429:. The submission recommends a judicial review of alleged CRTC corruption related to the Fund which he contends has unjustly enriched cable companies. As per Mr. Mahar, Canadian Radio-television and Telecommunications Commission (CRTC) regulations, cable and satellite television distributors in Canada are required to contribute 5% of their revenue to the fund, which the companies can pass on to their customers in the form of inflated rates service. Since such consumer costs are embedded in their fees for service, consumers are subject to pay the 5% levy plus P.S.T. and G.S.T. on the cost of the company subsidy program. A copy of the submission is posted on the CRTC public file. On February 7, 2008, Mahar issued a press release covered by
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Canadian Radio-television and
Telecommunications Commission, BDUs are required to contribute up to 5% of their gross broadcasting revenue to Canadian programming, with 1.5% to 5% to be contributed to production funds. Of the total contributions to production funds, at least 80% must be directed to the CTF.
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2005 saw the beginning of a transition and establishment of a new relationship with
Telefilm Canada. Telefilm Canada becomes responsible for the administration of CTF files, while the CTF continues to lead the development of strategic policy and program guidelines, research and to report on audiences
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By fostering the growth of television production in Canada through financial investment and industry research, the CTF supports the development of
Canadian talent, programs and audiences. Since 1995, the CTF has contributed to the creation of over 25,000 hours of Canadian programming and has infused
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The CTF receives its funding from two primary sources: the
Department of Canadian Heritage and broadcasting distribution undertakings (BDUs). In addition, the CTF receives revenue from recoupment on production investments made through its Equity Investment Program. Under licence agreements with the
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In 1996, the
Department of Canadian Heritage invites the CPF to join it in a redefined public-private partnership in conjunction with Telefilm Canada's Broadcast Development Production Fund. As a result, the CPF were hereby renamed the Canada Television and Cable Production Fund (CTCPF). Regulatory
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The
Department of Canadian Heritage sets out objectives for the CTF within a Contribution Agreement. The main goal of the CTF is to support the creation and broadcast in peak viewing hours of high-quality Canadian television programs in both official languages in the genres of Drama, Children's and
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The CTF provides financing for the development, production and broadcast of
Canadian-made programming in French, English and Aboriginal languages in the following genres: Drama, Children's and Youth, Documentary, and Variety and Performing Arts. The CTF provides four types of contributions to
373:(CRTC) proposed establishing a funding initiative that would focus on facilitating the production and broadcast of high-quality Canadian television programs in under-represented categories during peak viewing periods. Its revenues were to come from contributions by
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The level of the CTF's contribution to a production varies by genre, language and the stream of funding through which the contribution is obtained. Each funding stream may provide a mix of licence fee top-ups and equity investments, according to a set formula.
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The CTF developed and implemented policies to offer financial contributions to
Canadian producers through specific program funding streams. File administration of these programs was contracted to the Television Business Unit at
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In 1995, the CRTC establishes the Cable
Production Fund (CPF). Their goal was to facilitate the production and broadcast of high-quality Canadian television programs in under-represented categories during peak viewing periods.
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The project will be certified by the
Canadian Audio-Visual Certification Office (CAVCO) and has achieved 10/10 points (or the maximum number of points appropriate to the project), as determined by the CTF using the CAVCO
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The CTF makes financial contributions through five funding streams: Broadcaster Performance Envelopes, Development, French-language Projects Outside Quebec, Aboriginal-language Projects, and Versioning Assistance.
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over $ 2.5 billion into the industry, triggering the production of over $ 8 billion of Canadian programming. CTF-supported productions have cultivated thousands of jobs in the Canadian television sector.
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Ensure appropriate levels of market access for broadcaster-affiliated production companies and independent production companies, with no competitive advantage in French or English broadcast markets
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Eligible projects must meet the following four Essential Requirements (4ER) before they can be submitted for consideration to any stream of funding (with the exception of 2ER documentaries):
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377:(i.e., cable and direct-to-home satellite providers) at a certain percentage of their revenues. What follows is a brief history of the Canadian Television Fund (CTF):
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framework changes were made in 1997 and 1998 respectively, and as a result, the CTCPF were once more hereby renamed the Canadian Television Fund (CTF).
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projects: repayable advances (development); grants (versioning); licence fee top-ups (production); and equity investments (production).
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for his alleged failure to act on information respecting related activities by the CRTC and corporations in the affair.
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On July 20, 2007, Keith Mahar, a former manager at broadcaster CHUM Limited, submitted a report to the CRTC, entitled
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informed the Canadian Television Fund that he would be pulling approximately $ 56 million per year out of the fund.
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NB: Some contributions may take forms other than equity or licence fee top-up, such as grants or advances.
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Implement a mechanism that enhances access to the CTF by programs supported by educational broadcasters
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On 1 April 2010, the Canadian Television Fund merged with the Canada New Media Fund and formed the
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Youth, Documentary, and Variety and Performing Arts, and to build audiences for these programs.
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Set aside an envelope to support French-language productions from producers outside of
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Underlying rights are owned and significantly and meaningfully developed by Canadians.
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The project speaks to Canadians about and reflects Canadian themes and subject matter.
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Encourage production by majority and minority official-language sectors
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Provide developmental support, including script and pilot development
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and the Canadian cable and direct-to-home satellite industries.
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Canadian Radio-television and Telecommunications Commission
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Provide incentives for regionally based productions
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353:The project is shot and primarily set in Canada.
314:Allocate an envelope for programs licensed by
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53:. Unsourced material may be challenged and
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117:Learn how and when to remove this message
282:-language programming and two-thirds to
400:On December 20, 2006, Jim Shaw, CEO of
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442:which was critical of Prime Minister
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107:December 2017
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