552:
and he purchased an idle factory building on the corner of
Elkhart Avenue and East Jackson. Conn's partnership with Dupont was dissolved by March 1879, but he was successful in attracting skilled craftsmen from Europe to his factory, and in this manner he expanded his operation so that by 1905, Conn had the world's largest musical instrument factory producing a full line of wind instruments, strings, percussion, and a portable organ. Conn partnered with Albert T. Armstrong, Joseph Jones, and Emory Foster to manufacture a twin-horn disc phonograph called the 'Double-Bell Wonder' that was produced in two iterations briefly in early 1898 before a lawsuit by the Berliner Gramophone Company caused production to cease. Brick-red 'Wonder' records were also pressed for the 'Double-Bell Wonder' talking machine by the Scranton Button Works from pirated Berliner masters. Fewer than fifty 'Double-Bell Wonders' were produced of both iterations combined.
1252:
535:
had been drinking. Conn's upper lip was severely lacerated, and it pained him so to play his cornet that he thought his playing days were over. In addition to running his store, Conn also made rubber stamps and re-plated silverware. He decided to try adhering rubber stamp material to the rim of a mouthpiece which he hoped would conform to his lips. After he showed his friends his idea, he realized that there was tremendous demand for his invention. Conn then began to contemplate manufacturing his new mouthpiece. He needed a rim with a groove which the rubber cement would adhere to more easily. It was in 1874 when Conn converted a discarded sewing machine frame into a simple lathe and started to turn out his mouthpieces and was soon in full production (Subsequently, Conn and Del
Crampton became best of friends, and when Conn embarked on his political career, he was a staunch advocate of
1081:
intonation. The device adjusts the length of the neck, controlled by a threaded barrel near the mouthpiece end. To lower the pitch, the barrel was rotated to the left. To raise the pitch the barrel was rotated to the right. The benefits of the microtuner to intonation have been shown to be more theoretical than practical, with the drawbacks that the internal mechanism requires extra cleaning and maintenance and is a potential source of leaks. Some repair technicians who have play-tested large numbers of Conn altos (cf. Les
Arbuckle of Saxoasis.com) report that the microtuner necks lend a different sound quality from those without one. Early Keilwerth and other German-made saxophones also featured microtuners. Since the 1950s, all new saxophones use the traditional tuning method of pulling out or pushing in the mouthpiece on the cork until the pitch is correct.
1204:
1006:. Res-o-Pads can be challenging to size correctly because (unlike standard saxophone pads which come in 0.5 mm size steps) they are only available in 1/32nds of an inch sizes which may not always correspond closely to key-cup diameters. Newly produced Conn Res-o-Pads are still available from specialist suppliers and are favored by some saxophone collectors because they give a fully authentic look and feel to vintage saxophones with rolled toneholes e.g. those made by Conn, Kohlert and Keilwerth. However, it is possible to fit standard pads to any saxophone with rolled toneholes (and many people do) without any noticeable disadvantage regarding the quality of sound produced.
891:. Brasswind manufacturing moved to Abilene, Texas and woodwind production was moved from Nogales, Arizona to Nogales, Mexico. A precipitous drop in product quality followed those moves, initiated as cost-cutting measures by executives not familiar with instrument production, and destroyed whatever was left of G. C. Conn's reputation in the wind instrument market. Conn introduced the modernized 7M alto saxophone; it soon acquired the same reputation for poor quality as the other "MexiConns," sold poorly, and was discontinued. In 1970 Conn also started the Conn Guitar Division, operating out of Oak Brook, Illinois, contracting the manufacture of a new line of acoustic guitars to
859:
becoming increasingly competitive, with newcomers from Japan offering products more efficiently produced, with higher quality standards, and more tailored to students' needs. Conn saxophones had ceased to be competitive in the professional market during the 1950s due to outdated designs and declining quality. By the late 1960s, their student line instruments were in competitive decline for similar reasons. In an effort to respond to the uprising of electronics Conn tried to also explore market possibilities in these areas and released in 1967 the Conn MultiĂ·Vider, an electronic device for using on saxophones similar to an
772:. It also developed the "Vocabell" (1932), a bell with no rim, which C. G. Conn described as "vibrat freely and in sympathy with the vibrating column of air in the instrument," C. G. Conn also developed the "Coprion" bell (1934), a seamless copper bell formed by directly electroplating it onto a mandrel. Under Greenleaf's saxophone specialists Allen Loomis and Hugh Loney, C. G. Conn's research and development resulted in the designs of the 6M alto (1931), 10M tenor (1934), and 12M baritone (1930). The 12M baritone was the first saxophone with both bell keys on the right side, followed by the
1093:
1232:
828:
Korean War, while continuing production of musical instruments. Priorities changed under Gazlay, with the high-quality wind instruments on which the company had built its reputation becoming an increasingly marginal interest. The 28M saxophone was discontinued after 1952 and cost-cutting measures were incorporated into the manufacturing process and designs of Conn's 6M, 10M, and 12M "Artist" series saxophones. C. G. Conn shifted their emphasis to the expanding market for school band instruments and to diversifying their instrument lines. In 1956, C. G. Conn
1267:
998:
have an internal metal reinforcing ring which is hidden under the leather covering around the circumference of the pad. Their most notable feature is that the diameter of the pad extends over the rim of the key-cup, thereby giving a slightly wider surface area for the rolled tone-hole to seal onto. Rim impressions from Res-o-Pads are minimal and unlike standard pads they cannot be "floated" in. Though designed to fix into key-cups purely via friction, most saxophone repairers glue them in place using
1188:
777:
produced the 26M and 30M "Connqueror" alto and tenor saxophones, featuring screw-adjustable keywork and improved mechanisms for the left hand cluster. The keywork was the most fully adjustable of any saxophone during that period. C. G. Conn's laboratory was expanded into the
Division of Research, Development and Design in 1940, directed by Earle Kent. C. G. Conn's combined abilities in close-tolerance manufacturing and electronic devices made them a valuable resource for wartime production.
1168:
1217:
1152:
121:
811:
1121:
986:
676:
the industry. While president, Greenleaf was noting the gradual extinction of the small town brass band, and of the big touring bands such as the Sousa band. To shore up the future market for band instruments, he undertook to promote band programs in schools and colleges. He proceeded to develop a close relationship and communications between the industry and music educators. His collaboration with educators such as
585:("the rain-catcher"). Conn phased out the Worcester operation (production was ceased in 1898), and Conn established a store in New York City (1897–1902) that sold a large variety of merchandise under the 'Wonder' label, including Conn-made woodwind, brass and percussion instruments, violins, mandolins and portable reed organs. The business also distributed American-made and imported guitars, banjos and zithers.
1632:
1109:
664:, Conn and his wife executed a trust deed for $ 200,000 covering not only the horn factory, but all their possessions, with the longest bond to mature in ten years. Conn's growing debt crisis forced him to seek a buyer for his assets, and in 1915 all of Conn's holdings, including the horn factory, were bought by a group of investors led by Carl Dimond Greenleaf, whom Conn had met during his years in
1140:
1020:
157:
1656:
1524:
1380:
1692:
1512:
1680:
1440:
1452:
1704:
1752:
1740:
1584:
1308:
1788:
1620:
25:
1644:
1404:
1284:
1776:
1764:
1560:
1728:
1596:
1392:
1668:
1608:
1332:
1716:
744:, a feature that enhanced the seal of the pads and extended pad life. Rolled tone holes remained a feature of Conn saxophones until 1947. By the late 1920s the success of Conn's latest "New Wonder" model saxophones with dance orchestras was gaining widespread attention, leading European manufacturers to produce horns closer to the deeper, richer, bolder "American" sound.
1488:
1464:
1356:
1548:
1428:
1500:
1476:
1416:
1344:
1368:
1536:
1572:
281:
1296:
1203:
1320:
66:
581:'s bands. After working on prototypes with advice from Lefebre, Conn settled on production models of saxophones and started regular production around 1892. Conn's instruments were endorsed by several leading band directors, including Sousa. In 1898, upon the suggestion of Sousa, Conn developed the first commercially successful bell-up
551:
of London. In
January 1876, Conn joined with Dupont under the name of Conn & Dupont, and Dupont created Conn's first instrument, the Four-in-One cornet, with crooks allowing the horn to be played in the keys of Eâ™, C, Bâ™, and A. By 1877, Conn's business had outgrown the back of his grocery store,
660:, which he later sold. After a failed entry into the utilities business, the building of his third factory (and its loss to fire), and his loss of a costly lawsuit filed against him by a former company manager, Conn had amassed significant debts. In 1911, in an effort to bond Conn's debts and secure
968:
In 1990 UMI was sold to
Bernhard Muskantor, one of the SkĂĄne Gripen partners. Muskantor, with family roots in the musical instrument business, desired a return of the Conn name to respectability, but its arrangement with Keilwerth had recently fallen apart and the increasingly tough market with new
780:
From mid-1942 to 1945, C. G. Conn ceased all production of musical instruments for civilian use to manufacture flat & mounted compasses, altimeters, gyro-horizon indicators, and other military instrumentation. A special application of C. G. Conn's "Coprion" process—creating seamless brass bells
675:
Carl
Greenleaf was president of Conn from 1915 to 1949. The new company was incorporated with public stock offerings under the name C. G. Conn Ltd. and the Conn trademark was updated to the official name of the new company. Greenleaf was an astute businessman, very sensitive to the market trends of
619:
to
Elkhart when his factory burned, and upon arriving home he was met with a public demonstration, a way of showing popular sympathy. Conn then announced his intentions to build a third factory on the corner of East Beardsley and Conn Avenues. Construction began 15 August 1910, and by the following
767:
In 1928, under the direction of Carl
Greenleaf's son Leland Burleigh Greenleaf, C. G. Conn opened its Experimental Laboratory, which was unique in the industry. Under Leland Greenleaf's directorship, the department developed the first short-action piston valves (1934), and the 'Stroboconn' (1936),
728:
subsidiary in 1919 and moving production of second-line instruments to the old
Angledile Scale factory, which had been transferred to the new company among Conn's other assets, later that year. In 1930 the Pan American company was absorbed by C. G. Conn, with C. G. Conn retaining and utilizing the
719:
Greenleaf expanded and upgraded C. G. Conn's plant to increase production and developed new lines of wind instruments to sell. By 1917, using a new hydraulic expansion process which Greenleaf introduced to the plant, the assembly-line work force had increased to 550 employees who were turning out
588:
Conn's marketing included not only sales of instruments but promotion of brass bands. He founded the Conn Conservatory to train the brass instrument teachers who would be a vital component in the growth of the musical instrument industry. During the 1890s E.A. Lefebre started teaching saxophone at
534:
in the local community band. Conn's entrance into the musical instrument manufacturing business was the result of a split lip. There are three existing stories of how this occurred, but the popularly accepted version is that Del Crampton slugged him in the mouth outside a saloon where both of them
997:
Between 1920 and 1947, all professional-grade saxophones manufactured by C. G. Conn had rolled toneholes. In the early 1930s, C. G. Conn developed a unique type of saxophone pad called "Conn Res-o-Pads", which were specifically designed for use on saxophones with rolled toneholes. Conn Res-O-Pads
842:
which produced clarinets, oboes and bassoons for Conn, the Artley Company (1959), a manufacturer of flutes and clarinets, the Janssen Piano Company (1964), and the Scherl & Roth Company (1964), a manufacturer of stringed instruments. C.G. Conn divested itself of Leedy and Ludwig in 1955, Carl
564:
upon Fiske's retirement. Fiske's operation was considered to be the best in its time. Conn operated it as a company subsidiary, and in this way he achieved his objectives. The company's product line now centered on the 'Wonder' cornet, but in 1885 Conn began importing French clarinets and flutes.
827:
Carl Greenleaf retired in 1949 but remained a member of the C. G. Conn board of directors until his death in 1959. He was succeeded by Paul Gazlay. In 1958, Lee Greenleaf succeeded Gazlay as company President. C. G. Conn briefly returned to the manufacture of military instrumentation during the
776:
Voll-True II (1932) and Selmer Balanced Action (1936). The 6M alto featured an innovative double socket neck that eliminated the large collar on the body tube at the neck joint for a more positive seal and even response, later adopted for King altos and tenors. From 1935 through 1943, C. G. Conn
903:
In 1980 the company was sold to Daniel Henkin, who had served the company as an advertising manager during the 1960s. Henkin moved C. G. Conn's corporate offices back to Elkhart and moved to refocus the company on wind instruments. First to go were the failing electric guitar venture, which was
691:
Under Greenleaf's leadership the company converted distribution from mail-order to retail dealers and expanded its product line through acquisitions. C. G. Conn founded the Continental Music retail subsidiary in 1923 which, at the height of its success, included a chain of over 30 music stores.
858:
The late 1960s saw trends in the keyboard, wind, and stringed instrument markets that were seriously undermining C. G. Conn's position. The growing popularity of portable electronic keyboards was cutting into C. G. Conn's niche of home organs and pianos. The market for student instruments was
1080:
From 1922 to 1950 Conn manufactured alto and c-melody saxophones with a unique tuning device on the neck known as the "Conn Microtuner." The feature was devised to allow the saxophone to be tuned while maintaining optimal volume in the chamber of the mouthpiece, thus avoiding disturbance to
843:
Fischer retail in 1959, and New Berlin Instrument in 1961. By 1958, over half of C.G. Conn's sales revenue was from their electric organs. In 1959 C. G. Conn built a new organ factory in Madison, Indiana. The Janssen Piano assets were merged with C. G. Conn's organ division to form
1231:
854:
design that were produced there, marketed as the Conn 50M and 60M alto and tenor saxophones, then moved the production of their 14M and 16M student alto and tenor saxophones to the facility in 1963. Production of other wind instruments remained in Elkhart.
895:
in Japan. G. C. Conn's acoustic guitar business ended in 1978. In 1979 G. C. Conn tried to enter the highly competitive electric guitar market, introducing a line of some original model electric guitars, and some copies of existing popular brands. (see
539:). Conn patented his rubber-rimmed mouthpiece in 1875 (with patents to follow through 1877) described as "an elastic face where the mouthpiece comes in contact with the lips, the object being to prevent fatigue and injury to the lips."
1251:
1167:
740:. Around 1917 C.G. Conn introduced drawn tone holes (after a patent by W.S. Haynes in 1914) eliminating the necessity of soft-soldering tone hole platforms onto the bodies of the instruments. Around 1920 C. G. Conn introduced
2183:
688:. In 1928 he founded a Conn National School of Music which trained hundreds of school band directors, and this in turn helped spur the development of music programs in schools and communities across the United States.
555:
Conn's first factory was destroyed by fire on January 29, 1883 (his thirty-ninth birthday), and he erected a new building on the same site. In 1886 rumors began to circulate that Conn wanted to move his business to
1209:
A Conn New Wonder Series 2 alto saxophone (dated 1927). The 'H' below the serial number indicates that it is a "High Pitch" (A=456 Hertz) instrument. A "Low Pitch" saxophone would have 'L' below the serial
918:
as Vice President of Product Development, and introduced the Conn Severinsen trumpet and Henkin student clarinet. In 1981 Henkin bought the W.T. Armstrong Company, a manufacturer of flutes and marketer of
1187:
956:
bought Henkin's other companies and merged them in 1986 to create a new parent corporation, United Musical Instruments (UMI), headquartered in Nogales, Arizona. UMI closed the Conn Brasswind facility in
793:
caused a serious decline in C. G. Conn's status as a major band instrument manufacturer. The company first responded by expanding their lines of electronic musical products, developing the "Connsonata"
1151:
1092:
785:
airplane engines. In winter 1946-47, production was again interrupted, by a 15-week labor strike. The loss in sales from those disruptions and increased competition from other manufacturers such as
948:
By 1985 Henkin was seeking a buyer for his companies, first selling the Conn Strobotuner division to Peterson Electro-Musical Products. Peterson continues to service the Conn line of tuners. The
1216:
929:
company of West Germany. After that acquisition, the Keilwerth instruments were also sold as "Conn DJH Modified" models. The company introduced a student line of oboes and bassoons under the
560:. Conn was induced to stay after the public raised a large sum of money by popular subscription and gave it to him. In 1887 Conn purchased Isaac Fiske's brass instrument manufactory in
850:
In 1960, C. G. Conn acquired the Art Best Manufacturing Company (Coin Art) facility that manufactured saxophones in Nogales, Arizona. They continued manufacturing saxophones of the
1120:
2173:
680:
and T.P. Giddings helped introduce band music into public schools. Greenleaf organized the first national band contest in 1923 and helped make possible the founding of the
2168:
486:
The company was sold in 1980 and then again in 1985, reorganized under the parent corporation United Musical Instruments (UMI) in 1986. The assets of UMI were bought by
2124:
A Brief History of the Conn Company (1874-present), Margaret Downie Banks, Ph.D., Senior Curator of Musical Instruments, National Music Museum, Vermillion, South Dakota
1266:
483:
publishing company. Conn was divested of its Elkhart production facilities in 1970, leaving remaining production in satellite facilities and contractor sources.
569:
in 1888, after being shown an Adolphe Sax saxophone by his employee Ferdinand August Buescher and agreeing to produce a copy of it. That instrument belonged to
589:
the Conservatory, which provided a boost to the availability of saxophone instruction and the following growth of saxophone sales into the twentieth century.
2178:
851:
128:
Parts of this article (those related to need for more photographs in gallery of Conn Constellation silver trumpet and Selmer gold trumpet) need to be
965:
flutes was moved to the W. T. Armstrong facility in Elkhart, and reed instrument production was moved back from Nogales, Mexico to Nogales, Arizona.
592:
Conn's company was a source of competitors as well as instruments. Notable employees who left the firm to pursue their own businesses were composer
502:, retaining several instruments for which it was known: the Conn 8D horn, 88H trombone, 62H bass trombone, 52BSP trumpet and the 1FR flugelhorn.
798:
in 1946. They later introduced the "Connstellation" model wind instruments to revitalize those product lines (28M alto saxophone with help from
732:
By 1920 C. G. Conn was producing a complete line of saxophones. In this area they had stiff competition from other big saxophone makers such as
2084:
Reed, Charles Vandeveer, "A History of Band Instrument Manufacturing in Elkhart, Indiana," unpublished MS Thesis, Butler University, 1953, 90p.
1238:
1139:
1108:
725:
1631:
961:(1986), moving brass instrument production to the King plant in Eastlake. All operations were moved out of Mexico in 1987. Production of
887:
and their piano manufacturing operation sold. The same year, G. C. Conn's Elkhart manufacturing facilities were sold to Selmer (USA) and
2065:
McMakin, Dean "Musical Instrument Manufacturing in Elkhart, Indiana" (unpublished typescript, 1987, available at Elkhart Public Library)
88:
867:
using it on some of his early recordings, it didn't stop the decline of the company. By 1969, C. G. Conn, Ltd. was facing insolvency.
1850:
Reed, Charles Vandeveer. "A History of Band Instrument Manufacturing in Elkhart, Indiana." Master's Thesis, Butler University, 1953.
1067:
258:
240:
102:
52:
1892:
1982:
1804:
733:
601:
2134:
The Conn Loyalist - About Conn Brass Instruments from the days when the C. G. Conn company was still located in Elkhart, Indiana
1245:, manufactured circa 1948. Has a similar body to a Conn 6M and keywork which is reminiscent of a Conn New Wonder Series 1 and 2
693:
1809:
1045:
737:
609:
597:
178:
2071:, Tuesday 6 January 1931, obituary for C. G. Conn, and subsequent notices published 7 Jan., 8 Jan., 9 Jan., 14 Jan., 15 Jan.
2075:
993:) in 1938. Note that this instrument has rolled toneholes and that the edge of the pad extends over the rim of the key-cup
2083:
1882:"Silver Bearings Unleash More Speed from 5,000 Horsepower" (advertisement). Music Educators Journal, February–March 1944.
712:
manufacturer Soprani in 1929. From 1940 to 1950 the company owned the Haddorff Piano Company, and from 1941 to 1942 the
221:
80:
1814:
970:
487:
417:
2123:
193:
1873:"After Five 'E' Awards, New Instruments for You" (advertisement). Music Educators Journal, November–December 1945, 49.
1041:
615:
Conn's second factory burned on 22 May 1910, a loss estimated between $ 100,000 and $ 500,000. Conn was en route from
174:
38:
2143:
1655:
1523:
1379:
1030:
1691:
802:, 1948, and brass instruments, mid-1950s). The Connstellation brasswinds remained a premium line through the 1960s.
838:. To diversify their product line, C. G. Conn acquired as subsidiaries the New Berlin Instrument Company (1954) of
2153:
2148:
1511:
1307:
1049:
1034:
200:
167:
1679:
1439:
839:
1451:
1703:
934:
773:
561:
1751:
1739:
1583:
989:
Conn "Res-O-Pads" fitted to the bell-keys on a Selmer 'Pennsylvania Special' alto saxophone, made by Kohlert (
1283:
696:(1923–27), the Leedy Company (1929–55), a manufacturer of percussion, and 49.9% of the stock of the retailer
1787:
973:, and in January 2003 Steinway merged the UMI assets with their subsidiary The Selmer Company to create the
864:
764:", a saxophone-English horn hybrid, but these instruments were soon discontinued after disappointing sales.
757:
628:
Conn's career grew well beyond the realm of musical instrument manufacturing. In 1892 he was elected to the
207:
2128:
1619:
752:
in Czechoslovakia produced saxophones influenced by the C. G. Conn design, including rolled tone holes and
884:
629:
291:
1643:
1403:
1331:
1775:
1763:
905:
713:
685:
452:
1559:
1355:
547:
Conn met Eugene Victor Baptiste Dupont, a brass instrument maker and designer and a former employee of
189:
1727:
1595:
1391:
1667:
1607:
656:
637:
480:
408:
1715:
1343:
471:
in the USA. Its early business was based primarily on brass instruments, which were manufactured in
1487:
1463:
1174:
942:
880:
681:
633:
536:
2092:
Edward A. Lefebre (1835-1911): Preeminent Saxophonist of the Nineteenth Century (PhD Dissertation)
1547:
1427:
1367:
349:
dissolved and name relegated to Brand status after multiple ownership changes and structures, 2003
1499:
1475:
1415:
1222:
A straight-necked Conn C-melody saxophone (New Wonder Series 2 dating from circa 1926) played by
1194:
888:
745:
705:
523:
519:
456:
84:
490:
in 2000 and in January 2003 were merged with other Steinway properties into a subsidiary called
810:
1003:
876:
642:
593:
578:
570:
381:
2138:
2000:
2018:
1535:
1295:
926:
819:
795:
769:
749:
665:
527:
472:
464:
357:
1964:
1571:
1099:
677:
661:
574:
515:
460:
370:
339:
44:
1860:
1319:
214:
134:
Please help update this article to reflect recent events or newly available information.
2117:
1272:
1242:
990:
985:
969:
low-cost Asian competitors kept Conn's position marginal. In 2000 UMI was purchased by
958:
938:
915:
829:
782:
697:
476:
398:
296:
1986:
1929:
953:
2162:
1819:
1257:
1223:
834:
557:
449:
781:
by depositing copper on a mandrel—was to manufacture silver bearing inserts for the
910:
799:
786:
701:
1173:
Detail of Conn 6M alto saxophone (dated 1935) showing distinctive pre-1947 rolled
1019:
974:
814:
790:
499:
491:
423:
391:
156:
863:. Even though the device achieved some popularity with Jazz artists, like e.g.
1158:
1131:
616:
582:
468:
301:
2090:
1197:(New Wonder Series 1) dated 1922. The neck has a Conn micro-tuner on the end.
2133:
1127:
921:
761:
709:
605:
566:
748:
introduced the American-sounding "New Largebore" model in 1929 and the new
2050:
2036:
280:
2154:
Straube player pianos in 1922, courtesy of the Indiana Historical Society
999:
860:
1917:
949:
548:
531:
2149:
Straube factory in 1922, courtesy of the Indiana Historical Society
459:
incorporated in 1915. It bought the production facilities owned by
984:
892:
809:
720:
about 2500 instruments a month. In 1917 C. G. Conn introduced the
495:
310:
1161:
mechanism (no microtuner) on a Conn 6M "Lady Face" alto saxophone
526:
who, after the war, established a grocery and baking business in
756:. As sax sales plateaued in 1928, Conn attempted to introduce a
2184:
Musical instrument manufacturing companies of the United States
1950:
Bernhard Muskantor on the future of United Musical Instruments,
729:
Pan American brand for its second-line instruments until 1955.
2080:
Elkhart city directories (available at Elkhart Public Library)
1013:
150:
114:
59:
18:
897:
475:. During the 1950s the bulk of its sales revenue shifted to
2144:
The C. G. Conn 'Double-Bell Wonder' disc phonograph of 1898
1637:
Flute and Piccolo makers and clarinet assembling department
875:
In 1969 C. G. Conn, Ltd. was sold under bankruptcy to the
75:
contains an unencyclopedic or excessive gallery of images
2139:
Review of a Conn 6M Alto Saxophone manufactured in 1944
1145:
Right side view of Conn 6M "Lady Face" alto saxophone
1114:
Conn 6M "Lady Face" (dated 1935) in its original case
479:. In 1969 the company was sold in bankruptcy to the
724:brand for its second-line instruments, forming the
565:Conn started production of the first American-made
397:
387:
377:
364:
353:
345:
335:
317:
287:
181:. Unsourced material may be challenged and removed.
700:(1923–27). Conn purchased the drum manufacturer
671:Carl D. Greenleaf and C. G. Conn, Ltd., 1915-1949
704:, the instrument import/retail operation of the
1983:"MusicMedic.com: Measuring for Conn Res-O-Pads"
879:. In 1970, the corporate offices were moved to
1916:Previous Severinsen trumpets were produced by
933:brand in 1983. The same year, Henkin acquired
806:The Paul Gazlay - Lee Greenleaf era, 1949-1969
608:Company Frank E. Olds, and the founder of the
1098:A "Transitional" Conn New Wonder 'Series II'
87:beside adjacent text, in accordance with the
8:
1893:"Conn Multi Vider ocatve effect unit - Conn"
543:Growth of Conn's musical instrument business
273:
1126:Left side view of Conn 6M "Lady Face" alto
1048:. Unsourced material may be challenged and
542:
81:removing excessive or indiscriminate images
53:Learn how and when to remove these messages
2174:Companies based in Elkhart County, Indiana
904:discontinued, and Conn Keyboards, sold to
604:Ferdinand A. Buescher, the founder of the
272:
1275:in 1947, playing a Conn 6M alto saxophone
1068:Learn how and when to remove this message
463:, a major figure in early manufacture of
259:Learn how and when to remove this message
241:Learn how and when to remove this message
103:Learn how and when to remove this message
2169:Brass instrument manufacturing companies
832:a film to promote school bands entitled
753:
1831:
1279:
1088:
498:of musical instruments manufactured by
2001:"Conn 6M "Underslung" alto sax review"
1846:
1844:
1661:Reed instrument body making department
1529:Brass instrument assembling department
1385:Cornet and trumpet mounting department
1157:Close-up view of neck with underslung
692:During the 1920s C. G. Conn owned the
620:12 December it was fully operational.
600:William F. Seidel, the founder of the
414:United Musical Instruments (1986–2000)
2098:. New York: Manhattan School of Music
1861:"Conn Loyalist - Conn 44H Connqueror"
1697:Cornet and trumpet testing department
1313:Automatic and turret lathe department
7:
1046:adding citations to reliable sources
741:
726:Pan American Band Instrument Company
179:adding citations to reliable sources
2062:New Grove Music Dictionary ("Conn")
2051:"Photo Gallery :: SaxPics.com"
2037:"Photo Gallery :: SaxPics.com"
1517:Engraving and burnishing department
1260:in 1946, playing a Conn 6M alto sax
817:with a Conn 16M tenor in the movie
79:Please help improve the section by
2179:Defunct companies based in Indiana
1685:Reed instrument testing department
1445:Brass instrument repair department
14:
2129:1905 Magazine Article with photos
1457:Lead filling and forge department
1177:. Note that Conn Res-o-Pads have
877:Crowell-Collier MacMillan Company
636:and lost, and in 1910 he ran for
623:
573:, a well known soloist with both
34:This article has multiple issues.
1805:Buescher Band Instrument Company
1786:
1774:
1762:
1750:
1738:
1726:
1714:
1709:Packing and receiving department
1702:
1690:
1678:
1666:
1654:
1642:
1630:
1618:
1606:
1594:
1582:
1570:
1558:
1546:
1534:
1522:
1510:
1498:
1486:
1474:
1462:
1450:
1438:
1426:
1414:
1402:
1390:
1378:
1366:
1354:
1342:
1330:
1318:
1306:
1294:
1289:1911 Brochure Cover Illustration
1282:
1265:
1250:
1230:
1215:
1202:
1186:
1166:
1150:
1138:
1119:
1107:
1091:
1018:
602:Buescher Band Instrument Company
279:
155:
119:
89:Manual of Style on use of images
64:
23:
2019:"Servicing the Conn Microtuner"
1757:Printing room, photo department
1745:Operating room photo department
1589:Wood working machine department
1130:showing distinctive underslung
925:branded saxophones made by the
770:electronic visual tuning device
694:Elkhart Band Instrument Company
166:needs additional citations for
42:or discuss these issues on the
1810:Martin Band Instrument Company
883:, Conn Keyboards was moved to
610:Martin Band Instrument Company
598:Seidel Band Instrument Company
1:
2074:"About Conn-Selmer, Inc." on
2089:Noyes, John Russell (2000).
1815:York Band Instrument Company
1625:String instrument department
1337:Mouthpiece making department
971:Steinway Musical Instruments
640:. In 1889, Conn founded the
488:Steinway Musical Instruments
418:Steinway Musical Instruments
323:; 148 years ago
650:and a scandal sheet called
494:. C. G. Conn survived as a
2200:
1649:Clarinet makers department
1409:Helicon bending department
1361:Bell and branch department
1897:Google Arts & Culture
1793:C.G.Conn's Private Office
1781:Dictation room number two
1769:Dictation room number one
914:trumpeter and bandleader
871:Company from 1969 to 2003
760:in the key of F and the "
481:Crowell-Collier-MacMillan
409:Crowell-Collier-MacMillan
278:
1565:Heating plant blast fans
935:King Musical Instruments
898:History of Conn Guitars)
750:Julius Keilwerth Company
646:, published the monthly
624:Conn's other enterprises
562:Worcester, Massachusetts
1733:Stenographic department
1601:Wood bending department
1397:Crook making department
1349:Valve making department
1193:A straight-necked Conn
758:mezzo-soprano saxophone
308:Subsidiary (1986-2003)
2120:on Conn-Selmer website
1673:Drum making department
1613:Case making department
994:
885:Carol Stream, Illinois
824:
630:United States Congress
612:Henry Charles Martin.
85:moving relevant images
1721:Accounting department
1373:Draw bench department
988:
813:
742:rolled tone hole rims
714:Straube Piano Company
686:Interlochen, Michigan
632:, in 1908 he ran for
596:, the founder of the
2076:Conn-Selmer web site
2023:www.shwoodwind.co.uk
2005:www.shwoodwind.co.uk
1493:Strapping department
1469:Saxophone department
1175:saxophone tone holes
1042:improve this section
840:New Berlin, New York
657:The Washington Times
306:Private (1980-1985)
175:improve this article
1553:Electric power room
1433:Trombone department
1010:The Conn Microtuner
943:Seeburg Corporation
889:Coachmen Industries
881:Oak Brook, Illinois
682:National Music Camp
643:Elkhart Daily Truth
634:Governor of Indiana
461:Charles Gerard Conn
457:musical instruments
371:Charles Gerard Conn
340:Charles Gerard Conn
275:
1505:Plating department
1481:Buffing department
1421:Bending department
1195:C melody saxophone
995:
825:
791:King (H. N. White)
698:H. & A. Selmer
2069:The Elkhart Truth
1932:. Peterson Tuners
1078:
1077:
1070:
1004:hot melt adhesive
941:from the defunct
702:Ludwig and Ludwig
594:W. Paris Chambers
579:John Philip Sousa
571:Edward A. Lefebre
530:. He also played
444:or commonly just
435:
434:
382:Brass instruments
269:
268:
261:
251:
250:
243:
225:
149:
148:
113:
112:
105:
57:
2191:
2107:
2105:
2103:
2097:
2055:
2054:
2047:
2041:
2040:
2033:
2027:
2026:
2015:
2009:
2008:
1997:
1991:
1990:
1989:on 8 March 2014.
1985:. Archived from
1979:
1973:
1972:
1969:www.cybersax.com
1961:
1955:
1952:The Music Trades
1948:
1942:
1941:
1939:
1937:
1930:"Tuning History"
1926:
1920:
1914:
1908:
1907:
1905:
1903:
1889:
1883:
1880:
1874:
1871:
1865:
1864:
1857:
1851:
1848:
1839:
1836:
1790:
1778:
1766:
1754:
1742:
1730:
1718:
1706:
1694:
1682:
1670:
1658:
1646:
1634:
1622:
1610:
1598:
1586:
1574:
1562:
1550:
1538:
1526:
1514:
1502:
1490:
1478:
1466:
1454:
1442:
1430:
1418:
1406:
1394:
1382:
1370:
1358:
1346:
1334:
1322:
1310:
1298:
1286:
1269:
1254:
1234:
1219:
1206:
1190:
1170:
1154:
1142:
1123:
1111:
1095:
1073:
1066:
1062:
1059:
1053:
1022:
1014:
952:investment firm
927:Julius Keilwerth
820:Some Like It Hot
796:electronic organ
666:Washington, D.C.
654:, and purchased
528:Elkhart, Indiana
473:Elkhart, Indiana
442:Conn Instruments
358:Elkhart, Indiana
331:
329:
324:
283:
276:
264:
257:
246:
239:
235:
232:
226:
224:
183:
159:
151:
144:
141:
135:
123:
122:
115:
108:
101:
97:
96:
68:
67:
60:
49:
27:
26:
19:
16:American Company
2199:
2198:
2194:
2193:
2192:
2190:
2189:
2188:
2159:
2158:
2114:
2101:
2099:
2095:
2088:
2059:
2058:
2049:
2048:
2044:
2035:
2034:
2030:
2017:
2016:
2012:
1999:
1998:
1994:
1981:
1980:
1976:
1963:
1962:
1958:
1949:
1945:
1935:
1933:
1928:
1927:
1923:
1915:
1911:
1901:
1899:
1891:
1890:
1886:
1881:
1877:
1872:
1868:
1859:
1858:
1854:
1849:
1842:
1837:
1833:
1828:
1801:
1794:
1791:
1782:
1779:
1770:
1767:
1758:
1755:
1746:
1743:
1734:
1731:
1722:
1719:
1710:
1707:
1698:
1695:
1686:
1683:
1674:
1671:
1662:
1659:
1650:
1647:
1638:
1635:
1626:
1623:
1614:
1611:
1602:
1599:
1590:
1587:
1578:
1575:
1566:
1563:
1554:
1551:
1542:
1539:
1530:
1527:
1518:
1515:
1506:
1503:
1494:
1491:
1482:
1479:
1470:
1467:
1458:
1455:
1446:
1443:
1434:
1431:
1422:
1419:
1410:
1407:
1398:
1395:
1386:
1383:
1374:
1371:
1362:
1359:
1350:
1347:
1338:
1335:
1326:
1323:
1314:
1311:
1302:
1301:Tool department
1299:
1290:
1287:
1276:
1270:
1261:
1255:
1246:
1235:
1226:
1220:
1211:
1207:
1198:
1191:
1182:
1171:
1162:
1155:
1146:
1143:
1134:
1124:
1115:
1112:
1103:
1100:tenor saxophone
1096:
1087:
1074:
1063:
1057:
1054:
1039:
1023:
1012:
983:
981:Conn Res-o-Pads
908:. Henkin hired
873:
808:
678:Joseph E. Maddy
673:
662:working capital
626:
575:Patrick Gilmore
545:
522:veteran of the
516:Charles G. Conn
513:
511:Company origins
508:
477:electric organs
438:C. G. Conn Ltd.
431:
367:
360:, United States
327:
325:
322:
309:
307:
305:
300:
295:
265:
254:
253:
252:
247:
236:
230:
227:
184:
182:
172:
160:
145:
139:
136:
133:
124:
120:
109:
98:
92:
78:
69:
65:
28:
24:
17:
12:
11:
5:
2197:
2195:
2187:
2186:
2181:
2176:
2171:
2161:
2160:
2157:
2156:
2151:
2146:
2141:
2136:
2131:
2126:
2121:
2113:
2112:External links
2110:
2109:
2108:
2086:
2081:
2078:
2072:
2066:
2063:
2057:
2056:
2042:
2028:
2010:
1992:
1974:
1965:"Cybersax.com"
1956:
1943:
1921:
1909:
1884:
1875:
1866:
1852:
1840:
1830:
1829:
1827:
1824:
1823:
1822:
1817:
1812:
1807:
1800:
1797:
1796:
1795:
1792:
1785:
1783:
1780:
1773:
1771:
1768:
1761:
1759:
1756:
1749:
1747:
1744:
1737:
1735:
1732:
1725:
1723:
1720:
1713:
1711:
1708:
1701:
1699:
1696:
1689:
1687:
1684:
1677:
1675:
1672:
1665:
1663:
1660:
1653:
1651:
1648:
1641:
1639:
1636:
1629:
1627:
1624:
1617:
1615:
1612:
1605:
1603:
1600:
1593:
1591:
1588:
1581:
1579:
1576:
1569:
1567:
1564:
1557:
1555:
1552:
1545:
1543:
1540:
1533:
1531:
1528:
1521:
1519:
1516:
1509:
1507:
1504:
1497:
1495:
1492:
1485:
1483:
1480:
1473:
1471:
1468:
1461:
1459:
1456:
1449:
1447:
1444:
1437:
1435:
1432:
1425:
1423:
1420:
1413:
1411:
1408:
1401:
1399:
1396:
1389:
1387:
1384:
1377:
1375:
1372:
1365:
1363:
1360:
1353:
1351:
1348:
1341:
1339:
1336:
1329:
1327:
1324:
1317:
1315:
1312:
1305:
1303:
1300:
1293:
1291:
1288:
1281:
1278:
1277:
1273:Charlie Parker
1271:
1264:
1262:
1256:
1249:
1247:
1243:alto saxophone
1236:
1229:
1227:
1221:
1214:
1212:
1208:
1201:
1199:
1192:
1185:
1183:
1172:
1165:
1163:
1156:
1149:
1147:
1144:
1137:
1135:
1125:
1118:
1116:
1113:
1106:
1104:
1097:
1090:
1086:
1083:
1076:
1075:
1026:
1024:
1017:
1011:
1008:
991:Czechoslovakia
982:
979:
959:Abilene, Texas
945:'s creditors.
939:Eastlake, Ohio
916:Doc Severinsen
872:
869:
845:Conn Keyboards
807:
804:
787:Selmer (Paris)
783:Wright Cyclone
746:Selmer (Paris)
672:
669:
625:
622:
544:
541:
512:
509:
507:
504:
448:, is a former
433:
432:
430:
429:
428:
427:
426:(2003–present)
421:
415:
412:
403:
401:
395:
394:
389:
385:
384:
379:
375:
374:
368:
365:
362:
361:
355:
351:
350:
347:
343:
342:
337:
333:
332:
319:
315:
314:
313:(2003–present)
289:
285:
284:
267:
266:
249:
248:
163:
161:
154:
147:
146:
127:
125:
118:
111:
110:
72:
70:
63:
58:
32:
31:
29:
22:
15:
13:
10:
9:
6:
4:
3:
2:
2196:
2185:
2182:
2180:
2177:
2175:
2172:
2170:
2167:
2166:
2164:
2155:
2152:
2150:
2147:
2145:
2142:
2140:
2137:
2135:
2132:
2130:
2127:
2125:
2122:
2119:
2116:
2115:
2111:
2094:
2093:
2087:
2085:
2082:
2079:
2077:
2073:
2070:
2067:
2064:
2061:
2060:
2052:
2046:
2043:
2038:
2032:
2029:
2024:
2020:
2014:
2011:
2006:
2002:
1996:
1993:
1988:
1984:
1978:
1975:
1970:
1966:
1960:
1957:
1953:
1947:
1944:
1931:
1925:
1922:
1919:
1913:
1910:
1898:
1894:
1888:
1885:
1879:
1876:
1870:
1867:
1862:
1856:
1853:
1847:
1845:
1841:
1838:Noyes, p. 123
1835:
1832:
1825:
1821:
1820:Mr. B Natural
1818:
1816:
1813:
1811:
1808:
1806:
1803:
1802:
1798:
1789:
1784:
1777:
1772:
1765:
1760:
1753:
1748:
1741:
1736:
1729:
1724:
1717:
1712:
1705:
1700:
1693:
1688:
1681:
1676:
1669:
1664:
1657:
1652:
1645:
1640:
1633:
1628:
1621:
1616:
1609:
1604:
1597:
1592:
1585:
1580:
1573:
1568:
1561:
1556:
1549:
1544:
1541:Brass foundry
1537:
1532:
1525:
1520:
1513:
1508:
1501:
1496:
1489:
1484:
1477:
1472:
1465:
1460:
1453:
1448:
1441:
1436:
1429:
1424:
1417:
1412:
1405:
1400:
1393:
1388:
1381:
1376:
1369:
1364:
1357:
1352:
1345:
1340:
1333:
1328:
1321:
1316:
1309:
1304:
1297:
1292:
1285:
1280:
1274:
1268:
1263:
1259:
1258:Johnny Hodges
1253:
1248:
1244:
1240:
1233:
1228:
1225:
1224:Nathan Haines
1218:
1213:
1205:
1200:
1196:
1189:
1184:
1180:
1176:
1169:
1164:
1160:
1153:
1148:
1141:
1136:
1133:
1129:
1122:
1117:
1110:
1105:
1101:
1094:
1089:
1084:
1082:
1072:
1069:
1061:
1051:
1047:
1043:
1037:
1036:
1032:
1027:This section
1025:
1021:
1016:
1015:
1009:
1007:
1005:
1001:
992:
987:
980:
978:
976:
972:
966:
964:
960:
955:
951:
946:
944:
940:
936:
932:
928:
924:
923:
917:
913:
912:
907:
901:
899:
894:
890:
886:
882:
878:
870:
868:
866:
862:
856:
853:
848:
846:
841:
837:
836:
835:Mr. B Natural
831:
822:
821:
816:
812:
805:
803:
801:
797:
792:
788:
784:
778:
775:
771:
765:
763:
759:
755:
751:
747:
743:
739:
735:
730:
727:
723:
717:
715:
711:
708:company, and
707:
703:
699:
695:
689:
687:
683:
679:
670:
668:
667:
663:
659:
658:
653:
649:
648:Trumpet Notes
645:
644:
639:
635:
631:
621:
618:
613:
611:
607:
603:
599:
595:
590:
586:
584:
580:
576:
572:
568:
563:
559:
558:Massachusetts
553:
550:
540:
538:
533:
529:
525:
521:
517:
510:
505:
503:
501:
497:
493:
489:
484:
482:
478:
474:
470:
466:
462:
458:
454:
451:
447:
443:
439:
425:
422:
419:
416:
413:
410:
407:
406:
405:
404:
402:
400:
396:
393:
390:
386:
383:
380:
376:
372:
369:
363:
359:
356:
352:
348:
344:
341:
338:
334:
320:
316:
312:
303:
298:
293:
290:
286:
282:
277:
271:
263:
260:
245:
242:
234:
223:
220:
216:
213:
209:
206:
202:
199:
195:
192: –
191:
187:
186:Find sources:
180:
176:
170:
169:
164:This article
162:
158:
153:
152:
143:
131:
126:
117:
116:
107:
104:
95:
90:
86:
82:
76:
73:This section
71:
62:
61:
56:
54:
47:
46:
41:
40:
35:
30:
21:
20:
2100:. Retrieved
2091:
2068:
2045:
2031:
2022:
2013:
2004:
1995:
1987:the original
1977:
1968:
1959:
1951:
1946:
1934:. Retrieved
1924:
1912:
1900:. Retrieved
1896:
1887:
1878:
1869:
1855:
1834:
1239:Pan American
1178:
1102:made in 1934
1079:
1064:
1055:
1040:Please help
1028:
996:
967:
962:
954:SkĂĄne Gripen
947:
930:
920:
911:Tonight Show
909:
902:
874:
857:
849:
844:
833:
826:
818:
800:Santy Runyon
779:
766:
731:
722:Pan American
721:
718:
706:Carl Fischer
690:
674:
655:
651:
647:
641:
627:
614:
591:
587:
554:
549:Henry Distin
546:
514:
485:
453:manufacturer
445:
441:
437:
436:
354:Headquarters
304:(1969–1980)
299:(1915-1969)
294:(1876–1915)
288:Company type
270:
255:
237:
231:January 2013
228:
218:
211:
204:
197:
190:"C. G. Conn"
185:
173:Please help
168:verification
165:
140:October 2020
137:
129:
99:
94:(April 2024)
93:
74:
50:
43:
37:
36:Please help
33:
1954:, June 1990
1577:Boiler room
1325:Power Press
1181:been fitted
975:Conn-Selmer
893:Tokai Gakki
815:Tony Curtis
754:microtuners
500:Conn-Selmer
492:Conn-Selmer
424:Conn-Selmer
392:Conn-Selmer
2163:Categories
2118:C. G. Conn
1902:10 January
1826:References
1159:octave key
1132:octave key
977:division.
768:the first
762:Conn-o-sax
652:The Gossip
617:California
583:sousaphone
537:temperance
469:saxophones
465:brasswinds
366:Key people
302:Subsidiary
274:C. G. Conn
201:newspapers
39:improve it
1128:saxophone
1058:July 2017
1029:does not
865:Tom Scott
847:in 1964.
830:sponsored
710:accordion
606:F.E. Olds
567:saxophone
524:U.S. Army
520:Civil War
420:(2000–03)
411:(1969–80)
373:, founder
45:talk page
2102:21 April
1799:See also
1237:A Conn '
734:Buescher
450:American
378:Products
1210:number.
1085:Gallery
1050:removed
1035:sources
1000:shellac
950:Swedish
922:H. Couf
906:Kimball
861:octaver
638:Senator
577:'s and
506:History
336:Founder
326: (
318:Founded
292:Private
215:scholar
130:updated
1936:10 May
1918:Getzen
963:Artley
931:Artley
823:(1959)
738:Martin
532:cornet
518:was a
399:Parent
297:Public
217:
210:
203:
196:
188:
83:or by
2096:(PDF)
496:brand
388:Owner
311:Brand
222:JSTOR
208:books
2104:2019
1938:2011
1904:2024
1033:any
1031:cite
852:Vito
789:and
774:King
736:and
467:and
446:Conn
346:Fate
328:1876
321:1876
194:news
1179:not
1044:by
1002:or
937:of
684:at
455:of
177:by
2165::
2021:.
2003:.
1967:.
1895:.
1843:^
1241:'
900:.
716:.
440:,
91:.
48:.
2106:.
2053:.
2039:.
2025:.
2007:.
1971:.
1940:.
1906:.
1863:.
1071:)
1065:(
1060:)
1056:(
1052:.
1038:.
330:)
262:)
256:(
244:)
238:(
233:)
229:(
219:·
212:·
205:·
198:·
171:.
142:)
138:(
132:.
106:)
100:(
77:.
55:)
51:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
