38:
421:
1866:
211:: "Awake, O north wind; and come, thou south; blow upon my garden, that the spices thereof may flow out. Let my beloved come into his garden, and eat his pleasant fruits. I am come into my garden, my sister, my spouse: I have gathered my myrrh with my spice; I have eaten my honeycomb with my honey; I have drunk my wine with my milk: eat, O friends; drink, yea, drink abundantly, O beloved. (
1877:
444:. Similar comparisons, structural and textual can be made for each of the movements. For example, not only are movements 1 and 5 both quotations from Saint Mark's Gospel, thus attaching the work firmly to its patron saint and the church, but they also echo the themes of domes one and five which portray the
404:
of the first. Movements two and four are also related through their use of solo voice, and the central third movement (by far the longest) has an internal ABA structure. The movements' lengths are 36, 48, 156, 57, and 39 bars respectively (movement five adds three bars to the retrograde for a final
508:
was much nearer to the essential truth—unadorned, harsh even—than the sophisticated response of a declining society's disillusioned minds. "He was stimulated by the early polyphonists' straightforward approach, hardly hampered by harmonic implications, as they were; for the emotionally conditioned
432:
bears a strong structural relationship to that of the basilica, the five principal sections of
Stravinsky's piece relating directly to the five domes of Saint Mark's. Both the central dome of the church, and the central movement of Canticum Sacrum, are the largest and most structurally imposing.
260:: "Jesus said to him, If you can, all things are possible to him that believes. And straightway the father of the child cried out, and said with tears, 'Lord, I believe; help my unbelief!'" (Mark 9:23–24)
1204:
1880:
465:
468:
there, and in 1934 conducted his
Capriccio with his son as soloist, as parts of the Venice Biennale. Stravinsky is even interred in Venice on the island of
1906:
1396:
1219:
870:
501:
magazine titled its review "Murder in the
Cathedral", though this barb may have been directed at the performance rather than the composition itself.
888:
1911:
1295:
267:: "And they went forth, and preached everywhere, the Lord working with them, and confirming the word with signs following. Amen." (Mark 16:20)
1183:
1719:
1901:
1471:
392:), plus an introductory dedication (which is set apart textually, structurally and stylistically, from the rest of the piece). The work is
1407:
1358:
830:
Waelti-Walters, Jennifer. 1979. "The
Architectural and Musical Influences on the Structure of Michel Butor's Description de San Marco".
493:
Stravinsky himself conducted the first performance which occurred in Saint Mark's
Cathedral in Venice on September 13, 1956. He was 74.
158:
modes to experimental new techniques. The second movement, "Surge, Aquilo", represents
Stravinsky's first movement based entirely on a
1483:
1163:
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1784:
1044:
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995:
440:(Faith, Hope, and Charity) perhaps corresponding to the central dome of Saint Mark's, which depicts the virtues surrounding
1427:
1413:
1135:
863:
1606:
1214:
231:
6:5) / "Beloved, let us love one another: for love is of God; and every one that loves is born of God, and knows God." (
1235:
1142:
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892:
509:
harmonic style, which was evident, to a varying degree, in his earlier music, had no longer any attraction for him".
1241:
1092:
1030:
943:
369:
is
Stravinsky's only piece to make use of the organ. Its use represents one of many tributes to the traditions of
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1554:
1489:
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1128:
227:: "And thou shalt love the Lord your God with all your heart, and with all your soul, and with all your might." (
1536:
1870:
1601:
856:
409:, proportion, and balance. Movement 3 relates to movements 1 and 5 through their common use of recurring organ
370:
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990:
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401:
397:
474:
804:
Pablo, Kohan. 1988. "La tonalidad en la obra dodecafĂłnica de
Stravinsky: La verticalidad en el
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565:
479:
385:
241:: "They that trust in the Lord shall be as mount Zion" / "I waited patiently for the Lord" (
460:
Stravinsky had long had a special relationship with the city of Venice and the prestigious
193:
Dedicato: "To the City of Venice, in praise of its Patron Saint, the
Blessed Mark, Apostle"
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147:
472:, as is the man who brought him to international fame with the 1910 commission of
185:
Stravinsky selected all of his texts except the opening dedication from the Latin
433:
Furthermore, it is in this movement which
Stravinsky chooses to depict the three
251:: "I believed, therefore have I spoken: I was greatly afflicted." (Psalms 116:10)
414:
393:
352:
344:
300:
228:
1725:
1313:
1267:
151:
569:
154:." The piece is compact and stylistically varied, ranging from established
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1002:
533:
505:
135:
406:
348:
284:
159:
1876:
782:
Davis, John Lawton. 1994. "An Analysis of Serial Technique in Webern's
485:
Stravinsky lacked direct experience with the acoustics of Saint Mark's.
445:
437:
312:
304:
186:
790:
with Implications for Performance". DMA diss., University of Georgia.
756:
Cook, Joseph Thomas. 1976. "A Conductor's Study of Igor Stravinsky's
441:
410:
356:
242:
232:
143:
810:
Primera conferencia annual de la AsociaciĂłn Argentina de MusicologĂa
930:
848:
360:
340:
292:
280:
131:
336:
296:
200:: "Go into the world, and preach the Gospel to every creature" (
852:
795:
Gerhard, Roberto. 1957. "Twelve-note Technique in Stravinsky".
556:
Weissmann, John S. (January 1957). "Current Chronicle: Italy".
812:, 91–104. Buenos Aires: AsociaciĂłn Argentina de MusicologĂa.
413:, and relates to movements 2 and 4 by their common use of
504:
To Stravinsky, the epoch that saw the dawn of European
808:
y consideraciones sobre la musicologĂa acrĂtica ". In
598:
and Los Angeles: The University of California Press.
405:
amen). The construction is sophisticated, exhibiting
189:. They are presented here in an English translation:
585:
and Los Angeles: The University of California Press.
1751:
1712:
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103:
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87:
63:
55:
47:
23:
16:
Choral-orchestral piece composed by Igor Stravinsky
773:Craft, Robert. 1956. "A Concert for Saint Mark",
464:. In 1925, he performed his Piano Sonata at the
819:Canticum Sacrum ad honorem Sancti Marci Nominis
171:Canticum Sacrum ad honorem Sancti Marci Nominis
127:Canticum Sacrum ad Honorem Sancti Marci Nominis
864:
295:(which plays only in the second movement), 2
8:
1628:
871:
857:
849:
635:, CT: Yale University Press. p. 414.
36:
20:
739:
419:
400:: the fifth movement is an almost exact
175:Canticle to Honor the Name of Saint Mark
1205:Concerto for Piano and Wind Instruments
619:
142:(1882–1971) in tribute "To the City of
817:Stein, Erwin. 1956. "Igor Strawinsky:
592:Stravinsky: The Composer and His Works
579:Stravinsky: The Composer and His Works
1555:Double Canon (in Memoriam Raoul Dufy)
1184:Variations: Aldous Huxley in memoriam
727:
695:
683:
671:
667:
655:
428:Some critics have suggested that the
7:
424:Saint Mark's Basilica in the evening
1359:A Sermon, a Narrative, and a Prayer
1907:Religious music by Igor Stravinsky
14:
1785:Coco Chanel & Igor Stravinsky
1210:Capriccio for Piano and Orchestra
1178:Movements for Piano and Orchestra
843:. London and New York: Routledge.
768:". PhD diss., Indiana University.
762:Introitus: T.S. Eliot in memoriam
627:Van den Toorn, Pieter C. (1987).
388:(or sections, since they are all
1875:
1865:
1864:
717:. 24 September 1956. p. 44.
1509:Three Pieces for String Quartet
1189:Canon on a Russian Popular Tune
165:Though most often abbreviated "
1572:Symphonies of Wind Instruments
1514:Three Pieces for Solo Clarinet
1456:Three Movements from Petrushka
1:
1912:Music for orchestra and organ
832:Revue de Littérature Comparée
629:The Music of Igor Stravinsky
220:Ad Tres Virtutes Hortationes
169:", the piece's full name is
1902:Cantatas by Igor Stravinsky
1143:The Song of the Nightingale
1098:Symphony in Three Movements
590:White, Eric Walter (1979).
577:White, Eric Walter (1966).
110:tenor and baritone soloists
68:13 September 1956
1938:
138:piece composed in 1955 by
1860:
1579:Fanfare for a New Theatre
1490:Two Sketches for a Sonata
1296:The Owl and the Pussy Cat
886:
709:"Murder in the Cathedral"
35:
30:
1922:Music based on the Bible
291:, and an orchestra of 1
1842:Charles Ferdinand Ramuz
1812:Monday Evening Concerts
1615:Monumentum pro Gesualdo
1472:Concerto for Two Pianos
841:The Music of Stravinsky
834:(January–March): 65–75.
544:Venetian School (music)
258:Brevis Motus Cantilenae
839:Walsh, Stephen. 1988.
570:10.1093/mq/XLIII.1.104
425:
1484:Sonata for Two Pianos
777:18 (December): 35–45.
670:, pp. 282, 442;
558:The Musical Quarterly
466:ISCM World Music Days
423:
371:Saint Mark's Basilica
152:Blessed Mark, Apostle
1817:New York City Ballet
1713:Named for Stravinsky
1597:Bluebird Pas de Deux
1215:Violin Concerto in D
889:List of compositions
686:, pp. 322, 482.
1738:Stravinsky Fountain
1733:Stravinsky (crater)
1729:(river cruise ship)
1684:Théodore Strawinsky
1607:The Sleeping Beauty
1115:Scherzo fantastique
1038:Danses concertantes
952:The Rake's Progress
524:St. Mark's Basilica
329:contrabass trombone
265:Illi autem profecti
146:, in praise of its
31:Sacred choral music
1679:Soulima Stravinsky
1656:Yekaterina Nosenko
1164:Scherzo Ă la russe
1087:Symphony of Psalms
991:The Rite of Spring
924:The Soldier's Tale
784:Cantata Number Two
426:
79:St Mark's Basilica
42:Stravinsky in 1962
1889:
1888:
1769:George Balanchine
1759:Earnest Andersson
1708:
1707:
1639:Fyodor Stravinsky
1435:Étude for Pianola
1421:Three Easy Pieces
1397:Piano Sonata in F
1366:Requiem Canticles
1282:Abraham and Isaac
1275:Berceuses du chat
845:See esp. 235–238.
825:40 (Summer): 3–5.
799:20 (June): 38–43.
786:and Stravinsky's
766:Requiem canticles
658:, pp. 482–3.
123:
122:
1929:
1879:
1868:
1867:
1797:Sergei Diaghilev
1743:Stravinsky Inlet
1629:
1428:Five Easy Pieces
1414:Valse des fleurs
1402:
1401:
1289:Elegy for J.F.K.
1228:"Dumbarton Oaks"
1225:
1224:
1171:Greeting Prelude
1107:Orchestral music
1081:
1080:
1045:Scènes de ballet
1024:The Fairy's Kiss
873:
866:
859:
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653:
647:
646:
624:
609:
594:(2nd ed.).
586:
573:
480:Sergei Diaghilev
452:, respectively.
363:are all absent.
198:Euntes in mundum
83:
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75:
73:
40:
21:
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1936:
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1930:
1928:
1927:
1926:
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1891:
1890:
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1847:Werner Reinhart
1832:Petrushka chord
1779:Nadia Boulanger
1764:Ernest Ansermet
1747:
1726:Igor Stravinsky
1720:4382 Stravinsky
1704:
1688:
1667:
1644:
1620:
1584:
1559:
1501:
1495:
1449:Les cinq doigts
1442:Piano-Rag-Music
1399:
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1377:
1371:
1345:Canticum Sacrum
1301:
1252:
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1193:
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1078:
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964:
910:The Nightingale
901:
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880:Igor Stravinsky
877:
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806:Canticum Sacrum
803:
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788:Canticum sacrum
781:
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758:Canticum sacrum
755:
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750:Further reading
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519:Igor Stravinsky
515:
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475:L'Oiseau de feu
462:Venice Biennale
458:
430:Canticum Sacrum
382:Canticum Sacrum
379:
367:Canticum Sacrum
321:tenor trombones
277:Canticum Sacrum
274:
245:125:1, 130:5–6)
183:
167:Canticum Sacrum
140:Igor Stravinsky
130:is a 17-minute
119:
77:
71:
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25:Canticum Sacrum
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1774:Ballets Russes
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1662:Vera Sudeikina
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1531:Duo Concertant
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1520:Lied ohne Name
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1236:Ebony Concerto
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902:musical dramas
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742:, p. 109.
740:Weissmann 1957
732:
730:, p. 449.
720:
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698:, p. 482.
688:
676:
674:, p. 482.
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564:(1): 104–110.
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279:is scored for
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1917:1955 cantatas
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1467:Serenade in A
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1242:Concerto in D
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1220:Concerto in E
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1093:Symphony in C
1091:
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1076:Symphony in E
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1031:Jeu de cartes
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642:9780300038842
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605:0-520-03985-8
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529:Neoclassicism
527:
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345:double basses
342:
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325:bass trombone
322:
318:
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309:contrabassoon
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272:Orchestration
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213:Song of Songs
210:
209:Surge, aquilo
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26:
22:
19:
1837:Psalms chord
1792:Jean Cocteau
1783:
1724:
1700:Robert Craft
1613:
1605:
1595:
1589:Arrangements
1577:
1570:
1547:
1535:
1518:
1488:
1476:
1462:Piano Sonata
1454:
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1440:
1433:
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1287:
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1234:
1227:
1176:
1169:
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1155:
1150:Circus Polka
1148:
1141:
1134:
1129:Funeral Song
1127:
1120:
1113:
1085:
1057:
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1043:
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1008:
1001:
989:
982:
977:The Firebird
975:
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613:
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561:
557:
539:Robert Craft
503:
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429:
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366:
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317:bass trumpet
289:mixed chorus
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174:
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156:neoclassical
148:Patron Saint
126:
125:
124:
24:
18:
1602:Tchaikovsky
1408:Four Études
1136:Four Études
996:discography
938:Oedipus rex
893:Discography
470:San Michele
415:dodecaphony
384:is in five
301:cor anglais
229:Deuteronomy
113:mixed choir
1896:Categories
1693:Amanuensis
1549:Epitaphium
1386:Tarantella
1314:Zvezdoliki
1268:Pribaoutki
1069:Symphonies
1010:Pulcinella
945:Perséphone
900:Operas and
728:White 1966
696:White 1979
684:White 1979
672:White 1979
668:White 1966
656:White 1979
550:References
448:, and the
402:retrograde
287:soloists,
218:Part III,
215:4:16, 5:1)
136:orchestral
72:1956-09-13
1852:Serialism
1376:Piano and
1321:Ave Maria
1261:Pastorale
1198:Concertos
1122:Fireworks
1003:Les noces
984:Petrushka
959:The Flood
797:The Score
775:The Score
633:New Haven
614:Footnotes
534:Serialism
506:polyphony
489:Reception
450:disciples
435:Christian
386:movements
377:Structure
349:Clarinets
256:Part IV,
207:Part II,
116:orchestra
96:Movements
64:Performed
1871:Category
1672:Children
1664:(second)
1641:(father)
1400:♯
1223:♭
1079:♭
596:Berkeley
583:Berkeley
513:See also
446:prophets
407:symmetry
398:chiastic
394:cyclical
319:in C, 2
313:trumpets
305:bassoons
285:baritone
263:Part V,
196:Part I,
160:tone row
88:Duration
81:, Venice
56:Language
51:biblical
1752:Related
1658:(first)
1632:Parents
1500:Chamber
1392:Scherzo
1378:pianola
1339:Cantata
1052:Orpheus
969:Ballets
456:History
438:virtues
411:versets
390:attacca
357:violins
225:Caritas
187:Vulgate
104:Scoring
70: (
1869:
1788:(film)
1625:Family
1600:(from
1543:Septet
1352:Threni
1306:Choral
1017:Apollo
917:Renard
764:, and
639:
602:
442:Christ
361:cellos
359:, and
343:, and
341:violas
315:in C,
243:Psalms
233:1 John
204:16:15)
150:, the
144:Venice
132:choral
91:17 min
1881:Audio
1649:Wives
1564:Other
1537:Elegy
1526:Octet
1502:music
1478:Tango
1403:minor
1328:Babel
1253:vocal
931:Mavra
823:Tempo
353:horns
333:organ
297:oboes
293:flute
281:tenor
249:Fides
173:, or
59:Latin
1334:Mass
1251:Solo
1059:Agon
714:Time
637:ISBN
600:ISBN
498:Time
396:and
337:harp
311:, 3
303:, 2
283:and
239:Spes
235:4:7)
202:Mark
181:Text
99:five
48:Text
1604:'s
1157:Ode
821:".
566:doi
1898::
760:,
711:.
631:.
581:.
562:43
560:.
482:.
478:,
373:.
355:,
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331:,
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299:,
177:.
162:.
76::
1610:)
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1226:(
998:)
994:(
872:e
865:t
858:v
645:.
608:.
572:.
568::
417:.
134:-
74:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
