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343:
interrupts the conversation with news that
Flanders is in revolt and that the bell of Roelandt could soon ring out again, trying to bring new hope to the Prisoner. As the Gaoler leaves with the words "There is one who watches over you ... Have faith, brother. Sleep now ... and hope," he also does not close the cell door completely. Upon noticing this, the Prisoner rushes out.
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Grand
Inquisitor asks the Prisoner, "Why do you want to leave us now, on the very eve of your salvation?" At this point, the Prisoner comes around to the thought that perhaps his ultimate salvation is to be gained from the stake. The opera concludes with the Prisoner's enigmatic whisper of "Freedom?"
342:
The first scene opens inside a cell in the
Inquisitor's Prison with the Prisoner and his Mother speaking. The Prisoner speaks of his torture and suffering, and also of how the Gaoler has brought back his hope and faith, and has made him wish to return to prayer as he did as a child. The Gaoler then
350:
The final scene finds the
Prisoner in a garden at night. He is exuberant at having escaped, and moves towards a great cedar tree that is in the foreground. He makes as if to hug the tree, only to be embraced by the words and sight of the Grand Inquisitor, who is seemingly a part of the tree. The
346:
The action moves out of the cell and follows the
Prisoner on his attempt at escape through the underground passages of the prison. While trying to escape, the Prisoner sees but is not seen by a torturer and is passed unnoticed by two monks too deep in theological discussion to take notice of him.
333:
As the Mother waits to visit her son in prison; she sings of a dream she has had multiple times that haunts her sleep. In it, a figure resembling King Philip II approaches her from the end of a cavern, but then changes imperceptibly into Death. The Mother's singing becomes hysterical, and the
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140:
in the period of 1944–1948. The work contains seven parts and lasts about 50 minutes. The musical idiom is serialism, and it is one of the first completed operas using that compositional method.
791:
476:
417:
Chandos CHAN 5276: Anna Maria Chiuri, Michael Nagy, Stephan Rügamer, Adam Riis, Steffen Bruun; Danish
National Concert Choir, Danish National Symphony Orchestra;
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The
Prisoner finally believes he can smell fresh air, and when he hears a bell he believes to be that of Roelandt, he opens a door to what he hopes is freedom.
616:
715:
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conducted
Christopher West's production. According to the publisher, the first dozen years after the première had over 186 performances of
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Decca/London OSA-1166 (LP issue – first studio recording): Maurizio
Mazzieri, Giulia Barrera, Romano Emili,
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130:. Some of the musical material is based on Dallapiccola's earlier choral work on a similar theme,
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402:, Phyllis Bryn-Julson, Howard Haskin, Sven-Erik Alexandersson, Lage Wedin; Swedish Radio Choir;
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164:. The professional American premiere took place on September 29, 1960, at the
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591:. 1st American ed. New York: G. P. Putnam's and Sons, 1987. 1010–1014.
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CBS 61344 (Italian issue, from radio performance): Liliana Poli,
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offstage chorus cuts her off, bringing the end of the prologue.
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106:. The opera was first broadcast by the Italian radio station
110:
on 1 December 1949. The work is based on the short story
102:) in a prologue and one act, with music and libretto by
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Adaptations of works by
Auguste Villiers de l'Isle-Adam
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Dallapiccola, Luigi (1 July 1953). "The Genesis of the
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457:(3). Translated by Jonathan Schiller: 355–372.
148:The opera's first stage performance was at the
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124:La Légende d'Ulenspiegel et de Lamme Goedzak
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520:
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500:Donat, Misha, "Recordings – Dallapiccola:
324:Time: Second half of the sixteenth century
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792:Adaptations of works by Charles De Coster
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114:("Torture by Hope") from the collection
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188:on radio, concert platform, and stage.
589:George Lascelles, 7th Earl of Harewood
372:; Austrian Radio Choir and Orchestra;
152:on May 20, 1950. The performers were
7:
585:The Definitive Kobbé's Book of Opera
487:. L'Almanacco di Gherardo Casaglia
570:, New York: Penguin Putnam, 2001.
300:A Brother of Redemption (torturer)
14:
447:: An Autobiographical Fragment".
198:Roles, voice types, premiere cast
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408:Swedish Radio Symphony Orchestra
120:Auguste Villiers de l'Isle-Adam
136:(1938). Dallapiccola composed
1:
757:Operas by Luigi Dallapiccola
568:The New Penguin Opera Guide
389:National Symphony Orchestra
813:
787:Operas based on literature
527:Burroughs, Bruce (2000). "
475:Casaglia, Gherardo (2005).
398:Sony Classical SK 68 323:
212:Premiere cast, 20 May 1950
168:, where the cast included
112:La torture par l'espérance
65:December 1, 1949
708:
23:
150:Teatro Comunale Florence
762:Italian-language operas
531:. Luigi Dallapiccola".
463:10.1093/mq/XXXIX.3.355
385:University of Maryland
116:Nouveaux contes cruels
450:The Musical Quarterly
118:by the French writer
265:The Grand Inquisitor
166:New York City Center
547:10.1093/oq/16.4.686
534:The Opera Quarterly
200:
144:Performance history
676:Canti di prigionia
668:Other compositions
626:Luigi Dallapiccola
441:Canti di prigionia
364:, Gerald English,
294:Giangiacomo Guelfi
196:
133:Canti di prigionia
104:Luigi Dallapiccola
29:Luigi Dallapiccola
722:
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514:: pp. 35–36.
419:Gianandrea Noseda
412:Esa-Pekka Salonen
310:
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216:Hermann Scherchen
182:Leopold Stokowski
162:Hermann Scherchen
160:, with conductor
128:Charles De Coster
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693:Related articles
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504:" (March 1974).
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541:(4): 686–693.
529:Il prigioniero
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502:Il Prigioniero
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479:Il prigioniero
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445:Il Prigioniero
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170:Norman Treigle
158:Scipio Colombo
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777:Radio operas
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510:(New Ser.),
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489:(in Italian)
485:20 May 1950"
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404:Eric Ericson
393:Antal Doráti
366:Werner Krenn
349:
345:
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276:First priest
271:Mario Binci
260:Mario Binci
237:The Prisoner
231:Magda László
185:
154:Magda Laszlo
147:
137:
131:
123:
115:
111:
92:The Prisoner
91:
86:
85:
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48:Dallapiccola
39:The Prisoner
38:
782:1949 operas
421:, conductor
414:, conductor
395:, conductor
376:, conductor
374:Carl Melles
214:Conductor:
100:radio opera
35:Translation
25:Radio opera
751:Categories
426:References
355:Recordings
252:The Gaoler
222:The Mother
208:Voice type
69:1949-12-01
45:Librettist
700:Serialism
320:Saragossa
122:and from
716:Category
387:Chorus;
329:Prologue
313:Synopsis
290:baritone
241:baritone
94:) is an
61:Premiere
53:Language
683:Partita
566:(Ed.),
318:Place:
226:soprano
67: (
56:Italian
767:Operas
727:Portal
685:(1930)
679:(1938)
660:(1960)
657:Ulisse
652:(1944)
644:(1938)
587:. Ed.
574:
483:
303:silent
741:Opera
633:Opera
507:Tempo
455:XXXIX
338:Act 1
279:tenor
268:tenor
256:tenor
204:Role
192:Roles
96:opera
572:ISBN
443:and
176:and
543:doi
512:108
459:doi
383:,;
126:by
108:RAI
76:RAI
27:by
753::
583:.
539:16
537:.
519:^
453:.
410:;
391:;
368:,
180:;
172:,
729::
618:e
611:t
604:v
549:.
545::
491:.
481:,
477:"
465:.
461::
90:(
71:)
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