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a class of people is mocked ("infanções") – making such poems a satire and not personal insult –. The background elements are far more varied than compared to the two other genres, and so too is the present situation and action. The techniques in the rhetoric by which the insult is articulated is also highly varied, and this allows a
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Usually the speaker is a man. The addressed person may be the target of insult, or a rhetorical "you", serving as an example of a bigger discourse, or a party to the action described or enacted. The rhetorical intent is always to insult. The insulted is usually a person, though in some compositions
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48:), are poems of insult, mockery and scorn – nearly always with comic intent - which constitute one of the three main genres of medieval
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The physical and social world of the time, unlike the two other
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and their songs, social conflicts, legal and political questions, mockery of religion, more specifically of
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has approximately 400 texts belonging to the genre. It is often incorrectly characterized as
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179:. One way to find an explanation for this genre is to view it as a continuation of the
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are not really known. Henry R. Lang argues that the genre has deep roots in the
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The genre often has complex forms, with a variety of personae, and with the
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339:. In Parkinson, Stephen; Alonso, Cláudia Pazos; Earle, T. F. (eds.).
300:. In Parkinson, Stephen; Alonso, Cláudia Pazos; Earle, T. F. (eds.).
252:. In Parkinson, Stephen; Alonso, Cláudia Pazos; Earle, T. F. (eds.).
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being roughly in the middle of complexity in comparation to the
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Lang, Henry R., Der
Liederbuch des Königs Denis (Halle, 1894)
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229:(in Portuguese). Cantigas Medievais Galego-Portuguesas
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This genre includes sexual themes, mockery of other
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408:, Galaxia, Vigo, 2ª ed. , 1988, p. 188
337:"2: The Medieval Galician-Portuguese Lyric"
298:"2: The Medieval Galician-Portuguese Lyric"
250:"2: The Medieval Galician-Portuguese Lyric"
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335:Cohen, Rip; Parkinson, Stephen (2013).
296:Cohen, Rip; Parkinson, Stephen (2013).
248:Cohen, Rip; Parkinson, Stephen (2013).
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16:Genre of the Galician-Portuguese lyric
397:LANCIANI, Giulia e TAVANI, Giuseppe,
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342:A Companion to Portuguese Literature
303:A Companion to Portuguese Literature
255:A Companion to Portuguese Literature
435:. You can help Knowledge (XXG) by
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406:A poesía lírica galego-portuguesa
41:cantigas d'escarnho e de maldizer
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161:cantigas de escárnio e maldizer
111:cantigas de escárnio e maldizer
65:cantigas de escárnio e maldizer
21:Cantigas de escárnio e maldizer
31:cantiga de escarnio e maldicir
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492:Western medieval lyric forms
156:hardly possible elsewhere.
124:, including mockery of the
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193:Galician-Portuguese lyric
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128:and blasphemies against
61:King Alfonso X, the Wise
399:As cantigas de escarnio
431:-related article is a
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138:Mary, mother of Jesus
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497:Medieval music stubs
347:Boydell & Brewer
345:(reprint ed.).
308:Boydell & Brewer
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260:Boydell & Brewer
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104:cantigas de escárnio
100:cantigas de maldizer
482:Galician-Portuguese
227:"Sobre as cantigas"
159:The origins of the
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404:TAVANI, Giuseppe,
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233:24 February
122:Catholicism
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213:References
173:Old French
26:Portuguese
187:See also
154:elocutio
132:such as
92:and the
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36:Galician
177:Italian
169:Occitan
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77:satire
73:corpus
63:wrote
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372:Notes
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175:, or
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355:ISBN
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235:2019
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