1384:
798:
756:
728:
812:
784:
770:
742:
714:
1393:
208:
495:
649:
607:
579:
481:
621:
593:
453:
565:
551:
537:
635:
523:
467:
663:
509:
36:
220:
234:
385:
376:
707:'s joint venture reissued the book, but this time with eight full-page colour illustrations, including the frontispiece, by Charles Brock. The costs of colour illustration had decreased significantly since the 1887 edition, and colour was now the norm for books for younger children. This was good news for an artist as versatile as Brock, as it increased the options for selling his work. The following illustrations show the story in outline.
394:
22:
416:
and black cap of the huntsman in the title; possibly this is exaggerated, but it is a good sort of exaggeration. In the other drawing, " The Supper
Superstition", the story is extremely well told with movement and go. There are several other drawings in the book quite as good; enough of them to prove that Mr. Brock has something to say for himself, besides showing how well he has studied other people.
204:, which was repainted due to the position of the caddy and bystander as the commissioner of the painting wanted to bring himself, the putter, more into the forefront of the painting. The initial unsigned painting is considered to be the more impressive of the two versions, and is even used as the print for postcards and posters sold in many golf museums.
415:
Mr. Brock has come out with "Hood's
Humorous Poems". His drawing can scarce be called original, — there are many reminiscences in it, — but his humour, dramatic action, and his arrangement are quite his own. H is sense of illustration is good, and is well shown in the concentration on the black horse
925:
This portfolio contained a biography of Brock, an illustration of him in his studio and an explanation of his method of working accompanied by a plate of his work and five other plates showing its production. Brock's pen and ink illustration shows a disgruntled older gentleman escorting a young lady
367:
The approach of C.E. Brock's work varied with the sort of story he was illustrating. Some was refined and described as "sensitive to the delicate, teacup-and-saucer primness and feminine outlook of the early
Victorian novelists," while other work was "appreciative of the healthy, boisterous,
341:
Brock published 109 illustrations in Punch between 6 February 1901 and 30 March 1910. He output in Punch tapered off after 1905 and he did not publish any more work in Punch after 1910. Brock continued to work on book illustration and on portraits. Some of the portraits by Brock in national
350:(1938) being one of the last books he illustrated. Books he was working on at the time of his death were completed by other illustrators. Brock was one of the twenty leading illustrators selected by Percy Bradshaw for a portfolio in his 1917/1918
441:
for
Service & Paton in 1897. The new edition had 16 full page illustrations. New illustrations were one of the ways in which publishers tried to sell titles were had already had a number of editions. The illustrations are by courtesy of
112:
The confusion was so great that they even found themselves paying each other's bills. They solved by agreeing that
Charles Edmund of Cambridge would stop using Edmund and that Charles Edmond of London would stop using Charles. In Graves'
178:, but he was also a skilled colourist. As a painter he received plaudits for his realism and vibrancy he created in his work. Only a small quantity of his paintings have been located which is why their prices have been so high.
126:
The name of the sculptor to which the commission for a bust of Queen
Victoria is entrusted is Mr. Thomas Brock, R.A., and not, of course, Mr. C. E, Brock, stated by a mistake which crept into our report of the meeting last
699:. The book tells the story of a small boy who befriends a very ugly and socially-despised man, who saves him in the end. The story was apparently popular as it was reprinted numerous times, most recently in 2010. In 1909,
109:(1882–1952) of London, a portrait painter who painted members of the Royal Family and the aristocracy, and was the son of English Sculptor Thomas Brock RA (1 March 1847 – 22 August 1922).
797:
755:
727:
811:
783:
769:
741:
713:
446:
the whole book is available on-line. The illustrations for
Ivanhoe would have benefited from the props that the Brock's kept in their studio to serve as examples for arms, clothing, and so on.
200:– all of which were painted in 1894 as part of the same series.These paintings were acquired together by a Japanese collector in 1991 for $ 1.5 million. The most valuable of these is
903:
called these illustrations sketches as they were accompanied by dialogue. Punch reserved the name cartoons for illustrations without any accompanying text, or only with a title.
368:
thoroughly
English characters" – soldiers, rustics, and "horsey types." Other illustrations were grotesqueries drawn to amuse children looking at or reading storybooks.
683:
was the pseudonym of Mary St Leger
Kingsley (4 June 1852 – 27 October 1931), a Victorian novelist. Although most of here output was for adults, she did produce some
39:'The Old Chevalier House, Fore Street, Exeter' by Charles Edmund Brock, about 1920–1930. This pencil and watercolour on paper depicts The Old Chevalier House Inn in
174:. He used the Cambridge college libraries for his "picture research." In illustration Brock is best known for his line work, initially working in the tradition of
181:
Brock and his brothers maintained a
Cambridge studio filled with various curios, antiques, furniture, and a costume collection. They owned a large collection of
948:
105:
96:
494:
1454:
1444:
837:
To confuse things even more, the London Brock was registered at Charles Edmund at birth, but opted to use Edmond rather than Edmund as this second name.
185:
costume prints and fashion plates, and had clothes specially made as examples for certain costumes. Using these, family members modeled for each other.
648:
606:
578:
480:
620:
592:
452:
564:
550:
536:
634:
522:
466:
662:
508:
1449:
207:
136:
Brock received his first book commission at the age of 20 in 1890. He became very successful, and illustrated books for authors such as
1288:
936:
1355:
1378:
952:
1157:
1051:
124:
This was not the only confusion. One report of a Cambridge Council meeting attributed the Victoria Memorial to C. E. Brock.
1464:
940:
1459:
44:
1107:
The Royal Academy of Arts: A completed Dictionary of Contributors and their work from its foundation in 1769 to 1904
852:
Annual Almanac (that is, they appear only in the bound set of a year's editions rather than in the weekly editions).
35:
1333:
Pen Drawing and Pen Draughtsmen: Their work and there methods: A study of the art to-day with technical suggestions
1217:
1403:
994:
696:
219:
121:
he lists the Cambridge Brock as Charles E. Brock - Painter, and the London Brock as C. Edmond Brock - Painter.
63:
233:
956:
1249:"Charles Edmund Brock: Charles E Brock and His Work: The Art of the Illustrator (Limited Edition Prints)"
704:
170:
1439:
1434:
1412:
1349:
984:
Catalogue shows that the 8º size book had 168-page in the 1887 edition and 175 in the 1909 edition.
981:
443:
164:
67:
688:
188:
Unequivocally the most famous and valuable paintings in Brock's career were his golf paintings –
342:
collections date from the 1920. He continued to illustrate books right up until his death, with
359:
Brock was an occasional exhibitor at various venues. He died on 28 February 1938 in Cambridge.
1374:
1369:
1153:
1149:
1142:
998:
425:
The following examples show what a complete set of illustrations for a single book look like.
141:
1388:
1318:
1234:
899:
848:
684:
434:
239:
225:
79:
695:
with nine full page illustrations including the frontispiece, and several smaller ones, by
393:
384:
375:
413:
made the following assessment of Brock at the very start of his career as an illustrator:
149:
1398:
352:
137:
1428:
1421:
Illustrations By C. E. Brock for The Heroes of Asgard by Annie and Eliza Keary, 1930.
1248:
944:
118:
1211:
1052:"Wills and Probate 1996 to present: Search for Surname Brock and Year of Death 1964"
21:
913:
700:
343:
175:
153:
101:
27:
1365:
680:
182:
145:
1109:. Vol. III: Eadie to Harraden. London: George Bell and Sons. p. 389.
212:
158:
888:
There were none in 1908 or 1909, and the 1910 sketch was actually dated 1909.
54:(5 February 1870 – 28 February 1938) was a widely published English painter,
1359:
969:
83:
1289:"Wills and Probates 1858-1996: Pages for Brock and the year of death 1938"
55:
1144:
The Dictionary of British Book Illustrators and Caricaturists, 1800–1914
1399:
Illustrations for The Heroes of Asgard, by Annie and Eliza Keary, 1930.
438:
40:
1418:
1404:
C. E. Brock's illustrations from the British Library Flickr account
879:
One of these was an illustration for a poem in the Annual Almanac.
392:
383:
374:
232:
218:
206:
34:
20:
1408:
156:. Brock also contributed pieces to several magazines such as
912:
This was one of the school stories for girls written under
1197:
The Brocks: a family of Cambridge artists and illustrators
1120:"Town and County News: Cambridge: The Victoria Memorial".
1092:
The Brocks: a family of Cambridge artists and illustrators
693:
Little Peter: A Christmas Morality for Children of any Age
1218:
The Connoisseur: An Illustrated Magazine for Collectors
100:
of Cambridge was sometimes confused with the unrelated
1199:. London: Charles Skinton Ltd. 1975. pp. 141–152.
968:
Keegan Paul & Co has long ago been subsumed into
86:. He studied art briefly under sculptor Henry Wiles.
1394:
UNCG American Publishers' Trade Binding: C.E. Brock
1315:
The Art of the Illustrator: CE Brock & His Work
1277:. Woodbridge: Antique Collectors' Club. p. 76.
1210:
1148:. Suffolk: Antique Collectors' Club Ltd. pp.
1141:
58:and book illustrator, who signed most of his work
1105:Graves, Algernon (1905). "Hardy, Paul: Painter".
1190:
1188:
1173:Golfiana, Magazine (1991). "Golfiana Magazine".
1094:. London: Charles Skinton Ltd. 1975. p. 29.
1038:1939 Register; Reference: RG 101/466A E.D. ARNQ
1024:The Golden Age of Children's Book Illustration
1253:Illustration Art Gallery with The Book Palace
8:
1040:. Kew: National Archives. 29 September 1939.
949:Royal Institute of Painters in Water Colours
935:Brock exhibited as follows: one work at the
1275:The Dictionary of British Artists 1880-1940
1419:MyNDIR (My Norse Digital Image Repository)
1273:Johnson, J.; Greutzner, A. (8 June 1905).
248:Illustrations by Brock in Punch (by year)
1362:by Brock, and a link to a site about Venn
1076:"The Kind and Queen Visit the Academy".
916:female pseudonym, Florence Gunby Hadath.
411:Pen Drawing and Pen Draughtmanship . . .
246:
1415:, with 60 library catalogue records
1335:. London: Macmillan. 1894. p. 344.
1135:
1133:
1131:
1124:(Friday 26 June 1903): 5. 26 June 1903.
1014:
870:One of these was in the Annual Almanac.
861:One of these was in the Annual Almanac.
830:
709:
448:
421:Examples of complete book illustrations
993:The edition with the illustrations by
1080:(Monday 20 May 1935): 8. 20 May 1935.
78:Brock was born on 5 February 1870 in
7:
433:Brock illustrated a new edition of
937:Glasgow Institute of the Fine Arts
14:
1455:20th-century British illustrators
1445:19th-century British illustrators
25:Title page of Brock's edition of
1352:in public collections in the UK.
810:
796:
782:
768:
754:
740:
726:
712:
661:
647:
633:
619:
605:
591:
577:
563:
549:
535:
521:
507:
493:
479:
465:
451:
953:Royal Institute of Oil Painters
82:. The family later settled in
1:
1385:Works by or about C. E. Brock
1350:works by Charles Edmund Brock
941:Walker Art Gallery, Liverpool
691:published Malet's short book
45:Royal Albert Memorial Museum
1450:Illustrators of fairy tales
1122:Cambridge Independent Press
1481:
1331:"Pen Drawing in England".
353:The Art of the Illustrator
211:The Drive 1894 Collection
115:Dictionary of Contributors
16:British artist (1870–1938)
1225:(204): 223. 1 August 1918
1212:"The Connisseur Bookself"
846:Two of these were in the
348:Pamela: A Story for Girls
47:'s collection (58/1999/2)
926:past admiring young men.
1195:"The Brocks in Punch".
1022:Dalby, Richard (1991),
70:, also an illustrator.
62:. He was the eldest of
957:Royal Scottish Academy
955:, and one work at the
705:Hodder & Stoughton
409:Joseph Pennell in his
397:
388:
379:
244:
230:
216:
48:
32:
1140:Houfe, Simon (1981).
951:, three works at the
947:, eight works at the
943:, seven works at the
396:
387:
378:
236:
222:
210:
94:Charles Edmund Brock
38:
24:
1465:English illustrators
1375:Works by C. E. Brock
1366:Works by C. E. Brock
689:Kegan Paul & Co.
102:Charles Edmond Brock
64:four artist brothers
52:Charles Edmund Brock
1460:Artists from London
1413:Library of Congress
1313:Bradshaw, Percy V,
1293:Find a Will Service
1056:Find a Will Service
982:The British Library
939:, six works at the
676:A book for children
444:The British Library
249:
68:Henry Matthew Brock
429:An adventure novel
398:
389:
380:
247:
245:
231:
217:
49:
33:
1370:Project Gutenberg
1175:Golfiana Magazine
999:Project Gutenberg
402:
401:
339:
338:
142:William Thackeray
1472:
1389:Internet Archive
1337:
1336:
1328:
1322:
1321:
1319:Press Art School
1310:
1304:
1303:
1301:
1299:
1285:
1279:
1278:
1270:
1264:
1263:
1261:
1259:
1245:
1239:
1238:
1235:Internet Archive
1233:– via The
1232:
1230:
1214:
1207:
1201:
1200:
1192:
1183:
1182:
1170:
1164:
1163:
1147:
1137:
1126:
1125:
1117:
1111:
1110:
1102:
1096:
1095:
1088:
1082:
1081:
1073:
1067:
1066:
1064:
1062:
1048:
1042:
1041:
1034:
1028:
1027:
1019:
1002:
997:is available on
991:
985:
979:
973:
966:
960:
933:
927:
923:
917:
910:
904:
895:
889:
886:
880:
877:
871:
868:
862:
859:
853:
844:
838:
835:
814:
800:
786:
772:
758:
744:
730:
716:
685:juvenile fiction
665:
651:
637:
623:
609:
595:
581:
567:
553:
539:
525:
511:
497:
483:
469:
455:
435:Sir Walter Scott
371:
370:
250:
108:
99:
80:Holloway, London
1480:
1479:
1475:
1474:
1473:
1471:
1470:
1469:
1425:
1424:
1346:
1341:
1340:
1330:
1329:
1325:
1312:
1311:
1307:
1297:
1295:
1287:
1286:
1282:
1272:
1271:
1267:
1257:
1255:
1247:
1246:
1242:
1228:
1226:
1209:
1208:
1204:
1194:
1193:
1186:
1172:
1171:
1167:
1160:
1139:
1138:
1129:
1119:
1118:
1114:
1104:
1103:
1099:
1090:
1089:
1085:
1075:
1074:
1070:
1060:
1058:
1050:
1049:
1045:
1036:
1035:
1031:
1026:, Gallery Books
1021:
1020:
1016:
1011:
1006:
1005:
992:
988:
980:
976:
967:
963:
934:
930:
924:
920:
911:
907:
896:
892:
887:
883:
878:
874:
869:
865:
860:
856:
845:
841:
836:
832:
827:
820:
819:
815:
806:
805:
801:
792:
791:
787:
778:
777:
773:
764:
763:
759:
750:
749:
745:
736:
735:
731:
722:
721:
717:
678:
671:
670:
666:
657:
656:
652:
643:
642:
638:
629:
628:
624:
615:
614:
610:
601:
600:
596:
587:
586:
582:
573:
572:
568:
559:
558:
554:
545:
544:
540:
531:
530:
526:
517:
516:
512:
503:
502:
498:
489:
488:
484:
475:
474:
470:
461:
460:
456:
431:
423:
407:
365:
150:Charles Dickens
134:
104:
95:
92:
76:
17:
12:
11:
5:
1478:
1476:
1468:
1467:
1462:
1457:
1452:
1447:
1442:
1437:
1427:
1426:
1423:
1422:
1416:
1406:
1401:
1396:
1391:
1382:
1372:
1363:
1353:
1345:
1344:External links
1342:
1339:
1338:
1323:
1305:
1280:
1265:
1240:
1202:
1184:
1165:
1158:
1127:
1112:
1097:
1083:
1068:
1043:
1029:
1013:
1012:
1010:
1007:
1004:
1003:
1001:and elsewhere.
986:
974:
961:
928:
918:
905:
890:
881:
872:
863:
854:
839:
829:
828:
826:
823:
822:
821:
817:
816:
809:
807:
803:
802:
795:
793:
789:
788:
781:
779:
775:
774:
767:
765:
761:
760:
753:
751:
747:
746:
739:
737:
733:
732:
725:
723:
719:
718:
711:
677:
674:
673:
672:
668:
667:
660:
658:
654:
653:
646:
644:
640:
639:
632:
630:
626:
625:
618:
616:
612:
611:
604:
602:
598:
597:
590:
588:
584:
583:
576:
574:
570:
569:
562:
560:
556:
555:
548:
546:
542:
541:
534:
532:
528:
527:
520:
518:
514:
513:
506:
504:
500:
499:
492:
490:
486:
485:
478:
476:
472:
471:
464:
462:
458:
457:
450:
430:
427:
422:
419:
406:
403:
400:
399:
390:
381:
364:
361:
337:
336:
334:
332:
330:
328:
326:
324:
322:
320:
318:
314:
313:
310:
307:
304:
301:
298:
295:
292:
289:
286:
282:
281:
278:
275:
272:
269:
266:
263:
260:
257:
254:
223:Brock's first
138:Jonathan Swift
133:
130:
91:
90:Name confusion
88:
75:
72:
15:
13:
10:
9:
6:
4:
3:
2:
1477:
1466:
1463:
1461:
1458:
1456:
1453:
1451:
1448:
1446:
1443:
1441:
1438:
1436:
1433:
1432:
1430:
1420:
1417:
1414:
1410:
1407:
1405:
1402:
1400:
1397:
1395:
1392:
1390:
1386:
1383:
1380:
1376:
1373:
1371:
1367:
1364:
1361:
1357:
1356:Fine portrait
1354:
1351:
1348:
1347:
1343:
1334:
1327:
1324:
1320:
1316:
1309:
1306:
1294:
1290:
1284:
1281:
1276:
1269:
1266:
1254:
1250:
1244:
1241:
1236:
1224:
1220:
1219:
1213:
1206:
1203:
1198:
1191:
1189:
1185:
1180:
1176:
1169:
1166:
1161:
1155:
1151:
1146:
1145:
1136:
1134:
1132:
1128:
1123:
1116:
1113:
1108:
1101:
1098:
1093:
1087:
1084:
1079:
1072:
1069:
1057:
1053:
1047:
1044:
1039:
1033:
1030:
1025:
1018:
1015:
1008:
1000:
996:
990:
987:
983:
978:
975:
971:
965:
962:
958:
954:
950:
946:
945:Royal Academy
942:
938:
932:
929:
922:
919:
915:
909:
906:
902:
901:
897:Technically,
894:
891:
885:
882:
876:
873:
867:
864:
858:
855:
851:
850:
843:
840:
834:
831:
824:
813:
808:
799:
794:
785:
780:
771:
766:
757:
752:
743:
738:
729:
724:
715:
710:
708:
706:
702:
698:
694:
690:
686:
682:
675:
664:
659:
650:
645:
636:
631:
622:
617:
608:
603:
594:
589:
580:
575:
566:
561:
552:
547:
538:
533:
524:
519:
510:
505:
501:Quarter-staff
496:
491:
482:
477:
468:
463:
454:
449:
447:
445:
440:
436:
428:
426:
420:
418:
417:
412:
404:
395:
391:
386:
382:
377:
373:
372:
369:
362:
360:
357:
355:
354:
349:
345:
335:
333:
331:
329:
327:
325:
323:
321:
319:
316:
315:
311:
308:
305:
302:
299:
296:
293:
290:
287:
284:
283:
279:
276:
273:
270:
267:
264:
261:
258:
255:
252:
251:
242:
241:
237:Brock's last
235:
228:
227:
221:
214:
209:
205:
203:
199:
195:
191:
186:
184:
179:
177:
173:
172:
167:
166:
161:
160:
155:
151:
147:
143:
139:
131:
129:
128:
122:
120:
119:Royal Academy
116:
110:
107:
103:
98:
89:
87:
85:
81:
73:
71:
69:
65:
61:
57:
53:
46:
42:
37:
30:
29:
23:
19:
1332:
1326:
1314:
1308:
1296:. Retrieved
1292:
1283:
1274:
1268:
1256:. Retrieved
1252:
1243:
1227:. Retrieved
1222:
1216:
1205:
1196:
1178:
1174:
1168:
1143:
1121:
1115:
1106:
1100:
1091:
1086:
1078:The Guardian
1077:
1071:
1059:. Retrieved
1055:
1046:
1037:
1032:
1023:
1017:
989:
977:
964:
931:
921:
908:
898:
893:
884:
875:
866:
857:
847:
842:
833:
701:Henry Frowde
692:
679:
432:
424:
414:
410:
408:
366:
358:
351:
347:
344:Gunby Hadath
340:
238:
224:
201:
197:
193:
189:
187:
180:
176:Hugh Thomson
169:
163:
157:
154:George Eliot
135:
125:
123:
114:
111:
93:
77:
66:, including
59:
51:
50:
26:
18:
1440:1938 deaths
1435:1870 births
1409:C. E. Brock
681:Lucas Malet
183:Regency era
146:Jane Austen
60:C. E. Brock
56:line artist
1429:Categories
1379:Faded Page
1159:0902028731
1009:References
995:Paul Hardy
697:Paul Hardy
655:Contrition
405:Assessment
213:Villa Haas
194:The Drive;
190:The Bunker
165:The Strand
159:The Quiver
74:Early life
1360:John Venn
1258:22 August
1229:12 August
970:Routledge
687:In 1887,
613:Arrogance
585:Hard blow
487:Challenge
84:Cambridge
43:from the
1381:(Canada)
914:Hadath's
627:Pleading
599:Rope-led
459:Whipping
202:The Putt
198:The Putt
171:Pearsons
1387:at the
1150:195–196
1061:13 June
804:Seventh
571:Curious
557:Haughty
543:Torture
439:Ivanhoe
285:Number
117:to the
1298:6 June
1156:
762:Fourth
734:Second
641:Signal
529:Seized
473:Palmer
317:Notes
280:Total
243:sketch
229:sketch
168:, and
152:, and
41:Exeter
31:, 1909
900:Punch
849:Punch
825:Notes
818:Eight
790:Sixth
776:Fifth
748:Third
720:First
669:Yield
363:Style
240:Punch
226:Punch
127:week.
1300:2020
1260:2020
1231:2020
1181:(4).
1154:ISBN
1063:2020
703:and
515:Harp
312:108
277:1910
274:1907
271:1906
268:1905
265:1904
262:1903
259:1902
256:1901
253:Year
215:Sinn
196:and
132:Work
28:Emma
1411:at
1377:at
1368:at
1358:of
437:'s
346:'s
1431::
1317:,
1291:.
1251:.
1223:51
1221:.
1215:.
1187:^
1177:.
1152:.
1130:^
1054:.
356:.
300:11
297:21
294:14
291:28
288:29
192:;
162:,
148:,
144:,
140:,
106:RI
97:RI
1302:.
1262:.
1237:.
1179:3
1162:.
1065:.
972:.
959:.
309:1
306:1
303:4
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
