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recipient of the 2019 Audrey Irmas Award for
Curatorial Excellence. She is currently Honorary Guest Professor at FHNW University of Applied Sciences and Arts Northwestern, Switzerland. She has lectured widely at art and educational institutions and Universities for the Arts, including the Goethe University, Frankfurt; Harvard University, Cambridge; MIT, Boston; Jawaharlal Nehru University, New Dehli; Cooper Union, New York; The Courtauld Institute of Art, London; Monash University, Melbourne; Di Tella University, Buenos Aires; Northwestern University, Chicago, and UNITO, Università di Torino, Turin.
881:, London; MACBA, Barcelona, and the first monograph by Canadian artist Janet Cardiff at PS1 Contemporary Art Center, New York, 2001, as well as a monograph on the work of Pierre Huyghe (Skira, Milan, and Castello di Rivoli, 2004) and Franz Kline (Skira, Milan, and Castello di Rivoli, 2004). For dOCUMENTA (13), she wrote several theses and commissioned over 100 essays for the three-volume catalog and publication series with Hatje Cantz "100 Gedanken / 100 Notizen (100 Notes / 100 Thoughts)". She published the catalog "Saltwater: A Theory of Thought Forms" for the 14th Istanbul Biennial (IKSV, 2015).
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631:. dOCUMENTA (13) also included an editorial project entitled 100 Notes - 100 Thoughts which was composed of facsimiles of existing notebooks, commissioned essays, collaborations and conversations. To launch her edition of Documenta, she issued a dog-themed calendar, Dogumenta, presumably to advertise her ‘‘anti-anthropomorphic'' perspective.
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exhibition at the MCA Museum of
Contemporary Art in Sydney. She co-treats Pantagruel syndrome. T1 TorinoTriennaleTremusei, the first Triennale di Torino, a project that inaugurated in November 2005 with the aim of exploring the conceptual gigantism and fragility of our gargantuan world, through two
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Museo d'Arte
Contemporanea in Turin in 2009 and from 2016 to 2023. She was also the founding Director of Fondazione Francesco Federico Cerruti from 2017 to 2023. She was Edith Kreeger Wolf Distinguished Visiting Professor in Art Theory and Practice at Northwestern University (2013–2019). She is the
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Christov-Bakargiev was appointed Chief
Curator of the Castello di Rivoli Museum of Contemporary Art in January 2002. Her first project at the Castello di Rivoli is Matrix.2 by Francis Alÿs, in May 2002. In 2003, she curated the collective exhibition The Moderns / I moderni che explores modernist
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In 2015, Christov-Bakargiev curated the 14th
Istanbul Saltwater Biennial titled Saltwater: A Theory of Formsche brings together new commissions and existing artworks made by more than eighty participants using over twenty-five venues across the Bosphorus with works by artists such as William
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and is conceived as a constellation of artworks that explore the impulse to revolt and all those forms embedded in the etymology of the word "revolution", such as the relationship and gap between revolutionary art and art for revolution from the first avant-gardes to today
364:. For Antwerp '93: European Capital of Culture curated with Iwona Blazwick and Yves Aupetitallot the international anthological exhibition On taking a normal situation and retranslating it into overlapping and multiple readings of conditions past and present at the
599:, in Kassel, Germany, but which also included a series of workshops, seminars, and exhibitions in Alexandria, Kabul, and Banff. The show presented new commissions from over 150 artists and other participants, including Janet Cardiff and George Bures Miller,
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Subsequently
Christov-Bakargiev curated a documentary exhibition on international art of the 1980s, entitled Around 1984: A Look at Art in the Eighties (2000) and organized the second group exhibition of young artists entitled Some New Minds:
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After graduation
Christov-Bakargiev moved to Rome. From 1987 onwards she worked as an independent curator, organizing several exhibitions including Molteplici Culture, Rome (1992) which included more than fifty artists and curators including
877:, London, in 1999. She also published the first monograph on the work of the South African artist William Kentridge, which accompanied the first traveling Kentridge retrospective between 1998 and 1999 at Palais des Beaux Arts, Brussels;
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In addition to her work at
Castello di Rivoli, Christov-Bakargiev also served as director of the Galleria Civica d'Arte Moderna e Contemporanea in Turin from 2016 to 2018; both museums later merged during her tenure when she curated
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perspectives in the works of young artists from around the world. In 2004, for the
Castello di Rivoli she curated a traveling exhibition with works by William Kentridge at the beginning of 2004, also presented at the
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Interested in the relationship between historical avant-gardes and contemporary art, Christov-Bakargiev has written extensively on the Arte Povera movement and art for magazines and catalogues. Her book
186:, to an Italian mother and a Bulgarian father. She has dual Italian and American citizenship, although she lives and works mostly in Italy. She speaks fluent English, French, Italian and German.
368:(1993). In 1996, she curated the first anthological exhibition on the Italian post-war artist Roberto Burri in Rome (Palazzo delle Esposizioni), Brussels (Palais des Beaux Arts) and Munich (
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491:(2001). In the winter of 2001, she curated the first retrospective on the Janet Cardiff exhibition, and the group show Animations with
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in New York. There, in the spring of 2000, she promoted and co-curated the first edition of
Greater New York, a collaboration with the
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in Rome (1998-2000), a three-year project that included new commissions by more than one hundred artists including Janet Cardiff,
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Since 2021, Christov-Bakargiev has been serving on the selection committee for The Future Is Unwritten artist response fund.
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She completed her high school education in Washington D.C. and subsequently graduated in Literature and Philosophy at the
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on June 9, 2012, holding workshops, seminars and exhibitions in Alexandria, Egypt; Kabul, Afghanistan; and Banff, Canada.
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In 1997, Christov-Bakargiev organized Citta'-Natura, a collective exhibition of international artists including
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World Health Organization joins art world to launch global campaign confronting mental health toll of pandemic
567:. Entitled Revolutions – Forms That Turn, the biennial spans major Australian art institutions, including the
986:(including collaborations with George Bures Miller), P.S. 1 Contemporary Art Center, Long Island City, 2001,
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in 2016; Cally Spooner for the Artissima art fair's Illy Present Future Prize in 2017; Nima Nabavi for the
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In 2017, Christov-Bakargiev facilitated the museum's acquisition of the $ 570 million collection of
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Anna Boghiguian to Take Home $ 106,000 After Receiving One of the World’s Biggest Art Prizes
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Carolyn Christov-Bakargiev Wins CCS Bard’s Audrey Irmas Award for Curatorial Excellence
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In 2022, Christov-Bakargiev helped curate A Cielo Aperto (Open Sky), four artworks by
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In 2006, Christov-Bakargiev co-curated with Ida Gianelli and Judith Blackall the
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Dubai Culture and Bulgari announce inaugural contemporary art award jury members
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newspaper. She wrote about the work of international artists for publications.
234:. Contentious material about living people that is unsourced or poorly sourced
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Game-Changing Curator and Museum Director Carolyn Christov-Bakargiev to Retire
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Game-Changing Curator and Museum Director Carolyn Christov-Bakargiev to Retire
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Game-Changing Curator and Museum Director Carolyn Christov-Bakargiev to Retire
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Game-Changing Curator and Museum Director Carolyn Christov-Bakargiev to Retire
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to the Botanical Garden. Subsequently she co-curated with Laurence Bossé and
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In 2013, Christov-Bakargiev was Menschel Visiting Professor in art at the
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Christov-Bakargiev began her career in the artistic field by writing for
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in Düsseldorf, at the MCA Museum of Contemporary Art in Sydney, at the
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Francesco Manacorda appointed director of Castello di Rivoli in Turin
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From 1999 to 2001, Christov-Bakargiev worked as Chief Curator at the
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696:, in Piedmont, to celebrate the 30th anniversary of the non-profit
166:'s Power 100 listings, Christov-Bakargiev was Artistic Director of
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In 2008, Christov-Bakargiev was the Artistic Director of the 16th
1396:
Largely Unseen $ 600 Million Collection Will Join Museum in Italy
1317:"Faces in the Crowd - Picturing Modern Life from Manet to Today"
1211:
ArtReview's Most Powerful People In Art World – Business Insider
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Groundbreaking Artist Senga Nengudi Wins $ 100,000 Nasher Prize
1453:. Torino: Castello di Rivoli & GAM, SilvanaEditorials, 2017
532:, followed in 2004/2005 by Faces in the Crowd, co-curated with
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from the article and its talk page, especially if potentially
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The New York Times 'A Powerful Curator's Idiosyncratic Genius
1500:
Vaccination Can Be Relaxing. Just Ask These Museum Visitors.
1359:
Etel Adnan, Lebanese American Author and Artist, Dies at 96
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Documenta 13: Catalog I/3, II/3, III/3, The Book of Books
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In 2012, Christov-Bakargiev was the Artistic Director of
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Otobong Nkanga Wins $ 100,000 Nasher Prize for Sculpture
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Cally Spooner Wins Artissima’s Illy Present Future Prize
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Christov-Bakargiev was part of the juries that selected
419:, La Ville, le Jardin, la Memoire and the spaces of the
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Named 2012's most powerful person in the art world by
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Helen Marten Wins 2016 Hepworth Prize for Sculpture
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2018 – Audrey Irmas Award for Curatorial Excellence
1305:https://www.castellodirivoli.org/en/who-we-are-2/
639:, Bracha L. Ettinger, Walid Raad, Wael Shawky,
360:, Angela Vettese and Ludovico Pratesi for the
352:; and The Quick Sound of Things, a tribute to
16:Art historian, critic and curator (born 1957)
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1090:Catalogue, Istanbul, IKSV Yayinlari, 2015,
56:about living persons that is unsourced or
1464:A Powerful Curator’s Idiosyncratic Genius
1378:A Powerful Curator’s Idiosyncratic Genius
1345:"16th Biennale of Sydney (2008) Archives"
1273:"25 Curators Shaping the Art World Today"
1241:A Powerful Curator’s Idiosyncratic Genius
1223:A Powerful Curator’s Idiosyncratic Genius
856:Learn how and when to remove this message
298:Learn how and when to remove this message
127:Learn how and when to remove this message
1101:Hito Steyerl: The City of Broken Windows
956:, Palais des Beaux-Arts, Brüssel, 1998,
447:P.S.1 Contemporary Art Center, 1999–2001
391:, Mario Merz, Marisa Merz, Luca Vitone,
182:Christov-Bakargiev was born in 1957, in
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1592:Maximilíano Durón (21 September 2022),
1519:Olafur Eliasson sees things differently
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1630:Alex Greenberger (29 September 2023),
1117:, D.A.P. Publications, New York, 2019
522:Museum of Contemporary Art in Montreal
1536:Alex Greenberger (17 November 2016),
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1806:Academics of the University of Leeds
1751:American people of Bulgarian descent
1611:Maximilíano Durón (5 October 2023),
1555:Alex Greenberger (3 November 2017),
1468:T: The New York Times Style Magazine
1382:T: The New York Times Style Magazine
1245:T: The New York Times Style Magazine
1227:T: The New York Times Style Magazine
573:Museum of Contemporary Art Australia
1517:Gisela Williams (21 October 2022),
1480:Gareth Harris (27 September 2023),
366:Museum of Contemporary Art, Antwerp
1756:American people of Italian descent
1684:Andrew Russeth (23 October 2018),
1498:Elisabetta Povoledo (4 May 2021),
967:Arte Povera (Themes and Movements)
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1746:People from Ridgewood, New Jersey
1708:dOCUMENTA (13) Exhibition, Kassel
1648:Hannah McGivern (17 March 2021),
1259:"La Ville, le Jardin, la Mémoire"
1198:"Award for Curatorial Excellence"
1462:Emily Stokes (1 December 2015),
1451:Colori. Emotions of Color in Art
1431:Alex Greenberger (25 May 2023),
1412:Alex Greenberger (25 May 2023),
1376:Emily Stokes (1 December 2015),
1357:Nana Asfour (14 November 2021),
1331:"T1 – la sindrome di Pantagruel"
1285:Alex Greenberger (25 May 2023),
1239:Emily Stokes (1 December 2015),
1221:Emily Stokes (1 December 2015),
1177:Alex Greenberger (25 May 2023),
1088:14th Istanbul Biennial Saltwater
984:Janet Cardiff, a survey of works
940:Im Dunkeln, projizierte Arbeiten
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143:Carolyn Christov-Bakargiev 2012
1394:Scott Reyburn (14 July 2017),
910:, Member of the Advisory Board
726:Bulgari Contemporary Art Award
569:Art Gallery of New South Wales
499: to Oladele Bamgboye and
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1791:Directors of museums in Italy
1041:Revolutions – Forms That Turn
511:Castello di Rivoli, 2002–2023
453:P.S.1 Contemporary Art Center
356:, exhibition co-curated with
1115:Carolee Thea, On Curating II
935:In the dark, projected works
805:"Carolyn Christov-Bakargiev"
774:biography of a living person
722:Hepworth Prize for Sculpture
247:"Carolyn Christov-Bakargiev"
216:biography of a living person
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34:biography of a living person
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794:must be removed immediately
342:Dominique Gonzalez-Foerster
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150:(born December 2, 1957, in
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943:), Kunsthalle Bern, 1996,
671:COVID-19 pandemic in Italy
148:Carolyn Christov-Bakargiev
740:for the one in 2024; and
558:Apichatpong Weerasethakul
409:Palazzo delle Esposizioni
526:Johannesburg Art Gallery
1781:American women curators
1028:Franz Kline (1910–1962)
690:Michelangelo Pistoletto
413:Civic Museum of Zoology
1796:Women museum directors
1786:American women writers
1043:, Biennale of Sydney,
1030:, Skira, Milan, 2004,
1012:, Skira, Milan, 2004,
999:, Skira, Milan, 2003,
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925:Selected publications
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178:Family and early life
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362:1993 Venice Biennale
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894:University of Leeds
746:Wolfgang Hahn Prize
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879:Serpentine Gallery
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710:Francis Upritchard
656:Giorgio de Chirico
643:, Aslı Çavuşoğlu,
581:Sydney Opera House
565:Biennale of Sydney
437:Bracha L. Ettinger
417:Hans Ulrich Obrist
214:This section of a
191:University of Pisa
156:Castello di Rivoli
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1655:The Art Newspaper
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1486:The Art Newspaper
1145:978-07-1487-501-9
1045:Thames and Hudson
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686:Susan Philipsz
682:Otobong Nkanga
597:dOCUMENTA (13)
534:Iwona Blazwick
512:
509:
448:
445:
397:Willie Doherty
332:
329:
327:
324:
319:Il Sole 24 Ore
306:
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213:
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179:
176:
168:dOCUMENTA (13)
135:
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58:poorly sourced
31:
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15:
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1741:Living people
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1008:
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992:0-9704428-3-1
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971:Phaidon Press
968:
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962:90-74816-09-6
959:
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875:Phaidon Press
872:
860:
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849:
838:
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821:
817:
814:
810:
807: –
806:
802:
801:Find sources:
795:
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754:
752:
749:
747:
743:
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730:Senga Nengudi
727:
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714:Walters Prize
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629:Goshka Macuga
626:
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602:
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555:
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550:Doris Salcedo
547:
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537:
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531:
527:
524:, and at the
523:
519:
510:
508:
506:
502:
501:Damián Ortega
498:
494:
493:Pierre Huyghe
490:
486:
485:Carla Accardi
482:
478:
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466:
460:
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454:
446:
444:
442:
441:Cai Guo-Qiang
438:
434:
430:
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386:
382:
378:
377:Lucio Fontana
373:
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350:David Hammons
347:
343:
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291:
288:November 2023
280:
277:
273:
270:
266:
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259:
256:
252:
249: –
248:
244:
243:Find sources:
237:
233:
227:
226:
222:
217:
212:
203:
202:
197:Art criticism
196:
194:
192:
187:
185:
177:
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131:
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109:
106:
102:
99:
95:
92:
88:
85:
81:
78: –
77:
73:
72:Find sources:
66:
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51:
45:
44:
40:
35:
30:
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1680:
1670:
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1580:The National
1578:
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1192:
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1173:
1165:"Who We Are"
1159:
1132:
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1070:
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1040:
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1009:
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966:
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886:Cooper Union
883:
870:
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852:
843:
833:
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812:
800:
793:
776:
750:
736:in 2023 and
734:Nasher Prize
718:Helen Marten
707:
675:
668:
663:
660:
649:
647:and others.
633:
625:Mariam Ghani
590:
562:
554:Tamy Ben-Tor
538:
514:
489:Luigi Ontani
465:Julia Loktev
461:
450:
421:Villa Medici
411:through the
374:
358:Alanna Heiss
346:Damien Hirst
338:Liam Gillick
334:
317:
313:The Reporter
311:
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43:verification
36:
1736:1957 births
1075:Hatje Cantz
1058:Thomas Ruff
1024:David Anfam
997:The Moderns
915:Recognition
871:Arte Povera
669:During the
645:Cevdet Erek
635:Kentridge,
613:Wael Shawky
609:Tino Sehgal
541:Arte Povera
530:Franz Kline
370:Lenbachhaus
1730:Categories
1151:References
1073:, Kassel,
816:newspapers
621:Etel Adnan
617:Walid Raad
381:Yves Klein
258:newspapers
87:newspapers
1672:Flash Art
907:Flash Art
777:does not
748:in 2024.
728:in 2022;
641:Ed Atkins
593:documenta
469:Omer Fast
405:Mark Dion
401:Gary Hill
354:John Cage
219:does not
164:ArtReview
39:citations
1077:, 2012,
846:May 2023
755:Lectures
744:for the
732:for the
720:for the
712:for the
577:Artspace
326:Curating
316:and the
117:May 2011
65:libelous
1691:ARTnews
1636:ARTnews
1618:ARTnews
1599:ARTnews
1562:ARTnews
1543:ARTnews
1438:ARTnews
1419:ARTnews
1292:ARTnews
1184:ARTnews
1137:Phaidon
1047:, 2008
830:scholar
779:include
272:scholar
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