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label. For the first time both label names appeared on the record labels, although neither the Cameo or
Parkway name was emphasized, and the two series continued to use separate catalog numbering systems. That suggests that a gradual merger of the two labels was in progress, but it was never completed. By late 1967, after financial problems worsened, the Cameo-Parkway company was sold to
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and released four more albums (two on Cameo, one on
Parkway and one on Vando), and three more singles (one on Parkway and two on Vando). Cameo's final single, "Billy Sunshine" by Evie Sands (KC-2002), was originally released with the red and yellow "CP" label then reissued with the new MGM-designated
362:
has spoken of the "warm relationship" his program had with Cameo-Parkway, and of the label's willingness to ensure that quality musical acts were always available to the program on short notice. The label benefited tremendously from the arrangement, as the exposure many Cameo-Parkway artists received
316:
director, and the three worked together as a production team on many early Cameo releases. Mann and Lowe wrote many of the label's early singles, while Mann and Appell also became a successful songwriting team that was responsible for many of the label's hits, particularly after Lowe cut back on his
268:
Until 1962, Cameo was also the parent company name for both labels, and
Parkway was a subsidiary. In 1962, the parent company was renamed from Cameo to Cameo-Parkway, to give both labels equal status. In some foreign markets, Cameo-Parkway was also a label name, issuing records by artists from both
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ABKCO reissued Cameo-Parkway recordings in the early 1970s, but allowed them to fall out of print after that time. Virtually all Cameo-Parkway recordings, including all of their numerous chart hits, were officially unavailable in any format for about 30 years, from 1975 to 2005. In May 2005 ABKCO
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The third and final event was that Bernie Lowe had become increasingly disenchanted with the business side of record making and, suffering from nervous exhaustion and bouts of depression, he sold his stake in the company in 1964. Mann and Appel soon followed. By mid-1965 none of Cameo-Parkway's
608:
in 1964/1965, which dramatically changed the tastes of the
American record buying public. In a 2021 retrospective, Ken Barnes, analyzing the hit acts of 1963, noted that Cameo-Parkway acts were among the hardest hit by the Invasion, with most acts associated with them suffering permanent career
769:
Wyncote
Records was a budget label started in 1964. It released compilation albums of material by Cameo and Parkway artists as well as new albums of soundtrack and easy listening music. These records were mainly distributed in drug, book and department stores, usually through rack jobbers.
358:. Being located in the same city where this popular nationally broadcast music show was produced meant that Cameo-Parkway artists were always available to perform on the show—especially in the event any other act should cancel. Host and producer
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functioned as Cameo's house band for the first few years of, serving as backing musicians for the label's vocalists as well as issuing a handful of instrumental singles on their own. Lowe, also a musician, played piano on many early tracks.
452:" became Parkway's first big hit. Although Ballard's version only reached No. 16 on the R&B chart in 1958, Checker's version went to No. 1 in 1960, and again in early 1962. Checker had several hits, including "
603:
in
February. Suddenly, Cameo-Parkway's primary source of national exposure and promotion was gone. Just as devastating (as it was to many other American labels) was the second event: the onslaught of the
625:
founding trio were associated with the label, and their biggest stars (Bobby Rydell and Chubby
Checker) had also left. Cameo's new management was unable to replicate its success with artists like
333:, which reached No. 1 nationally in early 1957; it was also Cameo-Parkway's first of five chart-toppers. Throughout the remainder of the decade, Cameo continued to have hits by groups like the
1144:
300:
Mann and Lowe had been a successful songwriting team prior to the start of the label, with Mann writing lyrics and Lowe the music; their biggest hit prior to starting the label was
341:, who had a No. 3 hit with "Silhouettes" later that year (picked up from independent XYZ Records). In 1958, the label had further hits with "Dinner With Drac", a novelty record by
757:
1967 MGM distribution label: brown label with new "Parkway" logo at top. The logo includes a large black letter "P" with white arrow inside its perimeter, resembling a highway.
499:", which reached No. 2 in late 1961, followed by "Bristol Twistin' Annie," "(Do The New) Continental," "Hully Gully Baby" and other dance-related songs in 1962 and 1963. "
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to his first recording contract, and Cameo-Parkway issued Seger's first five singles, which were all huge regional hits in
Michigan but failed to catch fire nationally.
617:
as other factors in Cameo-Parkway's downfall. Cameo tried to keep pace by licensing a handful of early
British beat group singles, including the first two singles by
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to reissue several albums in 2010. Despite these reissues, many more obscure Cameo-Parkway recordings, and even a few of their lesser hits, remain unavailable.
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668:(picked up from independent Pa-Go-Go Records), which went to No. 1 in the fall of 1966, a novelty remake of "Wild Thing" by comedian Bill Minkin imitating
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In early 1964, three near-simultaneous events sent Cameo-Parkway into a sharp decline from which it would never fully recover. The first was the move of
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1960–1966: Orange and yellow label with PARKWAY RECORDS in white letters between two lyre logos at top (Some of these labels do not include the lyres)
700:
acquiring its remaining subsidiary, Vando label. Cameo
Parkway Records was shut down in September 1967. Bogart landed feet first at the newly formed
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534:", on the same day. It went to No. 2 in the spring of 1962. More dance songs followed, including the follow-up "Gravy" and another dance song, "
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And Party Every Day: The Inside Story Of Casablanca Records: Larry Harris, Curt Gooch, Jeff Suhs: 9780879309824: Amazon.com: Books
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660:'s "Windy C" label), Bogart managed to shepherd in a brief Cameo-Parkway renaissance. The last major hits for the label were "
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had a minor novelty hit in the summer of 1959 called "The Class", which featured Checker doing comic imitations of singers
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1967 MGM distribution label: Pink and white label with CAMEO in dark blue w/pink outline and "cameo" logo inside the "O"
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Tomorrow: Originally distributed by Atco, then by Cameo/Parkway. At least two singles were distributed under C/P
704:, founded by former MGM Records executive Art Kass, and brought along the former Cameo Parkway promotion staff.
656:(A&R). Turning to Midwestern garage bands and orchestrated soul productions (including the distribution of
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A major factor in Cameo-Parkway's success was its relationship with the Philadelphia-based TV program
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Early stereo albums: Black label with gold print, same CAMEO and "cameo" logo as orange label singles
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Early mono albums: Black label with silver print, same CAMEO and "cameo" logo as orange label singles
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songwriting around 1961, to attend to the business of running the label. In addition, Appell's group
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Audio Arts!: The first two singles were released under Cameo/Parkway before the label was sold to
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instrumental hit, was No. 35 in Cash Box magazine's year end-survey for 1963. The R&B quartet
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948:. In October 2005 it began to issue various single-artist "best of" CD compilations, including
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Chariot: At least five singles were released under Cameo/Parkway before the label was sold to
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1958–1960: Orange label with PARKWAY in black "jumbled" letters between two lyre logos at top
530:
had done a duet with Chubby Checker on "Slow Twistin'", and recorded her first solo single, "
233:
from 1956 (for Cameo) and 1958 (for Parkway) to 1967. Among the types of music released were
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Fairmount, featuring Lonnie Youngblood: At least 27 singles have been released on this label
773:
Other related labels, mostly independently owned but distributed by Cameo-Parkway, included
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Around 1961, the Cameo and Parkway labels began developing some new stars. The vocal group
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Several C/P labels were based on hometown suburbs, highways and landmarks, including...
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1960–1966: Red and black label with CAMEO and new "gold cameo locket" logo at left side
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was the parent company of Cameo Records and Parkway Records, which were major American
515:", which hit No. 2 in the summer of 1962. They had a few more top 20 hits, including "
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382:" on Cameo. From 1960 to 1964, Rydell was the label's second largest hit maker after
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Grit, Noise, & Revolution: The Birth of Detroit Rock 'n' Roll - David A. Carson
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1966–1967: Yellow label with broken orange octagon and new PARKWAY "CP" logo at top
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676:(originally on the Attack label as by The Rare Breed) (1967). Bogart also signed
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ABKCO has also begun to license its repertoire out to other labels, allowing
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1966–1967: Red label with broken orange circle and new CAMEO "CP" logo at top
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In mid-1967, Cameo-Parkway entered into a short-lived distribution pact with
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revived the Cameo-Parkway name for reissues only, and released a multi-CD
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874:, eight singles and one album were released on this label, mostly by
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In the UK, Cameo and Parkway recordings were released first on EMI's
860:
Winchester: Only two singles were released under this label, one by
817:
Key-Loc: At least one single was distributed under Cameo/Parkway by
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under the name Senator Bobby (1966), and "Beg, Borrow and Steal" by
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Ivanhoe: At least one single was distributed under Cameo/Parkway
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1142:"Marty Thau, Manager in Early New York Punk Scene, Dies at 75"
18:
297:. Parkway, initially a subsidiary label, was formed in 1958.
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was also issued, as well as two digital-only compilations:
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Parkway albums also used all of the above label variations
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in the top 10, and "Mexican Hat Rock", an instrumental by
269:
labels. The Cameo-Parkway catalogue is currently owned by
805:
Cheltenham: At least four singles released from 1965–1966
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Cameo albums also used the above label variations, plus:
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marked the last hit from Cameo-Parkway's peak period.
912:: Northern suburb of Philadelphia where C/P founder
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49:. Unsourced material may be challenged and removed.
823:Lucky Eleven, based in Flint, Michigan, featuring
293:; it has no connection to the 1920s record label
808:Cotton: At least three singles released in 1962
990:Original Northern Soul Hits From Cameo Parkway
903:; there is also a Fairmount Ave. north of the
281:Cameo Records was founded in December 1956 in
1113:"Did the Beatles kill America's radio stars?"
8:
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833:Sentar: Owned by the families of pop group
1083:The Guinness Encyclopedia of Popular Music
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109:Learn how and when to remove this message
577:, before finally appearing on their own
390:" (his biggest hit, peaking at No. 2), "
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312:joined the label from its inception as
1259:Cameo Parkway history, pictures, lists
1001:Complete Introduction to Northern Soul
1123:from the original on December 3, 2020
541:In the summer of 1963 the No. 1 hit "
7:
1289:Record labels disestablished in 1967
1249:List of Cameo Parkway 45rpm Releases
1244:List of Cameo Parkway Album Releases
944:of the labels' most notable output:
827:, which eventually transformed into
47:adding citations to reliable sources
1234:Official website from ABKCO Records
978:Question Mark & the Mysterians
844:(at least two singles distributed)
581:-distributed Cameo-Parkway label.
14:
1294:Record labels established in 2005
1284:Record labels established in 1956
1167:Carson, David A. (19 June 2006).
916:resided and set up office for C/P
652:was made the label's new head of
1173:. University of Michigan Press.
1157:, February 23, 2014. Ben Sisario
1111:Barnes, Ken (February 9, 2021).
1017:
982:Cameo-Parkway: The Greatest Hits
666:Question Mark and the Mysterians
132:
23:
1279:Companies based in Philadelphia
1187:from the original on 2023-11-10
986:Holiday Hits From Cameo Parkway
621:, but none made the US charts.
367:helped propel them to stardom.
34:needs additional citations for
1003:box set in 2008, and allowing
999:to license some songs for its
980:. A various artists CD titled
609:damage; Barnes also cited the
545:" by the smooth R&B group
495:as the lead singer, released "
444:. In 1960, Checker's cover of
1:
523:", "Not Me" and "Crossfire!"
386:, scoring with such hits as "
325:The first hit for Cameo was "
374:scored his first hits with "
1254:Wyncote Records Discography
1205:Harris, Larry Alan (2009).
306:(Let Me Be Your) Teddy Bear
156:; 68 years ago
1320:
905:Philadelphia Museum of Art
503:", a vocal version of the
892:Benjamin Franklin Parkway
825:Terry Knight and the Pack
648:In mid-1966, 23-year-old
131:
1299:Re-established companies
1005:Collectors' Choice Music
946:Cameo-Parkway: 1957-1967
1239:The Cameo-Parkway Story
882:Philadelphia connection
819:Sunny and the Sunliners
456:" (his second No. 1), "
58:"Cameo-Parkway Records"
16:American record company
1274:American record labels
928:Cheltenham High School
654:Artists and repertoire
1033:List of record labels
997:Universal Music Group
840:Showplace, featuring
613:move and the rise of
478:Popeye the Hitchhiker
223:Cameo-Parkway Records
187:Universal Music Group
127:Cameo-Parkway Records
585:Decline and shutdown
573:label, then briefly
43:improve this article
1088:Guinness Publishing
1025:Philadelphia portal
930:in suburban Wyncote
876:the Five Stairsteps
829:Grand Funk Railroad
1154:The New York Times
1147:2017-07-31 at the
1086:(First ed.).
926:; there is also a
870:Windy C: Owned by
835:the New Colony Six
592:American Bandstand
532:Mashed Potato Time
501:You Can't Sit Down
365:American Bandstand
355:American Bandstand
1304:Pop record labels
924:Cheltenham Avenue
864:and the other by
842:the Yellow Payges
765:Subsidiary labels
670:Robert F. Kennedy
575:Pye International
526:Fifteen-year-old
491:, which featured
458:Let's Twist Again
349:, in the top 20.
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606:British Invasion
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513:The Wah-Watusi
484:" and others.
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410:Chubby Checker
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486:
446:Hank Ballard
438:Fabian Forte
430:Ricky Nelson
418:the Coasters
408:
376:Kissin' Time
372:Bobby Rydell
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283:Philadelphia
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243:popular/rock
227:Philadelphia
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41:Please help
36:verification
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966:the Dovells
914:Bernie Lowe
690:Allen Klein
685:MGM Records
650:Neil Bogart
635:Clark Terry
601:Los Angeles
489:the Dovells
414:Fats Domino
380:We Got Love
310:Dave Appell
287:Bernie Lowe
255:garage rock
173:Bernie Lowe
1268:Categories
1191:2015-07-17
1180:0472031902
1039:References
970:the Orlons
920:Cheltenham
565:, then on
559:Parlophone
511:released "
509:the Orlons
474:Limbo Rock
424:, drummer
404:Forget Him
360:Dick Clark
247:rockabilly
239:dance hits
69:newspapers
974:the Tymes
897:Fairmount
890:Parkway:
862:the Tymes
852:Van McCoy
678:Bob Seger
619:the Kinks
611:Bandstand
547:the Tymes
493:Len Barry
454:Pony Time
450:The Twist
426:Cozy Cole
370:In 1959,
327:Butterfly
1185:Archived
1145:Archived
1121:Archived
1011:See also
935:Reissues
662:96 Tears
571:Columbia
567:Top Rank
482:Birdland
468:" (with
388:Wild One
339:the Rays
291:Kal Mann
251:big band
177:Kal Mann
942:box set
910:Wyncote
743:Parkway
696:, with
462:The Fly
378:" and "
335:R&B
314:A&R
277:History
235:doo-wop
229:-based
196:Various
169:Founder
159: (
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