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In May 2007, Dwight
Hackett Projects exhibited a solo show of Cooper's sculpture called "I see a Red Door and want to Paint it Black". This exhibition included the piece titled "Dead Ringer, Low E is the Sound of Black" consisting of a baby grand piano buried underneath the gallery in a makeshift
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In March 2005, the
Fredric Snitzer Gallery in Miami exhibited Cooper's solo show titled "Whiskey for a Red Dawn" at which the Museum of Contemporary Art North Miami, acquired a large scale drawing titled "The finest palaces always make the most impressive ruins. So spend your money as fast as
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concrete tomb, a live video image of the piano was viewable on a flat screen television above the buried chamber, and a single piano key could be reached by the audience via a ground penetrating sword-like protrusion.
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possible, and always use some sort of gold appliqué." Art writer
Jocelyn Adele Gonzalez comments, "The work is simultaneously humorous and distressing, and at some point lies on the edge of being socio-political."
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of the topic and provide significant coverage of it beyond a mere trivial mention. If notability cannot be shown, the article is likely to be
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Cooper's works are in the Rubell Family
Collection and Miami Art Museum in Miami, Florida. In 2002, he received a
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by Paul
Clemence, Julie Davidow, and Elisa Turner and in Bonnie Clearwater's book
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It may require cleanup to comply with
Knowledge's content policies, particularly
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The Museum of
Contemporary Art North Miami's quarterly report dated January 2008
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2012: South
Florida Cultural Consortium Fellowship for Visual and Media Artists
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718:"COOPER at Fredric Snitzer Gallery" by Jocelyn Adele Gonzalez,
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from the article and its talk page, especially if potentially
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known for sculptures and assemblages He lives and works in
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731:"Loud and Dirty" by Zane Fisher, The
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688:1997: Charles Pratt Scholarship,
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