Knowledge (XXG)

Carol Sutton (artist)

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1987 "V.I.P..........A Selection of Very Important Painters celebrating their work of the 80's", Gallery One, Toronto, Ontario, Canada, November 29 to December 17, (paintings by: Stanley Boxer, Joseph Drapell, Fridel Dzubas, Sam Francis, Helen Frankenthaler, Doug Haynes, David. Hockney, Katja Jacobs,
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1981 to 1982 "The Heritage of Jack Bush: A Tribute", (paintings 'Raleigh Red', 1981 and 'Pink Float', 1979) In Canada: Robert McLaughlin Gallery, Oshawa, Ontario, Koffler Centre for the Arts, Willowdale, Ontario, Mendel Art Gallery, Saskatoon, Saskatchewan, Medicine Hat Museum, Medicine Hat, Alberta,
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The daughter of Robert William Sutton, a designer and manufacturer of marine instruments and Nancy Chester Sustare, artist and homemaker, Carol spent her first six years living in a log cabin high on the sand dunes of Chesapeake Bay overlooking the Atlantic Ocean. She won a blue ribbon for her art in
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1998, -"Abstraction Now", Selected by Karen Wilkin"-, place: Gallery One, Toronto, Ontario, Canada, Featuring paintings by: Ann Clarke, Michele Drouin, Katja Jacobs, Harold Feist, Joseph Drapell, Douglas Haynes, Bill Kort, Bobby Tamo, Alice Teichert, and Carol Sutton. Lecture given by Karen Wilkin.
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1973 FANCYE(^ Reference 11) by David Jaeger and Carol Sutton for Organ Toronto, Ontario, Canada and computer synthesized sound, moving sculpture, still sculpture and lights, for New Music Concerts, Concert Hall Organ - Inaugural Concerts, Edward Johnson Building, University of Toronto. Martin
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1999/2000 - 'Abstraction- A Curator's Choice', The Art Gallery of Algoma, Sault Ste. Marie, Ontario, Canada. "Guest curator, Christiane Becker, was born in Cologne, Germany - Becker arrived at a list of five abstract painters: Joseph Drapell; Harold Feist; Paul Fournier; Carol Sutton; and, Jean
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In 1967, when Sutton was twenty-two, her work entered the Jacob Kainen Collection, of the Smithsonian Museum of American Art with a portfolio of sixteen serigraphs titled 'The Artist As A Young Woman - Picabia'. Thinking that her artistic goals and the materials she used were similar to those of
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1980 "The New Generation: A Curator's Choice by Kenworth Moffett", Premiere- The Andre Emmerich Gallery, New York, New York, September 4 to 27 and then touring Europe in 1981 to; American Cultural Centre, Paris, France, Amerika House, Berlin, West Germany, Arzore Cooperative, Porto, Portugal,
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1978 "Certain Traditions: Recent British and Canadian Art" (paintings, "Lockhaven, 1977, Bay Bridge, 1977, and Cove, 1977) Touring Canada & United Kingdom: Mostyn Gallery, Lhanducho, Wales, City Art Gallery, Aberdeen, Scotland, Herbert Art Gallery, Coventry, England, Commonwealth Institute,
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In Canada Sutton produced multiple exhibitions across Canada and showed with the Theo Waddington Galleries, Montreal,and later at Gallery One in Toronto. In Toronto, Sutton also did sculpture collaborations with contemporary electronic music composers. In Canada Sutton's work received positive
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In 1977, Sutton presented her first Canadian exhibition at the A.C.T. Gallery. In 1978 Sutton held her first New York one-woman show at the William Edward O'Reilly Gallery. In the U.S.A. Sutton's work was noted by critic Kenworth Moffett, the Contemporary Curator of The
86:. She is a painter whose works on canvas and paper have been shown in 32 solo exhibits as well as being included in 94 group shows. Her work, which ranges from complete abstraction to the use of organic and architectural images, relates to the formalist ideas of 297:
1982 "Color II", paintings by John Griefen, Darryl Hughto, Carol Sutton, Dan Christensen, Kikuo Saito, Susan Roth, and Clifford Ross, Martha White Gallery, Louisville, Kentucky, U.S.A.(paintings - "Fan Series" -, 'Crossroads, 1981, and 'Umbrian Royal,
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1982 "Selected Paintings of Contemporary Abstractionists", paintings by Carol Sutton, Ronnie Landfield, Darryl Hughto, Saito, Zox, Susan Roth, Tammany, Harman, and Francis, (paintings - "Fan Series" -'Clay Roses', 1981, and 'Crystal Brown Royal',
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Landfield, Ronnie, NewYorkArtWorld.com, The Whitney Museum Ends the American Century, The American Century: Art and Culture - Part 2, 1950 – 2000, The Whitney Museum of American Art, September 26, 1999 – February 13, 2000, by Ronnie Landfield©
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2009, Bright Colours, Big Canvas: Jack Bush', at Agnes Etherington Art Centre, Queen's University, Kingston, Ontario, Canada, by Alicia Boutilier | Curator of Canadian Historical Art. Includes artists: David Bolduc, Paul Fournier,
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Painting. Her smaller paper works often take on unusual structural forms and have widely extended edges, sometimes cut in wave shapes. She became known in the 1970s for her "fan" paintings and for her long horizontal pictures.
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1968 Gallery of Contemporary Art, Winston-Salem, North Carolina, now called South Eastern Center for Contemporary Art - SECCA' -The Curator and Director then was Ted Potter: sculpture. Title: 'Five Pink Polyethylene Plastic
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1969 "Art on Paper", Weatherspoon Art Gallery, Greensboro, North Carolina, U.S.A., November. Juror was Mr. Richard Bellamy, of New York City. (2 works, black paper 3' x 5 2/3" rolled, pinned & clipped with paper clips,
135:, Will Insley, Sutton's professor at UNCG, introduced the two women in 1969 in his New York loft. That year a large scale sculpture she created was purchased by 'Weatherspoon Art Gallery', Greensboro, N.C. 446:
Lypchuk, Donna, Exhibition essay 'A Spanner in The Works - Ethos and Spirituality in Abstract Painting' for show at Oakham House, Ryerson University, by Terrance Sulymko Fine Art, November 1990
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Grant allowed her to again travel to Europe to photograph and study ironwork throughout Spain and France. The experience resulted in a series of paintings titled 'The Spirit Balcony Paintings'.
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Sutton became known for her large scale abstract acrylic paintings, which she painted with canvas laid directly on the floor. Her art has been linked by critics to the art movement called
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1976 "Abstractions", Gallery-Straford, Stratford, Ontario, Canada; Canadian Cultural Centre, Paris, France; and Canada House, London, England ("Untitled :Tropical Series" painting, 1976)
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1981 Three Person Group Museum Show: "Keller Sutton and Saito", Edmonton Art Gallery, Edmonton, Alberta, ( "Fan Series" -including, 'Titan', 1981, 'Clarion', 1977, and 'Fruition', 1981)
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Burlington Cultural Centre, Burlington, Ontario, Rodman Hall, St. Catharines, Ontario, Gallery - Stratford,Stratford, Ontario, Sir George Williams University, Montreal, Quebec
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Terry Fenton Feature Article: Canadians, Carol Sutton, Update, Volume 3, No. 1, January/February 1982, The Edmonton Art Gallery, Edmonton, Alberta, Canada
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ARTS Magazine, December 1979, Volume 54. No. 4, (William Edward O'Reilly, through November 30), by the Art Digest Co., New York, NY, USA, page 16
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Walter Darby Bannard- Carol Sutton's New Paintings- The Water Spiral Series, exhibition catalogue essay, Gallery One, Toronto, Ontario, Canada
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Working on large sculpture in the isolation of her studio in Greensboro, North Carolina Sutton was offered a solo show of these works at The
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1969 "Montpelier Farm Stable Show of Eight Artists", Landover, Upper Marlboro, Maryland, October (sculpture of glass titled: 'Global March')
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Eight years after she left, Sutton returned to New York to show as an artist, this time as a painter not a sculptor. There she received an
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Donna Lypchuk Carol Sutton: Eye Of The Vortex, The Silhouette-Grill-Balcony Paintings, cover and feature article, Artpost 33, Summer, 1989
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1987 THE EYE OF THE OVAL a painting apx. 8 feet by 18 feet for Orlando, Florida, USA Cineplex Odeon Corporation of Sand Lake Seven Cinemas
836: 232:. In 1987 Sutton was invited to participate in the Art Triangle Workshop in Barcelona, her third Triangle workshop. Two years later a 438: 244:, writes of the artist: "Always a fluid and luscious painter of great gusto, comfortable with intimacy as well as the grand scale." 710: 831: 104: 766: 427:
David Burnett & Marilyn Schiff illustrated, Contemporary Canadian Art, Co-published by Hurtig & Art Gallery of Ontario
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the Junior Section at the Sears-Allstate Tidewater Arts Festival. She received two Virginia Museum Fellowships and studied at
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R.R. Bowker Company, American Federation of Arts, Database Publishing Group - Art - 1990 -Who's Who in American Art, 1991–92
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1985 "The MBA (Boston) Hines Contemporary Art Collection", University Place at Harvard Square, Boston, Massachusetts, U.S.A.
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James Clark The Problem of Fundamental Ontology, Volume III, Limits Book Company, Toronto, Ontario, Canada, Published 1973
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James Clark The Problem of Fundamental Ontology, Volume III, Limits Book Company, Toronto, Ontario, Canada, Published 1973
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International Biographical Centre International Who's Who of Intellectuals, 9th edition, Cambridge, England, Spring 1991
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2007, The Sam & Adele Golden Foundation for the Arts, 10 Year Celebration & Art Auction Benefit, New Berlin, NY
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The New Generation: A Curator's Choice, exhibition catalogue essay, illustrated, André Emmerich Gallery, New York
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1980 "The Staff Collects - An Experiment" - Shell Canada, Harbourfront Art Gallery, Toronto, Ontario, Canada
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1980 "Sutton, Saito, and Ross", Salander-O'Reilly Galleries Inc., New York, New York, U.S.A. ( paintings)
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2003, Grand Re-Opening Saturday April 12, 2003 - The Fitzwilliam Museum of Cambridge, United Kingdom,
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Abstract Painting in Canada, Publisher: Douglas & McIntyre, pages Pages: 261, 262, and 124, 2007
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grants in 1974, 1975, 1976, 1977, and 1979. She received a bursary and two travel grants from the
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Sotheby's Important Canadian Art, Auction & exhibition catalogue, May 31, 1990, Toronto, ON
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Karen Wilkin Selections from The Westburne Collection, The Edmonton Art Gallery, catalogue 1982
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1978 "Carol Sutton and Thomas Downing", William Edward O'Reilly Inc., New York, New York, U.S.A
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with whom she has two children, Viva-Laura Sutton-Fauteux (1980-2016) and Yale Sutton-Fauteux.
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David Burnett Cineplex Odeon The First Ten Years- A Celebration of Contemporary Canadian Art,
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Robert Motherwell, Kenneth Noland, Jules Olitski, Larry Poons, Frank Stella, and Carol Sutton)
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Roald Nasgaard, Abstract Painting in Canada, (soft-back) Publisher: Douglas & McIntyre,
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http://www.getty.edu/vow/ULANFullDisplay?find=&role=&nation=&subjectid=500102548
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in 1974 and both have been included in a number of exhibitions related to Bush's influence.
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Fried, Michael, Triangle Artists' Workshop, published catalog, 1986, Triangle Arts Trust
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Memorial University of Newfoundland Art Gallery Saint Johns, New Brunswick, Canada
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and is noted for the use of color. Some of Sutton paintings have been related to
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Canada Council Art Bank Ottawa, Ontario, Canada, Tuna, 1977 and Penny Royal 1977.
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The Fitzwilliam Museum of Cambridge, United Kingdom, The New Hall Art Collection
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in New York. However, she instead moved to Canada and married the sculptor
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Art Gallery of Greater Victoria, (AGGV),Victoria, British Columbia, Canada
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Sutton received two teaching fellowships which allowed her to attend the
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has loaned two paintings, Virginia Greens (1981) and Floral Tops (1986),
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1977 "New Abstract Art", Edmonton Art Gallery, Edmonton, Alberta, Canada
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Karen Wilkin Certain Traditions: Recent British and Canadian Art, 1978
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Keller, Saito and Sutton" Edmonton Art Gallery catalogue (1981).
78:(born September 3, 1945) is a multidisciplinary artist born in 760: 122:. In 1969 she graduated with a Masters of Fine Art degree. 114:(UNCG), where her professors introduced her to the work of 492:
McGowan, Alison C (Editor), Who's Who in American Art-2004
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Union List of Artist Names, Getty Museum - Carol Sutton,
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Karen Wilkin Carol Sutton:,ARTS Magazine, December 1979
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1972 AUTOMATIC DUO by David Jaeger and James Montgomery
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Agnes Etherington Art Centre Kingston, Ontario, Canada
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The Art Gallery of Alberta, Edmonton, Alberta, Canada
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1976 "Olympiad XXI", Montreal, Quebec, (4 paintings)
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Sociedade Nacional de Belas Artes, Lisbon, Portugal
63: 55: 30: 23: 822:University of North Carolina at Greensboro alumni 378:(Museu d'Art Contemporani de Barcelona, or MACBA) 348:Liefhebber drawing of Fancye by Jaeger and Sutton 620:Reed Publishing Who's Who in American Art, 1990 597:"Short Curriculum Vitae of artist Carol Sutton" 449:Reed Publishing Who's Who in American Art, 1990 711:Carol Sutton at the Museum of Fine Arts Boston 313:Painting included was: 'Salient Balcony', 1990 8: 149:While working in Canada, Sutton was awarded 112:University of North Carolina at Greensboro 20: 525:. Midmarch Associates. 1980. p. 17. 817:Virginia Commonwealth University alumni 512: 645: 579: 577: 575: 573: 571: 569: 567: 565: 563: 561: 368:The Smithsonian Museum of American Art 195:The New Generation: A Curator's Choice 559: 557: 555: 553: 551: 549: 547: 545: 543: 541: 466:Canadian Art in the Twentieth Century 216:which is related to the tradition of 202:Adolph and Esther Gottlieb Foundation 7: 701:. Smithsonian Museum of American Art 376:Barcelona Museum of Contemporary Art 169:, and was influenced by the artists 16:American Canadian artist (born 1945) 792:20th-century American women artists 14: 224:Sutton was encouraged by critic 371:The Museum of Fine Arts Boston 105:Richmond Professional Institute 807:Artists from Norfolk, Virginia 1: 827:21st-century American women 242:Abstract Painting in Canada 155:Canada Council for the Arts 853: 723:"Artist page Carol Sutton" 187:Boston Museum of Fine Arts 837:Canadian abstract artists 230:Triangle Artist Workshop 228:whom she met 1n 1986 at 98:Early life and education 84:Toronto, Ontario, Canada 82:, USA and now living in 832:Canadian women painters 248:Major group exhibitions 157:between 1983 and 1992. 193:Gallery touring show, 692:"Carol Sutton-Martin" 463:Murray, Joan (1999). 401:Selected bibliography 161:reviews from critics 76:Carol Lorraine Sutton 35:Carol Lorraine Sutton 812:Artists from Toronto 469:. Toronto: Dundurn. 353:Painting commissions 151:Ontario Arts Council 601:www.carolsutton.net 214:Lyrical Abstraction 175:Helen Frankenthaler 140:O.K. Harris Gallery 697:2011-05-13 at the 522:Women Artists News 797:Canadian painters 501:978-1-55365-226-7 339:Music commissions 163:Clement Greenberg 88:Clement Greenberg 80:Norfolk, Virginia 73: 72: 49:Norfolk, Virginia 45:September 3, 1945 844: 761:Official website 748: 745: 739: 738: 736: 734: 725:. 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Retrieved 727:the original 717: 706: 687: 677: 671: 662: 653: 641: 631: 625: 616: 604:. Retrieved 600: 591: 584: 583:"Biography". 531: 521: 515: 478:. Retrieved 465: 241: 223: 211: 208:Later career 199: 194: 183: 171:Anthony Caro 167:Karen Wilkin 159: 148: 137: 129: 126:Early career 116:Morris Louis 109: 101: 75: 74: 25:Carol Sutton 18: 782:1945 births 646:Murray 1999 632:Artmagazine 606:27 December 363:Collections 218:Color Field 776:Categories 507:References 480:13 October 41:1945-09-03 475:260193722 179:Jack Bush 133:Eva Hesse 733:24 March 695:Archived 197:(1980). 92:ontology 317:McEwen. 204:grant. 59:painter 499:  473:  437:  64:Spouse 302:1981) 298:1982) 258:1969) 254:Bags. 240:, in 735:2015 608:2019 497:ISBN 489:1999 482:2022 471:OCLC 435:ISBN 374:The 173:and 165:and 118:and 31:Born 678:ABM 778:: 599:. 540:^ 94:. 737:. 610:. 484:. 461:* 43:) 39:(

Index

Norfolk, Virginia
André Fauteux
Norfolk, Virginia
Toronto, Ontario, Canada
Clement Greenberg
ontology
Richmond Professional Institute
University of North Carolina at Greensboro
Morris Louis
Kenneth Noland
Eva Hesse
O.K. Harris Gallery
André Fauteux
Ontario Arts Council
Canada Council for the Arts
Clement Greenberg
Karen Wilkin
Anthony Caro
Helen Frankenthaler
Jack Bush
Boston Museum of Fine Arts
André Emmerich
Adolph and Esther Gottlieb Foundation
Lyrical Abstraction
Color Field
Michael Fried
Triangle Artist Workshop
Canada Council
Roald Nasgaard

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