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regime, the individual is powerless. Only by means of music would I be able to express my indignation.
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Dallapiccola was to develop the material (and some of the musical ideas) in his 1948 opera
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I should have liked to protest, but I was not so naive as to disregard the fact that, in a
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Quoted by
Francesco Lombardi (trans. Gwyn Morris), notes to
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Dallapiccola sets three texts of imprisonment: a prayer of
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200:"Invocazione di Boezio" (The Invocation of Boethius)
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Meditation on the Psalm 'My hope is in Thee, O Lord
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393:Compositions by Luigi Dallapiccola
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222:Il Prigioniero/Canti di prigionia
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144:The Consolation of Philosophy
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160:Nazi Invasion of Belgium
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119:Songs of Imprisonment
186:Canti di liberazione
59:"Canti di prigionia"
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403:Choral compositions
122:) is a setting for
312:Canti di prigionia
304:Other compositions
262:Luigi Dallapiccola
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135:Mary Stuart
387:Categories
208:References
149:Savonarola
100:March 2015
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336:Serialism
40:talk page
352:Category
139:Boethius
319:Partita
84:scholar
363:Portal
321:(1930)
315:(1938)
296:(1960)
293:Ulisse
288:(1944)
280:(1938)
124:chorus
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269:Opera
192:Songs
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