136:, Hamilton (2006–08) and director/chief curator, McMaster Museum of Art in 2008. She has taught and lectured at many universities and since 2006, has served as an adjunct assistant professor in the School of the Arts, McMaster University. In 1987–88, she was president of the Native Art Studies Association of Canada. She has worked for a number of cultural institutions in the Canadian art community since 1982 and from 1991 to 1995 and 2012 to 2016, she was on the board of directors of the
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the artist's participation in the
Winnipeg Art Gallery's groundbreaking 1972 show, Treaty Numbers 23, 287, 1171, which foregrounded questions of cultural diversity, multiplicity of gaze, and history as social construct, and did so within the walls and cultural authority of a major gallery. Now
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art, she is interested in contemporary
Canadian art, and a diverse range of art history and art, including its material practice. She is the author or co-author of many books, catalogues and essays which investigate these subjects, as well as issues of medical inquiry.
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She has also curated exhibitions on a broad range of subjects, from exploring the material history of paintings to the development of art collections and issues of health and wellness, as well as serving as managing producer for many diverse exhibitions such as
88:(born 1959) is a Canadian museum director and curator who advocated for the inclusion of contemporary Indigenous art and for Indigenous voices in Canadian museums in a career spanning over 40 years. Besides post-contact
252:, the catalogue which accompanied an exhibition held at the Kelowna Art Gallery; McMaster Museum of Art; Art Gallery of Sudbury and The Art Gallery of Southwestern Manitoba (both 2007) and contributed to the
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From 1981, she worked in different galleries and museums, then became curator at the
Thunder Bay Gallery (1984–88) and an independent curator (1988–99). She was appointed director/curator at the
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Mandate study 1990–93 : an investigation of issues surrounding the exhibition, collection and interpretation of contemporary art by First
Nations artists
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Mandate Study (1990–93) on the
Subject of the Issues Surrounding the Exhibition, Collection and Interpretation of Contemporary Art of First Nations Artists
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188:(1992) in which she placed contemporary First Nations artists in the context of the contemporary mainstream; and curated or co-curated
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Podedworny organized, co-organized or contributed essays to exhibitions on the art of such First
Nations contemporary artists such as
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Richard Hill, 3 Solo
Exhibitions of Contemporary Indigenous Art that Delved Deeply, Canadianart, October 26, 2016
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From 1987 on, Podedworny has been the recipient of many art critics, art writers and curators grants from the
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Carol
Podedworny biography, Carol Podedworny file, National Gallery of Canada, Library and Archives, Ottawa.
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248:, is the author of "Issues of Access, Representation & Diversity in the Canadian Milieu", in
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commonplace, these issues were then revolutionary in their application to
Aboriginal artmakers.
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Kate Taylor, "Examining the Power and the
Tyranny of Images". Globe and Mail, Feb 5, 1993.
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256:(2010). She has written many articles on a wide range of subjects for magazines such as
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in Toronto (1988–90). The title of her MA thesis, an excerpt of which was published in
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Judy Stoffman, "The Grand Old Dame of Indian Art". Toronto Star, June 2, 2001, p.J3.
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Corinna Ghaznavi, "Robert Houle/John Abrams". Canadian Art Summer 2002, pp. 86–88
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Rethinking History: Abrams, Andrews, Houle, Leydon, Poitras & Ash-Poitras
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Greek & Roman Coins in the collection of the McMaster Museum of Art
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Andy Fabo, "Rethinking History". C Magazine, Summer 1992, pp. 36–41
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in 1991, was "First Nations Art & the Canadian Mainstream".
511:. Hamilton: McMaster Museum of Art / ABC Art Books Canada.
221:(1989), and the chapter "Daphne Odjig: Making History", in
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Kate Taylor, "Arts About". Globe and Mail, March 20, 1992
184:(2006) and others. She curated the important exhibition
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to Ukrainian and British parents and grew up mostly in
477:. Toronto: Key Porter Press. 2001. pp. 13–26.
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Re-Mediations: Stephen Foster & James Gillespie
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354:"First Nations Art & the Canadian Mainstream"
132:Art Gallery (1999–2006), director/curator at the
205:(2012). She has co-authored with Robert Houle a
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113:(1977–81); her Master of Museum Studies at the
16:Canadian curator, museum director (born 1959)
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219:Woodlands: Contemporary Art of the Anishnabe
109:. She received her BA in Art History at the
474:Odjig: The Art of Daphne Odjig, 1960 – 2000
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579:21st-century Canadian non-fiction writers
569:20th-century Canadian non-fiction writers
442:Houle, Robert; Podedworny, Carol (1994).
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448:. Thunder Bay: Thunder Bay Gallery.
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584:21st-century Canadian women writers
574:20th-century Canadian women writers
246:Robert Houle: Troubling Abstraction
619:Canadian people of English descent
559:Canadian women non-fiction writers
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352:Podedworny, Carol (Fall 1991).
624:Directors of museums in Canada
609:Writers from Kingston, Ontario
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254:Husar Handbook: Natalka Husar
67:(1981–84); MA (Art History),
594:University of Toronto alumni
262:Canadian Museums Association
589:University of Guelph alumni
229:, which was praised by the
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79:curator, museum director
69:York University, Toronto
564:Canadian art historians
554:Canadian women curators
414:. Mercer Union, Toronto
101:Podedworny was born in
629:Women museum directors
599:York University alumni
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168:(1994), as well as on
134:McMaster Museum of Art
130:University of Waterloo
549:Canadian art curators
507:Moray, Gerta (2010).
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193:: Burden of Innocence
115:University of Toronto
65:University of Toronto
408:"Rethinking History"
274:Ontario Arts Council
111:University of Guelph
61:University of Guelph
35:Carol Ann Podedworny
327:"Carol Podedworny"
223:Odjig: The Art of
217:(2022). She wrote
634:Art museum people
412:johnabramsart.com
160:(1993 and 2002),
103:Kingston, Ontario
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59:BA, Art History,
49:Kingston, Ontario
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227:, 1960–2000
201:(2009) and
182:Jane Buyers
180:(2006) and
174:Rae Johnson
170:Julie Voyce
164:(2012) and
162:Greg Staats
533:Categories
484:1552632865
455:0920539440
358:C Magazine
284:References
123:C Magazine
418:7 October
337:7 October
166:Carl Beam
71:(1988–90)
56:Education
195:(2008),
172:(1999),
156:(1988),
152:(1984),
107:Hamilton
333:. CAMDO
178:Ed Pien
144:Writing
40: (
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268:Awards
97:Career
513:ISBN
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450:ISBN
420:2022
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276:and
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42:1959
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31:Born
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