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her conscious mind, while the man describes her as he watches through the camera. This work presents an experiment in self-perception and representation, modulated by numerous mirroring agents—the woman's own image on the monitor, the “image” of her depicted by the man, as well as both performers’ awareness of the audience. In his own writings, Graham articulated an interest in deconstructing the divisions between interior intention and visible behavior formed when looking at one's reflection in a mirror, and proposed video feedback as both a technical and conceptual means by which to achieve this. Many of Graham's performance pieces work to exhibit and exploit the spontaneous interaction between thought and expression, inside and outside, extending this dissolution of barriers to dichotomies of performer and audience, private and public. Graham's most complex interrogation of this is the performance
Performer/Audience/Mirror (1977), in which he stood between a large mirror and an audience, describing himself, the audience, his reflection, and the audience's reflection in sequential phases of continuous commentary. Expanding upon the themes in Two Consciousness Projections, this work implicates the audience in their own feedback cycle of self-perception.
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world. His pavilions are steel and glass sculptures which create a different space which disorients the viewer from his or her usual surroundings or knowledge of space. They are made of a few huge panes of glass or mirror, or of half-mirrored glass that is both reflective and transparent. Wooden lattice and steel are other materials most commonly used in his work.
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345:. With the latter, Graham drew on the actual physical structure of the magazine in which it is printed for the content of the work itself. As such the same work changes according to its physical/structural location within the world. His early breakthrough-work however was a series of magazine-style photographs with text,
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Writer Brian Wallis said that Graham's works “displayed a profound faith in the idea of the present, sought to comprehend post-war
American culture through imaginative new forms of analytical investigation, facto-graphic reportage, and quasi-scientific mappings of space/time relationships.” Graham's
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Graham produced a notable body of writing. He worked as an art critic, writing revealing articles about fellow artists, art, architecture, video, and rock music. His writings and works are collected in several catalogues and books as "Dan Graham Beyond" (MIT Press 2011), Rock My
Religion. Writings
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Some of Graham's artworks are said to blur the line between sculpture and architecture. From the 1980s on, Graham worked on an ongoing series of freestanding, sculptural objects called pavilions. Graham's popularity grew after he started his walk-in pavilions and he received commissions all over the
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underscores a preoccupation with phenomenological aspects of relationality, utilizing the reflective capacities of video feedback. In the performance, a woman sits in front of a monitor displaying her image from the live feed of a video camera held by a man behind the monitor and attempts to narrate
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These photographs question the relationship between public and private architecture and the ways in which each space affects behavior. Some of his first conceptual works dealt with different forms of printed artwork of numeric sequences. In 1965 Graham began shooting color photographs for his series
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Graham exhibited a predominantly minimalist aesthetic in his earlier photographs and prints. His prints of numeric sequences, words, graphs, and graphics strongly reflect his minimalist qualities. His later works became very conceptual, and examine the relationships between interior space, exterior
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that is both transparent and reflective at the top, so the viewers on the outside of the building could look inside as well. Wall's nine circular framed photographs of children belonging to many nationalities and ethnic backgrounds surround the room. Each child is shown half-length and viewed from
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was part of the
Rooftop Urban Park Project. Graham worked on the piece in collaboration with architects Mojdeh Baratloo and Clifton Balch. This transparent and reflective pavilion transformed the roof of 548 West 22nd Street into a rooftop park. The pavilion captures the surrounding landscape and
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Graham stated that his works are “models to define the limits of an idea of representation as the conventional limits which necessarily define the situation between the artist and spectator,” and his performances in the 1970s foreground this relational approach. In these works Graham explicitly
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calls his pavilions rigorously conceptual, uniquely beautiful, and insistently public. The pavilions create a unique experience for the viewer. His pavilions are created for the public experience. His pavilions combine architecture and art. Dan Graham's pavilion works have been compared to
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in London. Another important exhibition featuring Graham was "Public/Private", an exhibition that traveled to four different venues. The show, which included his pavilions, architectural photographs and models, performances, and video installations, had its opening in 1994 at the
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There was this whole idea of defeating monetary value in the air in the ’60s, so my idea was to put things in magazine pages where they'd be disposable with no value. And that was a hybrid also because the work was a combination of art criticism and essay: magazine page as an
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religion in the United States. He observed the changes in beliefs and superstitions in the Shaker religion since the 18th century, and related them to the development of rock culture. The film has been distributed widely, and has included screenings at both institutional and
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Graham began his art career in 1964, at the age of 22, when he founded the John
Daniels Gallery in New York City. He worked there until 1965, when he started creating his own conceptual pieces. During his time at the gallery, he exhibited works by minimalist artists such as
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Graham also incorporated video into installations, where he created environments in which video technology is used to alter the viewer's own bodily experience. In 1974, he created an installation with a series of videos called "Time Delay Room", which used time-delayed
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documents the youth culture surrounding the band of the same name. In it, Graham analyses the social implications of this subculture, treating it "as a tribal rite, a catalyst for the violence and frustration of its predominantly male, teenage audience."
182:(March 31, 1942 – February 19, 2022) was an American visual artist, writer, and curator in the writer-artist tradition. In addition to his visual works, he published a large array of critical and speculative writing that spanned the spectrum from heady
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in collaboration with the Swiss landscape architect GĂĽnther Vogt. The pavilion consists of an S-shaped curve of slightly reflective glass, bookended by two parallel ivy hedgerows. Later, Graham worked with the
British fashion designer
754:. The glass wall of the structure reflects and distorts light much like Graham's sculptures. The layered, but simplistic quality is said to be very much like Graham's. The structures are similar in their study of space and light.
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filming themselves and their distorted reflections, introduces the mirrored image as a prominent theme for Graham, which he would explore extensively in his performance and video practice as well as his later architectural work.
349:(1966–67), which counterpoints the monotonous and alienating effect of 1960's housing developments with their supposed desirability and the physical-geometry of a printed article. Graham's other works include
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Soon after he left the John
Daniels Gallery, Graham started a series of photographs which began in the nineteen sixties and continued into the early twenty first century. Of his magazine work, Graham said,
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Graham's work was always firmly based within conceptual art or post-conceptual art practice. Early examples were photographs and numerological sequences, often printed in magazines, such as
513:. All the photographs taken were of single-family homes around the American suburbs. This photo series, one of the first artworks in the space of text, was published as a twopage spread in
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From the late 1960s into the late 70's, Graham shifted toward a largely performance-based practice, incorporating film and the new medium of video in his systematic investigations of
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521:. In 1969, Graham focused on performance and film that explored the social dynamic of the audience, incorporating them into the work, leading to an 80 ft photo series,
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Dan Graham: Children's Day Care, CD-Rom, Cartoon and
Computer Screen Library Project & other works for water, backyards, and children, April 5 - May 20, 2000
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Graham's first solo show was held in 1969 at the John
Daniels Gallery in New York. In 1991, an exhibition of his pavilions and photographs was held at the
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517:. The "article" is an assembly of texts including his photographs. The photographs were also chosen for the exhibition "Projected Art" at the
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invited Graham to conceive the pavilion for Kunst-Werke, which
Biesenbach founded, and he assisted Graham in the realization of the project.
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Alberro, Alexander, Dan Graham, and Friedrich W. Heubach. "Dan Graham: Half Square Half Crazy". Barcelona: Poligrafa, Ediciones, S.a., 2001.
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After this Graham broadened his conceptual practice with sculpture, performance, film, video including perhaps his best known works
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Graham, Dan, Adachiara Zevi, Brian Hatton, and Mark Pimlott. "Dan Graham: Architecture." London: Architectural Association, 1997.
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2475:. In: Artefactum, Nr.30/1989, September/October 1989, p. 15-20,48-50 (English translation at the end of the German text)
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Dan Graham, "Performance/Audience/Mirror" (1975), in Two-Way Mirror Power: Selected Writings by Dan Graham on His Art.
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306:. His work consisted of performance art, installations, video, sculpture, and photography. Commissioned work included
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Francis, Mark, Beatriz Colomina, Birgit Pelzer, and Dan Graham. "Dan Graham." New York City: Phaidon P, Inc., 2001.
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1854:"Essay on Video, Architecture, and Television," in Two Way Mirror Power: Selected Writings by Dan Graham on his Art
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Carlos Brillembourg, "In Conversation: Dan Graham with Carlos Brillembourg" the Brooklyn Rail, July–August 2012.
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242:. He had no formal education after high school and was self-educated. During his teens, his reading included
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Graham, Dan, and Brian Wallis. "Rock My Religion: Writings and Projects" 1965–1990. Boston: MIT P, 1994.
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773:(1988–93) was the first piece Graham was commissioned to do in the United States. A collaboration with
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Charre, Alain, Marc Perelman, and Marie-Paule Macdonald. "Dan Graham." Paris: Editions Dis Voir, 1995.
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637:(1984) explores rock music as an art form and draws a parallel between it and the development of the
234:, the son of a chemist and an educational psychologist. When he was 3, Graham moved from Illinois to
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Graham, Dan, and Adachiara Zevi. "Dan Graham: Half Square Half Crazy". New York City: Charta, 2005.
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to create an S-shaped steel-and-glass pavilion in which to show her spring/summer 2017 collection.
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as well as many other cultural changes. These prolific events and changes in history affected the
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553:(1970–72), all three featuring the interaction of two cameras or the juxtaposition of two films.
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in 2009, Graham gave "Artists' and Architects' Work That Influenced Me" (in alphabetical order):
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below against the background of a sky. In each image Wall chooses a different sky. In 1991, the
1115:(1996), originally created for the garden of the Royal Shooting Club in Copenhagen, now at the
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Coutts Contemporary Art Foundation Award, Skowhegan Medal for Mixed Media, French Vermeil Medal
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1917:"ArtPremium – 1968 - Sparta Dreaming Athens at Château de Montsoreau-Museum Contemporary Art"
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390:(1990), increased his popularity as an artist. Graham's first sculpture building project was
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Graham produced a number of videos that documented his performance works, such as the 1972
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1402:, 1989–2000, Lisson Gallery Swimming Pool/Fish Pond, 1997, Patrick Painter Editions.
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Two Two-Way Mirrored Parallelograms Joined with One Side Balanced Spiral Welded Mesh
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In 1981, Graham started work on a decade long project in New York City. The work
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space, and the perception of the viewer when anticipated boundaries are changed.
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1510:. In 2009, another major retrospective was mounted in the U.S., showing at the
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http://autoitaliasoutheast.org/blog/news/project/dan-grahams-rock-my-religion/
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206:. His later work focused on cultural phenomena by incorporating photography,
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2415:. Architectural Record, John E. Czarnecki,, October 11, 2004. Archived from
1884:"You Are the Information: Dan Graham and Performance," in Dan Graham: Beyond
1869:"You Are the Information: Dan Graham and Performance," in Dan Graham: Beyond
1750:"You Are the Information: Dan Graham and Performance," in Dan Graham: Beyond
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district; the plan was eventually abandoned in 1994. Related works include
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in which a naked man and woman stand back-to-back in a cylinder lined with
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2378:. Designobvserver.com, Tom Vanderbilt, January 14, 2005. Archived from
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http://brooklynrail.org/2012/08/art/dan-graham-with-carlos-brillembourg
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has become one of his most well-known works throughout his art career.
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2468:. In: das kunstwerk, Februar 1989 (Nr.6/XLI), p. 90s. (In German)
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Graham died in New York City on February 19, 2022, at the age of 79.
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changes of light creating an intense visual effect with the sky. The
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When making his own work, Graham proved himself to be a wide-ranging
2350:. Municipal Art Society New York, February 9th, 2004. Archived from
2272:"Dan Graham, Conceptual Artist Who Bent Time and Space, Dies at 79"
1320:, Graham designed the stage set made for New York City based band
2348:"TWA Terminal Named as One of the Nation's Most Endangered Places"
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Two Way Mirror Power: Selected Writings by Dan Graham on His Art".
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2413:"Art Exhibition at JFK Airport's TWA Terminal Abruptly Shut Down"
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Dan Graham, Conceptual Artist Who Bent Time and Space, Dies at 79
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Don't Trust Anyone Over Thirty: Entertainment by Dan Graham with
537:, phenomenology, and embodiment. In 1969, he made his first film
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Two-Way Mirror Power: Selected Writings by Dan Graham on His Art
2208:. University of Chicago Press. 20 March 2013. pp. 209–232.
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Dan Graham (October Files), Alex Kitnick, MIT Press, 2011. Ch.1.
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Triangular Pavilion with Triangular Roof Rotated 45° for Hamburg
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Jodidio, Philip. "Architecture: Art." New York: Prestel. 86–87.
1839:"Double Intersections: The Optics of Dan Graham," in Dan Graham
1815:"Double Intersections: The Optics of Dan Graham," in Dan Graham
1800:"Double Intersections: The Optics of Dan Graham," in Dan Graham
1765:"Double Intersections: The Optics of Dan Graham," in Dan Graham
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Outdoor sculptures in Stockholm: "Pavilion Sculpture II, 1984"
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Blake Gopnik on the Dan Graham Retrospective at N.Y.'s Whitney
1372:, 1975, Stedelijk Van Abbe Museum, Eindhoven, the Netherlands.
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2334:"Dan Graham: Waterloo Sunset at the Hayward Gallery, London"
1043:(1995/1999), Vattenfall Europe, Michaelkirchstrasse, Berlin;
378:(1975), further inspired his working on indoor and outdoor
1619:. Media Art Net (www.medienkunstnetz.de). 15 February 2007
1281:(1978–81), Argonne National Laboratory, Argonne, Illinois;
1241:, Fonds Régional d’Art Contemporain des Pays de la Loire,
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Graham, Dan. "Two-Way Mirror Power." Boston: MIT P, 1999.
2459:. In: NIKE, Nr.13/Mai-Juni 1986, p. 39f. (In German)
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Curved Two-Way Mirror Triangle, One Side Perforated Steel
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1177:(1992–1994), Place Commandant Jean l'Herminier, Nantes;
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Two Way Mirror and Open Wood Screen Triangular Pavilion
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Norwegian Wood Lattice Bisected By Curved 2-way-mirror
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Marian Goodman Gallery, press release statement for "
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Triangular Pavilion with Circular Cut-Out Variation C
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Sculptural Models as Bridgeable Historical Metaphors
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Rock My Religion: Writing and Art Projects 1965-1990
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Half Cylinder/ Perforated Steel Triangular Enclosure
314:(1981–1991). Some other commissions in the U.S. are
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Global Conceptualism: Points of Origin, 1950s-1980s
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Triangular Solid with Circular Inserts, Variation D
809:In 2014, a temporary installation by Graham called
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Two-Way Mirror Cylinder Inside Cube and Video Salon
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Two-Way Mirror Cylinder Inside Cube and Video Salon
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Two-Way Mirror Cylinder Inside Cube and Video Salon
202:-based art predates, but is often associated with,
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1898:When Counterculture of 1971 Got Its Hands on Video
1396:sculpture, 1996, installed in VĂĄgan, North Norway.
1305:and Projects 1965–1990, edited by Brian Wallis and
1113:Two-Way Mirror and Punched Aluminum Solid Triangle
2584:Rock My Religion: Writings and Projects 1965-1990
2236:: CS1 maint: DOI inactive as of September 2024 (
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1363:Opposing Mirrors and Video Monitors on Time Delay
1008:(2000), Museum of Contemporary Art, Tokyo, Japan;
992:(2001), Hauser & Wirth Collection, St Gallen;
752:21st Century Museum of Contemporary Art, Kanazawa
2117:2-Way Mirror and Punched Aluminum Solid Triangle
1406:Two Way Mirror with Lattice with Vines Labyrinth
1079:(1997), Chiba City Museum of Art, Hikari, Areba;
660:Château de Montsoreau-Museum of Contemporary Art
466:work was influenced by the social change of the
2553:Simpson, Bennett; Iles, Chrissie, eds. (2009).
2401:. The Architects Newspaper, September 21, 2004.
980:Two-Way Mirror / Hedge - Almost Complete Circle
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1703:. New York: Queens Museum of Art. p. 74.
1414:, 1998–2000, Hauser & Wirth Zürich London.
2535:Graham, Dan, Valle, Pietro, Zevi, Adachiara,
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1093:Two-Way Mirror Curved Hedge Zig-Zag Labyrinth
830:Other realized pavilions by Graham include:
646:venues across Europe and the U.S., including
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1129:Two-Way Mirror Punched Steel Hedge Labyrinth
1103:Two-Way Mirror Triangle with One Curved Side
1057:Two-Way Mirror Curved and Straight and Open
880:One Straight Line Crossed by One Curved Line
719:Two-Way Mirror Punched Steel Hedge Labyrinth
2205:Diller Scofidio + Renfro. Edward Dimendberg
2064:CĂ©line SS17 show report: Paris Fashion Week
2014:Jeff Wall on long-term loan to the Boijmans
1366:, 1974, San Francisco Museum of Modern Art.
1139:Star of David Pavillon for Schloss Buchberg
804:Funhouse for the Children of Saint-Janslein
382:. His many conceptual pavilions, including
19:For the Major League Baseball catcher, see
1545:(1972, 1977, 1982, 1992 and 1997), and at
1445:TWA Flight Center (now Jetblue Terminal 5)
1051:Kunst-Werke Institute for Contemporary Art
769:After numerous commissions in Europe, the
617:Lastly, Graham produced a number of video
396:Kunst-Werke Institute for Contemporary Art
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2711:People from Winfield Township, New Jersey
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2016:Museum Boijmans Van Beuningen, Rotterdam.
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1221:Triangular Pavilion with Circular Cut-Out
894:Museo Nacional Centro de Arte Reina SofĂa
784:Witte de With Center for Contemporary Art
298:artist who worked at the intersection of
287:. In 1968 Graham's work was published in
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2080:James H. Burnett III (October 4, 2011),
1617:"Themes: Art and Cinematography: Graham"
1484:Musee d'Art Moderne de la Ville in Paris
1451:briefly hosted an art exhibition called
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222:. He lived and worked in New York City.
1896:Martha Schendener (November 30, 2012),
1871:. Cambridge: MIT Press. pp. 66–70.
1652:. www.peptalkreader.com. Archived from
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1512:Museum of Contemporary Art, Los Angeles
1161:(1995), Benesse House Museum, Naoshima;
853:on the banks of Lake Lemonsjøen, Norway
2270:Greenberger, Alex (19 February 2022).
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1886:. Cambridge: MIT Press. p. 69,70.
1856:. Cambridge: MIT Press. p. 55,56.
1430:Waterloo Sunset at the Hayward Gallery
1211:Triangular Solid with Circular Inserts
813:(2014) was created on the roof of the
414:In Sarah Lehrer-Graiwer's publication
2295:"Matthew Watson's Personal Exchanges"
1678:. Cambridge: MIT Press. pp. ix.
1077:Triangular Solid With Circular Insert
786:attempted to realise the pavilion in
557:(1970) was a performance exercise in
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2082:New addition to deCordova collection
1802:. New York: Phaidon. pp. 46–48.
906:'s Rennie Collection, Vancouver, BC;
837:(2011), originally designed for the
796:Children's Pavilion (Chambre d'Amis)
2433:Alberro, Alexander and Graham, Dan
2376:"A Review of a Show You Cannot See"
2293:Considine, Austin (February 2013).
2047:Karen Rosenberg (April 29, 2014),
1817:. New York: Phaidon. p. 48,49.
1767:. New York: Phaidon. p. 44,45.
1752:. Cambridge: MIT Press. p. 55.
1646:Lehrer-Graiwer, Sarah, ed. (2009).
1388:Pavilion Influenced by Moon Windows
1382:Two Way Mirror with Hedge Labyrinth
843:DeCordova Museum and Sculpture Park
384:Two Way Mirror with Hedge Labyrinth
370:(1975). His installations, such as
275:—LeWitt's first solo gallery show,
2537:Dan Graham: Half Square Half Crazy
2320:"Artscape Nordland (North Norway)"
1971:Blake Gopnik (September 3, 2009),
1169:San Francisco Museum of Modern Art
586:. Graham's 1972 performance piece
398:in Berlin. After a lecture at the
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2706:People from Westfield, New Jersey
2485:, Dan Graham; (Hatje Cantz 1995)
2336:. Sculpture magazine, April 2004.
2260:Marian Goodman Gallery, New York.
2192:Marian Goodman Gallery, New York.
2035:Marian Goodman Gallery, New York.
1424:Bisected Triangle, Interior Curve
1012:Two Different Anamorphic Surfaces
936:Bisected Triangle, Interior Curve
2586:by Dan Graham, (MIT Press 1994)
2399:"Now Boarding: Destination, JFK"
2322:. Sculpture magazine, June 2004.
1841:. New York: Phaidon. p. 49.
1587:Kennedy, Randy (June 26, 2009).
1279:Pavilion / Sculpture for Argonne
310:for which he designed the piece
2435:Dan Graham - Models to Projects
1915:Sevior, Michelle (2018-11-07).
1480:Moore College of Art and Design
1378:, 1978, Lisson Gallery, London.
1358:, 1969, Cindy Hinant, New York.
1239:Two-Way Mirror Pergola Bridge I
1123:Parabolic Triangular Pavillon I
972:, Cambridge, Massachusetts (in
748:Ryue Nishizawa and Kazuyo Sjima
614:cameras and video projections.
2523:Dan Graham: Catalogue Raisonné
2437:(Marian Goodman Gallery 1998)
2183:Dan Graham, March 3 - 28, 2009
2062:Jo Ellison (October 2, 2016),
1516:Whitney Museum of American Art
1087:National Galleries of Scotland
946:Bisected Triangle Inside Curve
835:Crazy Spheroid – Two Entrances
811:Hedge Two-Way Mirror Walkabout
656:Whitney Museum of American Art
198:'s television show. His early
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2701:Writers from Urbana, Illinois
2681:American installation artists
2676:Artists from New York (state)
2605:Dan Graham Pavilions: a guide
2573:Dan Graham's Rock My Religion
1376:Back-Yard New Housing Project
588:Two Consciousness Projections
400:Berlin University of the Arts
236:Winfield Township, New Jersey
2143:Triangular Bridge Over Water
1426:, 2002, Madison Square Park.
1418:Greek Meander Pavilion, Open
1223:(1989–2000), various places;
1181:Triangular Bridge Over Water
874:2 Half-Cylinders off-Aligned
860:(2010), La Rochelle, France;
724:Family in a box, Minneapolis
529:Performance, film, and video
324:Minneapolis Sculpture Garden
2661:American postmodern artists
2656:American conceptual artists
2251:Dan Graham March 3–28, 2009
1779:Dan Graham Films: 1969-1974
1674:Wallis, Brian, ed. (1993).
1215:Peggy Guggenheim Collection
709:Dan Graham 2007 in Portland
603:Performance/Audience/Mirror
597:Past Future Split Attention
519:Finch College Museum of Art
476:Women's liberation movement
147:Performer/Audience/Mirror,
16:American artist (1942–2022)
2727:
2130:Arken Museum of Modern Art
1273:Rijksmuseum Kröller-Müller
1259:Rooftop Urban Park Project
1165:Double Cylinder (The Kiss)
1159:Cylinder Bisected by Plane
1117:Arken Museum of Modern Art
926:Homage to Vilanova Artigas
815:Metropolitan Museum of Art
372:Public Space/Two Audiences
308:Rooftop Urban Park Project
226:Childhood and early career
18:
2607:. Toronto: Art Metropole.
2525:, (Richter Verlag 2001)
2214:10.7208/9780226008721-007
1547:Skulptur Projekte MĂĽnster
1235:(1987), MĂĽnster, Germany;
839:New York Botanical Garden
612:Closed-circuit television
582:, especially the work of
368:Performer/Audience/Mirror
351:Side Effects/Common Drugs
220:closed-circuit television
136:Closed-circuit television
35:
2173:. Retrieved 23 May 2015.
1948:". Retrieved 27-08-2015.
1175:New Labyrinth for Nantes
1027:(1999), Munich, Germany;
920:From Mannerism to Rococo
543:Two Correlated Rotations
2671:Artists from New Jersey
2299:Art in America Magazine
2216:(inactive 2024-09-12).
2155:Laumeier Sculpture Park
2105:Tel Aviv Museum of Art.
1882:Chrissie, Iles (2009).
1867:Chrissie, Iles (2009).
1837:Pelzer, Birgit (2001).
1813:Pelzer, Birgit (2001).
1798:Pelzer, Birgit (2001).
1763:Pelzer, Birgit (2001).
1748:Chrissie, Iles (2009).
1459:Sculpture or Pavillion?
1420:, 2001, Lisson Gallery.
1408:, 1998, Lisson Gallery.
1384:, 1989, Lisson Gallery.
1336:Personal life and death
1330:and Other Collaborators
1275:, Otterlo, Netherlands;
1229:(1989), various places;
1185:Laumeier Sculpture Park
886:HQ, Basel, Switzerland;
739:List Visual Arts Center
322:, the labyrinth at the
230:Dan Graham was born in
2101:Star of David Pavilion
1269:Two Adjacent Pavilions
1205:Carnegie Museum of Art
1191:Star of David Pavillon
1035:Tel Aviv Museum of Art
1031:Star of David Pavilion
990:S-Curve for St. Gallen
986:, DĂĽsseldorf, Germany;
910:Half Square/Half Crazy
730:
710:
702:
687:
652:Auto Italia South East
580:structural linguistics
506:
250:, the literary critic
2666:Artists from Illinois
2483:Dan Graham Interviews
1699:Beke, László (1999).
1488:Kroller-Muller Museum
1440:In 2004, the dormant
1289:Leibfriedscher Garten
1249:Pavilion Sculpture II
1073:(1998), private owner
716:
708:
693:
678:
468:Civil Rights Movement
238:, and then to nearby
21:Dan Graham (baseball)
2691:American art critics
2603:Josh Thorpe (2009).
2086:The Boston Chronicle
1852:Graham, Dan (1999).
1788:" (January 8, 2002).
1649:Dan Graham: Pep Talk
1255:, Stockholm, Sweden;
1153:Serralves Foundation
996:Rivoli Gate Pavilion
876:, Brussels, Belgium;
866:, Kortrijk, Belgium;
858:Kaleidoscope/Doubled
578:invoked theories of
192:Dwight D. Eisenhower
2696:Cultural historians
2511:, (MIT Press 1999)
1977:The Washington Post
1518:, New York and the
1352:, 1967, John Gibson
1261:(1981/91-2004) for
1233:Octagon for MĂĽnster
1227:Skateboard Pavilion
1197:(1989/99), Hamburg;
1071:Argonne Pavilion II
1041:Elliptical Pavilion
950:Madison Square Park
800:Skateboard Pavilion
771:Children's Pavilion
627:from (1983–84) and
355:Detumescence (1966)
332:Madison Square Park
248:Claude LĂ©vi-Strauss
214:, glass and mirror
186:essays, reviews of
80:New York City, U.S.
2555:Dan Graham: Beyond
2456:AuĂźenwelt im Kubus
2256:2013-12-30 at the
2188:2013-12-30 at the
2150:2011-12-29 at the
2124:2012-04-03 at the
2050:The New York Times
2031:2013-12-10 at the
1902:The New York Times
1784:2013-11-09 at the
1593:The New York Times
1432:, London, 2002–03.
1412:Girls Make-Up Room
1097:Middlebury College
1000:Castello di Rivoli
930:SĂŁo Paulo Biennial
900:Two Half Cylinders
826:Selected pavilions
731:
711:
703:
688:
328:Middlebury College
194:'s paintings, and
2564:978-1-933751-12-2
2557:. The MIT Press.
2223:978-0-226-00872-1
1710:978-0-96045-149-4
1520:Walker Art Center
1442:Saarinen-designed
1350:Homes for America
1133:Walker Art Center
1125:(1996), Nordhorn;
966:Yin/Yang Pavilion
565:'s early films.
539:Sunset to Sunrise
523:Sunset to Sunrise
511:Homes For America
456:Mies van der Rohe
347:Homes for America
339:Figurative (1965)
254:, and the French
177:
176:
73:February 19, 2022
2718:
2568:
2471:Dreher, Thomas:
2462:Dreher, Thomas:
2453:Dreher, Thomas:
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2011:
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2001:
1994:www.artforum.com
1990:"INTO THE LIGHT"
1986:
1980:
1969:
1963:
1955:
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1923:. Archived from
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1599:
1584:
1571:
1566:
1002:, Torino, Italy;
896:, Madrid, Spain;
644:counter-cultural
635:Rock My Religion
624:Rock My Religion
432:Roy Lichtenstein
404:Klaus Biesenbach
363:Rock My Religion
232:Urbana, Illinois
218:structures, and
216:installation art
149:Rock My Religion
144:
104:Installation art
76:
62:Urbana, Illinois
57:
55:
40:
26:
2726:
2725:
2721:
2720:
2719:
2717:
2716:
2715:
2636:
2635:
2620:discography at
2614:
2600:
2598:Further reading
2582:Wallis, Brian,
2579:. 26 Mar. 2008.
2577:The Nonnus Blog
2565:
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2258:Wayback Machine
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2113:
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2097:
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2079:
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2068:Financial Times
2061:
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2033:Wayback Machine
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1471:
1370:Yesterday/Today
1346:
1344:Select artworks
1338:
1314:
1302:
1149:Double Exposure
960:Hayward Gallery
956:Waterloo Sunset
914:Casa del Fascio
828:
750:'s work on the
673:
571:concave mirrors
531:
496:
472:The Vietnam War
448:Kazuo Shinohara
444:Claes Oldenburg
428:Itsuko Hasegawa
412:
376:Yesterday/Today
296:post-conceptual
289:0 to 9 magazine
281:Robert Smithson
264:
228:
212:performance art
142:
124:Performance art
81:
78:
74:
65:
59:
53:
51:
43:
31:
24:
17:
12:
11:
5:
2724:
2722:
2714:
2713:
2708:
2703:
2698:
2693:
2688:
2686:Postmodernists
2683:
2678:
2673:
2668:
2663:
2658:
2653:
2648:
2638:
2637:
2634:
2633:
2624:
2613:
2612:External links
2610:
2609:
2608:
2599:
2596:
2595:
2594:
2580:
2569:
2563:
2550:
2547:
2539:(Charta 2005)
2533:
2519:
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2496:
2493:
2479:
2476:
2469:
2460:
2451:
2448:
2445:
2429:
2426:
2423:
2422:
2419:on 2012-12-05.
2404:
2385:
2382:on 2012-12-05.
2364:
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2311:
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2194:
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2171:Moderna Museet
2159:
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2037:
2018:
2006:
1981:
1964:
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1944:Auto Italia. "
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1572:
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1475:Lisson Gallery
1470:
1467:
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1463:Museum De Pont
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1253:Moderna Museet
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1038:
1028:
1019:
1009:
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984:K21 Ständehaus
977:
976:'s dormitory);
963:
953:
943:
933:
923:
917:
916:, Como, Italy;
907:
897:
890:Dhaka Pavilion
887:
877:
867:
861:
855:
846:
845:, Lincoln, MA;
827:
824:
672:
669:
648:Lisson Gallery
530:
527:
495:
492:
480:conceptual art
460:Robert Venturi
436:Robert Mangold
411:
408:
304:conceptual art
263:
260:
252:Leslie Fiedler
227:
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204:conceptual art
175:
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164:Conceptual art
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100:Conceptual art
97:
96:Known for
93:
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87:
83:
82:
79:
77:(aged 79)
71:
67:
66:
60:
58:March 31, 1942
49:
45:
44:
42:Graham in 2007
41:
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2597:
2593:
2592:0-262-57106-4
2589:
2585:
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2578:
2574:
2570:
2566:
2560:
2556:
2551:
2548:
2546:
2545:88-8158-520-0
2542:
2538:
2534:
2532:
2531:3-933807-31-X
2528:
2524:
2521:Graham, Dan,
2520:
2518:
2517:0-262-57130-7
2514:
2510:
2507:Graham, Dan,
2506:
2503:
2500:
2497:
2494:
2492:
2491:3-89322-318-5
2488:
2484:
2480:
2477:
2474:
2470:
2467:
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2458:
2457:
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2449:
2446:
2444:
2443:0-944219-13-6
2440:
2436:
2432:
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2427:
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2414:
2408:
2405:
2400:
2394:
2392:
2390:
2386:
2381:
2377:
2371:
2369:
2365:
2354:on 2009-08-12
2353:
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2019:
2015:
2010:
2007:
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1991:
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1982:
1979:
1978:
1974:
1968:
1965:
1961:
1960:
1954:
1951:
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1941:
1938:
1927:on 2019-08-10
1926:
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1687:
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1677:
1670:
1667:
1656:on 2011-07-15
1655:
1651:
1650:
1642:
1639:
1633:
1630:
1618:
1612:
1610:
1606:
1594:
1590:
1589:"A Round Peg"
1583:
1581:
1579:
1577:
1573:
1570:
1565:
1563:
1559:
1552:
1550:
1549:'87 and '97.
1548:
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1457:
1454:
1453:Terminal Five
1450:
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1434:
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1425:
1422:
1419:
1416:
1413:
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1371:
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1354:
1351:
1348:
1347:
1343:
1341:
1335:
1333:
1331:
1329:
1323:
1319:
1316:For the 2007
1311:
1309:
1308:
1299:
1294:
1290:
1286:
1283:
1280:
1277:
1274:
1270:
1267:
1264:
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1257:
1254:
1250:
1247:
1244:
1240:
1237:
1234:
1231:
1228:
1225:
1222:
1219:
1216:
1212:
1209:
1207:, Pittsburgh;
1206:
1202:
1199:
1196:
1192:
1189:
1186:
1182:
1179:
1176:
1173:
1170:
1166:
1163:
1160:
1157:
1154:
1150:
1147:
1144:
1141:(1991–1996),
1140:
1137:
1134:
1131:(1994–1996),
1130:
1127:
1124:
1121:
1118:
1114:
1111:
1108:
1104:
1101:
1099:, Middlebury;
1098:
1094:
1091:
1088:
1084:
1081:
1078:
1075:
1072:
1069:
1066:
1065:Museum Ludwig
1062:
1060:
1055:
1052:
1048:
1045:
1042:
1039:
1036:
1032:
1029:
1026:
1025:
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1017:
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1010:
1007:
1004:
1001:
997:
994:
991:
988:
985:
981:
978:
975:
971:
968:(1997/2002),
967:
964:
961:
958:(2002–2003),
957:
954:
951:
947:
944:
942:, Brumadinho;
941:
937:
934:
931:
927:
924:
921:
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749:
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728:Wendy Seltzer
725:
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619:documentaries
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584:Jacques Lacan
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2571:Smith, Matt
2554:
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2481:Graham, Dan
2464:
2455:
2434:
2428:Bibliography
2417:the original
2407:
2380:the original
2356:. Retrieved
2352:the original
2342:
2328:
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2298:
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2265:
2246:
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2197:
2178:
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2162:
2157:, St. Louis.
2142:
2137:
2116:
2115:Dan Graham,
2110:
2100:
2099:Dan Graham,
2094:
2084:
2076:
2066:
2058:
2048:
2021:
2009:
1998:. Retrieved
1996:. April 2018
1993:
1984:
1975:
1967:
1959:Minor Threat
1958:
1953:
1940:
1929:. Retrieved
1925:the original
1920:
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1654:the original
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1592:
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1449:JFK Airport)
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1328:Tony Oursler
1325:
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1285:Gate of Hope
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1180:
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1138:
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1092:
1089:, Edinburgh;
1082:
1076:
1070:
1059:ShĹŤji Screen
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1046:
1040:
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1021:
1016:WanĂĄs Castle
1011:
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925:
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820:Phoebe Philo
810:
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799:
795:
770:
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680:Gate of Hope
664:Minor Threat
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628:
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596:
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587:
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563:Bruce Nauman
554:
550:
549:(1970), and
546:
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488:
464:
452:Michael Snow
440:Bruce Nauman
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229:
179:
178:
143:Notable work
75:(2022-02-19)
2651:2022 deaths
2646:1942 births
2278:20 February
1496:Netherlands
1469:Exhibitions
1265:, New York;
1263:Dia:Chelsea
974:Steven Holl
952:, New York;
806:(1997–99).
567:Body Press,
561:similar to
535:cybernetics
494:Photography
486:movements.
386:(1989) and
366:(1984) and
353:(1966) and
277:Donald Judd
196:Dean Martin
112:Photography
90:Self-taught
2640:Categories
2627:Dan Graham
2618:Dan Graham
2358:2009-08-11
2304:1 November
2274:. Art News
2000:2022-09-10
1931:2019-08-10
1921:ArtPremium
1736:Dan Graham
1685:0262071479
1660:2009-12-21
1623:2009-12-21
1553:References
1524:documentas
1502:Museum in
1437:Terminal 5
1295:, Germany.
1067:, Cologne;
1047:Café Bravo
904:Bob Rennie
902:(2008) at
682:(1993) in
621:, such as
551:Body Press
484:minimalist
430:, LeWitt,
426:, Flavin,
424:Larry Bell
410:Influences
392:Café Bravo
374:(1976) or
300:minimalism
285:Dan Flavin
273:Sol LeWitt
269:Carl André
188:rock music
184:art theory
160:Minimalism
132:Art critic
54:1942-03-31
30:Dan Graham
2465:Pavillons
2232:cite book
2202:"Notes".
1322:Japanther
1293:Stuttgart
1245:, France;
1217:, Venice;
1109:, Norway;
1053:, Berlin;
1024:Hypo-Bank
1018:, Sweden;
962:, London;
841:, now at
788:Rotterdam
775:Jeff Wall
726:photo by
686:, Germany
684:Stuttgart
671:Pavilions
380:pavilions
330:, and in
326:, and at
258:writers.
240:Westfield
128:Education
120:Video art
108:Sculpture
86:Education
2254:Archived
2186:Archived
2148:Archived
2122:Archived
2029:Archived
1782:Archived
1504:Helsinki
1461:, 2015,
1394:Untitled
1332:(2004).
1318:Performa
1300:Writings
1287:(1993),
1271:(1981),
1251:(1984),
1213:(1989),
1203:(1989),
1183:(1990),
1167:(1994),
1155:, Porto;
1105:(1996),
1095:(1996),
1085:(1996),
1063:(1998),
1061:Triangle
1049:(1998),
1033:(1999),
1014:(2000),
998:(2000),
982:(2001),
948:(2002),
938:(2002),
892:(2008),
884:Novartis
798:(1986),
633:(1983).
606:(1975).
545:(1969),
504:artwork.
416:Pep Talk
316:Yin/Yang
200:magazine
156:Movement
2622:Discogs
1962:(1983).
1598:June 7,
1508:Finland
1492:Otterlo
1390:, 1989.
1243:Clisson
940:Inhotim
922:(2007);
882:(2009)
870:Two V's
851:, 2010
792:Ommoord
700:Germany
116:Writing
2590:
2561:
2543:
2529:
2515:
2489:
2441:
2220:
2145:(1990)
2119:(1996)
2103:(1999)
1707:
1682:
1500:Kiasma
1498:, and
1494:, the
779:oculus
696:Berlin
658:, and
639:Shaker
474:, the
458:, and
283:, and
170:Awards
64:, U.S.
1356:Piece
1107:VĂĄgan
932:2006;
208:video
2631:IMDb
2588:ISBN
2559:ISBN
2541:ISBN
2527:ISBN
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2439:ISBN
2306:2014
2280:2022
2238:link
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1600:2009
1541:and
872:and
737:The
555:Roll
547:Roll
482:and
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302:and
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70:Died
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1535:VII
1490:in
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