Carl Nielsen - Knowledge (XXG)

1015: 1805:, and by 1913 it had seen performances in Stuttgart, Stockholm and Helsinki. The symphony was the most popular of all Nielsen's works during his lifetime and was also played in Berlin, Hamburg, London and Gothenburg. Other works caused some uncertainty, even in Denmark. After the premiere of the Fifth Symphony (1922) one critic wrote: "The treasure of Danish symphonies and Carl Nielsen's own output have been enriched by a strange and highly original work." Another, however, described it as a "bloody, clenched fist in the face of an unsuspecting snob audience", also qualifying it as "filthy music from trenches". 597: 522:, on 10 May 1891 before returning to Denmark. According to Fanning, their relationship was not only a "love match", but also a "meeting of minds"; Anne Marie was a gifted artist and a "strong-willed and modern-minded woman, determined to forge her own career". This determination would strain the Nielsens' marriage, as Anne Marie would spend months away from home during the 1890s and 1900s, leaving Carl, who pursued extramarital affairs with other women in her absence, to raise their three young children in addition to composing and fulfilling his duties at the Royal Theatre. 324: 1902: 445:, it also left him "with a highly personal, common man's point of view on those subjects". He left the Academy at the end of 1886, after graduating with good but not outstanding marks in all subjects. He then went to stay with the retired Odense merchant Jens Georg Nielsen (1820–1901) and his wife at their apartment on Slagelsegade as he was not yet in a position to pay his own way. While there, he fell in love with their 14-year-old daughter Emilie Demant. The affair was to last for the next three years. 51: 395: 923: 667: 1599: 1363: 143: 7451: 6460: 486:

attaining this position, he made a modest income from private violin lessons while enjoying the continuing support of his patrons, not only Jens Georg Nielsen but also Albert Sachs (born 1846) and Hans Demant (1827–1897) who both ran factories in Odense. After less than a year at the Royal Theatre, Nielsen won a scholarship of 1,800 kroner, giving him the means to spend several months travelling in Europe.

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violin and piano as a child, and wrote his earliest compositions at the age of eight or nine: a lullaby, now lost, and a polka that he mentions in his autobiography. As his parents did not believe he had any future as a musician, they apprenticed him to a shopkeeper in a nearby village when he was fourteen. The shopkeeper went bankrupt by midsummer and Nielsen had to return home. After learning to play

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movements of the 1930s and during World War II, when singing was an important basis for the Danes to distinguish themselves from their German enemies. Nielsen's songs retain an important place in Danish culture and education. The musicologist Niels Krabbe describes the popular image of Nielsen in Denmark as being like "the ugly duckling syndrome" – a reference to the tale of the Danish writer

706:, was written in 1924–25. After suffering a serious heart attack in 1925, Nielsen was forced to curtail much of his activity, although he continued to compose until his death. His sixtieth birthday in 1925 brought many congratulations, a decoration from the Swedish government, and a gala concert and reception in Copenhagen. The composer, however, was in a dour mood; in an article in 1723:, and we often seem to perceive the smell of Danish landscapes and rural images in our songs and music. But it is also clear that a foreigner, who knows neither our countryside, nor our painters, our poets, or our history in the same intimate way as we do ourselves, will be completely unable to grasp what it is that brings us to hear and tremble with sympathetic understanding. 7994: 441:, whom he liked as a friend but not for his music. Contacts with fellow students and cultured families in Copenhagen, some of whom would become lifelong friends, became equally important. The patchy education resulting from his country background left Nielsen insatiably curious about the arts, philosophy and aesthetics. But, in the opinion of the musicologist 1832:

power of harmonic and tonal relationships – and especially his constant unpredictability" (which Pincus believed was still a challenge for audiences). Biographies and studies in English in the 1990s helped to establish Nielsen's status worldwide, to the point at which his music has become a regular feature of concert programming in Western countries.

663:. Between 1905 and 1914 he served as second conductor at the Royal Theatre. For his son-in-law, Emil Telmányi, Nielsen wrote his Violin Concerto, Op. 33 (1911). From 1914 to 1926, he conducted the Musikforeningen orchestra. In 1916, he took a post teaching at the Royal Danish Academy of Music in Copenhagen, and continued to work there until his death. 1962:. A four-yearly violin competition has been held there since 1980. Flute and clarinet competitions were later added, but these have now been discontinued. An international Organ Competition, founded by the city of Odense, became associated with the Nielsen competition in 2009, but from 2015 will be organized separately, based in Odense Cathedral. 7958: 1146:

modernism of the 1920s and, according to the Danish musicologist Herbert Rosenberg, the product of "an extremely experienced composer who knows how to avoid inessentials." Unlike Nielsen's later works, the Violin Concerto has a distinct, melody-oriented neo-classical structure. The Flute Concerto, in two movements, was written for the flautist

7982: 1711:, Poul Martin Møller, Adam Oehlenschläger and Jeppe Aakjær. In Denmark, many of them are still popular today both with adults and children. They are regarded as "the most representative part of the country's most representative composer's output". In 1906, Nielsen had explained the significance of such songs to his countrymen: 7946: 410:. It is not known how much Nielsen composed during this period, but from his autobiography, it can be deduced that he wrote some trios and quartets for brass instruments, and that he had difficulty in coming to terms with the fact that brass instruments were tuned in different keys. Following an introduction to 933:

Nielsen is perhaps most closely associated outside Denmark with his six symphonies, written between 1892 and 1925. The works have much in common: they are all just over 30 minutes long, brass instruments are a key component of the orchestration, and they all exhibit unusual changes in tonality, which

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He was buried in Copenhagen's Vestre Cemetery; all the music at his funeral, including the hymns, was the work of the composer. After his death, his wife was commissioned to sculpt a monument to him, to be erected in central Copenhagen. She wrote: "I wanted to take the winged horse, eternal symbol of

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Nielsen sublimated his anger and frustration over his marriage in a number of musical works, most notably between 1897 and 1904, a period which he sometimes called his "psychological" period. Fanning writes, "At this time his interest in the driving forces behind human personality crystallized in the

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The Carl Nielsen Society maintains a listing of performances of Nielsen's works, classified by region (Denmark, Scandinavia, Europe apart from Scandinavia and outside Europe) which demonstrates that his music is regularly performed throughout the world. The concerti and symphonies feature frequently

955:(Op. 27, 1910–11), is understood by the English composer Robert Simpson to refer to the "outward growth of the mind's scope". It fully exploits Nielsen's technique of confronting two keys at the same time and includes a peaceful section with soprano and baritone voices, singing a tune without words. 885:

called progressive tonality, moving from one key to another. Typically, Nielsen's music might end in a different key from that of its commencement, sometimes as the outcome of a struggle as in his symphonies. There is debate as to how much such elements owe to his folk music activities. Some critics

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If I could live my life again, I would chase any thoughts of Art out of my head and be apprenticed to a merchant or pursue some other useful trade the results of which could be visible in the end ... What use is it to me that the whole world acknowledges me, but hurries away and leaves me alone

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Beginning in 1901, Nielsen received a modest state pension – initially 800 kroner per annum, growing to 7,500 kroner by 1927 – to augment his violinist's salary. This allowed him to stop taking private pupils and left him more time to compose. From 1903, he also had an annual retainer from

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at their Danish premieres. Although this employment sometimes caused Nielsen considerable frustration, he continued to play there until 1905. After Svendsen's retirement in 1906, Nielsen increasingly served as conductor (being officially appointed assistant conductor in 1910). Between graduation and

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Although his symphonies, concertos and choral music are now internationally acclaimed, Nielsen's career and personal life were marked by many difficulties, often reflected in his music. The works he composed between 1897 and 1904 are sometimes ascribed to his "psychological" period, resulting mainly

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Several special events were scheduled on or around 9 June 2015 to commemorate the 150th anniversary of Nielsen's birth. In addition to many performances in Denmark, concerts were programmed in cities across Europe, including London, Leipzig, Kraków, Gothenburg, Helsinki and Vienna, and even further

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From 1916, Nielsen taught at the Royal Academy where he became director in 1931, shortly before his death. He also had private students in his earlier days in order to supplement his income. As a result of his teaching, Nielsen has exerted considerable influence on classical music in Denmark. Among

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works, some of them still high on the international repertoire. The Wind Quintet, one of his most popular pieces, was composed in 1922 specifically for the Copenhagen Wind Quintet. Simpson, explaining that Nielsen's fondness of wind instruments was closely related to his love of nature, writes: "He

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Nielsen gave an account of his introduction to music: "I had heard music before, heard father play the violin and cornet, heard mother singing, and, when in bed with the measles, I had tried myself out on the little violin." He had received the instrument from his mother when he was six. He studied

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on the occasion of Nielsen's 125th anniversary in 1990, the music critic Andrew Pincus recalled that 25 years earlier Bernstein had believed the world was ready to accept the Dane as the equal of Jean Sibelius, speaking of "his rough charm, his swing, his drive, his rhythmic surprises, his strange

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Unlike that of his contemporary, the Finn Jean Sibelius, Nielsen's reputation abroad did not start to evolve until after World War II. For some time, international interest was largely directed towards his symphonies while his other works, many of them highly popular in Denmark, have only recently

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Nielsen wrote three concertos: the Violin Concerto, Op. 33 is a middle-period work, from 1911, which lies within the tradition of European classicism, whereas the Flute Concerto (without opus number) of 1926 and the Clarinet Concerto, Op. 57 which followed in 1928 are late works, influenced by the

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in World War II, mass song gatherings, using these melodies, were part of Denmark's "spiritual re-armament", and after the war in 1945 Nielsen's contributions were characterised by one writer as "shining jewels in our treasure-chest of patriotic songs". This remains a significant factor in Danish

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The Danish sociologist Benedikte Brincker observes that the perception of Nielsen and his music in his home country is rather different from his international appreciation. His interest and background in folk music had special resonance for Danes, and this was intensified during the nationalistic

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Nielsen had five children, two of them illegitimate. He had already fathered a son, Carl August Nielsen, in January 1888, before he met Anne Marie. In 1912, an illegitimate daughter was born – Rachel Siegmann, about whom Anne Marie never learned. With his wife Nielsen had two daughters and a

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Although Nielsen came to compose mainly at the piano, he only composed directly for it occasionally over a period of 40 years, creating works often with a distinctive style which slowed their international acceptance. Nielsen's own piano technique, an echo of which is probably preserved in three

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The strain of dual careers and constant separation from his wife led to an extended breach in his marriage. The couple began separation proceedings in 1916, and separation by mutual consent was granted in 1919. In the period 1916–22, Nielsen often lived on Funen, regularly retreating also to the

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for the theatre as well as cantatas for special occasions, both of which provided a welcome source of additional income. Fanning comments on the relationship which developed between his programmatic and symphonic works: "Sometimes he would find stageworthy ideas in his supposedly pure orchestral

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for CBS. The recording helped Nielsen's music to achieve appreciation beyond his home country and is considered one of the finest recorded accounts of the symphony. Nielsen's centenary in 1965 was widely celebrated, both in terms of performances and publications, and Bernstein was awarded the

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There are among other things four cadenzas for oboe, clarinet, bassoon and flute which run quite freely alongside one another, with no harmonic connection, and without my marking time. They are just like four streams of thought, each going its own way – differently and randomly for each

1459:, Op. 14 in 1898. The music historian Jan Smaczny suggests that in this work "the handling of texture is confident and far less derivative than in earlier works ... prompts the most regret that Nielsen did not pursue the genre further ... to parallel his later symphonic development". The 762:

poetry, and place a musician on its back. He was to sit there between the rushing wings blowing a reed pipe out over Copenhagen." Dispute about her design and a shortfall in funding meant that erection of the monument was delayed and that Anne Marie herself ended up subsidising it. The

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for his recording of the Third Symphony. In 1988 Nielsen's diaries and his letters to Anne Marie were published, and these, together with a 1991 biography by Jørgen Jensen using this new material, led to a revised objective assessment of the composer's personality. Writing in

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music, this was their first printed publication, copies of manuscripts having previously been used in performances. The scores are now all available for download free of charge at the website of the Danish Royal Library (which also owns most of Nielsen's music manuscripts).

852:, his Fourth Symphony, and a pair of his Danish folk songs. Krabbe asks the rhetorical question: "Can 'the national' in Nielsen be demonstrated in the music in the form of particular themes, harmonies, sounds, forms, etc., or is it a pure construct of reception history?" 1522:, John Horton commented on the early pieces: "Nielsen's technical resources hardly measure up to the grandeur of his designs", whilst characterising the later pieces as "major works which can stand comparison with his symphonic music". The anti-romantic tone of the 1150:, a member of the Copenhagen Wind Quintet which had premiered Nielsen's Wind Quintet (1922). In contrast to the rather traditional style of the Violin Concerto, it reflects the modernistic trends of the period. The first movement, for example, switches between 1483:), "The overall impression was of a beautiful, unbroken line – a flow of notes – where in particular a wonderful second subject in the first part and the pure, high sphere of the last part were captivating". Two other works are for violin solo. The 717:

with my wares until everything breaks down and I discover to my disgrace that I have lived as a foolish dreamer and believed that the more I worked and exerted myself in my art, the better position I would achieve. No, it is no enviable fate to be an artist.

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who earlier that year had premiered the composer's Violin Concerto. The work is an example of the composer's progressive tonality since, although it is stated to be in the key of G minor, the first and final movements end in different keys. The critic

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in 1909 "I am surprised by the technical skills of the Germans nowadays, and I cannot help thinking that all this delight in complication must exhaust itself. I foresee a completely new art of pure archaic virtue. What do you think about songs sung in

1174:. Nielsen stretches the capacities of instrument and player to the utmost; the concerto has just one continuous movement and contains a struggle between the soloist and the orchestra and between the two principal competing keys, F major and E major. 1084:

Nielsen wrote a considerable number of choral works but most of them were composed for special occasions and were seldom reprised. Three fully-fledged cantatas for soloists, orchestra and choir have, however, entered the repertoire. Nielsen composed

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Nielsen maintained the reputation of a musical outsider during his lifetime, both in his own country and internationally. It was only later that his works firmly entered the international repertoire, accelerating in popularity from the 1960s through

1125:), Op. 18, Nielsen's second major choral work, sets to music the various phases of sleep including the terror of a nightmare in its central movement which, with its unusual discords, came as a shock to the reviewers at its premiere in March 1905. 751:. In 1926 he wrote in his diary "My home soil pulls me more and more like a long sucking kiss. Does it mean that I shall finally return and rest in the earth of Funen? Then it must be in the place where I was born: Sortelung, Frydenlands parish". 828:

music professor Daniel M. Grimley qualifies Nielsen as "one of the most playful, life-affirming, and awkward voices in twentieth-century music" thanks to the "melodic richness and harmonic vitality" of his work. Anne-Marie Reynolds, author of

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was a resounding success with an exceptional run of 25 performances over its first four months. Generally considered to be Denmark's national opera, in its home country it has enjoyed lasting success and popularity, attributable to its many

848:, in his own country he is more of a national symbol. These two sides were officially brought together in Denmark in 2006 when the Ministry of Culture issued a list of the twelve greatest Danish musical works, which included Nielsen's opera 2037:

in London, while his compositions featured in five other concerts of the Prom season. The city of Odense, which has strong connections with Nielsen, developed an extensive programme of concerts and cultural events for the anniversary year.

691:(1921–22), arguably his greatest works according to Fanning. The composer was particularly upset in the 1920s when his long-standing Danish publisher Wilhelm Hansen was unable to undertake publication of many of his major works, including 906:, as I see it, are the elements which first arouse a deeper interest in music ... t is intervals which surprise and delight us anew every time we hear the cuckoo in spring. Its appeal would be less if its call were all on one note." 618:

on 14 March 1894 conducted by Svendsen, Nielsen played in the second violin section. The symphony was a great success when played in Berlin in 1896, contributing significantly to his reputation. He was increasingly in demand to write

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Nielsen's philosophy of music style is perhaps summed up in his advice in a 1907 letter to the Norwegian composer Knut Harder: "You have ... fluency, so far, so good; but I advise you again and again, my dear Mr. Harder;

1620: 1384: 556:". Carl suggested divorce in March 1905 and had considered moving to Germany for a fresh start, but despite several extended periods of separation the Nielsens remained married for the remainder of the composer's life. 1419: 864:? We must go back ... to the pure and the clear." On the other hand, he wrote in 1925 "Nothing destroys music more than nationalism does ... and it is impossible to deliver national music on request." 359:). His mother, whom he recalls singing folk songs during his childhood, came from a well-to-do family of sea captains, while one of his half-uncles, Hans Andersen (1837–1881), was a talented musician. 1375: 1546:, of whom Nielsen had earlier written to a friend "I think that the public will be utterly unable to grasp Reger's work and yet I am a lot more sympathetic towards his efforts than towards ... 1466:

The violin was Nielsen's own instrument and he composed four large-scale chamber works for it. The departures from standard procedures in the First Sonata, Op. 9 (1895), including its often sudden

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writes: "If ever there was music from another planet, this is surely it. Its sonorities are sparse and monochrome, its air rarefied and bracing." Nielsen's last musical composition, the organ work

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was also intensely interested in human character, and in the Wind Quintet composed deliberately for five friends; each part is cunningly made to suit the individuality of each player."

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and a loaf of bread every five days for two and a half years, after which his salary was raised slightly, enabling him to buy the civilian clothes he needed to perform at barn dances.

8144: 1463:(1904) initially received a mixed reception, with critics uncertain about its reserved style. Nielsen revised it several times, the final version in 1919 being listed as his Op. 44. 473:

By September 1889 Nielsen had progressed well enough on the violin to gain a position with the second violins in the prestigious Royal Danish Orchestra which played at Copenhagen's

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has revealed that the scores used in these recordings often differ from the composer's original intentions and thus the supposed authenticity of these recordings is now debatable.

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which Nielsen had seen on his honeymoon in Italy in 1891. On one of the copies, he wrote: "To my own Marie! These tones in praise of love are nothing compared to the real thing."

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son. Irmelin, the elder daughter, studied music theory with her father and in December 1919 married Eggert Møller (1893–1978), a medical doctor who became a professor at the

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Brincker, Benedikte (2008). "The role of classical music in the construction of nationalism: an analysis of Danish consensus nationalism and the reception of Carl Nielsen".

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Nielsen did not give up the violin during his time with the battalion, continuing to play it when he went home to perform at dances with his father. The army paid him three

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At the end of the 1940s two major biographies of Nielsen appeared in Danish, dominating opinion of the composer's life and work for several decades. Robert Simpson's book

1393: 841:– whereby "a poor boy ... passing through adversity and frugality ... marches into Copenhagen and ... comes to conquer the position as the uncrowned King". 4084: 4052: 1526:, Op. 8 (1894) was described by a later critic as "nothing less than a clenched fist straight in the face of all established musical convention". In Nielsen's words, the 8164: 462:(Private Chamber Music Society). While Nielsen considered the Quartet in F to be his official debut as a professional composer, a far greater impression was made by his 418:

in Copenhagen, by whom he was well received, Nielsen obtained his release from the military band at short notice, and studied at the Academy from the beginning of 1884.

1006:, the tonal language seems similar to that in Nielsen's other symphonies, but the symphony develops into a sequence of cameos, some sad, some grotesque, some humorous. 7353: 4635: 584:(1892–1988) in 1918; he contributed to the promotion of Nielsen's music, both as a violinist and a conductor. Nielsen's son, Hans Børge, was disabled as a result of 8099: 5329: 4858: 4597: 3722: 4527: 4000: 4670: 1870:, and Erik Tuxen, did record his symphonies and other orchestral works with the Danish Radio Symphony Orchestra between 1946 and 1952. Jensen also made the first 4457: 1401: 967:

are placed on opposite sides of the stage undertaking a kind of musical duel. Nielsen described the symphony as "the life force, the unquenchable will to live".

833:, cites Robert Simpson's view that "all of his music is vocal in origin", maintaining that song-writing strongly influenced Nielsen's development as a composer. 8169: 7497: 4208: 1786:

started to become part of the world repertoire. Even in Denmark, many of his compositions failed to impress. It was only in 1897 after the first performance of

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in Leipzig; they were to maintain a correspondence for over thirty years. Shortly after arriving in Paris in early March 1891 Nielsen met the Danish sculptor

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and its terse thematic material, disconcerted Danish critics at its first performance. The Second Sonata, Op. 35 of 1912 was written for the violinist

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who, with his abilities as a fiddler and cornet player, was in strong demand for local celebrations. Nielsen described his childhood in his autobiography

310:, freely available online, containing background information and sheet music for all of Nielsen's works, many of which had not been previously published. 8054: 8034: 4740: 4397: 502:, heard many of Europe's leading orchestras and soloists and sharpened his opinions on both music and the visual arts. Although he revered the music of 8149: 8049: 8029: 5803: 5733: 5283: 614:

At first, Nielsen's works did not gain sufficient recognition for him to be able to support himself. During the concert which saw the premiere of his

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for strings was premiered. Shortly afterwards, on 25 January 1888, his String Quartet in F major was played at one of the private performances of the

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Fjeldsøe, Michael; Foltmann, Niels Bo; Hauge, Peter; Bruunshuus Petersen, Elly; Flensborg Petersen, Kirsten, eds. (2001). "Maskarade (Masquerade)".

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who composed choral and chamber music mainly for his folk music school (Københavns Folkemusikskole). Among his other students were the musicologist

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afield in Japan, Egypt and New York. For 9 June, Nielsen's birthday, the Danish National Symphony Orchestra presented a programme in Copenhagen's

1451:, Op. 13 (1889, revised 1900) contains a "Résumé" section in the finale, bringing together themes from the first, third and fourth movements. The 1747:, an integral part of Danish folk culture. The collection was extremely popular and became embedded in the Danish educational system. During the 1636: 8079: 8039: 6201: 6096: 5834: 1704: 1590: 1282: 5792: 1675: 1183:("objectification"). By this term he meant giving instrumentalists freedom of interpretation and performance within the bounds set out by the 1137:), Op. 42, completed in 1922, has been cited as the most Danish of all Nielsen's compositions as it extols the beauty of Funen's countryside. 1072:

received a negative press when it was premiered in November 1902 and did no better when it was revived in 1904. By contrast, in November 1906

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emphasizes the breadth of Nielsen's compositions, his energetic rhythms, generous orchestration and his individuality. In comparing him with

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Nielsen himself was ambiguous about his attitudes to late Romantic German music and to nationalism in music. He wrote to the Dutch composer

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In his home country, the Carl Nielsen Museum, in Odense, is dedicated to Nielsen and his wife, Anne Marie. The composer is featured on the

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There are now numerous recordings of all Nielsen's major works, including complete cycles of the symphonies conducted by, amongst others,

963:(Op. 29, 1914–16), written during World War I, is among the most frequently performed of the symphonies. In the last movement two sets of 8114: 5164: 266:

and later diverging even more radically from the standards of composition still common at the time. Nielsen's sixth and final symphony,

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at their Danish premieres. In 1916, he took a post teaching at the Royal Danish Academy and continued to work there until his death.

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Within two months of its successful premiere at the Odd Fellows Concert Hall in Copenhagen on 28 February 1912, the Third Symphony (

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This was not to be. Nielsen was admitted to Copenhagen's National Hospital (Rigshospitalet) on 1 October 1931 following a series of

577: 437:(1844–1905), who would remain a valued adviser during his early years as a professional composer. He also studied composition under 293: 4818: 1581:, Op. 58, a 22-minute piece for organ – was composed between June 1930 and February 1931, only a few months before his death. 942:(Op. 16, 1901–02), Nielsen embarks on the development of human character. Inspiration came from a painting in an inn depicting the 2344: 5204: 5014: 995: 624:

music; sometimes a text or scenario forced him to invent vivid musical imagery which he could later turn to more abstract use."

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and many of his songs have become an integral part of the national heritage. His early music was inspired by composers such as

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Lautrup, Charles (25 October 1931). "Art of Late Carl Nielsen Too Little Appreciated in America, says Compatriot (Tribute)".

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Grimley, Daniel M. (2005). "'Tonality, Clarity, Strength': Gesture, Form and Nordic Identity in Carl Nielsen's Piano Music".

1530:, Op. 32 (1917) was "a really big piece, and I think effective". It is not only inspired by the work of Bach, especially the 1460: 1456: 1452: 1448: 644: 6913: 5776: 4771: 4612: 3760: 1973:

from 1997 to 2010. His image was selected in recognition of his contribution to Danish music compositions such as his opera

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closely, which accounts for some of the melodic and harmonic content of his music. This interest is exemplified in his

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Nielsen's final large-scale orchestral works were his Flute Concerto (1926) and the Clarinet Concerto (1928), of which

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that he received support from the critics, to be substantially reinforced in 1906 by their enthusiastic reception of

1471: 683:. The period was one of creative crisis for Nielsen which, coinciding with World War I, would strongly influence his 182:, he demonstrated his musical abilities at an early age. He initially played in a military band before attending the 5726: – provides much detailed information on the composer and his works, including an overview of upcoming concerts 7441: 6683: 6638: 6512: 5827: 5789: – "is a museum dedicated to the composer Carl Nielsen and to his wife, the sculptor Anne Marie Carl-Nielsen". 4539: 1856: 1851: 5370: 4409: 4269: 3974: 3524: 7810: 7260: 6578: 6441: 5937: 5516: 4785: 4433:

Ahlgren Jensen, Lisbeth; Bruunshuus Petersen, Elly; Flensborg Petersen, Kirsten, eds. (2004). "Chamber Music 1".

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Nielsen did not record any of his works. However, three younger contemporary conductors who had worked with him,

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Foltmann, Niels Bo; Hauge, Peter; Bruunshuus Petersen, Elly; Flensborg Petersen, Kirsten, eds. (2009). "Songs".

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Musical Constructions of Nationalism: Essays on the History and Ideology of European Musical Culture, 1800–1945

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in these listings. The Carl Nielsen International Competition commenced in the 1970s under the auspices of the

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reviewer H.W. Schytte thought Nielsen had been pretentious presenting the lyrics in Latin rather than Danish.

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In 1881, Nielsen began to take his violin playing more seriously, studying privately under Carl Larsen, the

225: 196:, in 1888, at the age of 23. The following year, Nielsen began a 16-year stint as a second violinist in the 7528: 6948: 6713: 4878: 3047: 2017:

scheduled performances of Nielsen's string quartets in Denmark, Israel, Germany, Norway and the UK (at the

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with Denmark, was first performed in 1921; it is a setting of patriotic verses written for the occasion.

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his most successful pupils were the composers Thorvald Aagaard, remembered in particular for his songs,

1816: 1564: 938:(Op. 7, 1890–92), while reflecting the influence of Grieg and Brahms, shows Nielsen's individuality. In 878: 763: 755: 503: 7663: 7533: 6778: 6658: 6374: 5764: – index page to introductory information on many of Nielsen's works from the Royal Danish Library 1815:

An international breakthrough came in 1962 when Leonard Bernstein recorded the Fifth Symphony with the

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performance – until they meet in a point of rest, as if flowing into a lock where they are united.

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sound but became increasingly modern as he developed his own approach to what the writer and composer

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With certain melodic inflections we Danes unavoidably think of the poems of, for example, Ingemann,

844:

While outside Denmark Nielsen is largely thought of as a composer of orchestral music and the opera

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but explains that only now were the Americans slowly beginning to appreciate the Danish composer.

1099:, Nanna Liebmann referred to the work as "a decisive victory" for Nielsen, and Angul Hammerich of 7861: 7326: 7173: 7108: 7013: 6943: 6908: 6763: 6613: 6434: 6194: 6170: 5134: 5081: 5043: 4963: 4955: 4921: 3948: 2002: 1935: 1827: 1627: 1489: 1467: 1108: 1035: 732: 368: 350: 7775: 7523: 7223: 7118: 5426: 4938: 2284: 510:, he remained ambivalent about much 19th-century music. In 1891 he met the composer and pianist 421:

Though not an outstanding student and composing little, Nielsen progressed well in violin under

5739: 5026:

Holmen, Grethe (1985). "Anne Marie Carl-Nielsen and Anne Marie Telmànyi: Mother and Daughter".

824:, he considers he had "just as much sweep, even more power, and a more universal message". The 7856: 7841: 7780: 7728: 7718: 7673: 7618: 7343: 7208: 7148: 7128: 7088: 7073: 7053: 6988: 6978: 6973: 6968: 6953: 6938: 6933: 6708: 6703: 6678: 6608: 6364: 6354: 6338: 6308: 6178: 5994: 5638: 5578: 5524: 5478: 5456: 5394: 5307: 5248: 5185: 5064: 4983: 4904: 4863: 4838: 4761: 4736: 4726: 4701: 4691: 4666: 4656: 4631: 4621: 4593: 4583: 4558: 4548: 4523: 4513: 4488: 4478: 4453: 4443: 4418: 4393: 4383: 4294: 3856: 1947: 1919: 1886: 1867: 1716: 1538:, Johannes Brahms and Ferruccio Busoni. Also on a large scale, and from the same year, is the 1301: 1231: 895: 856: 825: 281: 119: 3831: 2768: 1707:, most of them for verses and poems by well-known Danish authors such as N. F. S. Grundtvig, 1214:. The score is a showpiece for orchestra, and has been amongst Nielsen's most popular works. 335:

Nielsen was born on 9 June 1865, the seventh of twelve children in a poor peasant family, at

7950: 7916: 7886: 7770: 7760: 7745: 7348: 7300: 7188: 7143: 7138: 7078: 7023: 6893: 6848: 6728: 6693: 6663: 6633: 6573: 6333: 6293: 6241: 6230: 6145: 5126: 5073: 5035: 4947: 4913: 4315: 2529: 2416: 2093: 2042: 2022: 1951: 1740: 1720: 1340: 1061: 903: 793: 620: 581: 511: 407: 364: 284:

and others. In Denmark, Nielsen's reputation was sealed in 2006 when four of his works were

210: 5163:[Carl Nielsen's mother's family] (in Danish). Historiens Hus Odense. Archived from 4503:

Bruunshuus Petersen, Elly; Flensborg Petersen, Kirsten, eds. (2007). "Incidental Music 2".

1195:

Nielsen's earliest work composed specifically for orchestra was the immediately successful

7765: 7401: 7295: 7290: 7270: 7265: 7239: 7153: 7103: 7028: 6998: 6963: 6923: 6653: 6648: 6618: 6558: 6359: 6328: 6303: 6298: 6064: 5677: 5662: 1931: 1915: 1547: 1535: 1476: 1206: 1101: 635: 403: 289: 273: 255: 159: 7750: 6863: 6748: 1683: 5569:

Smaczny, Jan (2003). "Nineteenth-century national traditions". In Stowell, Robin (ed.).

4620:. II. Instrumental Music. Vol. 12. The Carl Nielsen Edition, Royal Danish Library. 4442:. II. Instrumental Music. Vol. 10. The Carl Nielsen Edition, Royal Danish Library. 2450: 2222: 1095:), Op. 12 (1897) after studying early polyphonic choral style. Writing in the newspaper 272:, was written in 1924–25. He died from a heart attack six years later, and is buried in 7974: 7911: 7790: 7708: 7693: 7643: 7633: 7608: 7593: 7573: 7391: 7305: 7198: 7183: 7158: 7098: 7093: 7058: 6918: 6898: 6888: 6843: 6823: 6803: 6783: 6768: 6758: 6743: 6723: 6688: 6628: 6588: 6553: 6543: 6503: 6272: 6267: 6088: 5616: 5431: 5240: 4831: 4760:. II. Instrumental Music. Vol. 3. The Carl Nielsen Edition, Royal Danish Library. 4725:. II. Instrumental Music. Vol. 7. The Carl Nielsen Edition, Royal Danish Library. 4582:. II. Instrumental Music. Vol. 8. The Carl Nielsen Edition, Royal Danish Library. 4477:. II. Instrumental Music. Vol. 7. The Carl Nielsen Edition, Royal Danish Library. 2624: 2014: 1837: 1554: 1498: 1260: 1227: 1065: 676: 601: 569: 495: 467: 434: 422: 205: 201: 142: 5117:

Krabbe, Niels (2007). "A Survey of the Written Reception of Carl Nielsen, 1931–2006".

5018: 1170:. The Clarinet Concerto was also written for a member of the Copenhagen Wind Quintet, 998:, it caused a sensation, sparking interest in Nielsen's music outside Scandinavia. In 974:(Op. 50, 1921–22), presenting another battle between the forces of order and chaos. A 518:, who was also travelling on a scholarship. They toured Italy together and married in 8008: 7901: 7871: 7740: 7683: 7578: 7563: 7178: 7113: 7048: 6903: 6858: 6603: 6598: 6593: 6538: 6369: 6323: 6318: 6313: 6236: 6021: 5967: 5799: 5138: 4967: 4853: 4319: 4290: 1954:, the pianist and composer who became director of the Academy after Nielsen's death. 1939: 1923: 1863: 1511: 1352: 1293: 1276: 1255: 1078: 1029: 821: 543: 528: 477:, then conducted by Johan Svendsen. In this position he experienced Giuseppe Verdi's 372: 4512:. I. Incidental Music. Vol. 9. The Carl Nielsen Edition, Royal Danish Library. 2815: 1518:, seems to have been mediocre. Reviewing the 1969 recording of works by the pianist 7998: 7986: 7921: 7906: 7881: 7805: 7800: 7653: 7123: 7043: 7038: 7018: 6833: 6828: 6813: 6793: 6753: 6738: 6718: 6548: 6528: 6186: 6037: 4328: 4186: 2769:"National poetry and polyphony: Exploring the choral music of Sibelius and Nielsen" 1986: 1890: 1874:

of the Fifth Symphony in 1954. Work carried out by the recently published complete

1534:, but also by the virtuoso piano arrangements of Bach's music by composers such as 1497:, Op. 52 (1928) was written as a tribute for the sixtieth birthday of the composer 1427: 1171: 1155: 1128: 943: 922: 891: 887: 873: 426: 394: 379: 259: 17: 7713: 6668: 6072: 1217: 4752: 4690:. III. Vocal Music. Vol. 7. The Carl Nielsen Edition, Royal Danish Library. 4417:. III. Vocal Music. Vol. 1. The Carl Nielsen Edition, Royal Danish Library. 1674: 1646: 1618: 1418: 1400: 1382: 788:

in 2015. The CNW catalogue is intended to replace the 1965 catalogue compiled by

7386: 7133: 7068: 6873: 6853: 6698: 6673: 5754: 5297:"Nielsen and 'Progressive tonality': a narrative approach to the First Symphony" 5275: 4646:

Foltmann, Niels Bo; Hauge, Peter; Krabbe, Niels, eds. (2002). "Saul and David".

2658: 2066:

Hagen, S. A. E. (1898). "Nielsen, August Carl". In Bricka, Carl Frederik (ed.).

1901: 1882: 1732: 1184: 899: 666: 499: 187: 5553: 5146:

Krabbe, Niels (2012). "The Carl Nielsen Edition – Brought to Completion".

4655:. I. Stage Music. Vol. 4. The Carl Nielsen Edition, Royal Danish Library. 4547:. I. Stage Music. Vol. 1. The Carl Nielsen Edition, Royal Danish Library. 4382:. I. Stage Music. Vol. 8. The Carl Nielsen Edition, Royal Danish Library. 4361: 3502: 1542:, Op. 40, in which critics have discerned the influences of Brahms and also of 877:(Three Motets, Op. 55). To non-Danish critics, Nielsen's music initially had a 588:

and spent most of his life away from the family. He died near Kolding in 1956.

7548: 7275: 6878: 6379: 6257: 5296: 3806: 2026: 1744: 1695: 1519: 1439: 1211: 991: 981: 975: 804: 680: 585: 565: 438: 411: 168: 99: 470:, Copenhagen on 8 September 1888, it was designated by Nielsen as his Op. 1. 343:

on the island of Funen. His father, Niels Jørgensen, was a house painter and

300:

in Odense documents his life and that of his wife. Between 1994 and 2009 the

7244: 7218: 6623: 6563: 5975: 5723: 5696: 4057: 3107: 1871: 1846: 1736: 1543: 1480: 1163: 868: 708: 336: 328: 250: 172: 111: 80: 6029: 5500: 4026: 1493:

for piano, Op. 32, was inspired by the music of Johann Sebastian Bach. The

1116: 551: 5130: 4298: 1981:

symphony and his many songs including "Danmark, nu blunder den lyse nat".

1727:

Of great significance was Nielsen's contribution to the 1922 publication,

7310: 2250: 1942:, one of Nielsen's private students who helped with the orchestration of 1254:) for string orchestra was written for the funeral of the Danish painter 1057: 902:

in his works, as being typically Danish. The composer himself wrote "The

743:

During his final years, Nielsen produced a short book of essays entitled

229: 115: 5767: 4951: 1056:(Masquerade) is a comic opera in three acts written in 1906 to a Danish 7285: 6002: 5047: 4959: 3978: 3528: 3394: 3344: 3243: 2861: 1308: 1167: 1159: 1151: 964: 789: 780:

Nielsen's works are sometimes referred to by CNW numbers, based on the

634:

for soloists, chorus and orchestra was first performed at Copenhagen's

628: 7993: 7475: 5085: 4925: 4162: 4140: 1553:

All Nielsen's organ works were late compositions. The Danish organist

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Foltmann, Niels Bo; Hauge, Peter, eds. (2004). "Orchestral Works 2".

1760:

Between 1994 and 2009 a complete new edition of Nielsen's works, the

1515: 861: 639: 340: 216: 5039: 3563: 3217: 3189: 3175: 3161: 3147: 2599: 1812:(first edition 1952) was the earliest large-scale study in English. 383: 5077: 4917: 4408:

Ahlgren Jensen, Lisbeth; Krabbe, Niels, eds. (2002). "Cantatas 1".

4348:

Cane, A. (Autumn 2014). "Thomas Jensen and the Nielsen tradition".

2033:

overture was also the first item for the opening night of the 2015

2001:

for a broadcast extending across Europe and the United States. The

178:

Brought up by poor yet musically talented parents on the island of

4118: 1900: 1081:

songs, its dances and its underlying "old Copenhagen" atmosphere.

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in Copenhagen where many of Nielsen's compositions were premiered

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The wind concertos present many examples of what Nielsen called

1043: 262:, but he soon developed his own style, first experimenting with 7479: 6476: 5816: 5812: 2930: 1893:. Over 50 recordings have been made of Nielsen's Wind Quintet. 1575:, Hamburg, from 1928 to 1930. Nielsen's last major work – 1026:

Nielsen's two operas are very different in style. The four-act

1487:, Op. 48 (1923) was written for Telmányi, and, like Nielsen's 1258:

in January 1910 and was also played at Nielsen's own funeral.

986:

and out of time, as if to destroy the music. Performed by the

186:

in Copenhagen from 1884 until December 1886. He premiered his

175:, widely recognized as his country's most prominent composer. 4366:

Table of contents, including introductions and music scores.

2304: 2302: 1412:

3. Praeludium: Adagio. Tema con variazioni: Un poco andantino

494:

While travelling, Nielsen discovered and then turned against

5750: 4862:. Vol. 17 (2nd ed.). Macmillan. pp. 888–890. 4611:; Foltmann, Niels Bo, eds. (2006). "Piano and Organ Works". 2998: 2984: 2970: 2474: 2193: 2191: 2025:

prepared a concert series on Nielsen beginning on 9 June in

1597: 1361: 3549: 2944: 1950:, remembered for his interpretations of Baroque music, and 5493:"Carl Nielsen: Quintet for Wind Instruments, Op.43 (1922)" 2714: 2712: 808:

Poster for premiere of Carl Nielsen's Fifth Symphony, 1922

3203: 2392: 2390: 2388: 2386: 1845:

compares the "brute strength" of Nielsen's symphonies to

1729:

Folkehøjskolens Melodibog (The Folk High School Songbook)

978:

is given the task of interrupting the orchestra, playing

638:(The Music Society) on 27 April 1897. It was inspired by 4716:

Hauge, Peter, ed. (2001). "Suite for String Orchestra".

4468:

Hauge, Peter; Michelsen, Thomas, eds. (2001). "Helios".

3725:. Ministry of Foreign Affairs of Denmark. Archived from 3121: 1946:. Nielsen also instructed the conductor and choirmaster 3422: 3408: 1296:

folk tunes but also contains freely composed sections.

448:

On 17 September 1887, Nielsen played the violin in the

4751:

Foltmann, Niels Bo, ed. (1999). "Symphony 3 Preface".

1002:(without opus number), written 1924–25, and subtitled 934:

heighten the dramatic tension. From its opening bars,

7934: 5427:"Inextinguishable: The fiery rhythms of Carl Nielsen" 4235:"(6058) Carlnielsen = 1974 OM = 1978 VL5 = 1981 UF13" 3884: 2818:. Classical-music.com: Website of BBC Music Magazine. 2009:

and a new production (directed by David Pountney) of

1703:

Over the years, Nielsen wrote the music for over 290

1270:), a vigorous nine-minute symphonic poem inspired by 5235:] (in Danish). Nyt Nordisk Forlag. Arnold Busck. 4852:

Fanning, David (2001). "Nielsen, Carl (August)". In

4817:. Embassy of Denmark, United Kingdom. Archived from 375:

in the band of the army's 16th Battalion in Odense.

304:, sponsored by the Danish government, completed the 8095:

Academic staff of the Royal Danish Academy of Music

7831: 7513: 7374: 7319: 7253: 7232: 6519: 6388: 6347: 6286: 6250: 6211: 6162: 6107: 6048: 6013: 5986: 5959: 5930: 5863: 5455:] (in Danish) (10th ed.). Nordisk Forlag. 1731:, of which he was one of the editors together with 1299:Among Nielsen's orchestral works for the stage are 1034:(Saul and David), written in 1902 to a libretto by 946:(choleric, phlegmatic, melancholic, and sanguine). 135: 125: 107: 88: 66: 41: 5538:Skjold-Rasmussen, Arne (1966). "The Piano Works". 5203: 4830: 3231: 1105:welcomed its improved clarity and purity. But the 5227:Meyer, Torben; Petersen, Frede Schandorf (1947). 1280:, was premiered in 1911. The Rhapsodic Overture, 5577:. Cambridge University Press. pp. 266–287. 4881:[Carl and Emilie ... and Ottilie]. 3295: 3109:Carl Nielsen Edition: Suite for String Orchestra 1918:, both a conductor and orchestral composer, and 5266:. Translated from the Danish by Reginald Spink. 4859:The New Grove Dictionary of Music and Musicians 3461: 3449: 1557:suggests that his interest was prompted by the 1514:marked "Carl Nielsen" at the State Archives in 425:(1832–1907), and received a solid grounding in 8145:Directors of the Royal Danish Academy of Music 5017:. Salisbury Symphony Orchestra. Archived from 3761:"The Historic Carl Nielsen Collection: Vol. 1" 2894: 2856: 2854: 2852: 2850: 2343:(in Danish). Odense Bys Museer. Archived from 2197: 1930:, the academy professor and symphony composer 7491: 6488: 5918: 5890: 5828: 5571:The Cambridge Companion to the String Quartet 4333:CD Review: Building a Library Recommendations 3877: 3589: 2487: 2485: 2411: 2409: 2407: 2405: 2319: 2317: 1934:, the organist Emilius Bangert who played at 1567:), and the renewal of the front pipes of the 8: 6403:Carl Nielsen International Music Competition 5592:Vestergård, Karen; Vorre, Ida-Marie (2008). 5554:"Celebrating the Wind Music of Carl Nielsen" 5408:Rosenberg, Herbert (1966). "The Concertos". 5332:. Toronto Symphony Orchestra. Archived from 5233:Carl Nielsen the Artist and the Man Volume 1 4211:(in Danish). oplev.odense.dk. Archived from 2341:"Carl Nielsen & Anne Marie Carl-Nielsen" 2137: 2135: 1558: 1339:, written to celebrate the reunification of 1334: 1306: 1287: 1265: 1249: 1215: 1178: 1126: 1114: 1106: 1051: 1027: 549: 457: 348: 292:. For many years, he appeared on the Danish 224:from a turbulent marriage with the sculptor 5351:"A Composer Whose Time Never Seems to Come" 5286:. Odense Symphony Orchestra. Archived from 5229:Carl Nielsen Kunstneren og Mennesket Bind 1 4003:(in Danish). Danmarks Radio. Archived from 3396:Carl Nielsen Edition: Piano and Organ Works 3346:Carl Nielsen Edition: Piano and Organ Works 3245:Carl Nielsen Edition: Piano and Organ Works 2801: 2524: 2522: 2245: 2243: 1576: 1086: 979: 541: 7498: 7484: 7476: 6495: 6481: 6473: 5835: 5821: 5813: 5391:Carl Nielsen's Voice: His Songs in Context 5098:"The Violin Sonatas and Violin Solo works" 2958: 1626:Christmas hymn played on piano, lyrics by 1479:wrote of the premiere (which was given by 1162:before the flute comes to the fore with a 831:Carl Nielsen's Voice: His Songs in Context 228:. Nielsen is especially noted for his six 49: 38: 5804:International Music Score Library Project 5734:International Music Score Library Project 5523:(2nd ed.). Kahn & Averill. 3012: 2789: 2679: 1317:was written to accompany a production of 886:have referred to his rhythms, his use of 8165:People from Faaborg-Midtfyn Municipality 5499:. Sierra Chamber Society. Archived from 3593: 3577: 3565:Carl Nielsen Edition: Symphony 3 Preface 3437: 3219:Carl Nielsen Edition: Incidental Music 2 3191:Carl Nielsen Edition: Orchestral Works 2 3177:Carl Nielsen Edition: Orchestral Works 2 3163:Carl Nielsen Edition: Orchestral Works 2 3149:Carl Nielsen Edition: Orchestral Works 2 3080: 2828: 2754: 2718: 2703: 1447:Nielsen wrote four string quartets. The 736:, was premiered posthumously in 1931 in 286:listed by the Danish Ministry of Culture 7941: 3827: 3693: 3629: 3617: 3370: 3358: 3332: 3307: 3283: 3257: 2918: 2882: 2841: 2691: 2585: 2513: 2396: 2365: 2308: 2253:. Carl Nielsen Society. 9 November 2014 2209: 2126: 2058: 747:(1925), followed in 1927 by his memoir 398:Nielsen, aged about 14, in Odense, 1879 8100:Burials at Vestre Cemetery, Copenhagen 6097:An Imaginary Trip to the Faroe Islands 5633:White, Harry; Murphy, Michael (2001). 5626: 5545: 5415: 5284:"Welcome to Odense Symphony Orchestra" 5274:. Carl Nielsen Society. Archived from 4980:Carl Nielsen and the Idea of Modernism 4360:. Royal Danish Library. Archived from 4358:"Carl Nielsen Edition – Download" 3977:. Carl Nielsen Society. Archived from 3793: 3709: 3697: 3689: 3677: 3665: 3653: 3641: 3605: 3527:. Carl Nielsen Society. Archived from 3501:. Royal Danish Library. Archived from 3499:"Carl Nielsen Edition – Download" 3485: 3473: 3382: 3319: 2906: 2742: 2730: 2645: 2437: 2377: 2271: 2168: 2166: 2164: 2114: 2080: 1693: 1591:List of songs composed by Carl Nielsen 1453:Second String Quartet No. 2 in F minor 1437: 1283:An Imaginary Trip to the Faroe Islands 288:amongst the greatest pieces of Danish 163:; 9 June 1865 – 3 October 1931) was a 5330:"Symphony No. 3 'Sinfonia espansiva'" 4746:from the original on 16 October 2014. 4711:from the original on 16 October 2014. 4676:from the original on 16 October 2014. 4641:from the original on 16 October 2014. 4603:from the original on 16 October 2014. 4568:from the original on 16 October 2014. 4533:from the original on 16 October 2014. 4498:from the original on 16 October 2014. 4463:from the original on 16 October 2014. 4428:from the original on 16 October 2014. 4403:from the original on 16 October 2014. 3900:. Odense City Museums. Archived from 3843: 3271:Carl Nielsen Edition: Chamber Music 1 3048:"Carl Nielsen: Flute Concerto, FS119" 2572: 1449:First String Quartet No. 1 in G minor 1230:for orchestra based on the Icelandic 679:estates, or worked as a conductor in 158: 7: 8170:Royal Danish Academy of Music alumni 5552:Slattery, Jacob (11 February 2015). 5371:"Clarinet concerto, Op. 57 (FS 129)" 4898:Gibbs, Alan (1963). "Carl Nielsen's 4879:"Carl og Emilie ... og Ottilie" 3781: 3747: 3135: 1457:Third String Quartet in E-flat major 776:List of compositions by Carl Nielsen 7354:Tchaikovsky and the Belyayev circle 5777:Carl Nielsen bibliography 1985–2008 5611:: 80–101 – via Tidsskrift.dk. 5159:Larsen, Jørgen (19 February 2015). 4788:[Carl Nielsen's students]. 4784:Caron, Jean-Luc (20 January 2013). 4327:Burton, Anthony (4 November 2006). 4001:"Gallaconcert: Carl Nielsen 150 år" 2932:Carl Nielsen Edition: Saul og David 1841:in 2008, the American music critic 1004:Sinfonia Semplice (Simple Symphony) 8085:20th-century Danish male musicians 8070:20th-century Danish letter writers 8065:19th-century Danish letter writers 6423:Danish National Symphony Orchestra 5690:Behrend, William (November 1931). 5349:Pincus, Andrew L. (10 June 1990). 5323:from the original on 5 March 2016. 4777:from the original on 25 June 2007. 3068: 2323: 1694:Problems playing these files? See 1438:Problems playing these files? See 580:, married the Hungarian violinist 520:St Mark's English Church, Florence 25: 8055:20th-century classical violinists 8035:19th-century classical violinists 6121:Fantasy Pieces for Oboe and Piano 3949:"Ny 100-kroneseddel til november" 2070:. Vol. 12. pp. 213–214. 1455:, Op. 5 appeared in 1890 and the 970:Also frequently performed is the 782:Catalogue of Carl Nielsen's Works 367:, on 1 November 1879 he became a 8150:Danish male classical violinists 8050:20th-century classical composers 8030:19th-century classical composers 7992: 7980: 7968: 7956: 7944: 7459: 7450: 7449: 6459: 6458: 5475:The Lives of the Great Composers 4320:10.1111/j.1469-8129.2008.00354.x 4252:Ahlgren Jensen, Lisbeth (2008). 4117:. Danish Quartet. Archived from 3723:"Carl Nielsen 150th Anniversary" 3095:Nielsen String Quartets Volume 1 3000:Carl Nielsen Edition: Cantatas 1 2986:Carl Nielsen Edition: Cantatas 1 2972:Carl Nielsen Edition: Cantatas 1 2767:Tollåli, Aksel (11 March 2015). 2476:Carl Nielsen Edition: Cantatas 1 1672: 1644: 1640:("Green in the Hedge in Spring") 1616: 1461:Fourth String Quartet in F major 1416: 1398: 1380: 996:Edinburgh International Festival 141: 8060:20th-century conductors (music) 8045:19th-century conductors (music) 5724:The Danish Carl Nielsen Society 5477:. London: Futura Publications. 5306:. Routledge. pp. 113–165. 4329:"Nielsen: Symphony No.5, Op.50" 3551:Carl Nielsen Edition: Maskarade 2946:Carl Nielsen Edition: Maskarade 2493:"Symphonist and opera composer" 1905:Nielsen at a 1928 rehearsal of 1430:(flute) with the Carion quintet 988:Danish Radio Symphony Orchestra 8155:Danish male conductors (music) 5062:by Carl Nielsen, John Ogdon". 4837:. Cambridge University Press. 4350:Classical Recordings Quarterly 2862:"Carl Nielsen – Composer" 784:(CNW) published online by the 766:was finally unveiled in 1939. 702:The sixth and final symphony, 645:Miracle of the Jealous Husband 339:near Nørre Lyndelse, south of 1: 8080:20th-century Danish composers 8040:19th-century Danish composers 6278:Royal Danish Academy of Music 6081:At the Bier of a Young Artist 5621:Carl Nielsen Centenary Essays 5575:Cambridge Companions to Music 5540:Carl Nielsen Centenary Essays 5410:Carl Nielsen Centenary Essays 5389:Reynolds, Anne-Marie (2010). 5211:The Oxford Companion to Music 4287:Carl Nielsen Centenary Essays 4085:"Carl Nielsen: Saul og David" 3436:Krabbe, Niels. "Preface". In 3205:Carl Nielsen Edition: Aladdin 2174:"Military musician in Odense" 1801:was in the repertoire of the 1668:("Look about one summer day") 1485:Prelude, Theme and Variations 1313:(The Mother), Op. 41 (1920). 1245:At the Bier of a Young Artist 949:The title of Symphony No. 3, 712:on 9 November 1925 he wrote: 605: 184:Royal Danish Academy of Music 56: 32:Carl Nielsen (disambiguation) 5744:Choral Public Domain Library 5447:Schepelern, Gerhard (1987). 5180:Lawson, Jack (22 May 1997). 5161:"Carl Nielsens mors familie" 4877:Fellow, John (26 May 2005). 4786:"Les élèves de Carl Nielsen" 4285:Balzer, Jürgen, ed. (1966). 3123:Carl Nielsen Edition: Helios 1752:assessment of the composer. 1749:German occupation of Denmark 1289:En Fantasirejse til Færøerne 867:Nielsen studied Renaissance 814:Lives of the Great Composers 454:Andante tranquillo e Scherzo 431:Johan Peter Emilius Hartmann 327:Nielsen's childhood home at 204:, during which he played in 8160:Danish male opera composers 8120:Danish classical violinists 7397:Gothic Revival architecture 6397:Carl, My Childhood Symphony 5794:Carl Nielsen som symfoniker 5779:at the Royal Danish Library 5740:Free scores by Carl Nielsen 5730:Free scores by Carl Nielsen 5660:"Carl Nielsen (Obituary)". 5619:(1966). "The Organ Works". 5393:. Museum Tusculanum Press. 4978:Grimley, Daniel M. (2010). 3955:(in Danish). 17 August 1999 3462:Vestergård & Vorre 2008 3450:Vestergård & Vorre 2008 3424:Carl Nielsen Edition: Songs 3410:Carl Nielsen Edition: Songs 1682:Played on piano, lyrics by 1654:Played on piano, lyrics by 1612:("How wonderful to ponder") 912:Tonality, Clarity, Strength 894:, or his frequent use of a 27:Danish composer (1865–1931) 8191: 8115:Danish classical composers 7338:Neue Zeitschrift für Musik 6513:List of Romantic composers 5670:(15): 41. 10 October 1931. 4280:– via Tidsskrift.dk. 4163:"First night of the Proms" 4141:"Nielsen Symphony Cycle I" 2530:"...a whole pile of works" 1588: 1251:Ved en ung Kunstners Baare 773: 600:Nielsen and his family at 578:Copenhagen Academy of Arts 459:Privat Kammermusikforening 29: 8140:Danish Romantic composers 8125:Danish conductors (music) 7811:Charles Villiers Stanford 7429: 6510: 6456: 6139:String Quartet No. 4 6133:String Quartet No. 3 6127:String Quartet No. 2 6115:String Quartet No. 1 5850: 5637:. Cork University Press. 5594:"Danishness in Nielsen's 4805:Dolleris, Ludvig (1949). 4739: 979-0-66134-008-9. 4704: 979-0-66134-211-3. 4669: 979-0-66134-105-5. 4634: 979-0-66134-201-4. 4596: 979-0-66134-113-0. 4561: 979-0-66134-019-5. 4526: 979-0-66134-202-1. 4491: 979-0-66134-010-2. 4456: 979-0-66134-104-8. 4421: 979-0-66134-102-4. 4396: 979-0-66134-014-0. 4373:, ed. (2000). "Aladdin". 4053:"Carl Nielsen: Maskarade" 3898:"The Carl Nielsen Museum" 3885:Odense Symphony Orchestra 3590:Meyer & Petersen 1947 3331:Tørsleff, Hans. Cited in 2328:Oxford Companion to Music 2068:Dansk Biografisk Leksikon 2019:Cheltenham Music Festival 1960:Odense Symphony Orchestra 1351:Nielsen composed several 1226:), Op. 39 (1907–08) is a 1064:, based on the comedy by 1046:'s jealousy of the young 1018:Nielsen with the cast of 738:St. Mary's Church, Lübeck 652:his principal publisher, 576:, who graduated from the 140: 48: 8110:Composers for pipe organ 8090:String quartet composers 7359:Tchaikovsky and The Five 6057:Little Suite for Strings 5762:The Carl Nielsen Edition 5521:Carl Nielsen, Symphonist 5205:"Nielsen, Carl (August)" 4815:"LSO celebrates Nielsen" 3763:. MusicWeb International 1810:Carl Nielsen, Symphonist 1532:chaconne for solo violin 1148:Holger Gilbert-Jespersen 562:University of Copenhagen 390:Studies and early career 248:. In Denmark, his opera 160:[ˈkʰɑˀlˈne̝lsn̩] 7724:Nikolai Rimsky-Korsakov 6219:Anne Marie Carl-Nielsen 5783:The Carl Nielsen Museum 5328:Phillips, Rick (2014). 5295:Pankhurst, Tom (2008). 5091:(subscription required) 5053:(subscription required) 4998:"Reviews for GHCD 2340" 4973:(subscription required) 4931:(subscription required) 4856:; Tyrell, John (eds.). 4833:Nielsen: Symphony No. 5 4308:Nations and Nationalism 4268:: 50–64. Archived from 3026:"Art and consciousness" 2802:White & Murphy 2001 2600:"Carl Nielsen biografi" 2552:"Art and consciousness" 2045:is named in his honor. 1803:Amsterdam Concertgebouw 1376:1. Allegro ben moderato 839:Hans Christian Andersen 572:. The younger daughter 294:hundred-kroner banknote 8135:Danish opera composers 8130:Danish music educators 7821:Ralph Vaughan Williams 7699:Alexander Dargomyzhsky 7382:Common practice period 6448:Royal Danish Orchestra 6014:Chorus & orchestra 5919: 5891: 5262:Nielsen, Carl (1953). 5096:Ketting, Knud (2007). 5058:Horton, John (1969). " 4254:"The Rosenhoff Affair" 4237:. Minor planet center. 3859:. Carl Nielsen Society 3809:. Carl Nielsen Society 3349:, pp. xxiii–xxvi. 3232:Sierra Chamber Society 3028:. Carl Nielsen Society 2661:. Carl Nielsen Society 2627:. Carl Nielsen Society 2554:. Carl Nielsen Society 2532:. Carl Nielsen Society 2495:. Carl Nielsen Society 2453:. Carl Nielsen Society 2419:. Carl Nielsen Society 2287:. Carl Nielsen Society 2176:. Carl Nielsen Society 2096:. Carl Nielsen Society 2035:BBC Promenade Concerts 1910: 1725: 1666:Se dig ud en Sommerdag 1602: 1577: 1559: 1366: 1335: 1307: 1288: 1266: 1250: 1241: 1234:. In Nielsen's words: 1216: 1179: 1127: 1115: 1107: 1087: 1052: 1028: 1023: 980: 930: 809: 719: 671: 654:Wilhelm Hansen Edition 611: 550: 542: 458: 414:, the director of the 399: 349: 332: 236:and his concertos for 198:Royal Danish Orchestra 8075:20th-century diarists 6438: (autobiography) 6435:My Childhood on Funen 6413:Carl Nielsen Monument 5881:The Four Temperaments 5751:"Discovering Nielsen" 5245:The Nielsen Companion 5131:10.1353/not.2007.0115 4185:. BBC. Archived from 3928:Danmarks Nationalbank 3296:Skjold-Rasmussen 1966 3222:, pp. xi–xxviii. 2949:, pp. xi–xxxvii. 2285:"Young and promising" 1904: 1817:New York Philharmonic 1713: 1601: 1565:Organ reform movement 1365: 1236: 1017: 925: 807: 774:Further information: 764:Carl Nielsen Monument 722:Final years and death 714: 669: 599: 536:The Four Temperaments 490:Marriage and children 397: 357:My Childhood on Funen 326: 8175:Pupils of Niels Gade 7852:Antônio Carlos Gomes 7604:Carl Maria von Weber 7419:Romantic nationalism 7365:War of the Romantics 6408:Carl Nielsen Edition 6212:Family & friends 5903:The Inextinguishable 5855:List of compositions 5605:Carl Nielsen Studies 5471:Schonberg, Harold C. 5425:(26 February 2008). 5290:on 19 February 2015. 5278:on 11 February 2015. 5148:Fontes Artis Musicae 5102:CD 8.226065, booklet 5013:Hodgetts, Jonathan. 4258:Carl Nielsen Studies 3071:. Clarinet Concerto. 3050:. Classical Archives 2792:, pp. 113, 165. 2604:Carl Nielsen Society 1971:Danish National Bank 1876:Carl Nielsen Edition 1762:Carl Nielsen Edition 1610:Forunderligt at sige 1540:Theme and Variations 1371:Wind Quintet, Op. 43 1333:is often performed. 961:The Inextinguishable 786:Danish Royal Library 564:and director of the 516:Anne Marie Brodersen 345:traditional musician 307:Carl Nielsen Edition 302:Royal Danish Library 264:progressive tonality 226:Anne Marie Brodersen 200:under the conductor 130:List of compositions 30:For other uses, see 8105:Composers for piano 7892:Silvestre Revueltas 7816:Alexander Mackenzie 7669:Stanisław Moniuszko 7589:Camille Saint-Saëns 7507:Musical nationalism 7414:Musical nationalism 7332:Musical nationalism 6418:Carl Nielsen Museum 6348:Select interpreters 6225:Anne Marie Telmányi 6038:Springtime on Funen 5915:Symphony No. 6 5909:Symphony No. 5 5899:Symphony No. 4 5887:Symphony No. 3 5877:Symphony No. 2 5871:Symphony No. 1 5503:on 15 December 2010 5247:. Faber and Faber. 5028:Woman's Art Journal 4939:Music & Letters 4364:on 12 October 2014. 4209:"Carl Nielsen 2015" 3832:p. 10 footnote 3413:, pp. 528–531. 3373:, pp. 218–219. 3361:, pp. 210–212. 2961:, pp. 346–351. 2864:. BBC. 26 July 2001 2368:, pp. 212–213. 2311:, pp. 888–889. 2198:Ahlgren Jensen 2008 2013:. During 2015, the 1772:, and the complete 1638:Grøn er Vaarens Hæk 1319:Adam Oehlenschläger 1135:Springtime on Funen 1010:Operas and cantatas 927:Odd Fellows Mansion 818:Harold C. Schonberg 816:, the music critic 450:Tivoli Concert Hall 331:near Nørre Lyndelse 298:Carl Nielsen Museum 152:Carl August Nielsen 18:Carl August Nielsen 7862:Heitor Villa-Lobos 7327:Indianist movement 7245:Romantic orchestra 6444: (biographer) 6430: (biographer) 6375:Michael Schønwandt 6233: (son-in-law) 6179:Three Piano Pieces 5892:Sinfonia espansiva 5355:The New York Times 4809:. Fyns Boghandels. 4754:Carl Nielsen Works 4719:Carl Nielsen Works 4684:Carl Nielsen Works 4649:Carl Nielsen Works 4614:Carl Nielsen Works 4576:Carl Nielsen Works 4541:Carl Nielsen Works 4506:Carl Nielsen Works 4471:Carl Nielsen Works 4436:Carl Nielsen Works 4411:Carl Nielsen Works 4376:Carl Nielsen Works 4121:on 5 February 2015 3975:"Nielsen Calendar" 3525:"Nielsen Calendar" 3505:on 12 October 2014 3138:. Helios Overture. 3097:. Chandos Records. 2935:, pp. xi–xxx. 2895:Embassy of Denmark 2814:Johnson, Stephen. 2479:, pp. xi–xiv. 2021:). In the UK, the 2003:Danish Royal Opera 1936:Roskilde Cathedral 1911: 1828:The New York Times 1656:Poul Martin Møller 1628:N. F. S. Grundtvig 1603: 1367: 1109:Berlingske Tidende 1036:Einar Christiansen 1024: 952:Sinfonia Espansiva 931: 810: 749:Min Fynske Barndom 672: 612: 400: 351:Min Fynske Barndom 333: 7932: 7931: 7857:Francisco Mignone 7842:Alberto Ginastera 7729:Alexander Borodin 7719:Modest Mussorgsky 7674:Henryk Wieniawski 7473: 7472: 7344:New German School 6939:Felix Mendelssohn 6934:Fanny Mendelssohn 6470: 6469: 6355:Herbert Blomstedt 6263:J. P. E. Hartmann 5950:Clarinet Concerto 5920:Sinfonia semplice 5644:978-1-85918-153-9 5623:. pp. 69–74. 5584:978-0-521-00042-0 5542:. pp. 57–68. 5530:978-0-900707-46-9 5484:978-0-86007-723-7 5462:978-87-00-19464-9 5412:. pp. 47–56. 5400:978-87-635-2598-5 5313:978-0-415-97398-4 5254:978-1-57467-004-2 5214:(online ed.) 5191:978-0-7148-3507-5 5121:. Second Series. 5104:. Da Capo Records 5065:The Musical Times 5015:"Helios Overture" 4989:978-1-84383-581-3 4982:. Boydell Press. 4952:10.1093/ml/gci033 4912:(1441): 208–209. 4905:The Musical Times 4869:978-0-333-60800-5 4844:978-0-521-44088-2 4767:978-87-598-0991-4 4732:978-87-598-1010-1 4697:978-87-598-1823-7 4662:978-87-598-1095-8 4627:978-87-598-5395-5 4589:978-87-598-1127-6 4554:978-87-598-1047-7 4519:978-87-598-5396-2 4484:978-87-598-1014-9 4449:978-87-598-1093-4 4389:978-87-598-1009-5 4033:. 7 November 2014 4031:Carl Nielsen 2015 3924:"The 1997 Series" 3784:, pp. 12–18. 3712:, pp. 50–53. 3668:, pp. 47–48. 3464:, pp. 83–84. 3427:, pp. 21–22. 2897:. Symphony No. 4. 2706:, pp. 13–14. 2648:, pp. 29–31. 2417:"Years of crisis" 2227:Carl Nielsen 2015 2147:Carl Nielsen 2015 2143:"The Early Years" 2094:"Funen Childhood" 1995:Clarinet Concerto 1887:Herbert Blomstedt 1717:Christian Winther 1677: 1649: 1621: 1573:St. Jacobi Church 1495:Preludio e Presto 1421: 1403: 1385: 1198:Suite for Strings 1022:, Stockholm, 1931 944:four temperaments 896:flattened seventh 826:Oxford University 704:Sinfonia semplice 570:National Hospital 540:and the cantatas 534:Second Symphony ( 464:Suite for Strings 365:brass instruments 282:Leonard Bernstein 269:Sinfonia semplice 193:Suite for Strings 149: 148: 16:(Redirected from 8182: 7997: 7996: 7985: 7984: 7983: 7973: 7972: 7971: 7961: 7960: 7959: 7949: 7948: 7947: 7940: 7917:Edward MacDowell 7771:Enrique Granados 7746:Alexander Moyzes 7539:Bohuslav Martinů 7500: 7493: 7486: 7477: 7463: 7453: 7452: 7349:Post-romanticism 7214:Vaughan Williams 6497: 6490: 6483: 6474: 6462: 6461: 6389:Related articles 6334:Rudolph Simonsen 6294:Thorvald Aagaard 6242:Ferruccio Busoni 6227: (daughter) 6146:Serenata in vano 6049:Other orchestral 5922: 5894: 5837: 5830: 5823: 5814: 5809: 5802:'s 44 lectures, 5758: 5713: 5711: 5709: 5692:"Carl Nielsen †" 5686: 5671: 5648: 5624: 5612: 5602: 5588: 5565: 5563: 5561: 5543: 5534: 5512: 5510: 5508: 5488: 5466: 5443: 5441: 5439: 5413: 5404: 5385: 5383: 5381: 5365: 5363: 5361: 5345: 5343: 5341: 5324: 5322: 5301: 5291: 5279: 5267: 5258: 5236: 5223: 5221: 5219: 5207: 5195: 5176: 5174: 5172: 5155: 5142: 5113: 5111: 5109: 5092: 5089: 5054: 5051: 5022: 5009: 5007: 5005: 4993: 4974: 4971: 4932: 4929: 4894: 4892: 4890: 4873: 4848: 4836: 4822: 4821:on 25 July 2011. 4810: 4801: 4799: 4797: 4778: 4776: 4759: 4747: 4745: 4724: 4712: 4710: 4689: 4677: 4675: 4654: 4642: 4640: 4619: 4604: 4602: 4581: 4569: 4567: 4546: 4534: 4532: 4511: 4499: 4497: 4476: 4464: 4462: 4441: 4429: 4427: 4416: 4404: 4402: 4381: 4365: 4353: 4344: 4342: 4340: 4323: 4302: 4281: 4279: 4277: 4264:. Translated by 4239: 4238: 4231: 4225: 4224: 4222: 4220: 4215:on 20 April 2015 4205: 4199: 4198: 4196: 4194: 4189:on 26 April 2015 4174: 4172: 4170: 4159: 4153: 4152: 4150: 4148: 4137: 4131: 4130: 4128: 4126: 4115:"Danish Quartet" 4111: 4105: 4104: 4102: 4100: 4095:on 26 April 2015 4091:. Archived from 4081: 4075: 4074: 4072: 4070: 4065:on 26 April 2015 4061:. Archived from 4049: 4043: 4042: 4040: 4038: 4023: 4017: 4016: 4014: 4012: 3997: 3991: 3990: 3988: 3986: 3971: 3965: 3964: 3962: 3960: 3945: 3939: 3938: 3936: 3934: 3920: 3914: 3913: 3911: 3909: 3894: 3888: 3875: 3869: 3868: 3866: 3864: 3853: 3847: 3841: 3835: 3825: 3819: 3818: 3816: 3814: 3803: 3797: 3791: 3785: 3779: 3773: 3772: 3770: 3768: 3757: 3751: 3745: 3739: 3738: 3736: 3734: 3729:on 24 April 2015 3719: 3713: 3707: 3701: 3687: 3681: 3675: 3669: 3663: 3657: 3651: 3645: 3639: 3633: 3627: 3621: 3615: 3609: 3603: 3597: 3587: 3581: 3575: 3569: 3561: 3555: 3547: 3541: 3540: 3538: 3536: 3521: 3515: 3514: 3512: 3510: 3495: 3489: 3483: 3477: 3471: 3465: 3459: 3453: 3447: 3441: 3434: 3428: 3420: 3414: 3406: 3400: 3392: 3386: 3380: 3374: 3368: 3362: 3356: 3350: 3342: 3336: 3329: 3323: 3317: 3311: 3305: 3299: 3293: 3287: 3281: 3275: 3267: 3261: 3255: 3249: 3241: 3235: 3229: 3223: 3215: 3209: 3201: 3195: 3187: 3181: 3173: 3167: 3159: 3153: 3145: 3139: 3133: 3127: 3119: 3113: 3105: 3099: 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2181: 2170: 2159: 2158: 2156: 2154: 2139: 2130: 2124: 2118: 2112: 2106: 2105: 2103: 2101: 2090: 2084: 2078: 2072: 2071: 2063: 2043:6058 Carlnielsen 2023:BBC Philharmonic 1952:Rudolph Simonsen 1745:communal singing 1741:Thorvald Aagaard 1679: 1678: 1651: 1650: 1623: 1622: 1600: 1580: 1562: 1423: 1422: 1405: 1404: 1387: 1386: 1364: 1341:Southern Jutland 1338: 1312: 1291: 1269: 1253: 1221: 1191:Orchestral music 1182: 1132: 1120: 1112: 1090: 1062:Vilhelm Andersen 1055: 1033: 985: 794:Torben Schousboe 689:Fifth symphonies 662: 621:incidental music 610: 607: 555: 547: 512:Ferruccio Busoni 461: 433:as well as from 408:Odense Cathedral 354: 162: 157: 145: 95: 76: 74: 61: 58: 53: 39: 21: 8190: 8189: 8185: 8184: 8183: 8181: 8180: 8179: 8005: 8004: 8003: 7991: 7981: 7979: 7969: 7967: 7963:Classical music 7957: 7955: 7945: 7943: 7935: 7933: 7928: 7827: 7797:United Kingdom 7776:Joaquín Rodrigo 7766:Manuel de Falla 7664:Frédéric Chopin 7524:Bedřich Smetana 7520:Czech Republic 7509: 7504: 7474: 7469: 7446: 7442:Modernist music 7438: 7435:Classical music 7425: 7370: 7315: 7296:Romantic ballet 7291:Orchestral song 7271:Chorale prelude 7266:Character piece 7249: 7240:Romantic guitar 7233:Instrumentation 7228: 7064:Rimsky-Korsakov 6684:Ferdinand David 6521: 6515: 6506: 6501: 6471: 6466: 6452: 6384: 6360:Douglas Bostock 6343: 6329:Poul Schierbeck 6304:Emilius Bangert 6299:Harald Agersnap 6282: 6246: 6207: 6158: 6103: 6065:Helios Overture 6044: 6009: 5982: 5955: 5938:Violin Concerto 5926: 5859: 5846: 5841: 5807: 5749: 5720: 5707: 5705: 5689: 5678:Musical America 5674: 5663:Musical America 5659: 5656: 5651: 5645: 5632: 5615: 5600: 5591: 5585: 5568: 5559: 5557: 5551: 5537: 5531: 5517:Simpson, Robert 5515: 5506: 5504: 5491: 5485: 5469: 5463: 5446: 5437: 5435: 5421: 5407: 5401: 5388: 5379: 5377: 5369:Reisig, Wayne. 5368: 5359: 5357: 5348: 5339: 5337: 5327: 5320: 5314: 5299: 5294: 5282: 5272:"Nielsen Notes" 5270: 5261: 5255: 5241:Miller, Mina F. 5239: 5226: 5217: 5215: 5198: 5192: 5179: 5170: 5168: 5158: 5145: 5116: 5107: 5105: 5095: 5090: 5057: 5052: 5040:10.2307/1357963 5025: 5021:on 4 July 2004. 5012: 5003: 5001: 4996: 4990: 4977: 4972: 4935: 4930: 4897: 4888: 4886: 4876: 4870: 4851: 4845: 4825: 4813: 4804: 4795: 4793: 4783: 4774: 4768: 4757: 4750: 4743: 4733: 4722: 4715: 4708: 4698: 4687: 4680: 4673: 4663: 4652: 4645: 4638: 4628: 4617: 4607: 4600: 4590: 4579: 4572: 4565: 4555: 4544: 4537: 4530: 4520: 4509: 4502: 4495: 4485: 4474: 4467: 4460: 4450: 4439: 4432: 4425: 4414: 4407: 4400: 4390: 4379: 4369: 4356: 4347: 4338: 4336: 4326: 4305: 4284: 4275: 4273: 4251: 4247: 4242: 4233: 4232: 4228: 4218: 4216: 4207: 4206: 4202: 4192: 4190: 4177: 4175: 4168: 4166: 4161: 4160: 4156: 4146: 4144: 4139: 4138: 4134: 4124: 4122: 4113: 4112: 4108: 4098: 4096: 4083: 4082: 4078: 4068: 4066: 4051: 4050: 4046: 4036: 4034: 4025: 4024: 4020: 4010: 4008: 3999: 3998: 3994: 3984: 3982: 3981:on 12 June 2015 3973: 3972: 3968: 3958: 3956: 3947: 3946: 3942: 3932: 3930: 3922: 3921: 3917: 3907: 3905: 3904:on 14 July 2014 3896: 3895: 3891: 3876: 3872: 3862: 3860: 3855: 3854: 3850: 3842: 3838: 3826: 3822: 3812: 3810: 3805: 3804: 3800: 3796:, pp. 6–7. 3792: 3788: 3780: 3776: 3766: 3764: 3759: 3758: 3754: 3746: 3742: 3732: 3730: 3721: 3720: 3716: 3708: 3704: 3688: 3684: 3676: 3672: 3664: 3660: 3652: 3648: 3640: 3636: 3628: 3624: 3616: 3612: 3604: 3600: 3588: 3584: 3576: 3572: 3562: 3558: 3554:, p. xiii. 3548: 3544: 3534: 3532: 3531:on 12 June 2015 3523: 3522: 3518: 3508: 3506: 3497: 3496: 3492: 3484: 3480: 3476:, pp. 3–4. 3472: 3468: 3460: 3456: 3448: 3444: 3435: 3431: 3421: 3417: 3407: 3403: 3399:, p. xlix. 3393: 3389: 3381: 3377: 3369: 3365: 3357: 3353: 3343: 3339: 3330: 3326: 3318: 3314: 3306: 3302: 3294: 3290: 3282: 3278: 3268: 3264: 3256: 3252: 3242: 3238: 3230: 3226: 3216: 3212: 3202: 3198: 3194:, p. xxvi. 3188: 3184: 3174: 3170: 3166:, p. xvii. 3160: 3156: 3146: 3142: 3134: 3130: 3120: 3116: 3106: 3102: 3092: 3091: 3087: 3079: 3075: 3067: 3063: 3053: 3051: 3046: 3045: 3041: 3031: 3029: 3024: 3023: 3019: 3011: 3007: 2997: 2993: 2983: 2979: 2975:, p. xiii. 2969: 2965: 2959:Schepelern 1987 2957: 2953: 2943: 2939: 2929: 2925: 2917: 2913: 2905: 2901: 2893: 2889: 2881: 2877: 2867: 2865: 2860: 2859: 2848: 2839: 2835: 2827: 2823: 2813: 2812: 2808: 2800: 2796: 2788: 2784: 2774: 2772: 2766: 2765: 2761: 2753: 2749: 2741: 2737: 2729: 2725: 2717: 2710: 2702: 2698: 2690: 2686: 2678: 2674: 2664: 2662: 2659:"List of Works" 2657: 2656: 2652: 2644: 2640: 2630: 2628: 2623: 2622: 2618: 2608: 2606: 2598:Ketting, Knud. 2597: 2596: 2592: 2583: 2579: 2571: 2567: 2557: 2555: 2550: 2549: 2545: 2535: 2533: 2528: 2527: 2520: 2512: 2508: 2498: 2496: 2491: 2490: 2483: 2473: 2466: 2456: 2454: 2449: 2448: 2444: 2436: 2432: 2422: 2420: 2415: 2414: 2403: 2395: 2384: 2376: 2372: 2364: 2360: 2350: 2348: 2339: 2338: 2334: 2322: 2315: 2307: 2300: 2290: 2288: 2283: 2282: 2278: 2270: 2266: 2256: 2254: 2249: 2248: 2241: 2231: 2229: 2221: 2220: 2216: 2208: 2204: 2196: 2189: 2179: 2177: 2172: 2171: 2162: 2152: 2150: 2141: 2140: 2133: 2125: 2121: 2113: 2109: 2099: 2097: 2092: 2091: 2087: 2079: 2075: 2065: 2064: 2060: 2056: 2051: 2005:has programmed 1987:DR Concert Hall 1967:100 kroner note 1932:Poul Schierbeck 1916:Harald Agersnap 1899: 1883:Sir Colin Davis 1783: 1758: 1705:songs and hymns 1701: 1700: 1692: 1690: 1689: 1688: 1687: 1680: 1673: 1670: 1661: 1660: 1659: 1652: 1645: 1642: 1633: 1632: 1631: 1624: 1617: 1614: 1604: 1598: 1593: 1587: 1585:Songs and hymns 1569:Schnitger organ 1548:Richard Strauss 1536:Robert Schumann 1524:Symphonic Suite 1507: 1477:Emilius Bangert 1445: 1444: 1436: 1434: 1433: 1432: 1431: 1424: 1417: 1414: 1408: 1407: 1406: 1399: 1396: 1390: 1389: 1388: 1381: 1378: 1372: 1368: 1362: 1349: 1207:Helios Overture 1193: 1143: 1102:Nationaltidende 1012: 920: 802: 778: 772: 724: 670:Nielsen in 1917 656: 636:Musikforeningen 608: 594: 592:Mature composer 492: 466:. Performed at 392: 373:alto trombonist 321: 316: 290:classical music 274:Vestre Cemetery 165:Danish composer 155: 103: 97: 93: 84: 78: 72: 70: 62: 59: 44: 35: 28: 23: 22: 15: 12: 11: 5: 8188: 8186: 8178: 8177: 8172: 8167: 8162: 8157: 8152: 8147: 8142: 8137: 8132: 8127: 8122: 8117: 8112: 8107: 8102: 8097: 8092: 8087: 8082: 8077: 8072: 8067: 8062: 8057: 8052: 8047: 8042: 8037: 8032: 8027: 8022: 8017: 8007: 8006: 8002: 8001: 7989: 7977: 7965: 7953: 7930: 7929: 7927: 7926: 7925: 7924: 7919: 7914: 7912:Horatio Parker 7909: 7904: 7898:United States 7896: 7895: 7894: 7889: 7884: 7876: 7875: 7874: 7866: 7865: 7864: 7859: 7854: 7846: 7845: 7844: 7835: 7833: 7829: 7828: 7826: 7825: 7824: 7823: 7818: 7813: 7808: 7803: 7795: 7794: 7793: 7785: 7784: 7783: 7781:Joaquín Turina 7778: 7773: 7768: 7763: 7755: 7754: 7753: 7748: 7743: 7735: 7734: 7733: 7732: 7731: 7726: 7721: 7716: 7711: 7709:Mily Balakirev 7701: 7696: 7694:Mikhail Glinka 7688: 7687: 7686: 7678: 7677: 7676: 7671: 7666: 7658: 7657: 7656: 7648: 7647: 7646: 7644:Bernard Zweers 7638: 7637: 7636: 7634:Giuseppe Verdi 7628: 7627: 7626: 7621: 7613: 7612: 7611: 7609:Richard Wagner 7606: 7598: 7597: 7596: 7594:Romain Bussine 7591: 7583: 7582: 7581: 7576: 7574:Leevi Madetoja 7568: 7567: 7566: 7558: 7557: 7556: 7551: 7543: 7542: 7541: 7536: 7531: 7529:Antonín Dvořák 7526: 7517: 7515: 7511: 7510: 7505: 7503: 7502: 7495: 7488: 7480: 7471: 7470: 7468: 7467: 7457: 7439: 7431: 7430: 7427: 7426: 7424: 7423: 7422: 7421: 7411: 7410: 7409: 7404: 7399: 7394: 7384: 7378: 7376: 7372: 7371: 7369: 7368: 7361: 7356: 7351: 7346: 7341: 7334: 7329: 7323: 7321: 7317: 7316: 7314: 7313: 7308: 7306:Symphonic poem 7303: 7301:Romantic opera 7298: 7293: 7288: 7283: 7278: 7273: 7268: 7263: 7257: 7255: 7251: 7250: 7248: 7247: 7242: 7236: 7234: 7230: 7229: 7227: 7226: 7221: 7216: 7211: 7206: 7201: 7196: 7191: 7186: 7181: 7176: 7171: 7166: 7161: 7156: 7151: 7146: 7141: 7136: 7131: 7126: 7121: 7116: 7111: 7106: 7101: 7096: 7091: 7086: 7081: 7076: 7071: 7066: 7061: 7056: 7051: 7046: 7041: 7036: 7031: 7026: 7021: 7016: 7011: 7006: 7001: 6996: 6991: 6986: 6981: 6976: 6971: 6966: 6961: 6956: 6951: 6946: 6941: 6936: 6931: 6926: 6921: 6916: 6911: 6906: 6901: 6896: 6891: 6886: 6881: 6876: 6871: 6866: 6861: 6856: 6851: 6846: 6841: 6836: 6831: 6826: 6821: 6816: 6811: 6806: 6801: 6796: 6791: 6786: 6781: 6776: 6771: 6766: 6761: 6756: 6751: 6746: 6741: 6736: 6731: 6726: 6721: 6716: 6711: 6706: 6701: 6696: 6691: 6686: 6681: 6679:Félicien David 6676: 6671: 6666: 6661: 6656: 6651: 6646: 6641: 6636: 6631: 6626: 6621: 6616: 6611: 6606: 6601: 6596: 6591: 6586: 6581: 6576: 6571: 6566: 6561: 6556: 6551: 6546: 6541: 6536: 6531: 6525: 6523: 6517: 6516: 6511: 6508: 6507: 6504:Romantic music 6502: 6500: 6499: 6492: 6485: 6477: 6468: 6467: 6457: 6454: 6453: 6451: 6450: 6445: 6442:Robert Simpson 6439: 6431: 6425: 6420: 6415: 6410: 6405: 6400: 6392: 6390: 6386: 6385: 6383: 6382: 6377: 6372: 6367: 6365:Launy Grøndahl 6362: 6357: 6351: 6349: 6345: 6344: 6342: 6341: 6339:Mogens Wöldike 6336: 6331: 6326: 6321: 6316: 6311: 6309:Jørgen Bentzon 6306: 6301: 6296: 6290: 6288: 6284: 6283: 6281: 6280: 6275: 6273:Valdemar Tofte 6270: 6268:Orla Rosenhoff 6265: 6260: 6254: 6252: 6248: 6247: 6245: 6244: 6239: 6234: 6228: 6222: 6215: 6213: 6209: 6208: 6206: 6205: 6199: 6191: 6183: 6175: 6166: 6164: 6160: 6159: 6157: 6156: 6150: 6142: 6136: 6130: 6124: 6118: 6111: 6109: 6105: 6104: 6102: 6101: 6093: 6089:Pan and Syrinx 6085: 6077: 6069: 6061: 6052: 6050: 6046: 6045: 6043: 6042: 6034: 6026: 6017: 6015: 6011: 6010: 6008: 6007: 5999: 5990: 5988: 5984: 5983: 5981: 5980: 5972: 5968:Saul and David 5963: 5961: 5957: 5956: 5954: 5953: 5947: 5944:Flute Concerto 5941: 5934: 5932: 5928: 5927: 5925: 5924: 5912: 5906: 5896: 5884: 5874: 5867: 5865: 5861: 5860: 5858: 5857: 5851: 5848: 5847: 5842: 5840: 5839: 5832: 5825: 5817: 5811: 5810: 5790: 5780: 5774: 5765: 5759: 5747: 5737: 5727: 5719: 5718:External links 5716: 5715: 5714: 5687: 5672: 5655: 5652: 5650: 5649: 5643: 5630: 5613: 5589: 5583: 5566: 5549: 5535: 5529: 5513: 5489: 5483: 5467: 5461: 5444: 5432:The New Yorker 5419: 5405: 5399: 5386: 5366: 5346: 5325: 5312: 5292: 5280: 5268: 5259: 5253: 5243:, ed. (1994). 5237: 5224: 5200:Layton, Robert 5196: 5190: 5177: 5167:on 18 May 2015 5156: 5143: 5114: 5093: 5078:10.2307/954435 5055: 5023: 5010: 4994: 4988: 4975: 4946:(2): 202–233. 4933: 4918:10.2307/949034 4895: 4874: 4868: 4854:Sadie, Stanley 4849: 4843: 4827:Fanning, David 4823: 4811: 4802: 4781: 4780: 4779: 4766: 4748: 4731: 4713: 4696: 4678: 4661: 4643: 4626: 4609:Fanning, David 4605: 4588: 4570: 4553: 4535: 4518: 4500: 4483: 4465: 4448: 4430: 4405: 4388: 4371:Fanning, David 4354: 4345: 4324: 4314:(4): 684–699. 4303: 4282: 4272:on 18 May 2015 4248: 4246: 4243: 4241: 4240: 4226: 4200: 4179:"Carl Nielsen" 4154: 4132: 4106: 4076: 4044: 4018: 4007:on 19 May 2015 3992: 3966: 3940: 3915: 3889: 3870: 3857:"Performances" 3848: 3836: 3820: 3798: 3786: 3774: 3752: 3740: 3714: 3702: 3682: 3670: 3658: 3646: 3634: 3622: 3610: 3598: 3582: 3570: 3556: 3542: 3516: 3490: 3478: 3466: 3454: 3442: 3429: 3415: 3401: 3387: 3375: 3363: 3351: 3337: 3335:, p. 205. 3324: 3322:, p. 499. 3312: 3310:, p. 203. 3300: 3288: 3276: 3262: 3260:, p. 274. 3250: 3248:, p. xiv. 3236: 3224: 3210: 3196: 3182: 3180:, p. xxi. 3168: 3154: 3140: 3128: 3126:, p. vii. 3114: 3112:, p. vii. 3100: 3093:Lawson, Jack. 3085: 3073: 3061: 3039: 3017: 3013:Rosenberg 1966 3005: 2991: 2989:, p. xxi. 2977: 2963: 2951: 2937: 2923: 2921:, p. 113. 2911: 2899: 2887: 2875: 2846: 2844:, p. 216. 2833: 2831:, p. 694. 2821: 2816:"Carl Nielsen" 2806: 2804:, p. 129. 2794: 2790:Pankhurst 2008 2782: 2759: 2757:, p. 689. 2747: 2735: 2723: 2721:, p. 684. 2708: 2696: 2684: 2680:Schonberg 1997 2672: 2650: 2638: 2616: 2590: 2588:, p. 218. 2577: 2575:, p. 208. 2565: 2543: 2518: 2516:, p. 890. 2506: 2481: 2464: 2442: 2440:, p. 104. 2430: 2401: 2399:, p. 889. 2382: 2370: 2358: 2347:on 18 May 2015 2332: 2313: 2298: 2276: 2264: 2239: 2214: 2212:, p. 888. 2202: 2187: 2160: 2131: 2119: 2107: 2085: 2073: 2057: 2055: 2052: 2050: 2047: 2015:Danish Quartet 1999:Symphony No. 4 1969:issued by the 1948:Mogens Wöldike 1926:, the pianist 1920:Jørgen Bentzon 1909:in Gothenburg. 1898: 1895: 1868:Launy Grøndahl 1857:Fifth Symphony 1838:The New Yorker 1782: 1779: 1770:Saul and David 1757: 1754: 1691: 1686:omitted (0:27) 1681: 1671: 1663: 1662: 1658:omitted (0:25) 1653: 1643: 1635: 1634: 1630:omitted (0:44) 1625: 1615: 1607: 1606: 1605: 1596: 1595: 1594: 1586: 1583: 1506: 1505:Keyboard works 1503: 1499:Fini Henriques 1435: 1425: 1415: 1410: 1409: 1397: 1392: 1391: 1379: 1374: 1373: 1370: 1369: 1360: 1359: 1358: 1348: 1345: 1323:Oriental March 1261:Pan and Syrinx 1192: 1189: 1142: 1139: 1070:Saul and David 1066:Ludvig Holberg 1011: 1008: 1000:Symphony No. 6 972:Symphony No. 5 957:Symphony No. 4 940:Symphony No. 2 936:Symphony No. 1 919: 916: 883:Robert Simpson 857:Julius Röntgen 801: 798: 796:(FS numbers). 771: 768: 723: 720: 697:Pan and Syrinx 687:(1914–16) and 616:First Symphony 602:Fuglsang Manor 593: 590: 529:Saul and David 496:Richard Wagner 491: 488: 468:Tivoli Gardens 435:Orla Rosenhoff 423:Valdemar Tofte 391: 388: 320: 317: 315: 312: 276:, Copenhagen. 206:Giuseppe Verdi 202:Johan Svendsen 147: 146: 138: 137: 133: 132: 127: 123: 122: 109: 105: 104: 98: 96:(aged 66) 92:3 October 1931 90: 86: 85: 79: 68: 64: 63: 54: 46: 45: 42: 26: 24: 14: 13: 10: 9: 6: 4: 3: 2: 8187: 8176: 8173: 8171: 8168: 8166: 8163: 8161: 8158: 8156: 8153: 8151: 8148: 8146: 8143: 8141: 8138: 8136: 8133: 8131: 8128: 8126: 8123: 8121: 8118: 8116: 8113: 8111: 8108: 8106: 8103: 8101: 8098: 8096: 8093: 8091: 8088: 8086: 8083: 8081: 8078: 8076: 8073: 8071: 8068: 8066: 8063: 8061: 8058: 8056: 8053: 8051: 8048: 8046: 8043: 8041: 8038: 8036: 8033: 8031: 8028: 8026: 8023: 8021: 8018: 8016: 8013: 8012: 8010: 8000: 7995: 7990: 7988: 7978: 7976: 7966: 7964: 7954: 7952: 7942: 7938: 7923: 7920: 7918: 7915: 7913: 7910: 7908: 7905: 7903: 7902:Aaron Copland 7900: 7899: 7897: 7893: 7890: 7888: 7887:Carlos Chávez 7885: 7883: 7880: 7879: 7877: 7873: 7872:Claude Vivier 7870: 7869: 7867: 7863: 7860: 7858: 7855: 7853: 7850: 7849: 7847: 7843: 7840: 7839: 7837: 7836: 7834: 7830: 7822: 7819: 7817: 7814: 7812: 7809: 7807: 7804: 7802: 7799: 7798: 7796: 7792: 7789: 7788: 7786: 7782: 7779: 7777: 7774: 7772: 7769: 7767: 7764: 7762: 7761:Isaac Albéniz 7759: 7758: 7756: 7752: 7749: 7747: 7744: 7742: 7739: 7738: 7736: 7730: 7727: 7725: 7722: 7720: 7717: 7715: 7712: 7710: 7707: 7706: 7705: 7702: 7700: 7697: 7695: 7692: 7691: 7689: 7685: 7684:George Enescu 7682: 7681: 7679: 7675: 7672: 7670: 7667: 7665: 7662: 7661: 7659: 7655: 7652: 7651: 7649: 7645: 7642: 7641: 7639: 7635: 7632: 7631: 7629: 7625: 7624:Zoltán Kodály 7622: 7620: 7617: 7616: 7614: 7610: 7607: 7605: 7602: 7601: 7599: 7595: 7592: 7590: 7587: 7586: 7584: 7580: 7579:Jean Sibelius 7577: 7575: 7572: 7571: 7569: 7565: 7564:Rudolf Tobias 7562: 7561: 7559: 7555: 7552: 7550: 7547: 7546: 7544: 7540: 7537: 7535: 7532: 7530: 7527: 7525: 7522: 7521: 7519: 7518: 7516: 7512: 7508: 7501: 7496: 7494: 7489: 7487: 7482: 7481: 7478: 7466: 7462: 7458: 7456: 7448: 7447: 7444: 7443: 7437: 7436: 7428: 7420: 7417: 7416: 7415: 7412: 7408: 7405: 7403: 7400: 7398: 7395: 7393: 7390: 7389: 7388: 7385: 7383: 7380: 7379: 7377: 7373: 7366: 7362: 7360: 7357: 7355: 7352: 7350: 7347: 7345: 7342: 7340: 7339: 7335: 7333: 7330: 7328: 7325: 7324: 7322: 7318: 7312: 7309: 7307: 7304: 7302: 7299: 7297: 7294: 7292: 7289: 7287: 7284: 7282: 7279: 7277: 7274: 7272: 7269: 7267: 7264: 7262: 7259: 7258: 7256: 7252: 7246: 7243: 7241: 7238: 7237: 7235: 7231: 7225: 7222: 7220: 7217: 7215: 7212: 7210: 7207: 7205: 7202: 7200: 7197: 7195: 7192: 7190: 7187: 7185: 7182: 7180: 7177: 7175: 7172: 7170: 7167: 7165: 7162: 7160: 7157: 7155: 7152: 7150: 7149:J. Strauss II 7147: 7145: 7142: 7140: 7137: 7135: 7132: 7130: 7127: 7125: 7122: 7120: 7117: 7115: 7112: 7110: 7107: 7105: 7102: 7100: 7097: 7095: 7092: 7090: 7087: 7085: 7082: 7080: 7077: 7075: 7072: 7070: 7067: 7065: 7062: 7060: 7057: 7055: 7052: 7050: 7047: 7045: 7042: 7040: 7037: 7035: 7032: 7030: 7027: 7025: 7022: 7020: 7017: 7015: 7012: 7010: 7007: 7005: 7002: 7000: 6997: 6995: 6992: 6990: 6987: 6985: 6982: 6980: 6977: 6975: 6972: 6970: 6967: 6965: 6962: 6960: 6957: 6955: 6952: 6950: 6947: 6945: 6942: 6940: 6937: 6935: 6932: 6930: 6927: 6925: 6922: 6920: 6917: 6915: 6912: 6910: 6907: 6905: 6902: 6900: 6897: 6895: 6892: 6890: 6887: 6885: 6882: 6880: 6877: 6875: 6872: 6870: 6867: 6865: 6862: 6860: 6857: 6855: 6852: 6850: 6847: 6845: 6842: 6840: 6837: 6835: 6832: 6830: 6827: 6825: 6822: 6820: 6817: 6815: 6812: 6810: 6807: 6805: 6802: 6800: 6797: 6795: 6792: 6790: 6787: 6785: 6782: 6780: 6777: 6775: 6772: 6770: 6767: 6765: 6762: 6760: 6757: 6755: 6752: 6750: 6747: 6745: 6742: 6740: 6737: 6735: 6732: 6730: 6727: 6725: 6722: 6720: 6717: 6715: 6712: 6710: 6707: 6705: 6702: 6700: 6697: 6695: 6692: 6690: 6687: 6685: 6682: 6680: 6677: 6675: 6672: 6670: 6667: 6665: 6662: 6660: 6657: 6655: 6652: 6650: 6647: 6645: 6642: 6640: 6637: 6635: 6632: 6630: 6627: 6625: 6622: 6620: 6617: 6615: 6612: 6610: 6607: 6605: 6602: 6600: 6597: 6595: 6592: 6590: 6587: 6585: 6582: 6580: 6577: 6575: 6572: 6570: 6567: 6565: 6562: 6560: 6557: 6555: 6552: 6550: 6547: 6545: 6542: 6540: 6537: 6535: 6532: 6530: 6527: 6526: 6524: 6520:Composers and 6518: 6514: 6509: 6505: 6498: 6493: 6491: 6486: 6484: 6479: 6478: 6475: 6465: 6455: 6449: 6446: 6443: 6440: 6437: 6436: 6432: 6429: 6428:David Fanning 6426: 6424: 6421: 6419: 6416: 6414: 6411: 6409: 6406: 6404: 6401: 6399: 6398: 6394: 6393: 6391: 6387: 6381: 6378: 6376: 6373: 6371: 6370:Thomas Jensen 6368: 6366: 6363: 6361: 6358: 6356: 6353: 6352: 6350: 6346: 6340: 6337: 6335: 6332: 6330: 6327: 6325: 6324:Herman Koppel 6322: 6320: 6319:Knud Jeppesen 6317: 6315: 6314:Nancy Dalberg 6312: 6310: 6307: 6305: 6302: 6300: 6297: 6295: 6292: 6291: 6289: 6285: 6279: 6276: 6274: 6271: 6269: 6266: 6264: 6261: 6259: 6256: 6255: 6253: 6249: 6243: 6240: 6238: 6237:Victor Bendix 6235: 6232: 6231:Emil Telmányi 6229: 6226: 6223: 6220: 6217: 6216: 6214: 6210: 6203: 6200: 6197: 6196: 6192: 6189: 6188: 6184: 6181: 6180: 6176: 6173: 6172: 6168: 6167: 6165: 6163:Miscellaneous 6161: 6154: 6151: 6148: 6147: 6143: 6140: 6137: 6134: 6131: 6128: 6125: 6122: 6119: 6116: 6113: 6112: 6110: 6106: 6099: 6098: 6094: 6091: 6090: 6086: 6083: 6082: 6078: 6075: 6074: 6070: 6067: 6066: 6062: 6059: 6058: 6054: 6053: 6051: 6047: 6040: 6039: 6035: 6032: 6031: 6027: 6024: 6023: 6022:Hymnus amoris 6019: 6018: 6016: 6012: 6005: 6004: 6000: 5997: 5996: 5992: 5991: 5989: 5985: 5978: 5977: 5973: 5970: 5969: 5965: 5964: 5962: 5958: 5951: 5948: 5945: 5942: 5939: 5936: 5935: 5933: 5929: 5921: 5916: 5913: 5910: 5907: 5904: 5900: 5897: 5893: 5888: 5885: 5882: 5878: 5875: 5872: 5869: 5868: 5866: 5862: 5856: 5853: 5852: 5849: 5845: 5838: 5833: 5831: 5826: 5824: 5819: 5818: 5815: 5805: 5801: 5800:Knud Jeppesen 5797: 5795: 5791: 5788: 5784: 5781: 5778: 5775: 5773: 5769: 5766: 5763: 5760: 5756: 5752: 5748: 5745: 5741: 5738: 5735: 5731: 5728: 5725: 5722: 5721: 5717: 5703: 5700:(in German). 5699: 5698: 5693: 5688: 5684: 5680: 5679: 5673: 5669: 5665: 5664: 5658: 5657: 5653: 5646: 5640: 5636: 5631: 5628: 5627:Balzer (1966) 5622: 5618: 5614: 5610: 5606: 5599: 5597: 5590: 5586: 5580: 5576: 5572: 5567: 5555: 5550: 5547: 5546:Balzer (1966) 5541: 5536: 5532: 5526: 5522: 5518: 5514: 5502: 5498: 5497:Program Notes 5494: 5490: 5486: 5480: 5476: 5472: 5468: 5464: 5458: 5454: 5450: 5445: 5434: 5433: 5428: 5424: 5420: 5417: 5416:Balzer (1966) 5411: 5406: 5402: 5396: 5392: 5387: 5376: 5372: 5367: 5356: 5352: 5347: 5336:on 1 May 2015 5335: 5331: 5326: 5319: 5315: 5309: 5305: 5304:Schenkerguide 5298: 5293: 5289: 5285: 5281: 5277: 5273: 5269: 5265: 5260: 5256: 5250: 5246: 5242: 5238: 5234: 5230: 5225: 5213: 5212: 5206: 5201: 5197: 5193: 5187: 5183: 5178: 5166: 5162: 5157: 5153: 5149: 5144: 5140: 5136: 5132: 5128: 5124: 5120: 5115: 5103: 5099: 5094: 5087: 5083: 5079: 5075: 5072:(1515): 499. 5071: 5067: 5066: 5061: 5056: 5049: 5045: 5041: 5037: 5033: 5029: 5024: 5020: 5016: 5011: 4999: 4995: 4991: 4985: 4981: 4976: 4969: 4965: 4961: 4957: 4953: 4949: 4945: 4941: 4940: 4934: 4927: 4923: 4919: 4915: 4911: 4907: 4906: 4901: 4896: 4884: 4880: 4875: 4871: 4865: 4861: 4860: 4855: 4850: 4846: 4840: 4835: 4834: 4828: 4824: 4820: 4816: 4812: 4808: 4803: 4791: 4787: 4782: 4773: 4769: 4763: 4756: 4755: 4749: 4742: 4738: 4734: 4728: 4721: 4720: 4714: 4707: 4703: 4699: 4693: 4686: 4685: 4679: 4672: 4668: 4664: 4658: 4651: 4650: 4644: 4637: 4633: 4629: 4623: 4616: 4615: 4610: 4606: 4599: 4595: 4591: 4585: 4578: 4577: 4571: 4564: 4560: 4556: 4550: 4543: 4542: 4536: 4529: 4525: 4521: 4515: 4508: 4507: 4501: 4494: 4490: 4486: 4480: 4473: 4472: 4466: 4459: 4455: 4451: 4445: 4438: 4437: 4431: 4424: 4420: 4413: 4412: 4406: 4399: 4395: 4391: 4385: 4378: 4377: 4372: 4368: 4367: 4363: 4359: 4355: 4351: 4346: 4334: 4330: 4325: 4321: 4317: 4313: 4309: 4304: 4300: 4296: 4292: 4291:Dennis Dobson 4288: 4283: 4271: 4267: 4266:David Fanning 4263: 4259: 4255: 4250: 4249: 4244: 4236: 4230: 4227: 4214: 4210: 4204: 4201: 4188: 4184: 4180: 4164: 4158: 4155: 4142: 4136: 4133: 4120: 4116: 4110: 4107: 4094: 4090: 4086: 4080: 4077: 4064: 4060: 4059: 4054: 4048: 4045: 4032: 4028: 4022: 4019: 4006: 4002: 3996: 3993: 3980: 3976: 3970: 3967: 3954: 3950: 3944: 3941: 3929: 3925: 3919: 3916: 3903: 3899: 3893: 3890: 3886: 3882: 3880: 3879:Nielsen Notes 3874: 3871: 3858: 3852: 3849: 3845: 3840: 3837: 3833: 3829: 3824: 3821: 3808: 3807:"Discography" 3802: 3799: 3795: 3790: 3787: 3783: 3778: 3775: 3762: 3756: 3753: 3749: 3744: 3741: 3728: 3724: 3718: 3715: 3711: 3706: 3703: 3699: 3695: 3691: 3686: 3683: 3679: 3674: 3671: 3667: 3662: 3659: 3656:, p. 47. 3655: 3650: 3647: 3643: 3638: 3635: 3632:, p. 92. 3631: 3626: 3623: 3619: 3614: 3611: 3608:, p. 45. 3607: 3602: 3599: 3595: 3594:Dolleris 1949 3591: 3586: 3583: 3579: 3578:Phillips 2014 3574: 3571: 3568:, p. xv. 3567: 3566: 3560: 3557: 3553: 3552: 3546: 3543: 3530: 3526: 3520: 3517: 3504: 3500: 3494: 3491: 3487: 3482: 3479: 3475: 3470: 3467: 3463: 3458: 3455: 3452:, p. 85. 3451: 3446: 3443: 3439: 3438:Reynolds 2010 3433: 3430: 3426: 3425: 3419: 3416: 3412: 3411: 3405: 3402: 3398: 3397: 3391: 3388: 3385:, p. 69. 3384: 3379: 3376: 3372: 3367: 3364: 3360: 3355: 3352: 3348: 3347: 3341: 3338: 3334: 3328: 3325: 3321: 3316: 3313: 3309: 3304: 3301: 3298:, p. 57. 3297: 3292: 3289: 3285: 3280: 3277: 3274:, p. xi. 3273: 3272: 3266: 3263: 3259: 3254: 3251: 3247: 3246: 3240: 3237: 3233: 3228: 3225: 3221: 3220: 3214: 3211: 3208:, p. xi. 3207: 3206: 3200: 3197: 3193: 3192: 3186: 3183: 3179: 3178: 3172: 3169: 3165: 3164: 3158: 3155: 3152:, p. xi. 3151: 3150: 3144: 3141: 3137: 3132: 3129: 3125: 3124: 3118: 3115: 3111: 3110: 3104: 3101: 3096: 3089: 3086: 3082: 3081:Slattery 2015 3077: 3074: 3070: 3065: 3062: 3049: 3043: 3040: 3027: 3021: 3018: 3015:, p. 49. 3014: 3009: 3006: 3002: 3001: 2995: 2992: 2988: 2987: 2981: 2978: 2974: 2973: 2967: 2964: 2960: 2955: 2952: 2948: 2947: 2941: 2938: 2934: 2933: 2927: 2924: 2920: 2915: 2912: 2908: 2903: 2900: 2896: 2891: 2888: 2885:, p. 25. 2884: 2879: 2876: 2863: 2857: 2855: 2853: 2851: 2847: 2843: 2837: 2834: 2830: 2829:Brincker 2008 2825: 2822: 2817: 2810: 2807: 2803: 2798: 2795: 2791: 2786: 2783: 2770: 2763: 2760: 2756: 2755:Brincker 2008 2751: 2748: 2745:, p. 44. 2744: 2739: 2736: 2733:, p. 55. 2732: 2727: 2724: 2720: 2719:Brincker 2008 2715: 2713: 2709: 2705: 2704:Reynolds 2010 2700: 2697: 2694:, p. ix. 2693: 2688: 2685: 2682:, p. 94. 2681: 2676: 2673: 2660: 2654: 2651: 2647: 2642: 2639: 2626: 2620: 2617: 2605: 2601: 2594: 2591: 2587: 2581: 2578: 2574: 2569: 2566: 2553: 2547: 2544: 2531: 2525: 2523: 2519: 2515: 2510: 2507: 2494: 2488: 2486: 2482: 2478: 2477: 2471: 2469: 2465: 2452: 2451:"Family life" 2446: 2443: 2439: 2434: 2431: 2418: 2412: 2410: 2408: 2406: 2402: 2398: 2393: 2391: 2389: 2387: 2383: 2380:, p. 58. 2379: 2374: 2371: 2367: 2362: 2359: 2346: 2342: 2336: 2333: 2329: 2325: 2320: 2318: 2314: 2310: 2305: 2303: 2299: 2286: 2280: 2277: 2273: 2268: 2265: 2252: 2246: 2244: 2240: 2228: 2224: 2223:"Study years" 2218: 2215: 2211: 2206: 2203: 2199: 2194: 2192: 2188: 2175: 2169: 2167: 2165: 2161: 2148: 2144: 2138: 2136: 2132: 2129:, p. 23. 2128: 2123: 2120: 2116: 2111: 2108: 2095: 2089: 2086: 2083:, p. 16. 2082: 2077: 2074: 2069: 2062: 2059: 2053: 2048: 2046: 2044: 2041:Minor planet 2039: 2036: 2032: 2028: 2024: 2020: 2016: 2012: 2011:Saul og David 2008: 2004: 2000: 1996: 1992: 1991:Hymnus amoris 1988: 1982: 1980: 1976: 1972: 1968: 1963: 1961: 1955: 1953: 1949: 1945: 1941: 1940:Nancy Dalberg 1937: 1933: 1929: 1928:Herman Koppel 1925: 1924:Knud Jeppesen 1921: 1917: 1908: 1907:Saul og David 1903: 1896: 1894: 1892: 1888: 1884: 1879: 1877: 1873: 1869: 1865: 1864:Thomas Jensen 1860: 1858: 1854: 1853: 1848: 1844: 1840: 1839: 1833: 1830: 1829: 1823: 1822:Sonning Prize 1818: 1813: 1811: 1806: 1804: 1800: 1795: 1793: 1789: 1788:Hymnus amoris 1780: 1778: 1775: 1771: 1767: 1763: 1755: 1753: 1750: 1746: 1742: 1738: 1734: 1730: 1724: 1722: 1718: 1712: 1710: 1706: 1699: 1697: 1685: 1669: 1667: 1657: 1641: 1639: 1629: 1613: 1611: 1592: 1584: 1582: 1579: 1574: 1570: 1566: 1561: 1560:Orgelbewegung 1556: 1551: 1549: 1545: 1541: 1537: 1533: 1529: 1525: 1521: 1517: 1513: 1512:wax cylinders 1504: 1502: 1500: 1496: 1492: 1491: 1486: 1482: 1478: 1473: 1469: 1464: 1462: 1458: 1454: 1450: 1443: 1441: 1429: 1426:Performed by 1413: 1395: 1377: 1357: 1354: 1353:chamber music 1347:Chamber music 1346: 1344: 1342: 1337: 1332: 1328: 1324: 1320: 1316: 1311: 1310: 1304: 1303: 1297: 1295: 1290: 1285: 1284: 1279: 1278: 1277:Metamorphoses 1273: 1268: 1267:Pan og Syrinx 1263: 1262: 1257: 1256:Oluf Hartmann 1252: 1247: 1246: 1240: 1235: 1233: 1229: 1225: 1220: 1219: 1213: 1209: 1208: 1202: 1200: 1199: 1190: 1188: 1186: 1181: 1180:objektivering 1175: 1173: 1169: 1165: 1161: 1157: 1153: 1149: 1140: 1138: 1136: 1131: 1130: 1124: 1119: 1118: 1111: 1110: 1104: 1103: 1098: 1094: 1089: 1088:Hymnus amoris 1082: 1080: 1075: 1071: 1067: 1063: 1059: 1054: 1049: 1045: 1041: 1037: 1032: 1031: 1030:Saul og David 1021: 1020:Saul og David 1016: 1009: 1007: 1005: 1001: 997: 993: 990:conducted by 989: 984: 983: 977: 976:snare drummer 973: 968: 966: 962: 958: 954: 953: 947: 945: 941: 937: 928: 924: 917: 915: 913: 907: 905: 901: 897: 893: 892:appoggiaturas 889: 888:acciaccaturas 884: 880: 879:neo-classical 876: 875: 870: 865: 863: 858: 853: 851: 847: 842: 840: 834: 832: 827: 823: 822:Jean Sibelius 819: 815: 806: 800:Musical style 799: 797: 795: 791: 787: 783: 777: 769: 767: 765: 759: 757: 756:heart attacks 752: 750: 746: 741: 739: 735: 734: 729: 728:Robert Layton 721: 718: 713: 711: 710: 705: 700: 698: 694: 690: 686: 682: 678: 675:Damgaard and 668: 664: 660: 655: 649: 647: 646: 641: 637: 633: 632:Hymnus amoris 630: 625: 622: 617: 603: 598: 591: 589: 587: 583: 582:Emil Telmányi 579: 575: 571: 567: 563: 557: 554: 553: 546: 545: 544:Hymnus amoris 539: 537: 531: 530: 523: 521: 517: 513: 509: 505: 501: 497: 489: 487: 484: 480: 476: 475:Royal Theatre 471: 469: 465: 460: 455: 451: 446: 444: 443:David Fanning 440: 436: 432: 428: 424: 419: 417: 416:Royal Academy 413: 412:Niels W. Gade 409: 405: 396: 389: 387: 385: 381: 376: 374: 370: 366: 360: 358: 353: 352: 346: 342: 338: 330: 325: 318: 313: 311: 309: 308: 303: 299: 295: 291: 287: 283: 277: 275: 271: 270: 265: 261: 257: 253: 252: 247: 243: 239: 235: 231: 227: 221: 219: 218: 213: 212: 207: 203: 199: 195: 194: 189: 185: 181: 176: 174: 170: 166: 161: 153: 144: 139: 134: 131: 128: 124: 121: 117: 113: 110: 108:Occupation(s) 106: 101: 91: 87: 82: 69: 65: 52: 47: 40: 37: 33: 19: 8015:Carl Nielsen 7922:Charles Ives 7907:Henry Cowell 7882:Manuel Ponce 7806:Edward Elgar 7801:Joseph Parry 7751:Eugen Suchoň 7654:Edvard Grieg 7640:Netherlands 7554:Carl Nielsen 7553: 7534:Leoš Janáček 7440: 7433: 7336: 7320:Other topics 7144:J. Strauss I 7034:Rachmaninoff 6983: 6789:Gretchaninov 6433: 6395: 6221: (wife) 6204: (list) 6198: (1931) 6193: 6190: (1929) 6187:Three Motets 6185: 6182: (1928) 6177: 6174: (1917) 6169: 6155: (1922) 6153:Wind Quintet 6149: (1914) 6144: 6141: (1906) 6135: (1898) 6129: (1890) 6123: (1890) 6117: (1889) 6100: (1927) 6095: 6092: (1918) 6087: 6084: (1910) 6079: 6076: (1908) 6071: 6068: (1903) 6063: 6060: (1888) 6055: 6041: (1921) 6036: 6033: (1905) 6028: 6025: (1896) 6020: 6006: (1920) 6001: 5998: (1919) 5993: 5979: (1906) 5974: 5971: (1902) 5966: 5952: (1928) 5946: (1926) 5940: (1911) 5923: (1925) 5911: (1922) 5905: (1916) 5902: 5895: (1911) 5883: (1902) 5880: 5873: (1892) 5844:Carl Nielsen 5843: 5793: 5768:Carl Nielsen 5746:(ChoralWiki) 5706:. Retrieved 5701: 5695: 5682: 5676: 5667: 5661: 5634: 5620: 5617:Viderø, Finn 5608: 5604: 5595: 5570: 5558:. Retrieved 5539: 5520: 5505:. Retrieved 5501:the original 5496: 5474: 5453:Opera Book 1 5452: 5449:Operabogen 1 5448: 5436:. Retrieved 5430: 5409: 5390: 5378:. Retrieved 5374: 5358:. Retrieved 5354: 5338:. Retrieved 5334:the original 5303: 5288:the original 5276:the original 5264:My Childhood 5263: 5244: 5232: 5228: 5216:. Retrieved 5209: 5182:Carl Nielsen 5181: 5169:. Retrieved 5165:the original 5151: 5147: 5122: 5118: 5106:. Retrieved 5101: 5069: 5063: 5059: 5034:(2): 28–33. 5031: 5027: 5019:the original 5002:. Retrieved 5000:. Guildmusic 4979: 4943: 4937: 4909: 4903: 4899: 4887:. Retrieved 4882: 4857: 4832: 4819:the original 4807:Carl Nielsen 4806: 4794:. Retrieved 4789: 4753: 4718: 4683: 4648: 4613: 4575: 4540: 4505: 4470: 4435: 4410: 4375: 4362:the original 4352:(78): 12–18. 4349: 4337:. Retrieved 4332: 4311: 4307: 4286: 4274:. Retrieved 4270:the original 4261: 4257: 4229: 4217:. Retrieved 4213:the original 4203: 4191:. Retrieved 4187:the original 4183:Proms Events 4182: 4167:. Retrieved 4157: 4145:. Retrieved 4135: 4123:. Retrieved 4119:the original 4109: 4097:. 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Retrieved 3503:the original 3493: 3488:, p. 7. 3481: 3469: 3457: 3445: 3440:, p. 8. 3432: 3423: 3418: 3409: 3404: 3395: 3390: 3378: 3371:Grimley 2005 3366: 3359:Grimley 2005 3354: 3345: 3340: 3333:Grimley 2005 3327: 3315: 3308:Grimley 2005 3303: 3291: 3284:Ketting 2007 3279: 3270: 3265: 3258:Smaczny 2003 3253: 3244: 3239: 3227: 3218: 3213: 3204: 3199: 3190: 3185: 3176: 3171: 3162: 3157: 3148: 3143: 3131: 3122: 3117: 3108: 3103: 3094: 3088: 3076: 3064: 3052:. Retrieved 3042: 3030:. Retrieved 3020: 3008: 2999: 2994: 2985: 2980: 2971: 2966: 2954: 2945: 2940: 2931: 2926: 2919:Simpson 1979 2914: 2902: 2890: 2883:Simpson 1979 2878: 2866:. Retrieved 2842:Grimley 2005 2836: 2824: 2809: 2797: 2785: 2773:. Retrieved 2762: 2750: 2738: 2726: 2699: 2692:Grimley 2010 2687: 2675: 2663:. Retrieved 2653: 2641: 2629:. Retrieved 2625:"Last years" 2619: 2607:. Retrieved 2603: 2593: 2586:Grimley 2005 2580: 2568: 2556:. Retrieved 2546: 2534:. Retrieved 2514:Fanning 2001 2509: 2497:. Retrieved 2475: 2455:. 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Nielsen's 2010: 2006: 1998: 1994: 1990: 1983: 1978: 1974: 1964: 1956: 1943: 1912: 1906: 1891:Sakari Oramo 1880: 1875: 1872:LP recording 1861: 1850: 1836: 1834: 1826: 1814: 1809: 1807: 1798: 1796: 1791: 1787: 1784: 1773: 1769: 1765: 1761: 1759: 1728: 1726: 1714: 1702: 1684:Jeppe Aakjær 1665: 1637: 1609: 1552: 1539: 1527: 1523: 1508: 1494: 1488: 1484: 1472:Peder Møller 1465: 1446: 1428:James Galway 1350: 1330: 1326: 1322: 1314: 1300: 1298: 1292:), draws on 1281: 1275: 1259: 1243: 1242: 1237: 1223: 1205: 1203: 1196: 1194: 1176: 1172:Aage Oxenvad 1156:E-flat minor 1144: 1134: 1129:Fynsk Foraar 1122: 1100: 1096: 1093:Hymn of Love 1092: 1083: 1073: 1069: 1038:, tells the 1025: 1019: 1003: 994:at the 1950 969: 960: 950: 948: 932: 911: 908: 874:Tre Motetter 872: 866: 854: 849: 845: 843: 835: 830: 813: 811: 781: 779: 760: 753: 748: 745:Living Music 744: 742: 731: 725: 715: 707: 703: 701: 696: 692: 673: 650: 643: 642:'s painting 631: 626: 613: 558: 535: 527: 524: 500:music dramas 493: 482: 478: 472: 463: 453: 447: 427:music theory 420: 401: 377: 361: 356: 334: 305: 278: 268: 249: 234:Wind Quintet 222: 215: 209: 191: 177: 151: 150: 94:(1931-10-03) 43:Carl Nielsen 36: 8025:1931 deaths 8020:1865 births 7791:Hugo Alfvén 7619:Béla Bartók 7387:Romanticism 7169:Tchaikovsky 7104:R. Schumann 7099:C. Schumann 7084:Saint-Saëns 6979:Niedermeyer 6869:Leoncavallo 6839:Kalkbrenner 6614:Bortkiewicz 5931:Concertante 5808:(in Danish) 5796:(1951–1954) 5755:BBC Radio 3 5556:. Bachtrack 5507:10 November 5380:17 November 5184:. Phaidon. 5154:(1): 43–56. 5125:(1): 1–13. 5060:Piano Music 5004:17 November 4885:(in Danish) 4792:(in French) 3794:Krabbe 2012 3710:Krabbe 2007 3698:Lawson 1997 3690:Miller 1994 3678:Pincus 1990 3666:Krabbe 2007 3654:Krabbe 2007 3642:Burton 2006 3606:Krabbe 2007 3486:Krabbe 2012 3474:Krabbe 2012 3383:Viderø 1966 3320:Horton 1969 2868:17 November 2771:. Bachtrack 2743:Krabbe 2007 2731:Krabbe 2012 2646:Holmen 1985 2457:18 November 2438:Lawson 1997 2378:Lawson 1997 2272:Fellow 2005 2115:Larsen 2015 2081:Lawson 1997 1835:Writing in 1733:Thomas Laub 1555:Finn Viderø 1468:modulations 1394:2. Menuetto 1331:Negro Dance 1327:Hindu Dance 1305:(1919) and 1232:Njal's Saga 900:minor third 657: [ 609: 1915 319:Early years 77:9 June 1865 60: 1908 8009:Categories 7838:Argentina 7741:Ján Cikker 7549:Niels Gade 7375:Background 7276:Intermezzo 7209:Wieniawski 7189:Vieuxtemps 7154:R. Strauss 7079:Rubinstein 7004:Paderewski 6974:Mussorgsky 6969:Moszkowski 6944:Mercadante 6380:Erik Tuxen 6258:Niels Gade 6073:Saga Dream 6003:The Mother 5864:Symphonies 5654:Obituaries 5423:Ross, Alex 5360:21 October 4289:. London: 3953:Berlingske 3844:Caron 2013 3234:. Quintet. 3054:19 October 3032:19 October 2909:. 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