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769:. The French government would not agree to these terms. In February 1896, they finally negotiated terms with Renoir, who was the executor of the will, under which they took thirty-eight of the paintings to the Luxembourg Palace. The installation constituted the first presentation of the Impressionists in a public venue in France. The remaining twenty-nine paintings (one by Degas was taken by Renoir in payment for his services as executor) were offered to the French government twice again, in 1904 and 1908, and were both times refused. When the government finally attempted to claim them in 1928, the bequest was repudiated by the widow of Caillebotte's brother
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341:, as well his contemporary Degas, Caillebotte aimed to paint reality as it existed and as he saw it, hoping to reduce the inherent theatricality of painting. Perhaps because of his close relationship with so many of his peers, his style and technique vary considerably among his works, as if "borrowing" and experimenting, but not really sticking to any one style. At times, he seems very much in the Degas camp of rich-colored realism (especially his interior scenes); at other times, he shares the Impressionist commitment to "optical truth" and employs an impressionistic pastel-softness and loose brush strokes most similar to
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312:) (1875), his earliest masterpiece. Its subject matter, the depiction of labourers preparing a wooden floor (thought to have been that of the artist's own studio) was considered "vulgar" by some critics and this is the probable reason for its rejection by the Salon of 1875. At the time, the art establishment deemed only rustic peasants or farmers acceptable subjects from the working class.
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For many years, and partly because he never had to sell his work to support himself, Caillebotte's reputation as a painter was overshadowed by his recognition as a supporter of the arts. Seventy years after his death, however, art historians began reevaluating his artistic contributions. His striking
492:(1880), he invites the viewer to share the balcony with his subject and join in observing the scene of the city reaching into the distance, again by using unusual perspective. Showing little allegiance to any one style, many of Caillebotte's other urban paintings produced in the same period, such as
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and the new technology of photography, although evidence of his use of photography is lacking. Cropping and "zooming-in", techniques that commonly are found in
Caillebotte's oeuvre, may also be the result of his interest in photography, but may just as likely be derived from his intense interest in
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paintings focus primarily on food, some at table ready to be eaten and some ready to be purchased, as in a series of paintings he made of meat at a butcher shop. He also produced some floral still-life paintings, particularly in the 1890s. Rounding out his subject matter, he painted a few nudes,
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Caillebotte's sizable allowance, along with the inheritance he received after the death of his father in 1874 and his mother in 1878, allowed him to paint without the pressure to sell his work. It also allowed him to help fund
Impressionist exhibitions and support his fellow artists and friends
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Convinced after the death in 1876 of his younger brother René that his own life would be short, Caillebotte wrote his will while still in his twenties. In the will, Caillebotte bequeathed a large collection to the French government. This collection ultimately included sixty-eight paintings by
276:, but apparently did not spend much time there. He inherited his father's fortune in 1874 and the surviving sons divided the family fortune after their mother's death in 1878. Gustave and his brother sold the Yerres estate and moved into an apartment on the Boulevard Haussmann in Paris.
420:(1875) includes Caillebotte's mother along with his aunt, cousin, and a family friend. There are scenes of dining, card playing, piano playing, reading, and sewing, all executed in an intimate, unobtrusive manner that portrays the quiet ritual of upper-class indoor life.
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use of varying perspective sets him apart from his peers who may have otherwise surpassed him. His art was largely forgotten until the 1950s when his descendants began to sell the family collection. In 1964, The Art
Institute of Chicago acquired
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Charles, Daniel; Fonsmark, Anne-Birgitte; Hansen, Dorothee; Hedin, Gry & Thomson, Richard (2008). "Gustave
Caillebotte". Published by Hatje Cantz. (Exhibition catalogue for exhibition at Ordrupgaard, Copenhagen & Kunsthalle Bremen,
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His country scenes at Yerres focus on pleasure boating on the leisurely stream as well as fishing and swimming, and domestic scenes around his country home. He often used a soft impressionistic technique reminiscent of
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Morton, Mary & Shackelford, George T.M. (2015). "Gustave
Caillebotte: The Painter's Eye". Chicago: University of Chicago Press (Catalogue for retrospective exhibition in Washington, DC, and Fort Worth, Texas
541:, and he moved there permanently in 1888. He ceased showing his work at age 34 and devoted himself to gardening and to building and racing yachts, and he spent much time with his brother, Martial, and his friend
484:(1877). The latter is almost unique among his works for its particularly flat colors and photo-realistic effect, which give the painting its distinctive and modern look, almost akin to American Realists such as
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761:. Because of this, Caillebotte realised that the cultural treasures in his collection would likely disappear into "attics" and "provincial museums". He therefore stipulated that they must be displayed in the
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551:. Although he never married, Caillebotte appears to have had a serious relationship with Charlotte Berthier, a woman eleven years his junior and of the lower class, to whom he left a sizeable annuity.
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268:, where he began to study painting seriously. He then developed an accomplished style in a relatively short time and had his first studio in his parents' home. In 1873, Caillebotte entered the
514:(1882), which, although provocative in its realism, is ambivalent in its mood—neither overtly erotic nor suggestive of mythology—themes common to many nude paintings of women during that era.
545:. Renoir often came to stay at Petit-Gennevilliers, and engaged in far-ranging discussions on art, politics, literature, and philosophy. Caillebotte was a model for Renoir's 1881 painting,
432:(1877), he effectively manages the perspective of a passenger in the back of a rowboat facing his rowing companion and the stream ahead, in a manner much more realistic and involving than
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Caillebotte bought his first Monet in 1875 and was especially helpful to that artist's career and financial survival. He was precise in his sponsorship; notably absent are works by
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of 1874. The "Impressionists" – also called the "Independents", "Intransigents", and "Intentionalists" – had broken away from the academic painters showing in the annual
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232:. Caillebotte's father was twice widowed before marrying Caillebotte's mother, Céleste Daufresne (1819–1878), who had two more sons after Gustave: René (1851–1876) and
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While
Caillebotte was known for his urban and domestic scenes, he also painted many rural scenes of the area around his home in the years before his death.
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At the time of
Caillebotte's death, the Impressionists were still largely condemned by the art establishment in France, which remained dominated by
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in 1868 and a license to practice law in 1870, and he also was an engineer. Shortly after his education, he was drafted to fight in the
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228:. His father, Martial Caillebotte (1799–1874), was the inheritor of the family's military textile business and was also a judge at the
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1840:& The Art Institute of Chicago. (American catalogue for retrospective exhibition in Paris, Chicago, & Los Angeles, 1994–1995.)
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Caillebotte painted many domestic and familial scenes, interiors, and portraits. Many of his paintings depict members of his family;
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Caillebotte's painting career slowed dramatically in the early 1890s when he stopped working on large canvases. Caillebotte died of
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to convey the tranquil nature of the countryside, in sharp contrast to the flatter, smoother strokes of his urban paintings. In
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The tilted ground common to these paintings is characteristic of
Caillebotte's work, which may have been strongly influenced by
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609:(Fort Worth, Texas) organized a major retrospective display of Caillebotte's painting for exhibition in 2015–2016.
598:, spurring American interest in him. By the 1970s, his works were being exhibited again and critically reassessed.
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manner than many others in the group. Caillebotte was known for his early interest in photography as an art form.
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among others) by purchasing their works and, at least in the case of Monet, paying the rent for their studios.
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Caillebotte made his debut in the second
Impressionist exhibition in 1876, showing eight paintings, including
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perspective effects. A large number of
Caillebotte's works also employ a very high vantage point, including
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In addition, Caillebotte used his wealth to fund hobbies for which he was quite passionate, including
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Gustave Caillebotte was born on 19 August 1848 to an upper-class Parisian family living in the
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197:; 19 August 1848 – 21 February 1894) was a French painter who was a member and patron of the
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while working in his garden at Petit-Gennevilliers in 1894 at age 45. He was interred at
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412:(1878), depicts Martial Jr. and his cousin Zoé in the garden of the family property at
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Around 1874, Caillebotte had met and befriended several artists working outside the
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in organizing a public subscription and in persuading the French state to purchase
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Distel, Anne; Druick, Douglas W.; Groom, Gloria & Rapetti, Rodolphe (1995).
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1406:"Gustave Caillebotte - The Complete Works - Biography - gustavcaillebotte.org"
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Man on a Balcony, Boulevard Haussmann (Homme au balcon, boulevard Haussmann)
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Gustave Caillebotte and the Fashioning of Identity in Impressionist Paris
649:, or any of the Symbolists. In 1890, he played a major role in assisting
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695:, and the collection he formed with his brother Martial is now in the
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Caillebotte is best known for his paintings of urban Paris, such as
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After the war, Caillebotte began visiting the studio of the painter
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Caillebotte in his greenhouse (February 1892), Petit Gennevilliers
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Gustave Caillebotte: Catalogue raisonné des peintures et pastels
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1959:
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building, and even textile design (the women in his paintings
765:(devoted to the work of living artists), and then in the
1817:. New Brunswick, New Jersey: Rutgers University Press.
329:(1875), a controversial realist subject, Musée d'Orsay
793:(1880), sold for more than US$ 14.3 million in 2000.
573:, gift of George Heard Hamilton and Polly W Hamilton.
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French military personnel of the Franco-Prussian War
404:(1876) shows René in the home on rue de Miromesnil;
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785:. Forty of Caillebotte's own works are held by the
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1926:The Caillebotte Brothers, Painter and Photographer
1838:Abbeville Publishing Group (Abbeville Press, Inc.)
418:Portraits in the Country (Portraits Ă la campagne)
367:Boulevard Seen from Above (Boulevard vu d'en haut)
1951:Caillebotte works at the Art Institute of Chicago
1703:Morton, Mary & Shackelford, George T.M., 2015
371:A Traffic Island (Un refuge, boulevard Haussmann)
247:, and served from July 1870 to March 1871 in the
291:, and attended (but did not participate in) the
496:(1877), are considerably more impressionistic.
1825:Gustave Caillebotte: The Unknown Impressionist
1784:Urban Art and Antiques; Antique News; Art News
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1971:
217:Gustave Caillebotte (right) and his brother,
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1827:. London: The Royal Academy of Arts, London.
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865:Eskenazi Museum of Art at Indiana University
533:In 1881, Caillebotte acquired a property at
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1776:"Iris Cantor Donates Gustave Caillebotte
1308:The plain of Gennevilliers, yellow fields
527:Le jardin du Petit Gennevilliers en hiver
1833:Gustave Caillebotte, Urban Impressionist
1436:Gustave Caillebotte: Urban Impressionist
803:List of paintings by Gustave Caillebotte
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349:, although with a less vibrant palette.
1535:Anne Distel, et al., 1995, pp. 153, 171
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1607:Anne Distel, et al., 1995, pp. 233–236
1553:Anne Distel, et al., 1995, pp. 178–180
1476:Anne Distel, et al., 1995, pp. 19, 180
482:La Place de l'Europe, temps de pluie)
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2122:Art Institute of Chicago II, Chicago
1869:Caillebotte and His Garden at Yerres
1857:. New Haven: Yale University Press.
1765:Anne Distel, et al., 1995, pp. 24–25
1738:Anne Distel, et al., 1995, pp. 21–22
1562:Anne Distel, et al., 1995, pp. 74–75
1438:, Abbeville Press, New York, 1995,
1931:Kirk Varnedoe, Gustave Caillebotte
1282:The Yellow Fields at Gennevilliers
693:Roll of Distinguished Philatelists
249:Garde Nationale Mobile de la Seine
25:
2820:Burials at Père Lachaise Cemetery
1871:. New York: Harry N. Abrams, Inc.
1756:Anne Distel, et al., 1995, p. 318
1634:Anne Distel, et al., 1995, p. 184
1625:Anne Distel, et al., 1995, p. 268
1616:Anne Distel, et al., 1995, p. 214
1598:Anne Distel, et al., 1995, p. 110
1589:Anne Distel, et al., 1995, p. 143
1571:Anne Distel, et al., 1995, p. 116
1485:Anne Distel, et al., 1995, p. 312
537:, on the banks of the Seine near
2805:19th-century French male artists
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1914:200 works by Gustave Caillebotte
1747:Anne Distel, et al., 1995, p. 24
1694:Anne Distel, et al., 1995, p. 25
1676:Anne Distel, et al., 1995, p. 23
1526:Anne Distel, et al., 1995, p. 38
1517:Anne Distel, et al., 1995, p. 13
1503:Anne Distel, et al., 1995, p. 37
1494:Anne Distel, et al., 1995, p. 19
1467:Anne Distel, et al., 1995, p. 30
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230:Tribunal de commerce de la Seine
201:, although he painted in a more
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2334:First Impressionist Exhibition
1882:Caillebotte at MuseumSyndicate
1778:Femme nue Ă©tendue sur un Divan
1024:Rue Halévy, From the 6th Floor
773:. One of the remaining works,
689:Portrait of Madame Caillebotte
333:In common with his precursors
293:First Impressionist Exhibition
1:
2840:French Impressionist painters
2500:Marc-Aurèle de Foy Suzor-Coté
2105:Martial Caillebotte (brother)
1727:CultureShock, Manet's Olympia
1138:Musée des Beaux-Arts de Rouen
1049:Vue de toits (Effet de neige)
1008:Museum of Fine Arts of Rennes
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548:Luncheon of the Boating Party
361:Vue de toits (Effet de neige)
171:
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2800:19th-century French painters
1313:National Gallery of Victoria
987:Museum of Fine Arts, Houston
478:Rue de Paris; temps de pluie
2845:19th-century French lawyers
2825:Deaths from pulmonary edema
2669:French impressionist cinema
1909:Cailebotte at Musée d'Orsay
1899:Caillebotte at The Artchive
1266:Museum of Fine Arts, Boston
1178:Museum of Fine Arts, Boston
605:(Washington, D.C.) and the
226:rue du Faubourg-Saint-Denis
48:Caillebotte, about age 30,
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2710:Pennsylvania Impressionism
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825:Metropolitan Museum of Art
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529:(1894), private collection
402:(Jeune Homme Ă la fenĂŞtre)
27:French painter (1848–1894)
2764:Pays des Impressionnistes
2558:Giovanni Battista Ciolina
2079:Portrait of Richard Gallo
1887:13 September 2010 at the
1685:Kirk Varnedoe 1987, p. 10
1645:"The Seine at Argenteuil"
1544:Kirk Varnedoe 1987, p. 60
1410:www.gustavcaillebotte.org
685:Madame Boissière Knitting
359:View of Rooftops (Snow) (
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2700:Decorative Impressionism
2695:California Impressionism
2007:Les raboteurs de parquet
1894:Caillebotte at WebMuseum
1867:Wittmer, Pierre (1991).
1715:Kirk Varnedoe 1987, p. 4
1580:Kirk Varnedoe 1987, p. 3
1455:Kirk Varnedoe 1987, p. 2
1219:Homme portant une blouse
860:L'Yerres, effet de pluie
703:Caillebotte's collection
494:The Place Saint-Augustin
455:Art Institute of Chicago
326:Les raboteurs de parquet
305:Les raboteurs de parquet
2720:Synthetic impressionism
2685:Amsterdam Impressionism
2510:Helen Galloway McNicoll
2361:Frederick Carl Frieseke
2039:Paris Street; Rainy Day
2015:Young Man at His Window
1944:10 October 2014 at the
1919:29 October 2020 at the
1851:Varnedoe, Kirk (1987).
1799:Berhaut, Marie (1994).
1288:Wallraf–Richartz Museum
1243:Cleveland Museum of Art
885:Portraits Ă la campagne
781:and is now held by the
759:Académie des Beaux-Arts
603:National Gallery of Art
595:Paris Street; Rainy Day
560:The Seine at Argenteuil
473:Paris Street; Rainy Day
450:Paris Street, Rainy Day
400:Young Man at His Window
387:Young Man at His Window
281:Académie des Beaux-Arts
2391:Walter Elmer Schofield
1388:References and sources
1073:Boulevard des Italiens
757:and specifically, the
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712:Yellow Roses in a Vase
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586:Père Lachaise Cemetery
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530:
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221:
194:[ɡystavkɑjbɔt]
182:
2618:Władysław Podkowiński
2356:William Merritt Chase
2247:Pierre-Auguste Renoir
2031:Boating on the Yerres
1805:Wildenstein Institute
1434:Anne Distel, et al.,
1173:Fruits sur un Ă©talage
938:Boating on the Yerres
914:Petit Palais (Genève)
818:Nude Lying on a Couch
732:Pierre-Auguste Renoir
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558:Gustave Caillebotte,
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447:Gustave Caillebotte.
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239:Caillebotte earned a
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168:Portrait de l'artiste
166:
2830:Fathers of philately
2810:French male painters
2525:Robert Wakeham Pilot
2515:James Wilson Morrice
2396:John Henry Twachtman
944:Milwaukee Art Museum
889:Musée Baron Gérard,
869:Bloomington, Indiana
822:Promised gift to the
716:Dallas Museum of Art
613:Patron and collector
582:pulmonary congestion
430:Oarsman in a Top Hat
392:J. Paul Getty Museum
335:Jean-François Millet
272:École des Beaux-Arts
110:École des Beaux-Arts
2815:Painters from Paris
2785:Gustave Caillebotte
2638:Philip Wilson Steer
2490:William Blair Bruce
2277:Gustave Caillebotte
2197:Gustave Caillebotte
2023:Le Pont de l'Europe
1987:Gustave Caillebotte
1854:Gustave Caillebotte
1786:. 24 February 2009.
1096:Boulevard Haussmann
1094:L'homme au balcon,
908:Le Pont de l'Europe
777:, was purchased by
771:Martial Caillebotte
571:Clark Art Institute
535:Petit-Gennevilliers
467:Le Pont de l'Europe
245:Franco-Prussian war
186:Gustave Caillebotte
36:Gustave Caillebotte
18:Caillebotte bequest
2747:The Impressionists
2715:Post-Impressionism
2593:Konstantin Korovin
2443:Frederick McCubbin
2287:Henry O. Havemeyer
2063:A Balcony in Paris
1904:Cailebotte at CGFA
1655:on 4 December 2022
1381:Private collection
1362:Private collection
1238:Villas Ă Trouville
1223:Private collection
1158:Private collection
1118:Private collection
1078:Private collection
964:Private collection
845:Private collection
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607:Kimbell Art Museum
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406:The Orange Trees (
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310:The Floor Scrapers
289:Giuseppe de Nittis
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2705:Neo-Impressionism
2573:Antoine Guillemet
2553:Marie Bracquemond
2520:Laura Muntz Lyall
2386:Theodore Robinson
2381:Lilla Cabot Perry
2217:Armand Guillaumin
2137:
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2125:(1990 photograph)
2001:List of paintings
783:Barnes Foundation
763:Luxembourg Palace
569:, oil on canvas.
462:The Europe Bridge
170:(Self-portrait).
161:
160:
16:(Redirected from
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2835:French engineers
2749:(2006 TV series)
2741:Wilfrid de Glehn
2613:Nadežda Petrović
2578:Nazmi Ziya GĂĽran
2477:
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2371:Alphonse Maureau
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2318:Ambroise Vollard
2308:Paul Durand-Ruel
2264:
2242:Camille Pissarro
2187:Frédéric Bazille
2173:
2164:
2157:
2150:
2141:
2071:The Bezique Game
1980:
1973:
1966:
1957:
1788:
1787:
1772:
1766:
1763:
1757:
1754:
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1745:
1739:
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1701:
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1677:
1674:
1665:
1664:
1662:
1660:
1651:. Archived from
1649:www.clarkart.edu
1641:
1635:
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1617:
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1474:
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1465:
1456:
1453:
1447:
1432:
1426:
1425:
1423:
1421:
1412:. Archived from
1402:
1372:
1350:
1325:
1303:
1277:
1254:
1233:
1214:
1189:
1168:
1149:
1128:
1109:
1089:
1067:
1043:
1028:Museum Barberini
1019:
998:
975:
955:
932:
922:
902:
880:
855:
836:
813:
779:Albert C. Barnes
724:Camille Pissarro
673:stamp collecting
636:Camille Pissarro
568:
565:
490:Man on a Balcony
480:, also known as
275:
274:
196:
191:
176:
173:
153:
113:
112:
88:
85:21 February 1894
69:
67:
54:
51:
46:
32:
21:
2865:
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2858:
2856:
2855:
2854:
2775:
2774:
2773:
2768:
2729:
2673:
2647:
2643:Eliseu Visconti
2633:JoaquĂn Sorolla
2608:Francisco Oller
2598:MartĂn Malharro
2543:Eugène Baudouin
2535:
2529:
2495:William Brymner
2475:
2473:
2467:
2458:Arthur Streeton
2433:E. Phillips Fox
2418:
2416:
2410:
2376:Willard Metcalf
2346:
2344:
2338:
2322:
2296:
2292:Ernest Hoschedé
2282:Victor Chocquet
2265:
2256:
2175:
2171:
2168:
2138:
2133:
2109:
2093:
1989:
1984:
1946:Wayback Machine
1938:Man at his Bath
1921:Wayback Machine
1889:Wayback Machine
1878:
1791:
1774:
1773:
1769:
1764:
1760:
1755:
1751:
1746:
1742:
1737:
1733:
1723:
1719:
1714:
1707:
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1680:
1675:
1668:
1658:
1656:
1643:
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1638:
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1629:
1624:
1620:
1615:
1611:
1606:
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1570:
1566:
1561:
1557:
1552:
1548:
1543:
1539:
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1521:
1516:
1507:
1502:
1498:
1493:
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1484:
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1471:
1466:
1459:
1454:
1450:
1433:
1429:
1419:
1417:
1416:on 28 June 2023
1404:
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1120:
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1079:
1077:
1068:
1059:
1058:
1053:
1044:
1035:
1034:
1020:
1011:
1010:
1006:
1003:Les PĂ©rissoires
999:
990:
989:
985:
976:
967:
966:
965:
963:
956:
947:
946:
942:
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846:
844:
837:
828:
827:
823:
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814:
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799:
775:Bathers at Rest
705:
697:British Library
669:
667:Other interests
615:
566:
520:
512:Nude on a Couch
379:
354:Japanese prints
339:Gustave Courbet
318:
262:
257:
211:
189:
174:
99:
90:
86:
77:
71:
65:
63:
55:
52:
37:
28:
23:
22:
15:
12:
11:
5:
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2797:
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2655:
2653:
2649:
2648:
2646:
2645:
2640:
2635:
2630:
2625:
2623:Valentin Serov
2620:
2615:
2610:
2605:
2600:
2595:
2590:
2588:Max Liebermann
2585:
2583:Dominique Lang
2580:
2575:
2570:
2565:
2560:
2555:
2550:
2548:Olga Boznańska
2545:
2539:
2537:
2531:
2530:
2528:
2527:
2522:
2517:
2512:
2507:
2505:Maurice Cullen
2502:
2497:
2492:
2487:
2481:
2479:
2469:
2468:
2466:
2465:
2463:Walter Withers
2460:
2455:
2450:
2445:
2440:
2435:
2430:
2428:Charles Conder
2424:
2422:
2412:
2411:
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2273:
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2267:
2266:
2259:
2257:
2255:
2254:
2249:
2244:
2239:
2237:Berthe Morisot
2234:
2229:
2224:
2222:Johan Jongkind
2219:
2214:
2209:
2204:
2199:
2194:
2189:
2183:
2181:
2177:
2176:
2169:
2167:
2166:
2159:
2152:
2144:
2135:
2134:
2132:
2131:
2126:
2117:
2115:
2111:
2110:
2108:
2107:
2101:
2099:
2095:
2094:
2092:
2091:
2083:
2075:
2067:
2059:
2051:
2043:
2035:
2027:
2019:
2011:
2003:
1997:
1995:
1991:
1990:
1985:
1983:
1982:
1975:
1968:
1960:
1954:
1953:
1948:
1936:Caillebotte's
1933:
1928:
1923:
1911:
1906:
1901:
1896:
1891:
1877:
1876:External links
1874:
1873:
1872:
1865:
1849:
1845:
1841:
1828:
1818:
1813:(Ed.) (2002).
1808:
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857:
850:
848:
841:Les jardiniers
839:
838:
831:
829:
816:
815:
808:
801:Main article:
798:
795:
704:
701:
668:
665:
643:Georges Seurat
632:Auguste Renoir
614:
611:
543:Auguste Renoir
519:
516:
499:Caillebotte's
470:) (1876), and
378:
375:
317:
314:
261:
258:
256:
253:
236:(1853–1910).
210:
207:
199:Impressionists
159:
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140:
137:
136:
127:
123:
122:
119:
118:Known for
115:
114:
105:
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100:
91:
89:(aged 45)
83:
79:
78:
72:
70:19 August 1848
61:
57:
56:
47:
39:
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35:
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14:
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4:
3:
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2690:Boston School
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2563:Lovis Corinth
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2438:Elioth Gruner
2436:
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2426:
2425:
2423:
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2413:
2407:
2406:J. Alden Weir
2404:
2402:
2401:Robert Vonnoh
2399:
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2366:Childe Hassam
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2351:
2349:
2341:
2335:
2332:
2331:
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2313:Georges Petit
2311:
2309:
2306:
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2299:
2293:
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2288:
2285:
2283:
2280:
2278:
2275:
2274:
2272:
2268:
2263:
2253:
2252:Alfred Sisley
2250:
2248:
2245:
2243:
2240:
2238:
2235:
2233:
2230:
2228:
2227:Édouard Manet
2225:
2223:
2220:
2218:
2215:
2213:
2210:
2208:
2205:
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2200:
2198:
2195:
2193:
2192:Eugène Boudin
2190:
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2185:
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2174:
2172:Impressionism
2165:
2160:
2158:
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2129:Impressionism
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2119:
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748:Édouard Manet
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2568:Eva Gonzalès
2453:John Russell
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2207:Paul CĂ©zanne
2202:Mary Cassatt
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2055:Vue de toits
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2047:Les Orangers
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1937:
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1821:Distel, Anne
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1409:
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1286:Lent to the
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755:Academic art
752:
746:(five), and
744:Paul CĂ©zanne
730:(fourteen),
728:Claude Monet
726:(nineteen),
720:
711:
688:
687:, 1877, and
684:
670:
658:
651:Claude Monet
647:Paul Gauguin
640:
628:Claude Monet
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185:
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167:
87:(1894-02-21)
29:
2795:1894 deaths
2790:1848 births
2754:Louis Leroy
2652:Other media
2628:Max Slevogt
2603:Henry Moret
2448:Tom Roberts
2327:Exhibitions
2212:Edgar Degas
2180:Originators
1848:2015–2016.)
1330:Voiliers Ă
1315:, Melbourne
1194:Portrait d'
917: [
740:Edgar Degas
567: 1892
510:(1884) and
285:Edgar Degas
266:LĂ©on Bonnat
260:Development
175: 1892
53: 1878
2779:Categories
2664:Literature
2485:Henri Beau
2417:Australian
1844:2008–2009)
1393:References
1332:Argenteuil
588:in Paris.
539:Argenteuil
518:Later life
504:including
501:still life
241:law degree
209:Early life
66:1848-08-19
2066:(1880–81)
2058:(1878–79)
1994:Paintings
1803:. Paris:
1377:Nasturces
1154:Intérieur
1114:Un balcon
960:Baigneurs
742:(seven),
679:growing,
203:realistic
144:Signature
104:Education
2678:See also
2474:Canadian
2345:American
1942:Archived
1917:Archived
1885:Archived
1823:(1996).
1725:PBS.org
1446:, p. 311
1026:(1878),
750:(four).
738:(nine),
714:(1882),
657:'s 1863
453:(1877),
440:(1874).
390:(1876),
373:(1880).
365:(1878),
347:Pissarro
126:Movement
121:Painting
2734:Related
2725:The Ten
2536:artists
2476:artists
2419:artists
2347:artists
2301:Dealers
2270:Patrons
2114:Related
2082:(1880s)
1794:Sources
1780:to Met"
1659:14 June
1420:5 April
1340:, Paris
1292:Cologne
1204:, Paris
1057:, Paris
1032:Potsdam
797:Gallery
734:(ten),
660:Olympia
438:Boating
234:Martial
219:Martial
190:French:
181:, Paris
130:Realism
73:Paris,
2098:Family
2090:(1884)
2074:(1880)
2050:(1878)
2042:(1877)
2034:(1877)
2026:(1876)
2018:(1876)
2010:(1875)
1861:
1442:
1379:(1892)
1360:(1888)
1335:(1888)
1310:(1884)
1284:(1884)
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1240:(1884)
1221:(1884)
1199:(1883)
1175:(1882)
1156:(1880)
1135:(1880)
1116:(1880)
1099:(1880)
1076:(1880)
1052:(1878)
1005:(1878)
984:(1878)
962:(1878)
941:(1877)
911:(1876)
891:Bayeux
887:(1876)
862:(1875)
843:(1875)
820:(1873)
789:. His
767:Louvre
677:orchid
634:, and
426:Renoir
416:; and
414:Yerres
377:Themes
343:Renoir
297:Salons
97:France
75:France
2759:Nadar
2659:Music
2534:Other
921:]
681:yacht
434:Manet
316:Style
1859:ISBN
1661:2023
1440:ISBN
1422:2018
645:and
601:The
345:and
337:and
287:and
82:Died
60:Born
436:'s
2781::
1782:.
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1508:^
1460:^
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1290:,
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564:c.
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626:(
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