Knowledge (XXG)

C. E. Hooper

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62:), whose input Hooper later acknowledged as key. It differed from the method being used by the advertising industry service, the Cooperative Analysis of Broadcasting (CAB); in particular, Clark-Hooper's method involved contacting listeners during the shows being analyzed as opposed to the following day. In the industry, the method was dubbed "telephone coincidence"; it superseded CAB's earlier method ("telephone recall") as the industry standard, and Hooper's prevalence eventually led to the 1946 dissolution of CAB. 435: 85:, Hooperatings had the advantage of not depending on respondents remembering what they had listened to earlier in the day. However, they still only sampled an urban rather than rural population. They also failed to account for the millions of households at the time which had a radio set but no telephone. 77:
The C. E. Hooper Company collected data using telephone surveys conducted across 36 cities, during the last 13 minutes of each quarter hour broadcast period. Respondents would be asked whether they were presently listening to the radio, and if they were, to identify the program and station they were
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until 1934, when he left to start a research company with colleague Montgomery Clark, Clark-Hooper. In the fall of 1934, the company launched syndicated radio measurement services in 16 cities. Clark left the business in 1938 and Hooper continued the firm as C. E. Hooper, Inc.
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sarcastically discussing each other's radio shows. Morgan says " … by the way, how's your Hooper rating?", to which Stang replies "Wells, it's eh...ehh...aw, that rating doesn't mean a thing...".
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In 1948, as the radio networks began venturing into television, Hooper began measuring TV ratings as well. In February 1950, the company was bought by competitor
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of a motorcycle who is shouting "We're from the Hooper Survey, sir. Do you have your radio on, and if so what program are you listening to?"
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In 1949, the Chagrin Valley Little Theater premiered a satire of contemporary radio by Everett Rhodes Castle titled "How's Your Hooper?".
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During the late 1940s the catchphrase "How's your Hooper?" was a well-known allusion to the size of a series' audience.
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http://thrillingdaysofyesteryeararchives.blogspot.com/2003/11/good-evening-anybodyheres-morgan.html
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depicts a speeding automobile with a radio antenna being overtaken by a Hooper employee in the
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listening to, and the program's sponsor. Using this data, biweekly ratings were compiled.
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https://www.newspapers.com/image/160584608/?terms=%22How%27s%2BYour%2BHooper%22
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Claude E. Hooper became well known for his radio audience measurement systems,
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Fordan, Robert C. (1998). Godfrey, Donald G.; Leigh, Frederic A. (eds.).
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Bird, William (July 1987). "Audience Ratings: Radio, Television, Cable".
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Cleveland Plain Dealer, Sunday 13 November 1949, section D, page 29
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The survey method employed by Hooper was designed with the help of
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Webster, James; Phalen, Patricia & Lichty, Lawrence (2013).
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History of the Mass Media in the United States: An Encyclopedia
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Norwalk, Connecticut (1957), apparently privately printed, at
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Sold on Radio: Advertisers in the Golden Age of Broadcasting
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Ratings Analysis: Audience Measurement and Analytics
393:"How Nielsen and Arbitron Became the Ratings Kings" 169: 167: 165: 163: 161: 159: 344: 342: 470: 414:"HOOP" of HOOPERATINGS: The Man and His Work. 349:Chester, Giraud; Garrison, Garnet R. (1950). 8: 477: 463: 280:The Advertising and Business Side of Radio 245: 243: 283:. Wildside Press LLC. pp. 164–168. 307:Historical Dictionary of American Radio 155: 23:was an American company which measured 501:United States mass media company stubs 374:Thrilling Days of Yesteryear Archives 103:cartoon in the May 14, 1949 issue of 7: 431: 429: 449:. You can help Knowledge (XXG) by 14: 433: 201:Blanchard, Margaret A. (2013). 1: 333:, 7 March 1950. Part 2, p. 1 207:. Routledge. pp. 49–50. 180:. Routledge. pp. 22–25. 16:Audience measurement company 443:United States media company 517: 428: 310:. Greenwood. p. 109. 256:. McFarland. p. 46. 81:Compared to the earlier 418:American Radio History 407:American Radio History 230:Technology and Culture 116:A 1947 radio skit has 277:Midgley, Ned (2008). 496:Audience measurement 351:Radio and Television 21:C. E. Hooper Company 33:Golden Age of Radio 31:ratings during the 89:In popular culture 458: 457: 331:Los Angeles Times 317:978-0-313-29636-9 290:978-1-4344-7176-5 263:978-0-7864-5176-0 250:Cox, Jim (2008). 214:978-1-135-91742-5 187:978-1-136-28213-3 508: 479: 472: 465: 437: 430: 380: 370: 364: 361: 355: 354: 346: 337: 328: 322: 321: 301: 295: 294: 274: 268: 267: 247: 238: 237: 225: 219: 218: 198: 192: 191: 171: 139:Crossley ratings 83:Crossley ratings 516: 515: 511: 510: 509: 507: 506: 505: 486: 485: 484: 483: 426: 389: 384: 383: 372:Transcribed in 371: 367: 362: 358: 348: 347: 340: 329: 325: 318: 303: 302: 298: 291: 276: 275: 271: 264: 249: 248: 241: 227: 226: 222: 215: 200: 199: 195: 188: 173: 172: 157: 152: 144:Nielsen ratings 130: 91: 75: 17: 12: 11: 5: 514: 512: 504: 503: 498: 488: 487: 482: 481: 474: 467: 459: 456: 455: 438: 424: 423: 412:Nye, Frank W. 410: 403:Hooper reports 400: 388: 387:External links 385: 382: 381: 365: 356: 353:. p. 102. 338: 323: 316: 296: 289: 269: 262: 239: 220: 213: 193: 186: 154: 153: 151: 148: 147: 146: 141: 136: 129: 126: 106:The New Yorker 90: 87: 74: 71: 40:Hooper Ratings 15: 13: 10: 9: 6: 4: 3: 2: 513: 502: 499: 497: 494: 493: 491: 480: 475: 473: 468: 466: 461: 460: 454: 452: 448: 445:article is a 444: 439: 436: 432: 427: 422: 419: 415: 411: 408: 404: 401: 398: 394: 391: 390: 386: 379: 375: 369: 366: 360: 357: 352: 345: 343: 339: 336: 332: 327: 324: 319: 313: 309: 308: 300: 297: 292: 286: 282: 281: 273: 270: 265: 259: 255: 254: 246: 244: 240: 235: 231: 224: 221: 216: 210: 206: 205: 197: 194: 189: 183: 179: 178: 170: 168: 166: 164: 162: 160: 156: 149: 145: 142: 140: 137: 135: 132: 131: 127: 125: 123: 119: 114: 112: 108: 107: 102: 97: 94: 88: 86: 84: 79: 72: 70: 68: 63: 61: 57: 56:George Gallup 52: 49: 48:Daniel Starch 45: 41: 36: 34: 30: 26: 22: 451:expanding it 440: 425: 417: 413: 406: 396: 373: 368: 359: 350: 330: 326: 306: 299: 279: 272: 252: 233: 229: 223: 203: 196: 176: 122:Arnold Stang 118:Henry Morgan 115: 104: 101:George Price 98: 95: 92: 80: 76: 67:A.C. Nielsen 64: 53: 44:Hooperatings 43: 39: 37: 20: 18: 397:Transmitter 395:article in 60:Gallup Poll 490:Categories 150:References 29:television 236:(3): 705. 420:Website 134:Arbitron 128:See also 409:website 111:sidecar 314:  287:  260:  211:  184:  73:Method 441:This 376:blog 58:(see 25:radio 447:stub 312:ISBN 285:ISBN 258:ISBN 209:ISBN 182:ISBN 120:and 42:or " 27:and 19:The 405:at 492:: 341:^ 242:^ 234:28 232:. 158:^ 99:A 69:. 478:e 471:t 464:v 453:. 320:. 293:. 266:. 217:. 190:.

Index

radio
television
Golden Age of Radio
Daniel Starch
George Gallup
Gallup Poll
A.C. Nielsen
Crossley ratings
George Price
The New Yorker
sidecar
Henry Morgan
Arnold Stang
Arbitron
Crossley ratings
Nielsen ratings






Ratings Analysis: Audience Measurement and Analytics
ISBN
978-1-136-28213-3
History of the Mass Media in the United States: An Encyclopedia
ISBN
978-1-135-91742-5

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