:
1318:
1316:
1312:
1301:
1300:
1292:
1289:
1284:
1280:
1273:
1270:
1265:
1261:
1254:
1251:
1238:
1234:
1228:
1225:
1220:
1216:
1209:
1207:
1203:
1190:
1186:
1180:
1177:
1172:
1168:
1161:
1158:
1153:
1149:
1143:
1140:
1135:
1131:
1124:
1122:
1118:
1113:
1111:0-943451-58-2
1107:
1103:
1096:
1094:
1090:
1086:. p. 64.
1085:
1078:
1075:
1067:
1064:
1059:
1052:
1049:
1044:
1037:
1034:
1029:
1022:
1019:
1014:
1007:
1004:
1000:. p. 62.
999:
992:
989:
984:
977:
974:
969:
968:
960:
957:
952:
945:
942:
930:
926:
919:
916:
904:
903:Atlas Obscura
900:
894:
891:
879:. May 3, 2018
878:
874:
868:
866:
862:
857:
850:
847:
842:
838:
834:
831:. Resonance.
830:
823:
820:
813:
809:
805:
803:
799:
797:
793:
791:
787:
785:
781:
780:
776:
771:
768:
765:
764:Terra Infirma
761:
758:
754:
751:
748:
744:
741:
738:
736:
732:
731:
727:
722:
719:
716:
715:Terra Infirma
713:
710:
707:
704:
701:
698:
695:
692:
688:
685:
682:
679:
676:
675:
671:
668:
665:
662:
659:
658:
654:
649:
645:
641:
640:Three Sisters
637:
633:
629:
625:
621:
619:
615:
611:
607:
603:
599:
598:Twelfth Night
595:
592:
589:
586:
583:
580:
577:
574:
571:
568:
565:
562:
559:
558:
554:
549:
546:
543:
540:
537:
534:
531:
527:
524:
521:
517:
514:
511:
508:
507:
503:
498:
495:
492:
489:
486:
483:
480:
477:
474:
471:
470:
466:
461:
458:
455:
452:
449:
446:
443:
440:
437:
434:
431:
428:
425:
422:
419:
416:(2014â2017).
415:
412:
411:
407:
402:
399:
396:
393:
390:
387:
384:
381:
378:
375:
372:
371:Harmonic Gate
369:
368:
364:
359:
356:
353:
350:
347:
346:Terrell Place
344:
341:
338:
335:
332:
331:
327:
323:Selected work
322:
320:
313:
311:
304:
302:
300:
296:
292:
286:
284:
283:Harmonic Gate
280:
276:
270:
267:
265:
260:
258:
249:
247:
244:
238:
236:
230:
226:
224:
216:
211:
209:
206:
204:
200:
196:
192:
188:
184:
179:
177:
176:Wooster Group
173:
172:Wallace Shawn
169:
168:George Tsypin
165:
161:
160:André Gregory
157:
153:
149:
145:
141:
137:
133:
132:Peter Sellars
128:
124:
122:
118:
114:
110:
106:
102:
98:
94:
90:
86:
82:
78:
70:
67:
63:
59:
55:
51:
49:Occupation(s)
47:
43:
39:
33:
29:
22:
19:
1720:
1707:. Retrieved
1704:Telly Awards
1703:
1694:
1682:. Retrieved
1670:
1661:
1652:
1642:
1630:. Retrieved
1628:. p. 22
1620:
1608:. Retrieved
1604:
1595:
1583:. Retrieved
1573:
1564:
1554:
1545:
1535:
1526:
1516:
1504:. Retrieved
1500:the original
1495:
1486:
1477:
1471:
1462:
1452:
1443:
1433:
1421:. Retrieved
1417:
1408:
1381:
1377:
1367:
1348:
1342:
1323:
1303:, retrieved
1298:
1291:
1282:
1272:
1263:
1253:
1241:. Retrieved
1236:
1227:
1218:
1193:. Retrieved
1188:
1179:
1170:
1166:
1160:
1151:
1142:
1133:
1129:
1101:
1083:
1077:
1066:
1057:
1051:
1042:
1036:
1027:
1021:
1012:
1006:
997:
991:
982:
976:
966:
959:
950:
944:
932:. Retrieved
928:
918:
906:. Retrieved
902:
893:
881:. Retrieved
876:
855:
849:
832:
828:
822:
763:
756:
746:
734:
720:
714:
709:Leaving Eden
708:
702:
696:
686:
680:
673:
666:
660:
647:
643:
639:
635:
631:
627:
623:
617:
613:
609:
605:
601:
597:
591:The Persians
590:
584:
578:
572:
566:
560:
547:
541:
535:
525:
520:Hans Richter
515:
509:
496:
490:
484:
478:
472:
459:
453:
447:
441:
435:
429:
423:
413:
400:
394:
388:
382:
377:Hearing View
376:
370:
357:
351:
345:
339:
333:
317:
308:
298:
294:
290:
287:
282:
278:
274:
271:
268:
263:
261:
253:
239:
231:
227:
220:
217:Early career
207:
187:Cooper Union
180:
148:Tony Oursler
129:
125:
97:Field Museum
81:Bruce Odland
80:
76:
75:
25:Bruce Odland
18:
1749:1952 births
829:Journal BOL
636:The Tempest
467:Performance
383:Sonic Vista
136:Tina Packer
121:Sam Auinger
79:, known as
1728:Categories
814:References
460:Soundworks
448:Riverworks
340:Hamlet 360
299:Detour 360
295:Hamlet 360
152:Dan Graham
1700:"Winners"
1679:0882-7729
1384:: 63â68.
929:Gwarlingo
841:1739-9270
721:Crossover
703:Resonance
579:La Didone
430:Blue Moon
389:The Green
243:Ron Miles
212:Biography
105:documenta
101:Mass MoCA
85:Milwaukee
1496:WNYC.org
1400:57571678
1173:: 30â33.
1152:BBC News
1136:: 63â66.
1084:Westword
1058:Westword
951:Westword
195:Cal Arts
174:and the
1709:June 1,
1684:June 1,
1632:June 1,
1610:May 26,
1585:May 26,
1506:June 1,
1423:May 20,
1305:June 1,
1243:May 26,
1195:May 26,
934:May 26,
908:May 19,
883:May 19,
606:Macbeth
548:Watunna
532:, 2005.
150:,
65:Website
1677:
1398:
1355:
1330:
1108:
839:
728:Awards
95:, the
1396:S2CID
628:Medea
624:Wings
526:Sugar
395:Tonic
1711:2022
1686:2022
1675:ISSN
1634:2022
1612:2022
1587:2022
1508:2022
1425:2022
1353:ISBN
1328:ISBN
1307:2022
1245:2022
1197:2022
1134:14:7
1106:ISBN
936:2022
910:2022
885:2022
837:ISSN
691:DAAD
178:.
115:and
107:14,
99:and
31:Born
1386:doi
833:006
1730::
1702:.
1669:.
1603:.
1563:.
1544:.
1525:.
1494:.
1461:.
1442:.
1416:.
1394:.
1382:19
1380:.
1376:.
1314:^
1281:.
1262:.
1235:.
1217:.
1205:^
1187:.
1171:56
1169:.
1150:.
1132:.
1120:^
1092:^
927:.
901:.
875:.
864:^
646:,
642:,
638:,
634:,
630:,
626:,
616:,
612:,
608:,
604:,
600:,
197:;
170:,
166:,
162:,
158:,
154:,
146:,
142:,
138:,
134:,
111:,
1713:.
1688:.
1655:.
1614:.
1589:.
1567:.
1510:.
1480:.
1465:.
1427:.
1402:.
1388::
1361:.
1336:.
1285:.
1266:.
1247:.
1221:.
1199:.
1114:.
938:.
912:.
887:.
843:.
766:.
650:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.