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His compositions appear simple, but are typically very artfully composed. Magini was interested in exploring the relationships between form, color, light, shadow and textures. His canvases are all composed along the same severe lines, avoiding any baroque frivolity and yet achieve a highly original
62:. Sebastiano Ceccarini asked to be allowed to bring his nephew to help. The nephew was likely Carlo Magini, who would follow his uncle during his journeys - through cities like Urbino, Perugia, Bologna, Florence and Venice between 1735 and 1738. Carlo Magini was present in Rome in 1742 and in 1743.
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style pieces, depicting mainly table settings with different, apparently unrelated, elements in juxtaposition. He was also recorded, but far less recognized, as a portrait painter. His known works amounting to about 100 canvases have been attributed on the basis of a number of signed pieces. A
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number of works are displayed at the
Quadreria della Fondazione Cassa di Risparmio di Fano in Fano. It is difficult to establish a timeline for his still lifes as the works were never dated and rarely, if at all, documented.
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and effective naturalist aesthetic. The work of Magini stands in the tradition of
Caravaggio, Velázquez and his near-contemporaries the Spaniard
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on July 14 of that year. Their eldest daughter
Francesca was born on 30 March 1750. He remained active in his hometown where he died in 1806.
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46:, region of the Marche. Carlo was the son of Francis Magini, a goldsmith. His mother, Elizabeth Ceccarini, was the sister of the painter
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50:. Little is known about the details of the life of Carlo. It is possible he trained with his uncle Sebastiano. In 1736, the
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commissioned
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period and one of the most original of the 18th century
Italian still life artists.
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Magini mainly painted still life subjects, mainly specialising in breakfast or
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By 1748 the artist had returned to Fano where he married
Michelina Polinori of
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An oil lamp, ceramics, brass lantern, knife, onion and calf's head
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An oil lamp, ceramics, brass lantern, knife, onion and calf's head
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Carlo Magini (1720-Fano - 1806) A Pair of Still Lives
30:(1720–1806) was an Italian painter of the late-
167:Still Life with Eggs, Cabbage and Candlestick
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174:at Galerie Canesso, accessed 17 March 2016
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192:at Christie's, accessed 17 March 2016
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150:Fondazione Cassa di Risparmio di Fano
121:at Lorenzilli, accessed 17 March 2016
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133:La Quadreria - Carlo Magini, La vita
42:He was born on 16 September 1720 in
165:Carlo Magini, (Fano 1720 - 1806),
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266:18th-century Italian male artists
261:19th-century Italian male artists
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187:Carlo Magini (Fano 1720-1806),
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271:Artists from the Papal States
246:19th-century Italian painters
236:18th-century Italian painters
251:Italian still life painters
16:Italian painter (1720–1806)
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136:at Fondazione Carifano
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241:Italian male painters
213:at Wikimedia Commons
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131:Rodolfo Battistini,
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48:Sebastiano Ceccarini
256:Painters from Fano
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23:Still life
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32:Baroque
75:Pesaro
106:Notes
169:and
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38:Life
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