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label. For the first time both label names appeared on the record labels, although neither the Cameo or
Parkway name was emphasized, and the two series continued to use separate catalog numbering systems. That suggests that a gradual merger of the two labels was in progress, but it was never completed. By late 1967, after financial problems worsened, the Cameo-Parkway company was sold to
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and released four more albums (two on Cameo, one on
Parkway and one on Vando), and three more singles (one on Parkway and two on Vando). Cameo's final single, "Billy Sunshine" by Evie Sands (KC-2002), was originally released with the red and yellow "CP" label then reissued with the new MGM-designated
373:
has spoken of the "warm relationship" his program had with Cameo-Parkway, and of the label's willingness to ensure that quality musical acts were always available to the program on short notice. The label benefited tremendously from the arrangement, as the exposure many Cameo-Parkway artists received
327:
director, and the three worked together as a production team on many early Cameo releases. Mann and Lowe wrote many of the label's early singles, while Mann and Appell also became a successful songwriting team that was responsible for many of the label's hits, particularly after Lowe cut back on his
279:
Until 1962, Cameo was also the parent company name for both labels, and
Parkway was a subsidiary. In 1962, the parent company was renamed from Cameo to Cameo-Parkway, to give both labels equal status. In some foreign markets, Cameo-Parkway was also a label name, issuing records by artists from both
950:
ABKCO reissued Cameo-Parkway recordings in the early 1970s, but allowed them to fall out of print after that time. Virtually all Cameo-Parkway recordings, including all of their numerous chart hits, were officially unavailable in any format for about 30 years, from 1975 to 2005. In May 2005 ABKCO
635:
The third and final event was that Bernie Lowe had become increasingly disenchanted with the business side of record making and, suffering from nervous exhaustion and bouts of depression, he sold his stake in the company in 1964. Mann and Appel soon followed. By mid-1965 none of Cameo-Parkway's
619:
in 1964/1965, which dramatically changed the tastes of the
American record buying public. In a 2021 retrospective, Ken Barnes, analyzing the hit acts of 1963, noted that Cameo-Parkway acts were among the hardest hit by the Invasion, with most acts associated with them suffering permanent career
780:
Wyncote
Records was a budget label started in 1964. It released compilation albums of material by Cameo and Parkway artists as well as new albums of soundtrack and easy listening music. These records were mainly distributed in drug, book and department stores, usually through rack jobbers.
369:. Being located in the same city where this popular nationally broadcast music show was produced meant that Cameo-Parkway artists were always available to perform on the show—especially in the event any other act should cancel. Host and producer
332:
functioned as Cameo's house band for the first few years of, serving as backing musicians for the label's vocalists as well as issuing a handful of instrumental singles on their own. Lowe, also a musician, played piano on many early tracks.
463:" became Parkway's first big hit. Although Ballard's version only reached No. 16 on the R&B chart in 1958, Checker's version went to No. 1 in 1960, and again in early 1962. Checker had several hits, including "
614:
in
February. Suddenly, Cameo-Parkway's primary source of national exposure and promotion was gone. Just as devastating (as it was to many other American labels) was the second event: the onslaught of the
636:
founding trio were associated with the label, and their biggest stars (Bobby Rydell and Chubby
Checker) had also left. Cameo's new management was unable to replicate its success with artists like
344:, which reached No. 1 nationally in early 1957; it was also Cameo-Parkway's first of five chart-toppers. Throughout the remainder of the decade, Cameo continued to have hits by groups like the
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Mann and Lowe had been a successful songwriting team prior to the start of the label, with Mann writing lyrics and Lowe the music; their biggest hit prior to starting the label was
352:, who had a No. 3 hit with "Silhouettes" later that year (picked up from independent XYZ Records). In 1958, the label had further hits with "Dinner With Drac", a novelty record by
768:
1967 MGM distribution label: brown label with new "Parkway" logo at top. The logo includes a large black letter "P" with white arrow inside its perimeter, resembling a highway.
510:", which reached No. 2 in late 1961, followed by "Bristol Twistin' Annie," "(Do The New) Continental," "Hully Gully Baby" and other dance-related songs in 1962 and 1963. "
691:
to his first recording contract, and Cameo-Parkway issued Seger's first five singles, which were all huge regional hits in
Michigan but failed to catch fire nationally.
628:
as other factors in Cameo-Parkway's downfall. Cameo tried to keep pace by licensing a handful of early
British beat group singles, including the first two singles by
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to reissue several albums in 2010. Despite these reissues, many more obscure Cameo-Parkway recordings, and even a few of their lesser hits, remain unavailable.
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679:(picked up from independent Pa-Go-Go Records), which went to No. 1 in the fall of 1966, a novelty remake of "Wild Thing" by comedian Bill Minkin imitating
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In early 1964, three near-simultaneous events sent Cameo-Parkway into a sharp decline from which it would never fully recover. The first was the move of
762:
1960–1966: Orange and yellow label with PARKWAY RECORDS in white letters between two lyre logos at top (Some of these labels do not include the lyres)
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acquiring its remaining subsidiary, Vando label. Cameo
Parkway Records was shut down in September 1967. Bogart landed feet first at the newly formed
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545:", on the same day. It went to No. 2 in the spring of 1962. More dance songs followed, including the follow-up "Gravy" and another dance song, "
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And Party Every Day: The Inside Story Of Casablanca Records: Larry Harris, Curt Gooch, Jeff Suhs: 9780879309824: Amazon.com: Books
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671:'s "Windy C" label), Bogart managed to shepherd in a brief Cameo-Parkway renaissance. The last major hits for the label were "
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had a minor novelty hit in the summer of 1959 called "The Class", which featured Checker doing comic imitations of singers
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1967 MGM distribution label: Pink and white label with CAMEO in dark blue w/pink outline and "cameo" logo inside the "O"
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Tomorrow: Originally distributed by Atco, then by Cameo/Parkway. At least two singles were distributed under C/P
715:, founded by former MGM Records executive Art Kass, and brought along the former Cameo Parkway promotion staff.
667:(A&R). Turning to Midwestern garage bands and orchestrated soul productions (including the distribution of
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848:(the label's only group), four singles and one album were released under Sentar's Cameo/Parkway distribution
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A major factor in Cameo-Parkway's success was its relationship with the Philadelphia-based TV program
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Early stereo albums: Black label with gold print, same CAMEO and "cameo" logo as orange label singles
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Early mono albums: Black label with silver print, same CAMEO and "cameo" logo as orange label singles
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songwriting around 1961, to attend to the business of running the label. In addition, Appell's group
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Audio Arts!: The first two singles were released under Cameo/Parkway before the label was sold to
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instrumental hit, was No. 35 in Cash Box magazine's year end-survey for 1963. The R&B quartet
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959:. In October 2005 it began to issue various single-artist "best of" CD compilations, including
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Chariot: At least five singles were released under Cameo/Parkway before the label was sold to
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1958–1960: Orange label with PARKWAY in black "jumbled" letters between two lyre logos at top
541:
had done a duet with Chubby Checker on "Slow Twistin'", and recorded her first solo single, "
244:
from 1956 (for Cameo) and 1958 (for Parkway) to 1967. Among the types of music released were
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Fairmount, featuring Lonnie Youngblood: At least 27 singles have been released on this label
784:
Other related labels, mostly independently owned but distributed by Cameo-Parkway, included
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Around 1961, the Cameo and Parkway labels began developing some new stars. The vocal group
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Several C/P labels were based on hometown suburbs, highways and landmarks, including...
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1960–1966: Red and black label with CAMEO and new "gold cameo locket" logo at left side
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was the parent company of Cameo Records and Parkway Records, which were major American
526:", which hit No. 2 in the summer of 1962. They had a few more top 20 hits, including "
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Grit, Noise, & Revolution: The Birth of Detroit Rock 'n' Roll - David A. Carson
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1966–1967: Yellow label with broken orange octagon and new PARKWAY "CP" logo at top
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687:(originally on the Attack label as by The Rare Breed) (1967). Bogart also signed
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ABKCO has also begun to license its repertoire out to other labels, allowing
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1966–1967: Red label with broken orange circle and new CAMEO "CP" logo at top
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In mid-1967, Cameo-Parkway entered into a short-lived distribution pact with
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revived the Cameo-Parkway name for reissues only, and released a multi-CD
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885:, eight singles and one album were released on this label, mostly by
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In the UK, Cameo and Parkway recordings were released first on EMI's
871:
Winchester: Only two singles were released under this label, one by
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Key-Loc: At least one single was distributed under Cameo/Parkway by
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under the name Senator Bobby (1966), and "Beg, Borrow and Steal" by
324:
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Ivanhoe: At least one single was distributed under Cameo/Parkway
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1153:"Marty Thau, Manager in Early New York Punk Scene, Dies at 75"
29:
308:. Parkway, initially a subsidiary label, was formed in 1958.
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was also issued, as well as two digital-only compilations:
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Parkway albums also used all of the above label variations
356:
in the top 10, and "Mexican Hat Rock", an instrumental by
280:
labels. The Cameo-Parkway catalogue is currently owned by
816:
Cheltenham: At least four singles released from 1965–1966
742:
Cameo albums also used the above label variations, plus:
560:
marked the last hit from Cameo-Parkway's peak period.
923:: Northern suburb of Philadelphia where C/P founder
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60:. Unsourced material may be challenged and removed.
834:Lucky Eleven, based in Flint, Michigan, featuring
304:; it has no connection to the 1920s record label
819:Cotton: At least three singles released in 1962
1001:Original Northern Soul Hits From Cameo Parkway
914:; there is also a Fairmount Ave. north of the
292:Cameo Records was founded in December 1956 in
1124:"Did the Beatles kill America's radio stars?"
8:
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844:Sentar: Owned by the families of pop group
1094:The Guinness Encyclopedia of Popular Music
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120:Learn how and when to remove this message
588:, before finally appearing on their own
401:" (his biggest hit, peaking at No. 2), "
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323:joined the label from its inception as
1270:Cameo Parkway history, pictures, lists
1012:Complete Introduction to Northern Soul
1134:from the original on December 3, 2020
552:In the summer of 1963 the No. 1 hit "
7:
1300:Record labels disestablished in 1967
1260:List of Cameo Parkway 45rpm Releases
1255:List of Cameo Parkway Album Releases
955:of the labels' most notable output:
838:, which eventually transformed into
58:adding citations to reliable sources
1245:Official website from ABKCO Records
989:Question Mark & the Mysterians
855:(at least two singles distributed)
592:-distributed Cameo-Parkway label.
25:
1305:Record labels established in 2005
1295:Record labels established in 1956
1178:Carson, David A. (19 June 2006).
927:resided and set up office for C/P
663:was made the label's new head of
1184:. University of Michigan Press.
1168:, February 23, 2014. Ben Sisario
1122:Barnes, Ken (February 9, 2021).
1028:
993:Cameo-Parkway: The Greatest Hits
677:Question Mark and the Mysterians
143:
34:
1290:Companies based in Philadelphia
1198:from the original on 2023-11-10
997:Holiday Hits From Cameo Parkway
632:, but none made the US charts.
378:helped propel them to stardom.
45:needs additional citations for
1014:box set in 2008, and allowing
1010:to license some songs for its
991:. A various artists CD titled
620:damage; Barnes also cited the
556:" by the smooth R&B group
506:as the lead singer, released "
455:. In 1960, Checker's cover of
1:
534:", "Not Me" and "Crossfire!"
397:, scoring with such hits as "
336:The first hit for Cameo was "
385:scored his first hits with "
1265:Wyncote Records Discography
1216:Harris, Larry Alan (2009).
317:(Let Me Be Your) Teddy Bear
167:; 68 years ago
1331:
916:Philadelphia Museum of Art
514:", a vocal version of the
903:Benjamin Franklin Parkway
836:Terry Knight and the Pack
659:In mid-1966, 23-year-old
142:
1310:Re-established companies
1016:Collectors' Choice Music
957:Cameo-Parkway: 1957-1967
1250:The Cameo-Parkway Story
893:Philadelphia connection
830:Sunny and the Sunliners
467:" (his second No. 1), "
69:"Cameo-Parkway Records"
27:American record company
1285:American record labels
939:Cheltenham High School
665:Artists and repertoire
1044:List of record labels
1008:Universal Music Group
851:Showplace, featuring
624:move and the rise of
489:Popeye the Hitchhiker
234:Cameo-Parkway Records
198:Universal Music Group
138:Cameo-Parkway Records
18:Cameo Parkway Records
596:Decline and shutdown
584:label, then briefly
54:improve this article
1099:Guinness Publishing
1036:Philadelphia portal
941:in suburban Wyncote
887:the Five Stairsteps
840:Grand Funk Railroad
1165:The New York Times
1158:2017-07-31 at the
1097:(First ed.).
937:; there is also a
881:Windy C: Owned by
846:the New Colony Six
603:American Bandstand
543:Mashed Potato Time
512:You Can't Sit Down
376:American Bandstand
366:American Bandstand
1315:Pop record labels
935:Cheltenham Avenue
875:and the other by
853:the Yellow Payges
776:Subsidiary labels
681:Robert F. Kennedy
586:Pye International
537:Fifteen-year-old
502:, which featured
469:Let's Twist Again
360:, in the top 20.
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617:British Invasion
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495:" and others.
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387:Kissin' Time
383:Bobby Rydell
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52:Please help
47:verification
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977:the Dovells
925:Bernie Lowe
701:Allen Klein
696:MGM Records
661:Neil Bogart
646:Clark Terry
612:Los Angeles
500:the Dovells
425:Fats Domino
391:We Got Love
321:Dave Appell
298:Bernie Lowe
266:garage rock
184:Bernie Lowe
1279:Categories
1202:2015-07-17
1191:0472031902
1050:References
981:the Orlons
931:Cheltenham
576:, then on
570:Parlophone
522:released "
520:the Orlons
485:Limbo Rock
435:, drummer
415:Forget Him
371:Dick Clark
258:rockabilly
250:dance hits
80:newspapers
985:the Tymes
908:Fairmount
901:Parkway:
873:the Tymes
863:Van McCoy
689:Bob Seger
630:the Kinks
622:Bandstand
558:the Tymes
504:Len Barry
465:Pony Time
461:The Twist
437:Cozy Cole
381:In 1959,
338:Butterfly
1196:Archived
1156:Archived
1132:Archived
1022:See also
946:Reissues
673:96 Tears
582:Columbia
578:Top Rank
493:Birdland
479:" (with
399:Wild One
350:the Rays
302:Kal Mann
262:big band
188:Kal Mann
953:box set
921:Wyncote
754:Parkway
707:, with
473:The Fly
389:" and "
346:R&B
325:A&R
288:History
246:doo-wop
240:-based
207:Various
180:Founder
170: (
162:Founded
94:scholar
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675:" by
606:from
547:Ride!
340:" by
204:Genre
101:JSTOR
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1222:ISBN
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987:and
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798:Bell
794:Mala
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215:U.S.
172:1956
165:1956
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790:Amy
610:to
590:Pye
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374:on
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