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Born in Berlin, Hasenpflug was first apprenticed as a shoemaker to his father, then to the decorative painter Carl
Gropius. By 1822 he had become known as a painter of architectural subjects, with particular focus on the representation of
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After 1838 Hasenpflug concentrated on paintings of snow-covered ruins that combined factual observation with fantasy. "Snowdrifts in the
Cloister of the
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163:(1827), “Mediæval Castle Yard” (1842, Schwerin Gallery), and “Ruined Chapel” (Stettin Museum).
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German churches, in which architectural details were first drawn in pen, then glazed over with
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Baltic Light: Early Open-Air
Painting in Denmark and North Germany
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99:(1802–1858) was a German artist who specialized in
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132:. Favorite subjects included the cathedrals of
119:in Potsdam", 1827 (Stiftung Stadtmuseum Berlin)
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103:, primarily the rendering of architecture.
193:; Peck, H. T.; Colby, F. M., eds. (1905).
84:Learn how and when to remove this message
205:(1st ed.). New York: Dodd, Mead.
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255:Painters from the Kingdom of Prussia
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250:19th-century German male artists
166:He died in Halberstadt in 1858.
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179:. Yale University Press, 1999.
202:New International Encyclopedia
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175:Johnston, Catherine, et al.,
220:19th-century German painters
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23:German painter (1802–1858)
230:German landscape painters
196:"Hasenpflug, Karl"
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147:"Ruined Choir", c. 1840
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101:landscape painting
41:list of references
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235:Painters of ruins
157:Cologne Cathedral
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245:1858 deaths
240:1802 births
159:(1832–33),
138:Halberstadt
66:introducing
214:Categories
170:References
134:Magdeburg
130:oil paint
107:Biography
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