71:
possible. In a cut repetition is not considered accumulation. "Progress in the sense of 'avoidance of repetition' would at once sabotage such an effort" (Snead, "Repetition as a Figure of Black
Culture", 1984, p. 68).
36:, by abruptly skipping it back to another beginning which we have already heard. Moreover, the greater the insistence on the pure beauty and value of
40:, the greater the awareness must also be that repetition takes place not on the level of musical development or progression, but on the purest
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500:
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211:
643:
292:
37:
653:
379:
369:
191:
African Rhythm and
African Sensibility: Aesthetics and Social Action in African Musical Idioms
172:
64:
540:
515:
139:
116:
658:
576:
571:
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475:
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76:
68:
123:, the last of which cuts on two levels, the repetition of the sample itself and its
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108:
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143:
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25:
520:
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339:
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80:
21:
530:
384:
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96:
250:
60:
41:
196:
130:
The cuts of
African American music are not to be confused with those of
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364:
327:
55:, 2000, p. 118) describes the cut, repetition on the level of the
111:
songs allowing improvisation and a rise in energy, short ostinatos of
597:
334:
270:
45:
510:
100:
84:
33:
648:
287:
112:
92:
200:
75:
Brackett (ibid) finds the cut in all
African American folk and
245:
186:, ed. Henry Louis Gates Jr. London: Routledge, p. 59-80.
182:
Snead (1984). "Repetition as a Figure of Black
Culture", in:
48:
level" (Snead 1984, p. 69, drawing on
Chernoff 1979).
631:
590:
549:
408:
238:
115:which spread that intensity throughout the song,
32:"overtly insists on the repetitive nature of the
212:
8:
219:
205:
197:
138:"Cuts and rolls" are used as a form of
134:, especially on the instrument of the
7:
184:Black Literature and Literary Theory
142:in Irish traditional, and sometimes
14:
395:Two turntables and a microphone
1:
167:Brackett, David (1995/2000).
696:
169:Interpreting Popular Music
53:Interpreting Popular Music
591:Releases and distribution
400:Vinyl emulation software
375:Sound system (Jamaican)
189:Chernoff, John (1979).
132:traditional Irish music
323:Direct-drive turntable
83:to rap" and lists the
18:African American music
446:Chopped and screwed
644:Hip hop production
293:Magnetic cartridge
667:
666:
654:Record collecting
380:Speaker enclosure
370:Sound system (DJ)
65:harmonic sequence
687:
632:Related articles
541:Video scratching
221:
214:
207:
198:
89:"Rhythm" changes
67:, as what makes
51:David Brackett (
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659:Record producer
627:
586:
545:
476:Harmonic mixing
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350:Monitor speaker
303:Monitor speaker
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225:
164:
152:
103:, the ostinato
12:
11:
5:
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603:Battle records
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107:at the end of
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2:
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481:Interpolation
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421:Back spinning
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355:Pitch control
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318:Record player
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177:0-520-22541-4
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156:Beat juggling
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140:ornamentation
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77:popular music
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69:improvisation
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62:
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49:
47:
43:
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31:
27:
23:
19:
613:Digital pool
465:
431:Beatmatching
416:Audio mixing
266:Effects unit
261:Drum machine
190:
183:
168:
129:
127:repetition.
74:
52:
50:
29:
15:
608:Rare groove
526:Slip-cueing
501:Needle drop
390:Synthesizer
308:Phono input
256:DJ software
232:turntablism
136:tin whistle
125:intertexual
26:turntablism
521:Scratching
496:Music loop
436:Beatmixing
409:Techniques
340:Microphone
283:Headphones
63:, and the
38:repetition
567:Transform
550:Scratches
531:Pitch cue
385:Subwoofer
313:PA system
239:Equipment
97:AABA form
22:deejaying
20:, and in
674:Category
516:Sampling
506:Phrasing
451:Chopping
345:Minutoli
251:DJ mixer
150:See also
144:Scottish
61:ostinato
623:Mixtape
456:Covered
365:Slipmat
360:Sampler
328:SL-1200
162:Sources
146:tunes.
117:samples
87:(AAB),
46:timbric
598:DJ mix
491:Medley
486:Mashup
335:Laptop
271:Reverb
175:
109:gospel
95:, the
79:"from
680:DJing
577:Chirp
572:Flare
557:Orbit
511:Remix
441:Break
228:DJing
105:vamps
101:bebop
85:blues
42:tonal
34:music
649:Rave
582:Crab
562:Tear
471:Drop
288:iPod
230:and
173:ISBN
113:funk
93:jazz
81:ring
57:beat
44:and
28:, a
24:and
466:Cut
461:Cue
246:CDJ
121:rap
119:in
99:of
91:in
30:cut
16:In
676::
171:.
59:,
220:e
213:t
206:v
193:.
179:.
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