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The
Cambridge Songs were long thought to be forty-nine in number, but a missing folio that contained twenty-seven more was discovered in Frankfurt and returned to the University Library in 1982. All these songs were copied in the same hand. Seven songs in a different hand, but occurring in the same
157:: vagabond clerics), or an anthology for private enjoyment. Classicist Keith Sidwell maintains that their purpose could have been "the repertoire of an entertainer who catered for the imperial court."
135:(after the first forty-nine) have since been identified as probably part of the collection. The total number of Cambridge Songs is now considered to be eighty-three. Some of the verses are
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165:
All the songs in the
Cambridge codex (ff.432–44) are sometimes catalogued as "Lyrics in honour of the emperors of Germany in the first half of the XI century". Those songs from
566:
147:). The purpose of the collection has also eluded scholars. It was probably either a book of instruction on Latin verse, a songbook for wandering
524:). Reprinted (1998) as Medieval & Renaissance texts & studies v. 192 (Tempe, AZ: Medieval & Renaissance Texts & Studies;
529:
521:
479:
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scholar while travelling on the continent sometime after the last datable song (1039), and brought back with him to the church of
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was long kept. The original manuscript was possibly lost in a fire that struck Saint
Augustine's in 1168. The dialect of the few
548:
446:
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76:
56:
119:. While most of the Cambridge Songs survive only in the Cambridge manuscript, a few are duplicated in a manuscript,
68:
591:
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and Gernot R. Wieland. "A Canterbury classbook of the mid-eleventh century (the 'Cambridge Songs' manuscript)."
21:
116:
139:
and it is assumed that the entire collection was to be sung. Four of the original forty-nine are called
72:
567:"First performance in 1,000 years: 'lost' songs from the Middle Ages are brought back to life"
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Paderborner
Repertorium der deutschsprachigen TextĂĽberlieferung des 8. bis 12. Jahrhunderts
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95:, suggesting that the Goliard or Goliards who composed them came from the north or middle
92:
457:
124:
174:
44:
543:
575:
516:. Garland Library of Medieval Literature, Series A vol. 66 (New York: Garland Pub.;
463:
Harrington, Karl
Pomeroy; Joseph Michael Pucci; and Allison Goddard Elliott (1997).
91:
portions found in some of the songs is in the North Rheno-Franconian dialect of
561:
88:
80:
460:. Reprinted: New York: AMS Press, 1973. Includes images from the manuscript.
96:
148:
553:
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41:
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The songs as they survive are copies made shortly before or after the
277:
Ecclesie
Trevirensis nomine scripti ad Popponem archiepiscopum versus
108:
402:
Argie lamentatio maritum polinicum a fratre interfectum in venientis
454:
The
Cambridge Songs: A Goliard's Songbook of the Eleventh Century
136:
100:
20:
111:. It has been suggested that some of the songs originated in
443:
Scans available online from the
Bayerische Staatsbibliothek
441:. MGH Scriptores rerum Germanicarum 40. Berlin, 1926.
488:, Cambridge University Press, Cambridge, p. 244.
397:
Hipsipile
Archemorum puerum a serpente necatum plorat
257:
Cantilena in
Heinricum III anno 1028 regem coronatum
47:
poems found on ten leaves (ff. 432–41) of the
544:
https://cudl.lib.cam.ac.uk/view/MS-GG-00005-00035/1
272:Cantilena in Heribertum archiepiscopum Coloniensis
247:Nenia in funebrum pompam Heinrici II imperiatoris
587:Manuscripts held by the University of Cambridge
467:. 2nd ed. Chicago: University of Chicago Press.
456:. Cambridge: Cambridge University Press, 1915.
514:The Cambridge songs (Carmina Cantabrigiensia)
8:
458:Scans Available as PDF from Internet Archive
474:, Vol. I, pp. 58–59. Arlington: 2009,
252:Cantilena in Conradum II factum imperatorem
71:(1066). They may have been collected by an
417:
83:, where they were copied and where the
242:Nenia de mortuo Heinrico II imperatore
167:Nenia de mortuo Heinrico II imperatore
382:De simphoniis et de littera Pithagore
262:Nenia de mortuo Conrado II imperatore
7:
447:HTML text from Bibliotheca Augustana
267:Gratulatio regine a morbo recreate
173:directly praise the rulers of the
171:Gratulatio regine a morbo recreate
14:
222:De domo s. Cecilie Coloniensis
1:
549:Text at Bibliotheca Augustana
227:De s. Victore carmen Xantense
16:Collection of Goliardic poems
99:, probably the area between
57:Cambridge University Library
392:Umbram Hectoris videt Eneas
608:
472:The Manuscripts of Statius
187:Modus qui et Carelmanninc
512:Ziolkowski, Jan (1994).
387:Diapente et diatesseron
297:De Lantfrido et Corbone
55:, MS Gg. 5.35), now in
38:Carmina Cantabrigiensia
486:Reading Medieval Latin
437:Strecker, Karl (ed.).
40:) are a collection of
29:
582:Medieval Latin poetry
439:Die Cambridger Lieder
337:Verna femine suspiria
182:Carmen Christo dictum
49:Codex Cantabrigiensis
27:Codex Cantabrigiensis
24:
424:Sidwell 2012, p. 244
377:De mensa philosophie
25:Folio 436v from the
506:Anglo-Saxon England
484:Sidwell, K. (2012)
452:Breul, Karl (ed.).
192:Laudes Christo acte
63:History and content
470:Anderson, Harald.
362:Lamentatio Neobule
143:(melodies, namely
30:
509:4 (1975): 113-30.
367:Admonitio iuvenum
357:In languore perio
352:Clericus et nonna
317:Sacerdos et lupus
312:De Iohanne abbate
292:De proterii filio
154:clerici vagabundi
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592:Goliardic poetry
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197:Hymnus paschalis
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407:Nisus omnigenti
342:Invitatio amice
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93:Old High German
77:Saint Augustine
69:Norman Conquest
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161:List of songs
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125:WolfenbĂĽttel
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332:De luscinio
282:De Willelmo
232:De Heinrico
202:Resurrectio
576:Categories
89:vernacular
81:Canterbury
372:De musica
207:Ad Mariam
149:minstrels
145:sequences
97:Rhineland
42:Goliardic
431:Sources
307:HerigĂŞr
123:, from
105:Cologne
73:English
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478:
322:Alfrâd
217:Rachel
137:neumed
113:France
109:Xanten
107:, and
413:Notes
151:(the
133:Codex
117:Italy
101:Trier
85:Codex
526:ISBN
518:ISBN
476:ISBN
141:modi
32:The
177:.
169:to
115:or
79:at
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59:.
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121:W
53:C
51:(
36:(
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