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646:. He is widely acknowledged as the first famous performer of the cante flamenco. Originally a blacksmith, El Planeta soon became a renowned leader within the Gypsy community, bearing the honorary title of "Count and Prince of the Fraternity." It is believed he usually sang unaccompanied, although he sometimes accompanied himself on the guitar. The oldest siguiriyas in recorded flamenco history are those of El Planeta. He died around 1850, most likely in or around
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Competition (in 1922) at the age of only 13. During the
Spanish Civil War he worked in theaters to survive. Caracol claimed his style of singing was unique. He is remembered for his capacity to evoke overwhelming passions from his listeners. Caracol frequently performed with full orchestras or pianos (much to the harsh remarks made by the purists). Caracol died at the age of sixty-four in 1973 Madrid.
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Born in
Seville in 1890, La Niña de Los Peines is regarded by some as the most exceptional and innovative female flamenco singer of all time. Affectionately called "La Niña," she was known for her interpretation of the tangos, and was often requested to sing siguiriyas at a time when women did not
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Although trained as a traditional flamenco singer, Camarón broke with convention, incorporating new musical instruments including the drums, zither, flute, moog, and keyboards to name a few. In his comparatively short career of 20 years, he and Paco de Lucía revolutionized the art of flamenco,
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came from an exalted Gypsy dynasty which to this day remains legendary in the arenas of both flamenco and bullfighting. Born in
Seville in 1909, it is commonly believed that his ancestral lineage included both El Planeta and El Fillo. Caracol won the prestigious first prize at the Cante Jondo
662:, El Fillo was the chosen disciple of El Planeta. El Fillo was able to perform all forms of cante, and has thus been known as "the father of cante." His hoarse, harsh voice has become a defining characteristic of cante to this day - this style of singing is described as
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in 1950, and was the second child of eight to a Gypsy blacksmith and a basketweaver. He received his nickname Camarón (Shrimp) early on due to his thin body, light complexion and blond hair, and began performing at the age of eight. In 1969 he made his first album with
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Cante andaluz began to spread during the middle of the 19th century, and is a combination of other forms of folkloric music from
Andalusia which demonstrate a definite influence of Gypsy flamenco music. Cante andaluz genres include the many variations of the
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was expected to enter the family tailoring business, but would escape to the nearby blacksmith to hear the gypsy singers. Here he met El Fillo and was encouraged to become a singer. He later went to
Argentina and Uruguay working as a
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Literally meaning "little song," this form of cante sings of lighter subjects including love, bawdy humor and happiness to the accompaniment of the flamenco guitar. Festive forms of cante chico include forms such as the
294:. Meaning "profound" and "deep," this intensely sad form of cante deals with themes of death, anguish, despair, or religious sentiments and may be sung a palo seco (without guitar accompaniment). Major forms are the
336:(verse of cante) a piece of his soul; and, if not, he is deceiving the listener, perhaps even himself. If there is one style to which the singer has to give everything, has to give every bit of himself, it is the
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340:. I have seen José Menese completely overcome, broken, a literal wreck after doing this song and I believe that if the singer sometimes reaches the kind of state of grace that the Gypsies call
152:(dance). Because the dancer is front and center in a flamenco performance, foreigners often assume the dance is the most important aspect of the art form — in fact, it is the
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The styles of cantes folklóricos aflamencados are forms of cante that are not considered to be true forms of flamenco by the purists. Examples of these styles include the
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183:. Its origins are uncertain but scholars see many influences in the cante flamenco including: The traditional song of the gitanos (Spanish Gypsies), the Perso-Arab
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Cante gitano (or the "Gypsy song") refers to the original songs believed to be developed by
Gypsies who immigrated in the 15th century. These include the
689:, and he also served as an officer in the Uruguay Army. Franconnetti was arguably the best non-Gypsy singer of the Nineteenth Century. He died in 1889.
228:(1869-1910). Beginning in 1910, cante flamenco was popularized by the opera flamenca which included the lighter forms of flamenco such as fandangos and
577:. Among these traditional songs were the tunes, bulerías, jaleos and seguidillas that Lorca himself recorded in 1931 accompanying the famous singer "
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Meaning "intermediate," this form is less profound but also moving, sometimes containing an oriental cast to the music. The term (between
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attracting vast new audiences to the art form. Camarón met his untimely death in 1992 at the age of forty-one, in
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in 1922. Singers from all over
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Lorqueña is a "aflamencado" that has been made from certain ancient folk songs based on the poems of
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that is) varies according to who is singing and describing the "cante intermedio".
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There are many more famous and influential flamenco singers, including:
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in homage to him. It is believed that El Fillo died in 1878 in
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1097:. Edition by Christopher Maurer. New Direction Books, New York, 1998.
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Flamenco developed into its definitive form during its
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The cante flamenco is part of musical tradition in the
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song form, the classical
Andalusian orchestras of the
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49:. Unsourced material may be challenged and removed.
207:), and Andalusian regional folk forms, as well as
1102:Song of the Outcast - An Introduction to Flamenco
961:"Correlates between Berber and Flamenco Rhythms"
693:La Niña De Los Peines (Pastora María Pavón Cruz)
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674:Born 1829, Silverio Franaconnetti was born in
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986:"Soliloquios Flamencos: LORQUEÑAS Y ZORONGO"
156:which is the heart and soul of the genre. A
597:" was a very famous cantaora flamenca from
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581:" with the piano. The lorqueña comes from
1060:"FELIPE LARA ( 43 ) Lorqueña por bulería"
109:Learn how and when to remove this message
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475:Other classifications of cante flamenco
232:. In order to preserve the "authentic"
360:Sample Seguiria describing anguish in
1011:"Hosting Averroes ha sido clausurado"
935:Spanish translation in the Golden Age
702:Manolo Caracol (Manuel Ortega Juárez)
268:There are many variants of cantes or
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1672:Benidorm International Song Festival
714:Camarón de la Isla (José Monje Cruz)
411:y las que siento son las de mi mare
47:adding citations to reliable sources
1687:Festival Internacional de Santander
593:Pastora María Pavón Cruz known as "
575:collection of ancient popular songs
199:forms such as zarchyas and zambra,
1090:, Alianza Editorial, Madrid, 1981.
654:El Fillo (Francisco Ortega Vargas)
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990:Soliloquiosflamencos.blogspot.com
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414:my mother's are the ones I feel
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1605:Galicia, Cantabria and Asturias
525:Cantes Folklóricos Aflamencados
34:needs additional citations for
1104:, Amadeus Press, Oregon, 2003.
638:El Planeta (Antonio Fernández)
203:zayal (the foundation for the
1:
1058:Delgado, Pedro (2012-11-06).
739:Other famous singers of cante
290:and sometimes referred to as
670:Silverio Franconetti Aguilar
1088:Historia del Cante Flamenco
940:Category:Music of Andalusia
392:My mother has her troubles
353:Historia del Cante Flamenco
330:leaves in each line of the
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1086:ALVAREZ CABALLERO, Angel:
900:Glossary of flamenco terms
215:influences as seen in the
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148:(playing the guitar) and
137:[ˈkanteflaˈmeŋko]
1093:GARCIA LORCA, Federico:
698:customarily perform it.
408:las de min dai yo sieno
351:Ángel Álvaro Caballero,
1677:Eurovision Song Contest
246:Concurso de Cante Jondo
1035:"Documento sin título"
611:En el café de Chinitas
364:, Spanish and English:
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276:Indian classical music
230:cantes de ida y vuelta
218:cantes de ida y vuelta
133:Spanish pronunciation:
1064:Pedelgom.blogspot.com
905:Federico Garcia Lorca
595:La Niña de los Peines
571:Federico García Lorca
386:Ducas tenela min dai
326:The singer who sings
242:Federico García Lorca
1615:Navarre and La Rioja
1159:El mundo de Flamenco
752:La Repompa de Malaga
676:Morón de la Frontera
658:Born around 1820 in
613:('At Chinitas Cafe')
585:and is based on the
389:Penas tiene mi mare
43:improve this article
1701:Musical instruments
1137:World Music Central
1095:In Search of Duende
1015:Juntadeandalucia.es
802:Enrique El Granaino
773:La Paquera de Jerez
623:Esquilones de Plata
2007:Spanish folk music
2002:Music of Andalusia
1636:Spanish folk music
1501:Soleá por Bulerías
1411:Cantes a palo seco
1130:2018-09-30 at the
835:Terremoto de Jerez
787:Enrique El Mellizo
719:Camarón de la Isla
419:las de mangue no.
195:synagogue chants,
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432:Cante Intermedio
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32:This article
30:
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1692:OTI Festival
1656:Spanish rock
1641:Spanish jazz
1431:Cartageneras
1400:
1349:Género chico
1276:New flamenco
1101:
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1067:. Retrieved
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992:. 2011-01-13
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968:. Retrieved
965:Academia.edu
964:
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930:New Flamenco
888:Rocio Jurado
878:Mayte Martín
873:Niña Pastori
857:Chano Lobato
843:Manolo Leiva
839:El Chocolate
797:Manuel Torre
742:
723:San Fernando
721:was born in
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480:Cante Gitano
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425:not my own.
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160:singer is a
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41:Please help
36:verification
33:
1600:Extremadura
1406:Cante jondo
1331:Tono humano
1301:Rock urbano
1296:Rock català
1154:El Flamenco
970:12 December
817:Lola Flores
589:style. The
550:Cuban Rumba
448:Cante Chico
438:cante chico
288:cante jondo
234:cante jondo
1991:Categories
1865:Cabreiresa
1812:Txalaparta
1787:Psalterium
1777:Kirikoketa
1491:Siguiriyas
1466:Martinetes
1461:Malagueñas
1340:Xiringüelu
1336:Villancico
1306:Seguidilla
1281:Nova Cançó
1069:2018-03-12
1044:2018-03-12
1020:2018-03-12
996:2018-03-12
946:References
862:José Mercé
660:Villa Real
617:Anda jaleo
547:, and the
532:sevillanas
377:Andalusian
328:seguiriyas
303:martinetes
258:El Caracol
254:El Tenazas
226:Golden Age
179:region of
177:Andalusian
69:newspapers
1961:Chirigota
1916:Classical
1885:Sanabresa
1875:Odrecillo
1722:Castanets
1717:Bandurria
1595:Catalonia
1565:Andalusia
1526:Verdiales
1471:Peteneras
1326:Tonadilla
1316:Tajaraste
1311:Sevillana
1291:Pasodoble
1286:Pasacalle
1223:Chirigota
828:Lebrijano
823:Fosforito
733:Barcelona
687:bullrings
632:cantaores
494:seguiriya
338:siguiriya
320:carcelera
309:seguiriya
197:Mozarabic
2012:Flamenco
1971:Rondalla
1966:Comparsa
1956:Charanga
1921:Flamenco
1870:Galician
1855:Asturian
1837:Zambomba
1772:Guitarro
1742:Dulzaina
1732:Chácaras
1620:Valencia
1511:Tarantas
1456:Guajiras
1451:Granaína
1446:Garrotín
1421:Cantiñas
1396:Bulerías
1381:Alegrías
1366:Flamenco
1344:Zarzuela
1271:Muiñeira
1248:Fandango
1243:Ensalada
1128:Archived
894:See also
847:Duquende
565:Lorqueña
559:Asturias
544:Garrotin
519:cantinas
515:fandango
462:bulerías
456:alegrías
381:English
349:—
205:Fandango
169:cantaora
142:flamenco
123:Flamenco
1931:Morisca
1911:Baroque
1895:Xeremia
1880:de saco
1860:de boto
1822:Vihuela
1807:Trikiti
1797:Tambori
1752:Flabiol
1747:Fiscorn
1516:Tientos
1436:Farruca
1391:Bambera
1386:Alboreá
1238:Endecha
1081:Sources
685:in the
682:picador
648:Seville
630:Famous
599:Seville
587:bulería
583:Granada
555:Galicia
538:Farruca
502:buleria
250:Granada
163:cantaor
83:scholar
1926:Latina
1904:Guitar
1832:Xirula
1817:Txistu
1802:Timple
1782:Palmas
1762:Gralla
1712:Alboka
1610:Murcia
1570:Aragon
1531:Zambra
1356:Romani
1321:Tiento
1261:Jácara
1213:Bolero
1202:Styles
761:Potito
664:afilla
605:Titles
468:tangos
343:duende
318:, and
201:Arabic
193:Jewish
191:, the
185:Zyriab
85:
78:
71:
64:
56:
1951:Cobla
1847:Gaita
1792:Rabel
1521:Tonás
1506:Tango
1496:Soleá
1486:Saeta
1481:Rumba
1401:Cante
1371:palos
1253:Folia
1233:Cuplé
1228:Copla
644:Cadiz
591:gypsy
498:tango
490:soleá
333:copla
315:soleá
297:tonás
271:palos
181:Spain
158:cante
154:cante
150:baile
146:toque
90:JSTOR
76:books
1976:Tuna
1827:Viol
1476:Polo
1266:Jota
972:2021
557:and
517:and
500:and
486:toná
465:and
440:and
372:Caló
362:Caló
256:and
240:and
211:and
127:The
62:news
1257:Isa
248:in
166:or
45:by
1993::
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